The RAH Band, “Clouds Across the Moon” and The Sap Is Rising!

Another month seems to have whizzed by so we are approaching our next possible sighting of a full moon (cloud cover permitting). Since discovering at the end of last year that all full moons have a name given to them by the Native Americans who kept track of the months by the lunar calendar, I have written about the:

Beaver Moon – November
Cold Moon – December
Wolf Moon and Blue Moon – January

There were two full moons in January because the cycle between them is 29 and a half days, so just the way it landed, one at the beginning of the month and one at the end. A slight quirk this time is that there will no full moon at all in February (although there should have been a Snow Moon) but skip to the night of the 1st/2nd of March and we should witness the Worm Moon. I don’t know about where you live, but here in the North of Scotland it has been feeling quite springlike of late with lighter nights, crocuses appearing in the garden and a general feeling that mother nature will soon wake up from her winter slumber. (Ok, so there is also a weather front called the Beast from the East giving us a bit of trouble at the moment but freakish for the time of year.)

As for the Native Americans, this spring full moon was given the moniker Worm Moon because the ground was beginning to soften and earthworm casts reappeared inviting the return of robins. It is also however known as the Sap Moon, as it marks the time when maple sap begins to flow and the annual tapping of maple trees begins. Not many maple trees where I live but yes, it seems the sap is indeed rising!

But this is a music blog and I always include one of the many songs that refer to moons in their titles. Right at the start of this series of what will end up being 13 posts, I picked out all the songs I was likely to use to accompany each full moon, but as is wont to happen such worthy choices can often be replaced along the way with new discoveries. This is to be one of those occasions and most definitely not something I had remotely considered at the outset.

Last Saturday night, before heading to bed, Mr WIAA and myself stumbled upon an old episode of TOTP. Always a bit of nostalgia there and can be a bit of a laugh as we witness some of the acts we had long forgotten about, dressed in what now seems ridiculous looking clothing. The episode we watched was from 1985 and although there were quite a few great songs that have stood the test of time (we loved watching Godley and Creme’s Cry), there were also an awful lot of men dressed in oversized suits, jackets and bizarre trousers. The decade that fashion forgot I think.

In amongst all of these highly colourful acts was one I had totally forgotten about but their song has the word moon in the title and because it’s led to a pesky earworm this week, I’m going to include it in this series. Who said all the picks had to be critically acclaimed anyway and always a place in the world for what might now be construed as a bit of a novelty song. I used to like it when there was a bit of spoken word dialogue in a song and this one has it in bucketloads. Yes, not one many of us will remember, but in March 1985 the RAH Band reached No. 6 in the UK Singles Chart with Clouds Across The Moon. A common feature of songs from that era was the (one-way) “telephone conversation” however in this case it is highly unlikely that the futuristic exchange would be carried out via a bulky handset. But hey, the days of the compact mobile phone had not even remotely begun, and people did on the whole still speak to each other rather than simply text or Snapchat, so probably seemed apt at the time.

Clouds Across the Moon by the RAH band:

What I hadn’t realised until revisiting this song was that the RAH Band was in effect one person, Richard Anthony Hewson, an English producer, arranger, conductor and multi-instrumentalist. After graduating from The Guildhall School of Music in the late ’60s, Richard met Peter Asher whose sister Jane was going out with Paul McCartney. Through that contact he was hired as an orchestral arranger and worked with musicians such as The Beatles, The Bee Gees, James Taylor, Supertramp, Carly Simon, Art Garfunkel, Fleetwood Mac and Chris Rea, so quite a pedigree. Apart from his own RAH Band project, he was a producer in the 1980s for Toyah Willcox (makes sense) and in recent years has written music for television shows and advertising slots.

Hewson founded The RAH Band (which obviously took its name from his initials) in 1977 to release an instrumental called The Crunch. This record I do remember as I was chart-obsessed throughout the ’70s – Funnily enough it also reached No. 6 in the UK Singles Chart. As for Clouds Across the Moon, the vocals were provided by his wife Liz, also known as “Dizzy Lizzy”! In an interview at the time, Richard said that the song took place in the future where there was a 100-year-long war going on with Mars. Telephone calls were very expensive due to the privatisation of British Telecom (bit of politics, love it) thus the premature disconnection of the “valuable deep space communication link”.

Richard Anthony Hewson’s RAH Band

So, an unusual song to have picked for this series but one that fell into my lap last weekend, so had to run with it. I wonder what the Native Americans who named the full moons that we see in our skies would have thought of it? Lets hope on the 1st March there will indeed be no clouds across the moon!

Until Next time….

Clouds Across the Moon Lyrics
(Song by Richard Anthony Hewson)

Good evening
This is the intergalactic operator
Can I help you?”

