I come from a football loving family, and my dad played for our village team until he was in his thirties, but over the years I’ve kind of lost interest in following any particular team. Mr WIAA has never been a fan, and once DD’s boyfriend moved south, I stopped following the local side he used to work for.
I do enjoy the big tournaments however, like The World Cup and The Euros. Maybe it’s the geographer in me, but from a young age I was fascinated by this coming together of teams from around the world, with their different strips and flags. You could kind of work out a nation’s history from its football squad and the names were often so exotic sounding – Eusébio, Maradona and Jairzinho, so different from those of our homegrown players. Also, for a few weeks there is usually a frisson of excitement in the air, if one of our home nations is doing well. For once, there is something other than doom and gloom in the news.
Sadly, it’s been a long, long time since Scotland made it to the finals of a big tournament but on Thursday night, out in Belgrade, they did, and whether you’re a football fan or not it seems to have given our nation a bit of a lift in this last quarter of what has been a shitty year. Even better for us in the North of Scotland, the hero of the night was one of our own. Ryan Christie used to play for our local team, as did his dad Charlie, so his family are well known. The poor lad became visibly emotional when recounting his experience of the night and as I want to keep hold of this clip I’m going to shoehorn it in here.
There have been some truly terrible football songs written over the years but back in 1982 something a bit different was chosen as the official song to accompany Scotland’s World Cup campaign. It was written and produced by BA Robertson who was quite prolific in the late ’70s/early ’80s with hits such as Bang Bang and To Be Or Not To Be. Anyway, the masterstroke was choosing a youthful John Gordon Sinclair to take on the song’s ‘spoken word’ duties. He’d just made the wonderful coming-of-age film Gregory’s Girl and had become a bit of a star. The 1982 World Cup didn’t go that well for Scotland but the song did, reaching No. 5 in the UK Singles Chart. (Scottish readers will spot the legend that is Christian amongst the players, in his kilt – Not quite sure how he ended up on the record but he certainly seems to be enjoying himself.)
So, ‘What’s it all about?’ – Of course the irony is that the tournament we’ve just qualified for is The 2020 UEFA European Football Championship, which will now be held in 2021…, or will it? At the moment we can’t really predict that far ahead but with good news about possible vaccine breakthroughs coming this week too, let’s hope, nearly 40 years on, we yet again have a chance to dream.
Until next time….
We Have A Dream Lyrics (Song byBA Robertson)
I awoke in the night with a fever and the sky was the darkest blue and a still voice was calling to me “Your country is needing you” Aye just like that. And away in the distance I can just make out this ball, coming in from the left, and I’m starting to run, to run like hell and the voices are getting louder and louder and louder, crying, “Hey big yin, gaun yersel'”
I have a dream (we have a dream) If dreams come true (If dreams come true) Then bonny Scotland (then bonny Scotland) I will play for you. (we’ll play for you) Now i hope and i pray (we hope and pray) That if, if I do (that if we do) Then bonny Scotland we’ll play for you
Now the next thing I know, someone’s gaun and tripped me and I’ve fallen just inside the box (that’s a penalty) Now the ref he looks to his linesman and he’s pointing right at the spot! (that’s brilliant) Now John Robertson, who normally takes them, is handing the ball to me (you don’t say) and then I hear ma old lady screamin’ blue murder, she’s saying, “that’s no the ball yer kickin’ ya eejit, its me!”
I have a dream (we have a dream) If dreams come true (If dreams come true) Then bonny Scotland (then bonny Scotland) I will play for you. (we’ll play for you) Now i hope and i pray (we hope and pray) That if, if I do (that if we do) Then bonny Scotland we’ll play for you
We have a dream, If dreams come true, Then bonny Scotland, We’ll play for you. We hope and pray (we hope and pray) That if we do (that if we do) Then bonny Scotland we’ll play for you
Last time I shared something from my college course, so here is something else with a rather glaring musical connection.
This week we were experimenting with sentences of mixed length. To quote: ‘Sometimes sentences should be short. Other times they should flow, complete with commas and clauses and dashes to allow the writing to flourish and the point being made to really sink in, until the reader needs a bit of brevity to catch their breath again. Like this.’ – Yes, just like that.
Anyway, we were given only 20 minutes to come up with something, so most of us trawled through our hard drives to find something we could adapt. I headed over here and chose to tweak the story I shared after the unexpected death of George Michael.
‘Turn A Different Corner And We Never Would Have Met’, by Alyson
Many years ago, I had a great friend called Anne. We lived in flats only a few doors from each other and were practically joined at the hip. We both loved socialising at weekends but often bemoaned the fact we hadn’t yet found The One, the person we might marry. We both loved George Michael songs, and joked that we must always be turning ‘a different corner’. We obviously needed to find the ‘right corner’. Oh, how we laughed.
Anne eventually moved town for a new job. She was sorely missed as were the ‘different corner’ jokes. I had to shop solo on Saturday afternoons. It was a lonely business.
One day I was heading up the high street when I spotted a chap I knew from our social circle. He was walking just ahead of me. I liked him a lot, but we always went our separate ways at the end of the night. I decided it was time for action. This was not a day for ‘different corners’, but it would be a race against time. I managed to head into the shopping centre. Quickly ran past all the shops. Emerged at the exit at the top and turned onto the street. Phew, he was just arriving. I was breathless.
‘Oh hi,’ I said trying not to look flustered. ‘Didn’t expect to bump into you this afternoon.’
We had a bit of a chat and organised a date for later in the evening. That was 30 years ago now. We’re still together. Thank you George, if not for your lyrics I might never have ‘seized the day’.
In the end we had to read our pieces out to the rest of the class, and it was more than a tad embarrassing to share this story with a bunch of 18-year-olds (who had probably never heard of George Michael). Funnily enough I don’t mind sharing on the world wide web, as I’m essentially anonymous here, but in a more intimate setting…, just no.
As for George in that video clip, he does look very coiffed and cool in his white lacy jumper. Last Christmas (no pun intended), Santa delivered Andrew Ridgeley’s recently published book about the Wham! years. It was a bit of a revelation hearing about those early days, when they were both just starting out. What came out loud and clear throughout the book however was that there were actually three members of Wham. No I’m not talking about Pepsi, or indeed Shirley, I’m talking about George’s hair! Wherever they went, copious amounts of time was spent licking George’s wiry curls into shape, and I can only imagine how long it must have taken to achieve the desired look for the Different Corner video. When filming Careless Whisper in Miami, he even resorted to flying his sister out (she was a hairdresser) to deal with the humidity problem his blond locks faced. Who knew?
Until next time….
A Different Corner Lyrics (Song by George Michael)
I’d say love was a magical thing I’d say love would keep us from pain Had I been there, had I been there
I would promise you all of my life But to lose you would cut like a knife So I don’t dare, no I don’t dare
‘Cause I’ve never come close in all of these years You are the only one to stop my tears And I’m so scared, I’m so scared
Take me back in time maybe I can forget Turn a different corner and we never would have met Would you care
I don’t understand it, for you it’s a breeze Little by little you’ve brought me to my knees Don’t you care
No I’ve never come close in all of these years You are the only one to stop my tears I’m so scared of this love
And if all that there is is this fear of being used I should go back to being lonely and confused If I could, I would, I swear
Well, I didn’t expect this to be the stumbling block in my challenge to become a daily blogger, but my left shoulder is aching from too many hours spent in front of a computer this week. I also have business and domestic admin, and my college course, so maybe a bridge too far for the poor shoulder that has just recovered from the physical strain of running a holiday let for the whole of last year.
Anyway, all this is really just to explain the brevity of today’s post (hurrah I hear you cry, as I can be a bit wordy at times). It’s obvious from the amount of comments received on my White Horses post, that we love looking back at the telly of our youth, and many other suggestions rolled in from visitors to the blog.
A good few years ago, when we first discovered iTunes, Mr WIAA and I spent some time collecting the themes from our favourite television shows. The music that brought back many happy memories for Mr WIAA was this one, Theme From The Persuaders starring Tony Curtis and Roger Moore. (As a boy he wanted to be Danny Wilde.)
For me, it was either Angela by Bob James from the show Taxi, or this one, Theme From Hill Street Blues. As Angela has appeared here before when I visited New York for my American Odyssey series, I’ll include the other wonderful theme, this time written by Mike Post. Hill Street Blues was kind of ground-breaking in its day in its style, and although a police procedural, it also followed the private lives of its main characters via a story arc.
Young people today are often accused of just lounging around watching Netflix in their spare time, consuming takeaways. Well back in the mid 1980s I can confirm that in my shared flat we often got together with the boyfriends on a Saturday night to watch Hill Street Blues. In winter, combined with a takeaway from the Slow Boat Chinese at the end of the street, and the curtains pulled tight to keep out the cold wind coming off the North Sea, we were happy bunnies.
If you remember the show, you will know it always began with roll call (‘Let’s be careful out there’), and ended with Captain Frank Furillo and public defender Joyce Davenport in their bedroom, recounting their day.
What’s your favourite TV theme? Neil mentioned in my last TV theme-related post that his was from Bonanza, as it was ‘pretty rousing’. You’re right there Neil. As ever, I’d love to hear from you.
I’m having a bit of a wistful morning. For the last three years, my best friend and I have gone on a wee trip at this exact point in the annual calendar, during the Scottish ‘tattie holidays’. Over the years these trips have been documented here on the blog: Amsterdam in 2017, Belfast in 2018, and last year, Bergen.
I have just been revisiting my pictures from last year, and will share some of them here. We were incredibly lucky with the weather as it can be very wet in Norway during the month of October, but what with autumn in full swing, and blue skies, our first experience of a Nordic country was a really good one.
Bergen in Norway
Well, what a difference a year makes. I’ve not had a single night away from home all year so a song that came to mind when I was revisiting these pictures was this one, Driving Away From Home (Jim’s Tune) by It’s Immaterial. It was the first track on my favourite mixtape, which was written about here when I considered it as an idea for a new series. Somehow, Ariel from Argentina found that post, and got in touch recently to let me know he had put together a playlist on Spotify of all the songs on the IC2 mixtape. I will embed that playlist here in case you are a subscriber. I haven’t set eyes on IC for over 30 years and can’t help thinking he would find it amusing to find his cassette insert, written back in October 1986, on that platform.
As for the song, it occurred to me I know nothing either of its backstory, or the band It’s Immaterial, so time to find out. Well it seems they come from Liverpool and were formed in 1980. Today’s featured song was the one they are best-known for but surprisingly it only reached No. 18 in the UK Singles Chart. I still remember it well so thought it had done better, but all down to the sheer number of hours spent listening to music back in those days I suppose. The song was originally recorded in Milwaukee with Jerry Harrison from Talking Heads, but the band were unhappy with it so returned to England to record a new version with producer Dave Bascombe. It seems the ‘Jim’ in the song’s title refers to Jim Lieber, a harmonica-player from a blues band they saw performing in a bar in Milwaukee. He was invited to record with them and they were so happy with his contribution, they credited him in the title.