“Yes. I’m trying to reach flight commander P.R. Johnson, on Mars, flight 2-4-7”
“Very well, hold on please (beeping) you’re through!”
“Thank you operator!”

Hi darling!
How are you doing?
Hey baby, where’re you sleeping?
Oh I’m sorry, but I’ve been really missing you!

Hi darling!
How’s the weather?
Say baby, is that cold better now?
Oh I’m sorry, is there someone there with you?

Ooooh… since you went away, there’s nothing going right!
I just can’t sleep alone at night…
I’m not ashamed to say I badly need a friend…
or it’s the end.

Now, when I look at the clouds across the moon
Here in the night I just hope and pray that soon
Oh baby, you’ll hurry home to me.

Hi darling!
The kids say they love you
Hey baby, is everything fine with you?
Please forgive me, but I’m trying not to cry…

Ooooh… I’ve had a million different lovers on the phone
But I just stayed right here at home
I don’t think that I can take it anymore this crazy war

Now, when I look at the cloud’s across the moon
Here in the night I just hope and pray that soon
Oh darling, you’ll hurry home to me

“I’m sorry to interrupt your conversation,
but we are experiencing violent storm conditions in the asteriod belt at this time
We may lose this valuable deep space communication link
Please, be as brief as possible
Thank you”

Ooooh… since you went away, there’s nothing going right!
I just can’t sleep alone at night…
I’m not ashamed to say I badly need a friend…
or it’s… it’s…

“Hello operator?”
” Yes, we’ve lost the connection!
Could you try again please?”
“I’m sorry, but I’m afraid we’ve lost contact with Mars 2-4-7 at this time”

“Ok. Thank you very much…
I’ll… I’ll try again next year…
next year…
next year…
next year…”


I have a friend with an all singing, all dancing camera who has been roped in to provide pictures for this series but as yet we’ve not been able to come up with anything that captures the full moon alongside some our unique Highland scenery. Hopefully in due course. In the meantime here are a few shots he took from outside his house last night – The moon still a waxing gibbous one at this stage (more than half full and always illuminated from the right) but pretty impressive how you can get such detail with the right equipment. He did point out the following however which is a bit worrying:

“One thing I’ve noticed is that I’m seeing parts of the back of the moon in these pics. Moon having a wobble? Something feels weird. Also there is a major multi-planetary alignment happening as we speak – Could this be pulling on the moon? The last time this very rare alignment happened there was a huge earthquake! Would not surprise me if there’s an 8-9 earthquake in the next few days.” – Hope not my friend.

Pictures courtesy of R.J.

Womack & Womack, “Teardrops” and The Problem of Over-Sharing!

It’s been a couple of weeks since I posted anything new – That would be because I’ve been having a bit of a crisis of confidence, questioning what the heck I’m doing around here. I have always been praised for “writing from the heart”, “writing with complete honesty” but I’ve come round to thinking that I have instead over-shared and some of my recent rants have involved family members (without their knowledge), so time to rein it in a bit I think.


And so, over the last fortnight when we’ve had: (1) another horrific mass shooting where the solution offered up by the man in charge is that we start arming the teaching staff (WHAT!); (2) awards ceremonies where the #MeToo campaign has ramped up a gear and been highly visible in terms of the required dress code (but the awards ceremonies themselves sometimes giving off mixed messages I feel); (3) blanket coverage of winter sports on telly; I’ve been busy trawling through all 186 of my published posts, editing out some of the rants, the really personal stuff and paragraphs mentioning poor unsuspecting ex-boyfriends. Just about there now so instead of pressing the reset button on the blog, just up to me to engage the “filter” a bit more from now on.

Getting back to what this blog was always supposed to be about (that would be nostalgically revisiting the tracks of my years), today’s pick is this wonderful example, Teardrops by Womack & Womack. The song reached the No. 3 spot in the UK Singles Chart in August 1988, when I was in my late twenties. No problem with over-sharing this time as I have no particular personal memories attached to it at all, other than it was a great sounding song and was always included on the mix-tapes I was still putting together at that time.

Teardrops by Womack and Womack:

It is the kind of song however that really conjures up the memory of particular “feelings”, ones most of us will have experienced at some point in our lives:

And the music don’t feel like it did when I felt it with you (yes, we’ve all been there haven’t we?)

Whispers in the powder room, “She cries on every tune” (not called the powder room where I come from but yes, where teardrops are invariably shed).

As for Womack & Womack, I always knew they had a touch of rock and pop royalty about them but it was not until today that I found out exactly what the connections were. Linda Womack was the daughter of Sam Cooke, and her husband Cecil Womack was the younger brother of Bobby Womack. They all worked together, then after Sam’s death, Bobby married his widow. Cecil had first met Linda when he was thirteen and she was eight but after her father’s death he married singer Mary Wells, writing material for her and managing her career until they broke up in 1977. Shortly after the split, Cecil and Linda married. Phew, that was complicated.