So, ‘What’s It All About?’ – I would like nothing more than to drive away from home at the moment (and not just to go to the supermarket or for a walk on the other side of town), but not easy to plan for with new restrictions coming in every day. Let’s hope there is a breakthrough soon and we all get to spread our wings a bit more in the not too distant future.
Until next time….
Driving Away From Home (Jim’s Tune) (Song by John Campbell/John Whitehead)
Hey, now just get in And close the door And put your foot down
You know, I like this suburb we’re going through And I’ve been around here many times before When I was young we were gonna move out this way For the clean air, healthy, you know Away from the factories and the smoke I like that shop, too You can get anything there
So just get in And we’ll go for a ride
‘Cos we’ll go driving away from home Thirty miles or more And we’ll go moving away from home Without a care
I’ll tell you what Why don’t we cross the city limit And head on down the M62 It’s only thirty nine miles And forty five minutes to Manchester And that’s my birth-place, you know
Driving away from home Thirty miles or more And we’ll go moving away from home Without a care in the world
Driving away from home Thirty miles or more Yes, we’ll go moving away from home Without a care
Regulars around here might remember that many months ago I shared a picture of our little shower room which was about to be upgraded and transformed by my plumber friend. Ironically, on the 23rd March, just as the old plumbing was fully stripped out, we were plunged into lockdown. Nothing else for it we thought except to tidy everything up and wait the three weeks or so until we could get the job finished.
Except the three weeks became twelve weeks, and even then it wasn’t easy what with social distancing and mask-wearing. I really wasn’t even supposed to offer the plumber tea or coffee, but I’m afraid I broke that rule, and we’ve lived to tell the tale. Anyway, after a bit of dithering about what floor covering to put down and which accessories to go for, we have finally got the job finished, only five months after we started. The louvery doors (as Del-Boy Trotter used to call them) will have to go at some point but in the meantime we’re just glad it’s now fully funtional.
The final piece in the jigsaw was the mirror, and in the end I had to go for a boring old rectangular one, as the one that matched the set was out of stock – Having waited all that time, I just couldn’t wait any longer. When shopping for bathroom mirrors, this song naturally came to mind.
Mirror in the Bathroom by the Beat reached the No. 4 spot in the UK Singles Chart in 1980, just as the ska revival was really taking hold. Although signed to 2 Tone Records my memories of the band are a little sketchy and they were not part of the tour (written about here) which took place that year. They were however one of the most prolific ska bands of the time and between 1979 and 1983 had five Top Ten hits, two of which were successful covers, Tears of a Clown and Can’t Get Used to Losing You.
As for Mirror in the Bathroom, it apparently came about when Dave Wakeling, the songwriter, was in the bathroom one morning shaving. He started to talk to himself whilst looking in the mirror, and it got him to thinking about how self-involvement turns into narcissism, narcissism turns into isolation, and then isolation turns into self-involvement again forming a vicious circle (he was a deep-thinking chap). To quote: “So then I just started thinking about different situations where people would ostensibly look like they were doing something, but in fact they were checking their own reflection out. And you’d see it perhaps on Saturday afternoon with people window shopping, half the time they’re actually just looking at their own reflection. Then this restaurant opened, and it was a big deal at the time because it had glass tables, and I was like, oh, you can watch yourself.”
As for me, any opportunity not to catch my own reflection in a shop window is a bonus nowadays. In our heads we think we are still 21, so a pleasant shopping trip can be ruined when the harsh reality hits home, no matter how good we thought we looked when we left the house.
I was saddened to hear that band member Ranking Roger had passed away last year aged only 56. Roger officially joined the Beat as a teenager in the late ’70s after having appeared on stage with them many times, toasting and singing. His energetic style and Jamaican-influenced vocals, paired with Dave Wakeling, were crucial in distinguishing the Beat from other ska bands.
So, “What’s It All About?” – I seem to have been particularly productive around here this week but all because we have a new editor around here at WordPress and I wanted to get to grips with it. The verdict is…. , so far so good. I’d been putting off moving across for some time, but as I now have no other option it was time to bite the bullet, and not as scary as I had suspected. This blog will live to fight another day.
Until next time….
Mirror In The Bathroom Lyrics (Song by Dave Wakeling)
Mirror in the bathroom Please talk free The door is locked Just you and me.
Can I take you to a restaurant That’s got glass tables You can watch yourself While you are eating.
Mirror in the bathroom I just can’t stop it, Every Saturday you see me Window shopping.
Find no interest In the racks and shelves Just ten thousand reflections Of my own sweet self, self, self…
Mirror in the bathroom You’re my mirror in the bathroom You’re my mirror in the bathroom You’re my mirror in the bathroom…
Mirror in the bathroom Recompense For all my crimes Of self defense.
Cures you whisper Make no sense Drift gently into Mental illness.
‘Is it me?’, as the affable Terry Wogan used to say, or are others feeling a bit fearful at the moment as we ease into a new kind of normal. We were a bit later in opening up various sectors of our economy here in Scotland, but we’re getting there, and I can finally get my hair licked into shape, visit friends inside, have a meal in a restaurant, and perhaps, even consider a staycation. Of course all this easing of the lockdown makes the possibility of a dreaded second wave more likely, but we can’t stay in our houses for ever, can we?
This week I decided it was time to put myself out there again, so touched base with a few friends, offering up suggestions of things we could do. The responses were interesting. One set of friends wouldn’t be able to do anything for a while, as they were off on a walking holiday for two weeks with three other couples, staying at various fine dining establishments on the way. Other friends, most of whom are usually up for socialising and having fun, are not quite ready to venture out yet, and even a socially-distanced drink in the garden is still a bridge too far. For some, Fear is trumping Fear of Missing Out it seems.