In 1983, Cecil and Linda began performing and recording together as Womack & Womack, and released a successful album “Love Wars”, drawing from their own, convoluted, personal experiences. Cecil and Linda wrote most of the songs they recorded and it seems, as with Teardrops, they were experts at capturing the trials and tribulations of love.

Watching the music video for the song, all these years later the artists still look cool. Who wouldn’t look cool wearing a pair of shades indoors? – Well most of us actually, but that certainly didn’t happen in the case of those Womacks. It was shot in a film studio in Berlin apparently over a period of 3 days and although there was no plot, it has been described as a funky, disco-dance-energy-video. Sounds fair to me.


So, “What’s It All About?” – I am going to try and return to the business of revisiting those songs that have made an impact on me over the course of my life a bit more. Like in the case of the Womacks, always some interesting titbits of rock and pop trivia to be discovered that just weren’t available back in the day. As for all the personal stuff I tend to include here, I will try to rein it in a bit from now on but as this blog’s USP is “music and memories”, nothing will change too much.

The edit function has been used a lot here over the last fortnight but the upshot is I am building up a fine music archive which is now being visited by many people daily. My most visited post is still the one featuring the song Sunshine On Leith by The Proclaimers. Most unexpectedly, the post that may well take over that crown soon is likely to be the one featuring the song Jessie by Joshua Kadison – Didn’t expect that when I dashed it off one Saturday afternoon last year, but just goes to show what a fascinating place the blogosphere can be!

Until next time….

Teardrops Lyrics
(Song by Cecil Womack/Linda Womack)

Whenever I hear goodbyes
Remind me baby of you
I break down and cry
Next time I’ll be true, yeah
Fever for lost romance
Remind me baby of you
I took a crazy chance
Next time I’ll be true
I’ll be true, I’ll be true

Footsteps on the dance floor
Remind me baby of you
Teardrops in my eyes
Next time I’ll be true, yeah
Whispers in the powder room
“She cries on every tune
Every tune, every tune”

When I’m dancin’ ’round
Remind me baby of you
I really let you down
Next time I’ll be true, yeah
I took a crazy chance
“She cries on every tune
Every tune, every tune”

Footsteps on the dance floor
Remind me baby of you
Teardrops in my eyes
Next time I’ll be true, yeah
Whispers in the powder room
“She cries on every tune
Every tune, every tune”

And the music don’t feel like it did when I felt it with you
Nothing that I do or feel ever feels like I felt it with you

Hurting deep inside
She cries on every tune
I break down and cry
“She cries on every tune
Every tune, every tune”

Footsteps on the dance floor
Remind me baby of you
Teardrops in my eyes
Next time I’ll be true, yeah
Whispers in the powder room
“She cries on every tune
Every tune, every tune”

Elvis Costello, Ian Dury and “Reasons to be Cheerful, Part 3”

I have returned to this post to do a bit of drastic editing – It had ended up being the vehicle for a bit of a rant but it did get a tad too personal, so time to right that wrong. My rant was basically about how, for reasons outwith my control, my life has changed so much since this time last year when my blog was celebrating its first birthday – It has now just celebrated its second birthday, and has become a labour of love, but it does seem to have become one of the few constants in my life at the moment which is a bit worrying.

A Birthday Badge from the WordPress people

Any regulars to this place know that last year, after a drastic reorganisation at my workplace, I decided to leave for pastures new. That has turned out to be a bit more challenging than anticipated as I now also have an elderly parent to look after and certain age-related illnesses are fraught with logistical and financial challenges. It prompted me to search for songs about such situations and it turns out there are several – Here is a beautiful one with really touching lyrics written by Elvis Costello about his grandmother, Veronica.

After pontificating about all sorts of other issues which covered the muddled state of Social Care for older people, the soulless environment of the modern day office, student debt, the housing crisis and a dearth of youngsters taking up trades, it occurred to me that I should instead think of things to be cheerful and upbeat about. Life could be so much worse, it’s just that I’m feeling a bit aggrieved at how things have changed so much since this time last year – All part of life’s rich tapestry I suppose. One 1979 song that is chock-full of reasons to be cheerful is, obviously, Reasons to be Cheerful, Part 3 by Ian Dury and The Blockheads.

Reasons to be Cheerful, Part 3 by Ian Dury and The Blockheads:

Some great lines in this song and listening to it again just now, they have all come flooding back. Here are a few that I think scan the best.

Health service glasses, gigolos and brasses.

Elvis and Scotty, the days when I ain’t spotty.

Take your mum to Paris, lighting up a chalice,
Wee Willie Harris….

I have always had a soft spot for the cartoonish character that was Ian Dury. He had a tough start in life having contracted polio at the age of seven but his wonderful lyrics combining lyrical poetry, word play, observation of everyday life and character sketches have produced some quintessentially British songs. The Blockheads‘ sound came from its members’ diverse musical influences, which included jazz, rock ‘n’ roll, funk, reggae, and Ian Dury’s love of music hall. I remember well being blown away by Hit Me With Your Rhythm Stick when it came along just before Christmas 1978, during my first year at University. Back in school, it was only the boys who knew about Ian Dury, now there was no escaping him. Sadly Ian died when he was only 57, but he has left us with a colourful back catalogue of songs and his many film roles mean that you just never know when he might pop up on telly next.

So, “What’s It All About?” – Life can be a bit sh*t sometimes but we just have to weather the storm and make plans for when things get better. My favourite pastime at the moment is to go to the cinema as for a couple of hours you are offered up a slice of escapism, with no phone to disturb you. My second favourite thing is my blog, another place to escape, and a labour of love. I read a lot of the comments left yesterday on Rol’s site by JC, The Vinyl Villain – In one of them he mentioned that blogging is a vocation and I get that now. There is no money in it but I couldn’t stop now if I wanted to. I had thought I should go on hiatus for a while but I see now that blogging is indeed therapy and I need that right now. Time to conjure up a few more of those reasons to be cheerful perhaps – Any suggestions for Part 4?

Reasons to be Cheerful, Part 3 Lyrics
(Song by Ian Dury/Charles Jankel/David Payne)

Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?

Reasons to be cheerful, part three
1, 2, 3

Summer, Buddy Holly, the working folly
Good golly, Miss Molly and boats

Hammersmith Palais, the Bolshoi Ballet
Jump back in the alley and nanny goats

Eighteen wheeler Scammells, Dominica camels
All other mammals plus equal votes

Seeing Piccadilly, Fanny Smith and Willie
Being rather silly and porridge oats

A bit of grin and bear it, a bit of come and share it
You’re welcome we can spare it, yellow socks

Too short to be haughty, too nutty to be naughty
Going on forty no electric shocks

The juice of a carrot, the smile of a parrot
A little drop of claret, anything that rocks

Elvis and Scotty, the days when I ain’t spotty
Sitting on a potty, curing smallpox

Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, one, two, three
Reasons to be cheerful, part three

Health service glasses, gigolos and brasses
Round or skinny bottoms

Take your mum to Paris, lighting up a chalice
Wee Willie Harris

Bantu Steven Biko, listening to Rico
Harpo Groucho Chico

Cheddar cheese and pickle, a Vincent motorsickle
Slap and tickle

Woody Allen, Dali, Dmitri and Pascale
Balla, balla, balla and Volare

Something nice to study, phoning up a buddy
Being in my nuddy

Saying okey-dokey, sing-a-long a Smokie
Coming out of chokie

John Coltrane’s soprano, Adie Celentano
Bonar Colleano

Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, one, two, three

Yes, yes, dear, dear
Perhaps next year
Or maybe even never
In which case

Woody Allan, Dali, Domitrie and Pascale
Balla, balla, balla and Volare

Something nice to study, phoning up a buddy
Being in my nuddy

Saying okey-dokey, sing-a-long a Smokie
Coming out a chokie

John Coltrane’s soprano, Adie Celentano
Bonar Colleano

Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, one, two, three

I don’t mind
I don’t mind, don’t mind, don’t mind, don’t mind

Martika, Jona Lewie and “You’ll Always Find Me In The Kitchen At Parties”

As regular visitors to this place know, the soap opera that is my life seems to get played out on these pages and this post is very much in that vein. Until this week I was a “new kitchen” virgin as somehow I have always been able to make do and mend with whatever kitchen was in place when we moved house. A few things happened towards the end of last year however that meant time was definitely up on our much-loved, brightly painted cabinets and obsolete appliances. (I used to be a great fan of the telly show Changing Rooms and threw myself into “upcycling”.)

The decision made, we proceeded to do the rounds of the many outlets who offer up fancy pants new kitchens. Anyone who replaces their kitchen often will be an old hand at all this but as newbies we were first of all aghast at just how much choice there is out there in terms of the various components (so many decisions to be made), and also of course shocked at how a set of cabinets costing around £4k leads to a grand total of about £12k after installation, but hey ho, god willing we won’t be doing it again for a very long time. With any luck, in another week or two we will end up with something as shown in this fine aerial plan done in minutes on the company’s wizard computer system. In the meantime a makeshift kitchen has been set up in the living room and the temperature, having plummeted of late, means that the garden is like one giant fridge/freezer so no problem keeping the milk fresh at all.