I did have lunch in one of my favourite restaurants this week though, and it was just lovely being able to do such a seemingly normal thing again, albeit in a very empty room where the number of tables has been reduced greatly. The serving staff wore masks and visors, so…. a bit weird, but the new normal as we keep saying. It did concern me that the prices on the menu were exactly the same, as it should be obvious to even the most financially illiterate person that no restaurant can remotely turn in a profit any more if they don’t radically change tack, but at the moment they’re just trying to woo their customers back before it’s too late. But anyway, my old work colleague and I had a wonderful couple of hours, and this time, for me, FOMO trumped Fear.
The next evening I invited another friend round for a movie night. This was the first time we’ve had anyone other than family in the house since March, so a big deal. I still have a DVD player so we picked a film she hadn’t seen before and cracked open a bottle of wine. This was something we used to do quite a lot, but of course not since lockdown, so a real treat. Again, FOMO trumped Fear.
By the Friday, Mr WIAA decided to take the afternoon off, and we headed north in the car in order to work out whether a coastal staycation might be a possibility for late summer. It was a glorious sunny day and after stopping off for some lunch at a place which is now only offering a reduced menu in a open-sided marquee kind of affair, we made it to the beaches of East Sutherland. It was busy, but not Bournemouth on a bank holiday busy, so hoping to book something in one of the many holiday spots soon.
On the way home we took a bit of a detour to visit The Mermaid of The North – Not quite as demure as the little mermaid in Copenhagen, and not something you usually stumble upon whilst visiting the beaches of Scotland, but now on the popular North Coast 500 route map.
And here’s a funny one – I didn’t even realise I had taken this picture, but it seems I must have accidentally “clicked”, just after capturing our mesmerised mermaid. I love images of shapes, colours and textures so was quite chuffed when it popped up on my screen without me even knowing it had been taken.
All seemed to be going pretty well for me until I got an unexpected booking for the holiday hideaway. As a host I am now responsible for the well-being of the guests who come to stay with me, but with this pesky virus lurking goodness knows where, the cleaning protocols are onerous indeed. Because I have a cousin coming to stay this week I would only have a day to turn everything around, getting the house ready for my new guests. After realising I would have to renew every bit of bedding, remove all soft furnishings & paper, deep clean and covid-sanitise the whole house (even the mattresses), I realised it would be impossible. The thought of one of my guests becoming ill on my watch made me fearful (would I be sued?), so I quickly cancelled their booking and have now foregone what would have been some very welcome earnings. Fear won this time over FOMO.
So, ‘What’s It All About?’ – It’s all about the balance isn’t it and some of us are desperate to get back out there, whereas others are still a tad fearful. I had been experiencing FOMO, so I did put myself out there and had a nice week, but things are most definitely not ‘normal’ and earning your living from the hospitality and tourism sectors at the moment is nigh impossible. Touch wood we turn a corner soon in our efforts to control this thing, but I’m not holding my breath.
After posting non-pandemic related stuff for three weeks now, I seem to have returned to my old ways. Just an interlude though, as I like to get my thoughts down for posterity more than anything else. As for the song, there are many beach-related ones out there and I have already alluded to Echo Beach by Martha and the Muffins in the caption for my pebble shot above. The one I’m going to share however is On The Beach by Chris Rea from 1986. I had a particularly nice summer that year as I went with the flatmates of the time to Zakynthos in Greece for my first ever all-girls holiday. One of those flatmates (the one I spent Live Aid day with and whom I wrote about last time) later moved south and ended up in Berkshire, living in a house next to the one Chris Rea used to own. He had a recording studio in the garden and I often wondered when we went to visit whether On The Beach had actually been recorded there.
On The Beach by Chris Rea:
It seems Chris Rea also had a nice summer in 1986 as On the Beach was inspired by a trip to the Spanish island of Formentera off the coast of Ibiza. Chris is quoted as saying, ‘That’s where me and my wife, became me and my wife. That’s what it’s about. Yeah, I was ‘between the eyes of love.’ It’s a lovely island’. Sadly, visiting any holiday island is fraught with difficulty at the moment, as we all continue to fight the invisible virus. Time to perhaps just plug in the earbuds, listen to those waves roll in, and imagine yourself there.
What’s your favourite beach-related song? I’d love to hear from you and as you all know by now, I always reply.
Until next time….
On The Beach Lyrics (Song by Chris Rea)
Between the eyes of love I call your name Behind the guarded walls I used to go Upon a summer wind there’s a certain melody Takes me back to the place that I know Down on the beach
The secrets of the summer I will keep The sands of time will blow a mystery No-one but you and I Underneath that moonlit sky Take me back to the place that I know On the beach
Forever in my dreams my heart will be Hanging on to this sweet memory A day of strange desire And a night that burned like fire Take me back to the place that I know On the beach
John Medd from Are We There Yet? reminded me in the comments boxes that a couple of years ago, he’d written about Chris Rea and On The Beach. The version of the song I shared above was the one released as a single, however the original version from the album of the same name was a much slower, more contemplative affair. If you click on the link to John’s blog you will see that most people now prefer the original, but in case you want to check it out for yourself, here is a clip.
‘It’s twelve noon in London, seven AM in Philadelphia, and around the world it’s time for Live Aid’
Those were the words that kicked off probably the most memorable fund-raising event in rock and pop history, and this week was its 35th anniversary. On Monday morning, after being reminded of the date, I decided to revisit my DVD boxset of the event and over the course of the week I’ve watched it all, and taken notes. Sadly these notes fill 12 pages of my shorthand notebook, so I have absolutely no chance of condensing my thoughts into a format suitable for a blog post. I do however remember how I spent the day, so before my aging memory lets me down, I think I’ll approach it that way.