I read earlier this week that Donald Trump’s diet consists mainly of takeaways from McDonalds as he is wary of being poisoned from eating food prepared elsewhere (as if!) – Having given in to hunger the other night and gone out to pick up such fare, I am not convinced he’ll last the distance. Morgan Spurlock made the excellent film Super Size Me back in 2004 and all the doctors were shocked at just how much his health deteriorated in the 30 days he consumed nothing but McDonalds’ food. Fortunately for us this was a one-off that won’t be repeated for some time, but for people like Donald who appear to be frequent consumers, they need to watch this film. Might be better to stick to that original fast food pre-packed by Mother Nature – The humble banana.

Something I’ve been trying to shoehorn in for some time.

Anyway, no-one wants to hear any more about my renovation project but of course it has got me thinking about songs that refer to kitchens in their titles. The first that came to mind was Martika’s Kitchen sung by none other than the lady herself, Martika. Although this song came along in the early ’90s, long after I had lost interest in what was happening in the current singles chart, I do remember her popping up several times on those Saturday morning TV shows made primarily for kids, but also watched by those of us who might have been slowly recovering from the night before. Looking back, the show I must have spotted her on could only have been Going Live which ran from 1987 to 1993 and was presented by Phillip (after The Broom Cupboard but before This Morning) Schofield and Blue Peter’s Sarah Greene.

Having just listened to this song again for the first time in decades, it turns out that it’s probably not the kind of ditty that should have been anywhere near a kid’s telly show and not even really the kind of fodder I usually feature here at WIAA. It was written by Prince (that explains a lot) as Martika was one of his many dark-haired female protégés who were around at that time. Somehow, unlike my good self, I don’t think Martika ever got an aerial plan of the kitchen she’s singing about in this song.

But what other songs have been written about honest to goodness kitchens and not ones that were euphemisms like the one Martika sang about. Well back in 1980, ahead of the release of his perennial Christmas hit Stop The Cavalry, Jona Lewie gave us You’ll Always Find Me In The Kitchen At Parties. Unlike in the early ’90s when I seemed to be busy watching telly whilst nursing hangovers, at the start of the ’80s I was still keeping a close eye on what was in the charts and I remember this song well. Jona Lewie, I have just discovered, used to go by the name Terry Dactyl (as in pterodactyl, hmm…) and along with his backing band the Dinosaurs (what came first, the dinosaur or the terry dactyl?) had a hit in 1972 with the song Seaside Shuffle. Don’t know if it’s just me, but it has a definite Mungo Jerry sound to it.

You’ll Always Find Me In The Kitchen At Parties by Jona Lewis:

An interesting snippet about this song is that it was the first time Kirsty MacColl sang as a backing singer for Stiff Records. The daughter of folk singer Ewan MacColl, Kirsty went on to record several pop hits from the early ’80s to the mid ’90s but is of course best remembered for the Pogues song Fairytale of New York on which she dueted with Shane MacGowan. Kirsty sadly died in 2000 as a result of a tragic accident whilst on holiday in Mexico.

So, “What’s It All About?” – Like Jona Lewie I have done my fair share of spending time in the kitchen at parties. It can be a tough gig breezing it out with people you barely know in the main venue, so to retreat with a few others to the more relaxed environment of the kitchen can be just the ticket. I hope my new kitchen (once we manage to source a table that fits in properly) becomes a relaxed hub where people can hang out during parties should they wish. Whether I will actually have the time or energy to host any parties in the near future is another topic, for another day, but in the meantime I’m just glad for once that the temperatures are very low indeed as I’m about to pop out to the giant fridge that is our garden, for a cold beer and a pint of milk!

Until next time….

You’ll Always Find Me In The Kitchen At Parties Lyrics
(Song by Jona Lewie/Keith Trussell)

I’m no good at chatting up and always get rebuffed
Enough to drive a man to drink, I don’t do no washing up
I always reached the stuff piled up, piled up in the sink

But you will always find him in the kitchen at parties

Me and my girlfriend we argued and she ran away from home
She must have found somebody new and now I’m all alone
Living on my own, what am I supposed to do?

That’s why you’ll always find him in the kitchen at parties
You will always find him in the kitchen at parties
You will always find him in the kitchen at parties

Then I met this debutante, I said that I like new wave rock
She was into French cuisine but I ain’t no Cordon Bleu
This was at some do in Palmer’s Green, I had no luck with her

You will still find him in the kitchen at parties
You will still find him in the kitchen at parties

At last I met a pretty girl, she laughed and talked with me
We both walked out of the kitchen and danced in a new way

And now I’ve done my time in the kitchen at parties
I’ve done my time in the kitchen at parties

He’s done his time in the kitchen at parties
He’s done his time in the kitchen at parties
He’s done his time in the kitchen at parties
He’s done his time in the kitchen at parties

The Waterboys, “The Whole Of The Moon” and Hello 2018!

A Happy New Year to everyone who visits here.

Since I’ve taken to posting on a Monday, I will make this offering the next in my “full moon” series, as the first lunar spectacle of 2018 should appear in our night skies tomorrow, the 2nd January. Since starting this series we’ve had the Beaver Moon in November and the Cold Moon in December. January is the month of the Wolf Moon, again taken from the Native Americans as it used to appear in the sky when wolves were howling in hunger, outside their villages.

And here is where I get to share the song I have most looked forward to revisiting since starting this series – The Whole Of The Moon by The Waterboys. No need to wait until tomorrow to attempt an amateurish shot of the Wolf Moon then, as the picture in this clip is pretty special in itself.

The Whole Of The Moon by The Waterboys:

Appropriate that this song should feature at the time of year often associated with the Scots and Hogmanay as it was written by a native of Edinburgh, head Waterboy Mike Scott. The Whole Of The Moon was first released in 1985 but only achieved moderate success in the charts. By the time The Waterboys had released their greatest hits album in 1991, Celtic Rock was in the ascendance so when re-released the song reached the No. 3 position in the UK Singles Chart. Early Waterboys sound was often referred to as “The Big Music” after a song on their second album. That sound either influenced or was used to very aptly describe a number of other Scottish or Irish bands who specialised in anthemic music at that time – U2, Simple Minds, Big Country and the Hothouse Flowers.

Gene and Cyd in Brigadoon

Some great lines in this song, my favourite being this one, “I saw the rain dirty valley, you saw Brigadoon” – It sums up how we’d all like to be in life, but not always easy to get into that mindset. I really wish I could always see Brigadoon rather than the rain dirty valley and I also wish that I could always see the whole of the moon rather than just the crescent but hey, I’m only human, and we humans can get bogged down in the detail sometimes losing the ability to see the big picture.

Cross fingers then that we’ll get to see tomorrow night’s Wolf Moon. An unusual month this in that there will be another full moon at the end of it, as the lunar cycle takes 29 and a half days to complete. I shall therefore return on the 31st with another song, this time about Blue Moons which is what that phenomenon is called and why it is also used for “something that doesn’t come along very often”. As I often say around here – Every day’s a school day.


Until next time….

The Whole Of The Moon Lyrics
(Song by Mike Scott)

I pictured a rainbow
You held it in your hands
I had flashes
You saw the plan
I wandered out in the world for years
While you just stayed in your room
I saw the crescent
You saw the whole of the moon
The whole of the moon

You were there in the turnstiles
With the wind at your heels
You stretched for the stars
And you know how it feels
To reach too high
Too far
Too soon
You saw the whole of the moon

I was grounded
While you filled the skies
I was dumbfounded by truth
You cut through lies
I saw the rain dirty valley
You saw, “Brigadoon”
I saw the crescent
You saw the whole of the moon

I spoke about wings
You just flew
I wondered, I guessed and I tried
You just knew
I sighed
But you swooned
I saw the crescent
You saw the whole of the moon
The whole of the moon
The whole of the moon

The torch in your pocket
And the wind on your heels
You climbed on a ladder
And you know how it feels
To reach too high
Too far
Too soon
You saw the whole of the moon
The whole of the moon

Unicorns and cannonballs
Palaces and Piers
Trumpets, towers, and tenements
Wide oceans full of tears

Flags, rags, ferryboats
Scimitars and scarves
Every precious dream and vision
Underneath the stars

Yes, you climbed on the ladder
With the wind in your sails
You came like a comet
Blazing your trail

Too high (too high)
Too far (too far)
Too soon (too soon)
You saw the whole of the moon
The whole of the moon
Yeah, you saw the whole of the moon

The Sandwich Generation at Christmas: Gentleman Jim Reeves, S Club 7 and Wham!

Like many others my of my generation, I seem to have found myself in the position of becoming the squeezed filling in a sandwich. The family sandwich that is, with elderly parents who need a considerable amount of assistance (in essence, your time) and offspring who also need a considerable amount of assistance (in essence, your cash). At no point in the year is this more apparent than at Christmastime.

The Christmas Sandwich

For the ladies in my mum’s retirement complex, their normal routine is thrown out of kilter which causes much confusion and distress. Combine that with trying to preserve the traditions of Christmas like writing cards to old friends, and the distress is compounded. We all pride ourselves around here on our knowledge of music and can hark back to what we were listening to up to 50 years ago. Imagine pouring over your Christmas card list only to find that you can’t remember the last name of life-long friends, and in many cases, can’t even remember who they are. I’m not sure what the year ahead will bring but I do know that like many other ladies of her age, my mum loved listening to a bit of Gentleman Jim Reeves, so this one’s for her – The highly sentimental (but unapologetically so) An Old Christmas Card.