You have to be of a certain age to remember Live Aid at all, mid 40s or older I suspect, but if you do, you’ll probably remember it was held on a glorious, hot summer’s day, the like of which doesn’t often fall on a Saturday in Scotland. I was a big music fan, but the concert would go on all day, so what did my flatmate and I do just before 12 noon on Saturday, the 13th July, 1985? – We went to the local park of course!
I was prepared however and had brought a small transistor radio with me, so although we weren’t watching the action live on telly we did hear the opening act,Status Quo, Rockin’ All Over The World. Had I been watching on telly, I would have known that Paul Weller, who was next up with his Style Council, was looking very summery and dare I say healthy that day in his white trousers, but we only had this crackly radio. By 1 pm it was obvious we should head back to our cool, granite, second floor flat – The day had become just too hot and we were missing out on all the action.
Over the next few hours we watched the following artists perform on stage at Wembley in front of an audience of 72,000. Everyone that day was hot and bothered, there is no doubt, but also having the time of their lives.
The Boomtown Rats, Adam Ant, Ultravox, Spandau Ballet, Elvis Costello, Nick Kershaw, Sade, Sting, Phil Collins, Howard Jones, Brian Ferry and Paul Young.
Watching this segment of the concert now, 35 years on, it was a veritable Who’s Who of mid ’80s chart toppers (with organiser Bob Geldof included of course). The dress code of the day seemed to be either black leather or baggy white clothing depending on your musical leanings, but those who opted for white definitely suffered less in the baking heat. There were mullets of all persuasions too, even amongst those who were thinning on top (Phil Collins?). The quality of the singing was less than perfect, but hey, there had been little time to rehearse or prepare for this massive event so hats off to them for committing, as some did not and later regretted it. Final observation – So many saxophones! The instrument of choice for the mid ‘80s it seems.
And here is where the day was punctuated with another break from the telly, as the oil company I worked for at the time was hosting a barbeque for its staff that very evening. The flatmate and I duly got ready to head along Queen’s Road to the spot overlooking Rubislaw Quarry (from which Aberdeen was built) where many of these corporate HQs were based. Before we left however we caught the performance by U2 which is often cited as having elevated them to superstardom. Bono was tiptoeing around in his tight black leather trousers and long boots, but after spotting a girl in the crowd, jumped down into the mud at the front of the stage and helped save her from being crushed. They missed out on playing their third song but it was a sign of things to come from him, for sure.
So, we arrived at my workplace in the early evening, but bowing down to pressure from their staff, it had been decided to install a big screen in the underground carpark so we could watch the concert whilst eating the fine barbequed food only an American company could serve up. My workmate was there with her new boyfriend, so was on a bit of a high. As was often the case however with these office romances in Aberdeen, it later transpired he had a wife who lived elsewhere whom he’d conveniently omitted to tell her about. They were slippery characters some of these chaps we worked with who often broke our hearts.
But back to the concert, we were now lined up on chairs watching scenes coming live from Wembley on the big screen. I’m not going to describe the Philadelphia concert here as would get far too bogged down, and anyway, it just wasn’t a patch on our set-up. Wembley, with its enclosed stadium, twin towers and greenery all around, looked beautiful on that hot summer’s day whereas the JFK Stadium in Philadelphia looked like a makeshift set of scaffolding surrounded by carparks and interstate highways.
As the day wore on the stakes were raised and artists of more legendary status started to appear on stage. First up we had Dire Straits but then we had the band who is generally thought to have stolen the show that day, Queen. I have written about their Live Aid performance around here before and it’s my second most visited post ever (link here) so won’t repeat myself, but Freddie was on especially fine form that day and owned the stage, encouraging the crowd to sing along in unison. His sustained “Aaaaaay-o” during the a cappella section came to be known as the note heard round the world. The last time I wrote about their set on Live Aid day I shared Radio Gaga, but having watched them again this week, the song they finished with was We Are The Champions which was almost as perfect. They certainly were champions that day.
It’s obvious watching this footage that Queen’s set took place just as the sun had gone down, but it wasn’t yet dark. This is my favourite time of the day for any outdoor event as there’s a certain magic about it – No harsh sunlight but not a total absence of light either. In Scotland it’s called The Gloaming and a very special time of the day. Up in Aberdeen it wouldn’t be gloaming for a while yet, so we sat tight and carried on watching the big screen.
Next up was David Bowie, looking very dapper in a powder blue suit and pointy black patent shoes. Another great performance and quoted as being “his last triumph of the 1980s”. He was followed by The Who who hadn’t played together for three years. No powder blue suit for Roger Daltrey, oh no indeed. As ever he had his shirt open showing off his hairless, suntanned torso. Roger must be doing something right in terms of looking after himself, as at the grand old age of 76 he still looks pretty good today, and I imagine the bare-chested look is something he still favours.
But this was Saturday night in the big city and one by one people were drifting off. The hostelry of choice for 20-somethings in 1985 was the Dutch Mill on Queen’s Road, so leaving the concert behind for a while, my flatmate and I headed in that direction. In those pre-mobile phone days, it was highly likely you would bump into most of your friends on a weekend evening, but when we got there on the evening of the 13th July, it was dead, as everyone was at home watching Live Aid. We had a quick drink then walked the short distance back to our flat in the city centre.
Once home we settled back into our large beige and brown sofa (it was the ’80s) and turned on our Radio Rentals telly. I can’t be sure, and I would be lying if I said I was, but the artist following on from The Who was Elton John so if we did get back in time for his set that’s who we would have watched next. Having viewed the boxset this week, Elton had the longest time on stage of anyone and he performed a couple of duets, first with his old mucker Kiki Dee, and then joy of joys, with the person I have written about most around here, George Michael.
I have mentioned the making of the Band Aidsingle before, and how the Wham! boys George and Andrew weren’t treated with much respect that day by the other artists, being proponents at the time of feel-good pop tunes. But here we were just six months on and Elton John saw fit to ask George to sing Don’t Let The Sun Go Down On Me with him. He said he was ‘a great admirer of his musical talent’ when introducing him, and I have to say he gives an impeccable performance here. Also, unlike many others that day, he was dressed simply in jeans, white T-shirt and black leather jacket which is kind of timeless (we’ll ignore the fact it was dark and he’s wearing shades). His Live Aid appearance has stood the test of time and he went on to great things whereas those who had laughed at him are perhaps long forgotten.
Don’t Let The Sun Go Down On Me by George Michael and Elton John:
The Wembley concert finished off with a set by Paul McCartney who had been persuaded out of retirement for the event. Sadly he was the only artist on the night to experience microphone failure, so the audience missed out totally on one of his songs. It was fixed quite quickly but typical it had to happen to him. Once finished, he and Bowie raised Bob Geldof up on their shoulders, and then, along with the rest of the performers from the day (and a few others it seems) they launched into a version of Do They Know It’s Christmas?, the charity single that started the whole thing off. The first two lines were a bit ropey, sung by Bowie and Bob, but then they wisely handed the mic over to a safe pair of hands in the form of George Michael, who very confidently took over.
I think we spent a good few hours in front of the telly that night as we then watched the rest of the Philadelphia Live Aid concert, which would go on for a fair while yet due to time differences. The programmers also revisited ‘the best bits’ of the day, so by the time I went to bed in the early hours, I’d pretty much seen everything.
So, ‘What’s It All About?’ – I’m not going to get into the whole criticisms and controversy aspect of Live Aid. All the money may not have got to the right places, at the right time, but around 1.9 billion people watched the concerts that day and over £150 million was raised. There is no denying, the publicity generated meant that western governments could no longer ignore humanitarian crises. Through rock ‘n’ roll, the common language of the planet, an issue that was not hitherto on the political agenda, became so.
As for this post, it was for my own benefit really, as I have never documented My Live Aid Day and always wanted to. The flatmate I spent it with FaceTimed me the other day and is coming up to visit next month (as long as that pesky virus is kept under control) and the workmate with the broken heart soon got over it, and we still keep in touch via Christmas cards. The boyfriend of the time chose to spend that summer travelling round France with a work colleague, so missed out on Live Aid totally. Needless to say he soon became the ex-boyfriend upon his return, and we are definitely no longer in touch.
How did you spend your Live Aid day? I have met a few people over the years who were actually at Wembley for the concert and I love hearing their stories. If you have any, I’d love to hear from you.
Until next time…
Don’t Let The Sun Go Down On Me Lyrics (Song by Elton John/Bernie Taupin)
I can’t light no more of your darkness All my pictures seem to fade to black and white I’m growing tired and time stands still before me Frozen here on the ladder of my life
It’s much too late to save myself from falling I took a chance and changed your way of life But you misread my meaning when i met you Closed the door and left me blinded by the light
Don’t let the sun go down on me Although I search myself, it’s always someone else I see I’d just allow a fragment of your life to wander free But losing everything is like the sun going down on me
I can’t find the right romantic line But see me once and see the way feel Don’t discard me just because you think I mean you harm But these cuts I have they need love to help them heal
Oh, don’t let the sun go down on me Although I search myself, it’s always someone else I see I’d just allow a fragment of your life to wander free Cause’ losing everything is like the sun going down on me
Don’t let the sun go down on me Although I search myself, it’s always someone else I that see, yeah I’d just allow a fragment of your life to wander free baby, oh Cause’ losing everything is like the sun going down on me
I seem to have veered way off topic on this blog over the last few months and the nostalgic journey through the tracks of my years element (as per the tagline above) has all but been forgotten about. But hey, that’s what a global pandemic will do to you. I now realise however, I may have been a culprit of ‘doomsurfing/doomscrolling’ whereby I spend many hours a day scrolling through the various news streams on my phone, picking up on every new development as it happens. I am well informed, but maybe too well-informed, and I think it has led to some ghosting (‘the practice of ending a personal relationship with someone by suddenly and without explanation withdrawing from all communication’) by old friends.
I have been in touch with a fair few old friends since March and am now realising that one or two are no longer replying to my messages and certainly don’t instigate conversation. A side-effect of doomsurfing seems to be that I have become a doom and gloom merchant! But hey, yet again, that’s what a global pandemic will do to you. I’m not sure I can totally change my ways however, so just another downside to the crisis,
So it seems it’s time for me to change my ways around here, or else I may lose the support of all you lovely followers too. Shit happens as they say, and what better way to drag ourselves out of the doom and gloom than by listening to some great tunes. Last week I shared something by Bananarama and discovered their first hit single, (He Was) Really Saying Something, was unbeknownst to me at the time a cover of an early sixties Velvelettes recording.
The Velvelettes were an American girl group, signed to Motown in the 1960s. Their biggest chart success occurred in 1964, when Norman Whitfield produced Needle in a Haystack which peaked at number 45 on the Billboard Chart. I’m not sure why some of these girl groups went on to great things and others kind of drifted away but it seems they needed to be both championed by those in charge (Berry Gordy) and have a hunger for success above all else. Cue the Supremes. Founded as The Primettes in 1959, the Supremes were the most commercially successful of Motown’s acts, with 12 No. 1 singles on the Billboard Chart. At their peak in the mid-1960s, the Supremes rivalled the Beatles in worldwide popularity and their success possibly made it easier for future African American R&B and soul musicians to find mainstream success.