James Travis Reeves hasn’t appeared on these pages before but his “Twelve Songs of Christmas” album was a staple in my parent’s house at this time of year. The Texan country and popular music singer became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music) and his songs continued to chart for years after his death. Like so many others of his generation, poor Jim died in a plane crash back in 1964 at the very young age of 40.

But before things get too maudlin around here, I will move onto the other half of the sandwich, darling daughter. She moved home in the summer of 2016 for “around two months” but through no fault of her own is still with us. Having gone down the “artsy” route after school (I blame Mr WIAA’s side of the family), finding herself in a well-paid job by the age of 22 was always going to be hard and despite working full-time in a sometimes very stressful work environment, being able to cover the rent and bills for a flat is tricky at best. The ignominy therefore of living with your parents is still better than poverty it seems thus the outpouring of cash for a new laptop which will of course only be used for the purposes of further study and the completion of application forms.

It has been mentioned before (link here) that DD’s first single was one also much appreciated by the childlike Kayleigh Kitson from Peter Kay’s Car Share – Yes it was that wonderful pop song included in the “Now 48” album called Never Had A Dream Come True. It was used for one of the dream sequences featuring Peter’s character John, Kayleigh, and a monster truck! On the B-side of that millennium single however was this song, Perfect Christmas, which always takes me right back to those days when the grandparents were all still hale and hearty and the only item required for Santa’s sack was a large shiny toy, with no electronics of any kind putting in an appearance. Happy days indeed so this one’s for her.

Perfect Christmas by S Club 7:

S Club 7 were of course a manufactured pop act put together by ex-Spice Girls manager Simon Fuller and they starred in four really successful kids’ sitcoms. They recorded some very pleasant pop records and I’m not even very sure why (maybe Kayleigh Kitson could help me with that one), but this “B-side” still ranks up there amongst my favourite Christmas songs ever.

So, “What’s It All About?” – For the second year in a row all this looking back nostalgically at the tracks of my years is making me maudlin. I did snap out of it last year before the big day however and I anticipate the same thing will happen this year. In any case, although I am listening to these songs with fond memories, as often happens they are probably selective ones – No doubt I was very unhappy listening to Jim Reeves as a 17-year-old in the year of punk, 1977. Also, although I had S Club 7 to serenade me back in the year 2000, having 10 people descend for Christmas dinner was no doubt a tad stressful.

George Michael RIP, in his 1984 Christmas jumper

But before I finish, unlike last year when I tried to be “cool” with my festive music choices, I am now obviously secure enough to share all manner of “uncool” material. Most of us will know that we lost George Michael on Christmas day last year which for me was a massive shock and many posts have been written about him here since. To my eternal shame I chose not to feature his Wham! triumph Last Christmas back then for fear of it being uncool to do so. As the clip epitomises my ever so slightly hedonistic mid-eighties lifestyle however, I have no compunction about doing so this year. I give you George, Andrew, Pepsi and Shirley having what seems to be a fantastic time in their winter hideaway – If that pesky heart just hadn’t been “given away the very next day”, all would have been perfect!

Last Christmas by Wham!

For those who celebrate it, Have a Very Merry Christmas from all of us who feature here at WIAA Towers (myself, Mr WIAA, DD and my little mum). See you on the other side, once it’s all over for another year. xxx


Last Christmas Lyrics
(Song by George Michael)

Last Christmas
I gave you my heart
But the very next day you gave it away.
This year
To save me from tears
I’ll give it to someone special.

Once bitten and twice shy
I keep my distance
But you still catch my eye.
Tell me, baby,
Do you recognize me?
It’s been a year,
It doesn’t surprise me
(Merry Christmas)

I wrapped it up and sent it
With a note saying, “I love you,”
I meant it
Now I know what a fool I’ve been.
But if you kissed me now
I know you’d fool me again.

Oh, oh, baby.

A crowded room,
Friends with tired eyes.
I’m hiding from you
And your soul of ice.
My god I thought you were someone to rely on.
Me? I guess I was a shoulder to cry on.

A face on a lover with a fire in his heart.
A man under cover but you tore me apart, ooh-hoo.
Now I’ve found a real love, you’ll never fool me again.

A face on a lover with a fire in his heart (I gave you my heart)
A man under cover but you tore him apart
Maybe next year I’ll give it to someone
I’ll give it to someone special.

Alyson’s Archive #5 – David Bowie, “Heroes” and Seasonal Duets

Think back forty years ago, to this week in December 1977. I’m pretty sure I would have been busy at school sitting mock exams ahead of the Christmas break (luckily we got them out of the way beforehand so had the luxury of no holiday revision). But what else would I have been doing? Oh yes, that’s right, I would have been picking up my monthly copy of Words magazine, of which a couple of issues have already been shared in this series.