And here is where we return to Bananarama yet again, as another of their Top 20 hits, Nathan Jones, was a cover of a Supremes song. By 1971 Diana Ross had left the group and their lead voice was now that of Jean Terrell, but along with Mary Wilson and Cindy Birdsong they racked up a good few more hits during that era, Up The Ladder To The Roof, Stoned Love and Floy Joy to name but a few. Strangely enough both Bananarama versions of these Motown songs were hits 17 years after the original. Maybe that’s just the amount of time it takes for a song to become fresh again and for listeners not to confuse it with its first incarnation. I for one certainly didn’t know about these earlier versions when I was an avid fan of Bananarama in the 1980s.
Nathan Jones by the Supremes:
So, ‘What’s It All About?’ – Funny how things often turn full circle when you write an off-the-cuff blog post as I’m doing today. The song Nathan Jones is apparently about a woman’s former lover, a man named Nathan Jones who left her nearly a year ago ‘to ease his mind.’ Suffering through the long separation (‘winter’s passed, spring, and fall’) without any contact or communication between herself and Jones (ghosting?), the narrator is no longer in love with him, remarking that ‘Nathan Jones, you’ve been gone too long’. It’s a bit of a coward’s way out, but just goes to show, the practice of withdrawing from all communication is still alive and well today, possibly even more so with the advent of online dating apps and such like.
As for me, I plan to curb my ‘doomsurfing’ activities somewhat but going to be hard after all these weeks. Having really enjoyed this nostalgic journey through the tracks of my years, it would be a shame for me to lose all the goodwill I’ve built up by being the merchant of doom! Please feel free to let me know if I overstep the mark.
Until next time….
Nathan Jones Lyrics (Song by Leonard Caston/Kathy Wakefield)
You packed your bags, as I recall And you walked slowly down the hall You said you had to get away to ease your mind And all you needed was a just little of time
Oh, winter’s passed, spring and fall You never wrote me, you never called (Yeah) Nathan Jones, you’ve been gone too long Gone too long (Gone too long)
If a woman could die of tears Nathan Jones, I wouldn’t be here The key that you’re holding won’t fit my door And there’s no room in my heart for you no more
‘Cause winter’s passed, spring and fall You never wrote me, you never called (Oh-oh) Nathan Jones, you’ve been gone too long Gone too long
Nathan Jones Nathan Jones Mm-hmm Nathan Jones, oh
Winter’s passed, spring and fall You never wrote me, you never called (Oh-oh) Nathan Jones, you’ve been gone too long Mm-mm-mm, Gone too long (Gone too long) Nathan Jones, you’ve been gone too long (Gone too long) You’ve been gone too long (Gone too long) Hey, Nathan Jones, you’ve been gone too long (Gone too long) Hey, you know, you’ve been gone (Gone too long) Nathan Jones, you’ve been gone too long (Gone too long)
It’s Saturday morning which is usually my preferred slot for a weekly blogging session however I am struggling to find inspiration. That’s not actually true, it’s more that I am still overwhelmed by what’s going on in the world, and can’t seem to snap out of it. Is it just me, or is the initial relief the country felt at being in full lockdown starting to morph into something quite different? I think it is only now starting to hit home that there won’t be a V-shaped bounce back for the economy, and many will lose their jobs and businesses.
Talking of which, last Saturday we had a tricky manoeuvre to perform in getting DD back home to the Highlands but we managed without breaking (too many) rules. Back in March she had a pretty good life for someone her age but this pandemic has put paid to that – Once you lose your job, bit by bit you lose everything else and although she is by no means the only one, it’s a bitter pill to swallow. Today is the summer solstice, astronomically the first day of summer (written about here before). In years gone by I would have probably had a wee soiree for the neighbours, but this is going to be a Cruel Summer I can tell, so not really in the mood. Cue Bananarama.
Cruel Summer by Bananarama:
Anyone who was around at the time will know that Bananarama were incredibly prolific in the 1980s and they ended up being listed in the Book of Guinness World Records for achieving the world’s highest number of chart entries by an all-female group. They came along just at the time my life as a student was coming to an end but we weren’t ready to cast our student wardrobes aside quite yet and I remember those Bananarama-inspired dungarees and baggy T-shirts were a staple right through those transition years. They had caught the eye of Terry Hall, and in February 1982 released It Ain’t What You Do (It’s The Way That You Do It) with Fun Boy Three, which got to the No. 5 spot in the UK Singles Chart. By the time Cruel Summer hit the charts in July 1983, they’d already had 5 other hit singles!
As we are contemporaries, it’s always interesting to see the girls when they pop up on telly today. Although they lost Siobhan Fahey for a good while as she embarked on other projects, she got back together with fellow Bananaramers Sara Dallin and Keren Woodward in 2017, and they completed a world tour. The dungarees have gone, in favour of the little black dress, but I don’t begrudge them that at all. Once we ladies get to a certain age the clothes of our youth just look silly on us, although we can still rock the shoes. Back in 1982/83, when we copied their look, it was all about the shoes. A large sector of the female population was at that time going down the white stiletto route, even with dungarees. You could always tell which “tribe” a girl belonged to because of her shoes – It was always Doc Martins and loafers for Bananarama and if I’m not mistaken they still marry up their old footwear of choice with their little black dresses of today. Way to go girls.
So ‘What’s It All About?’ – It’s going to be a tough old summer for many of us I suspect. I keep telling DD she is not alone, as if that somehow makes it better, but of course it doesn’t. As my holiday house is sitting empty at the moment she at least has somewhere to stay whilst she tries to regroup. I had been optimistic recently about my ability to reopen the holiday hideaway for staycations later in the summer, but having seen the many cleaning protocols and risk assessments that (understandably) need to be completed ahead of each guest arriving, like many others in the hospitality and tourism sectors, I am starting to wonder whether it will be possible. Based on costs/unit of hospitality, we should now be charging around £30 for each drink in a pub and around £500 for each night away. With a recession looming, just don’t think that’s going to be possible.
I’ve not exactly come back with a very positive post today, but at least I’ve eased the blockage which had stopped me from writing. I have had something very positive happen to me of late however which involves this blog. What did they say to Kevin Costner in Field Of Dreams? – ‘If you build it, they will come.’ Something along those lines and I hope to share more in due course.
Until next time….
Cruel Summer Lyrics (Song by Sara Dallin/Siobhan Fahey/Steve Jolley/Tony Swain/Keren Woodward)
Hot summer streets And the pavements are burning I sit around
Trying to smile But the air is so heavy and dry
Strange voices are saying What did they say Things I can’t understand It’s too close for comfort This heat has got right out of hand
It’s a cruel, cruel summer Leaving me here on my own It’s a cruel, cruel summer Now you’re gone
The city is crowded My friends are away And I’m on my own
It’s too hot to handle So I got to get up and go
It’s a cruel, cruel summer Leaving me here on my own It’s a cruel, It’s a cruel, cruel summer Now you’re gone You’re not the only one
No prizes for guessing how this song popped into my subconscious this week as it’s now all about how we’re going to get out of lockdown, but as an earworm it’s a pleasant one, and it’s made me want to look into the story of the singing group Odyssey a bit more. For a long time I used to confuse them with fellow Americans Rose Royce because their most successful years in the UK Singles Chart coincided, and both produced up-tempo disco numbers but also beautiful ballads.
Odyssey would have first entered my radar during my final year of senior school as their first big hit in the UK reached the No. 2 spot that Christmas. Native New Yorker was more successful over here than in their native US which became a pattern for the rest of their career and eventually led them to move to the UK permanently.
The song was originally written for Frankie Valli but when covered by Odyssey it became their first hit. The song is about a girl who is unlucky in love. The singer is telling her that as a native New Yorker, she should know by now that love is as fabricated as a Broadway show, and that you have to look out for yourself in the city. It’s a song about disillusionment that captures the downside of the self-reliant New York lifestyle.
Now we’re fast-forwarding to the summer of 1980 and it was one of their songs I just couldn’t miss, as it spent 12 weeks on the UK Singles Chart and 2 weeks at the top spot. Believe it or not this song title inavertedly pops up in our house just about every other day, as whenever we look in the fridge and spot something that needs used up, we always ask each other if we should, ‘Use it up and wear it out?‘. It’s been hard-wired into our brains by Odyssey that you can’t say the first bit without adding the second!
By the end of the summer of 1980 they released a follow-up single, If You’re Lookin’ for a Way Out with Lillian Lopez again on lead vocals. It’s a bit of a tear-jerker and had I not been all loved-up that summer, but rather going through a painful break up, it would have made for tough listening. This single reached the No. 6 spot and spent 15 weeks on the UK Singles Chart. The common factor in all three featured songs is that they were either written or produced by Sandy Linzer who is a new name for me but seems to have been really prolific in the 60s/70s writing for Frankie Valli and The Four Seasons.
So if you’re looking for a way out I won’t stand here in your way
Don’t look at the tears that I’m crying They’ll only make you wanna stay Don’t kiss me again ’cause I’m dying To keep you from running away To be fair, the person I was all loved-up with that summer did cause much heartache down the line, and looking at these lyrics I was not as magnanimous. You do feel like you’re dying inside and I did stand in his way, but ultimately to no avail. Does that make me a bad girlfriend? I don’t think so – Just a broken-hearted one.
If You’re Looking For A Way Out by Odyssey:
So, I now know a lot more about the group Odyssey and will no longer confuse them with Rose Royce. It’s also been nice to have a break from writing about all that’s going on in the world and just concentrate on the music (although this one definitely inspired by what’s going on). I have a few more drafts that would be good to get down in print as I’ve not yet written about any of the sad deaths we’ve had from the world of music this year, which is remiss of me. Easy to get distracted at the moment however.
Until next time….
If You’re Lookin’ For A Way Out Lyrics (Song by Sandy Linzer, Ralph Kotkov)
Love is crazy baby, I can see it in your eyes Your kisses taste the same But it’s just a sweet disguise Ain’t that just like you To worry about me But we promised to be honest With each other for all eternity So if you’re looking for a way out I won’t stand here in your way And if you’re looking for a way out
Don’t look at the tears that I’m crying They’ll only make you wanna stay Don’t kiss me again ’cause I’m dying To keep you from running away (Run away, run away, run away, run away, run away, run away)
Oh baby tell me I’m wrong Just say I’m crazy It’s with you that I belong It’s never easy when lovers have to part Oh come on stop pretending Tell me what’s in you heart And if you’re looking for a way out I won’t stand here in your way But if you’re looking for a way out
Don’t look at the tears that I’m crying They’ll only make you wanna stay Don’t kiss me again ’cause I’m dying To keep you from running away
Don’t look at the tears that I’m crying They’ll only make you wanna stay Don’t love me again ’cause I’m tryin’ To keep you from running away (Baby don’t run away, baby don’t run away)
Don’t you run away (ooh ooh) (Ooh ooh) Oh come on stop pretending Tell me what’s in your heart