On the cover was none other than Mr David Bowie, as 1977 was a pretty good year for him having released two successful albums, “Low” at the start of the year and “Heroes” right at the end. Hard to believe that he left us nearly two years ago now. I started this blog on the day we heard of his death and despite never having really been a Bowie fanatic, he has appeared on these pages many times now. He obviously infiltrated the “tracks of my years” in a stealthy fashion without me having realised, and the song Heroes from that second album is one of my all-time favourites.

Heroes by David Bowie:

I’ve visited the soundtrack to the film Moulin Rouge! twice before in this blog (here and here) but as it’s coming up to Christmas (and the sumptuous red dress and glittering lights in this clip remind me of the festive period), I can’t help but share the Heroes portion of the medley performed by the two main actors, Ewan McGregor and Nicole Kidman. A total of 13 songs were melded together to create a cornucopia of love-songs, but for me, Bowie’s Heroes worked the best.

But as usual I’ve become side-tracked – Getting back to the magazine, the music journalist who wrote the column on December’s “Cover Star” seemed to get it just right. To quote from the piece, “Of all our current top rock stars, David Bowie is the one most likely to remain a major musical force decades hence… .” And they continue, “Listening to this [Heroes], you realise that Bowie’s strength and durability lies in the fact he refuses to fit neatly into any specific category. He will constantly surprise even his most dedicated followers, while maintaining an unvarying high quality of performance.” As I’ve discovered from this series, we didn’t always get it right back in the day and the slightly disparaging remarks in my 1978 journal about artists who went on to great things, proves this – Sorry Squeeze! Likewise the music journalists often got it wrong themselves and many of the stories printed in these vintage mags were about people who are now residing at Her Majesty’s pleasure. Makes for a somewhat excruciating read.


You can’t have failed to notice that Bing Crosby also appears in the picture above – As I’ve already mentioned the “C” word in this post there is no point in holding back any longer. My first festive offering for this year is therefore going to be that very unusual foray into the 1982 UK Singles Chart by David Bowie. As explained in the column above, it came about as a result of this guest appearance on Bing Crosby’s 1977 Christmas Show. Poor Bing died a month later, before it was aired on television, but if you can get past the highly scripted, faux exchange at the start, it is a remarkable piece of archive material, especially as both “boys in blue” have now passed on. It is unlikely that Bing even knew who David Bowie was before recording the show but once the Peace On Earth counterpoint was written for the duet, Bowie got on board. It was apparently available as a bootleg for several years before the record company decided to release it as a bona fide single, complete with dialogue. Bowie was unhappy with this move however and it probably led to him leaving RCA soon after.

Peace On Earth/Little Drummer Boy by David Bowie and Bing Crosby:

So, “What’s It All About?” – As of this last weekend the festive madness has begun, but it seems to be impossible to opt out. I’ve also just discovered that the online retail store named after a vast South American river is almost out of everything that darling daughter requested on her Santa list (yes he still visits 22-year-olds apparently), so a trip to the shops seems to be on the cards. Looks as if Mr WIAA and I will have to be “Heroes”, just for one day.

Oh and one more thing, the reason this particular cover jumped out at me is possibly because there is currently a 10 foot tall picture of David Bowie residing at the entrance to our local shopping centre – Forty years on, and two years after his death, his images still exude “cool” which has obviously made him the perfect candidate for a certain watch-maker to use as inspiration for their latest timepiece.


Until next time….

Heroes Lyrics
(Song by David Bowie/Brian Eno)

I, I will be king
And you, you will be queen
Though nothing, will drive them away
We can beat them, just for one day
We can be heroes, just for one day

And you, you can be mean
And I, I’ll drink all the time
‘Cause we’re lovers, and that is a fact
Yes, we’re lovers, and that is that

Though nothing, will keep us together
We could steal time, just for one day
We can be heroes, forever and ever
What’d you say?

I, I wish you could swim
Like the dolphins, like dolphins can swim
Though nothing, nothing will keep us together
We can beat them, forever and ever
Oh, we can be heroes, just for one day

I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be heroes, just for one day
We can be us, just for one day

I, I can remember (I remember)
Standing, by the wall (by the wall)
And the guns, shot above our heads (over our heads)
And we kissed, as though nothing could fall (nothing could fall)
And the shame, was on the other side

Oh, we can beat them, forever and ever
Then we could be heroes, just for one day
We can be heroes
We can be heroes
We can be heroes
Just for one day

We can be heroes
We’re nothing, and nothing will help us
Maybe we’re lying, then you better not stay
But we could be safer, just for one day
Oh-oh-oh-oh, oh-oh-oh-oh


Just in case you’re curious as to what else we were listening to in December ’77 (other than David Bowie) here is a copy of the Words contents page which also includes two sets of lyrics. How many of these (without Googling) would you remember?


The Name Of The Game by Abba: