Edinburgh, Outlander and “A Hard Rain’s Gonna Fall”

Another Edinburgh post, as I came home from last week’s trip armed with lots of great pictures that are ripe for sharing. This time we stayed in an apartment right at the top of the Grassmarket, which centuries ago was the site of one of Edinburgh’s main markets. The name apparently came from the grazing livestock, held in pens beyond its western edge.

Daniel Defoe, who visited Edinburgh in the 1720s, described the West Bow at the north-east corner of the Grassmarket (where our apartment was situated) as follows – “This street, which is called the Bow, is generally full of traders and dealers”, and you know what, it still is today, although nowadays the colourful shops are aimed primarily at the many tourists who pass through every year.

Because it was originally a gathering place for market traders and cattle drovers, the Grassmarket was always a place full of taverns, hostelries and temporary lodgings – Again nothing much has changed, bar the prices, and the fact the traders and drovers have been replaced by tourists. In 1803 William Wordsworth took rooms at the White Hart Inn, where the poet Robert Burns had stayed during his visit to Edinburgh in 1791. It was described by him as being “not noisy, and tolerably cheap”. In the film version of Greyfriars Bobby, they chose a lodging in the Grassmarket as the place where the Skye terrier’s owner dies. Yes indeed, lots of history thereabouts.

Having lived in the midst of such history for days, imagine my delight when we got home, to find that the next episode in the box-set we are currently watching on telly, was now set in the Old Town of Edinburgh circa 1766. The show Outlander is based on the historical time travel series of novels by Diana Gabaldon and is a firm favourite with most of us who live in the Highlands, as much of the drama is set here. It stars Caitriona Balfe as Claire Randall, a married World War II nurse who in 1945 finds herself transported back to the Scotland of 1743, where she meets the dashing Highland warrior Jamie Fraser (played by Sam Heughan) and becomes embroiled in the Jacobite risings. It does all sound a bit implausible, and is another of those wibbly wobbly timey wimey kind of things, but possibly because it covers all the bases for a cult drama, has kind of become one.

I will include a clip here of the opening title sequence, which definitely gives a flavour of what the show is all about. Also, it makes use of the music to the Skye Boat Song, which most of us in Scotland are very familiar with – Unlike the very twee versions I was used to hearing in my youth, performed on highly uncool shows like The White Heather Club, this version has been given a 21st century makeover by Bear McCreary. The lyrics, taken from the Robert Louis Stevenson poem Sing Me a Song of a Lad That Is Gone, were adapted to fit the storyline and are performed by Raya Yarbrough,

So here we were this week, still thinking about our trip to an Edinburgh that has changed little since the 1700s, watching a show that was set in that very place and time. It isn’t often that contemporary music is used for the show’s soundtrack, but in one of the episodes we watched this week, a particularly poignant scene was played out to Bob Dylan’s song A Hard Rain’s Gonna Fall. All about a blue-eyed son, so very apt really and thankfully (for me) not performed by Bob but by the Canadian band Walk Off the Earth. In case anyone watching the show hasn’t reached season three yet, I won’t give the game away and include a clip of that particular heart-wrenching scene, but suffice to say the song was just perfect for it, and has most definitely formed an earworm this week.

A Hard Rain’s Gonna Fall by Walk Off the Earth:

Walk Off the Earth had performed the song just once, for kicks, and then pretty much forgot about it until someone from Outlander contacted them about using it for the episode. Band founder Ryan Marshall said they were surprised, as it was an acoustic cover without any bells and whistles – Just one of those tearjerker songs. When the writers decided they wanted to use the song, because Bob had just won the Nobel Prize an’ all, they knew they would never get his version, but after hearing the cover they kind of fell in love with it, as have I.

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So, “What’s It All About?” – Last time I wrote a post about the film Trainspotting, and here I am now writing about the cult television drama Outlander. Yes, I do like my film and telly, and having emotionally invested in some of the storylines watched on both big and small screens, it can be quite something to find yourself in the very spot where they were filmed. It seems I am not alone however, as only this week I read a story in the local paper about how the Clan Fraser marker stone on Culloden Battlefield has had to be cordoned off, and the road around it relaid due the sheer volume of Outlander fans coming to visit it. Even poor old Greyfriar’s Bobby has had all the paint rubbed off his nose (see picture above) due to the sheer number of visitors to the faithful dog’s statue on Candlemaker Row.

One more Edinburgh post before I move on to new themes, but this next one won’t be about music from film or television. No, it seems the time has come to admit to which band was the first one I ever saw perform live!

Until next time….

A Hard Rain’s Gonna Fall Lyrics
(Song by Bob Dylan)

Oh, where have you been, my blue-eyed son?
And where have you been, my darling young one?
I’ve stumbled on the side of twelve misty mountains
I’ve walked and I’ve crawled on six crooked highways
I’ve stepped in the middle of seven sad forests
I’ve been out in front of a dozen dead oceans
I’ve been ten thousand miles in the mouth of a graveyard
And it’s a hard, it’s a hard, it’s a hard, and it’s a hard
It’s a hard rain’s a-gonna fall

Oh, what did you see, my blue-eyed son?
And what did you see, my darling young one?
I saw a newborn baby with wild wolves all around it
I saw a highway of diamonds with nobody on it
I saw a black branch with blood that kept drippin’
I saw a room full of men with their hammers a-bleedin’
I saw a white ladder all covered with water
I saw ten thousand talkers whose tongues were all broken
I saw guns and sharp swords in the hands of young children
And it’s a hard, it’s a hard, it’s a hard, and it’s a hard
It’s a hard rain’s a-gonna fall

And what did you hear, my blue-eyed son?
And what did you hear, my darling young one?
I heard the sound of a thunder, that roared out a warnin’
I heard the roar of a wave that could drown the whole world
I heard one hundred drummers whose hands were a-blazin’
I heard ten thousand whisperin’ and nobody listenin’
I heard one person starve, I heard many people laughin’
Heard the song of a poet who died in the gutter
Heard the sound of a clown who cried in the alley
And it’s a hard, it’s a hard, it’s a hard, it’s a hard
It’s a hard rain’s a-gonna fall

Oh, what did you meet, my blue-eyed son?
Who did you meet, my darling young one?
I met a young child beside a dead pony
I met a white man who walked a black dog
I met a young woman whose body was burning
I met a young girl, she gave me a rainbow
I met one man who was wounded in love
I met another man who was wounded in hatred
And it’s a hard, it’s a hard, it’s a hard, it’s a hard
It’s a hard rain’s a-gonna fall

And what’ll you do now, my blue-eyed son?
And what’ll you do now, my darling young one?
I’m a-goin’ back out ‘fore the rain starts a-fallin’
I’ll walk to the depths of the deepest dark forest
Where the people are many and their hands are all empty
Where the pellets of poison are flooding their waters
Where the home in the valley meets the damp dirty prison
And the executioner’s face is always well hidden
Where hunger is ugly, where souls are forgotten
Where black is the color, where none is the number
And I’ll tell and speak it and think it and breathe it
And reflect from the mountain so all souls can see it
And I’ll stand on the ocean until I start sinkin’
But I’ll know my song well before I start singin’
And it’s a hard, it’s a hard, it’s a hard, and it’s a hard
It’s a hard rain’s a-gonna fall

The Jukebox Time Machine #1 – Bowie, The Sweet and a load of “Hocus Pocus”

Lately, I seem to have somewhat lost track of the original premise behind this blog. The eagle-eyed amongst you might have spotted that the domain name for this site contains the words Jukebox Time Machine but it wasn’t long before I decided to veer away from simply randomly journeying back in time to select a “track from my years”. Oh no, the featured song instead became inspired by what was going on in the news, by the seasons, or indeed what was happening in my own life. Once you delve into the back story to a song you find out so much more than was ever available back in the day, so it became appropriate to change the name of the blog to “What’s It All About?” (a nod to the opening lyric from the song Alfie, written by my favourite songwriting team Burt Bacharach and Hal David).

But just for a bit of a change (and perhaps an idea for a new series), I am going to resurrect the idea of having an honest to goodness “time machine” that could randomly whisk me back through the years in order to find out what we were listening to, in terms of the music of the day. There are a fair few time machines in popular culture but the one I’m going to use this time is the contraption conjured up by H.G. Wells (very steampunk) and put together by some clever prop designers for the 1960 film The Time Machine starring Rod Taylor.

So now we have a vehicle to take us back in time, but how will we randomly generate the date to which we will be taken? Fortunately there are lots of devices at our disposal and I’m going to use an online random number generator. The year will be generated from between 1964 and 2006, when the popular UK chart music show Top of the Pops aired on the BBC. I can, at a push, remember watching that show with my parents right from the beginning (yes I’m that old) and I stuck with it, through the good and bad years, until they pulled the plug on it in the mid-noughties. Since then I have kind of lost the plot as far as non-mainstream new music goes, so will stick to those more familiar years. The month and date can also be randomly generated after which all we have to do is refer to the Official UK Top 40 Archive. All sounds very complicated but trust me, it’s not.

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Time to climb aboard then and generate the first date. Here goes:

Year – 1973
Month2, i.e. February
Date – 14 (cute, it’s St Valentine’s Day!)

Anyone who visits here regularly will know that this year could not be better for me in terms of conjuring up memories, as it was not only the year I became a teenager, but it was also the year I became obsessed with pop music and chart rundowns (already written about here). Referring to the Official Top 40 Chart from the 14th Feb 1973, the act at the No. 1 spot was this one, Scottish glam-rock band The Sweet with their only chart-topper, Blockbuster.

Blockbuster by Sweet:

I’m not going to dilly-dally too long writing about that one however as it has been showcased very recently over at Charity Chic Music (link here), where quite a few of us chimed in with our schoolday memories of the song. It still amazes me, watching this footage of the band perform, how they somehow managed to look “macho” whilst wearing just so much glitter, gold lamé and make-up. ‘Twas the times obviously. Lead singer Brian Connolly was a good-looking man back then and I was very envious of his long blonde hair (although oddly in this song, he refers to someone with long black hair). I think I actually sported a not too dissimilar hairstyle myself for much of the noughties, but hadn’t realised until now that the inspiration for it must have been Brian from The Sweet.

But what else was in the 1973 St Valentine’s Day chart. Well as luck would have it, a song I have already featured in the blog – The Jean Genie by David Bowie (link here). It was pointed out back then by The Swede, that the opening riff of Jean Genie bore a striking similarity to that of The Sweet’s Blockbuster which was recorded for the same record label, at around the same time and released just a couple of months later (go on, do a quick compare and contrast). But it was The Sweet who made it to the top spot on this occasion as Bowie’s offering only made it to No. 2. Having done a little digging, the date we’re travelling back to in time to was very relevant to Mr Bowie as it seems that it was on the 14th of February 1973 that he collapsed from exhaustion after a performance at New York’s Madison Square Garden. He had been touring and giving press conferences as his alter-ego Ziggy Stardust for some time, but soon after this collapse, he abruptly retired the character live on stage at London’s Hammersmith Odeon.

The Jean Genie by David Bowie:

So far we’ve revisited two songs that sound very similar to each other but what else in the chart also sounded very similar? Although I can’t say I was a big fan back then, in the fullness of time I have come to appreciate all the falderals involved in the making of a Focus record (a bit of yodelling anyone?) and February 1973 was their time in the sun as far as chart success went. Their instrumental Sylvia was a climber at No.5 and Hocus Pocus was also climbing up the chart at No. 22.

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The Dutch prog rock outfit, Focus.

I may well have forgotten all about these Dutch prog rockers had it not been that the album I got for Christmas that year was “Arcade’s 20 Fantastic Hits by the Original Artists”, the emphasis on the word original, as up until then most of these compilations were very much by the unoriginal artists. If you look closely you will see that Blockbuster, The Jean Genie and Hocus Pocus (Track 7 on Side 2) all featured, so this February chart certainly seems to have spawned a fair few of the year’s most memorable hits. (Interesting to note there is a picture of the artist who is apparently Python Lee Jackson which caused lots of confusion at the time. Turned out PLJ was the name of an Aussie band and Rod Stewart had been a guest vocalist.)

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Hocus Pocus by Focus:

Although we have travelled back in time 45 years, so many of these songs are now part of popular culture and I can’t imagine them ever being forgotten whereas can we really say that about much of what is in the charts today? Maybe I’m wrong but could we envisage a time in the future when there will be another television cop show, this time inspired by the music of 2018? Not sure, but it certainly happened around 10 years ago when Life On Mars was made for our own BBC. The lead character Sam Tyler goes back in time to 1973 and finds himself working under the highly misogynistic, homophobic, borderline alcoholic Detective Chief Inspector Gene Hunt – The Gene Genie. For those of us who remember those days there were many, many amusing musical exchanges between Sam and Gene only made possible because Sam knew the legacy that would be left behind by some of the artists they listened to, on the Ford Granada car radio, or during a nightclub raid. For Gene all this music was as yet unknown, and anyway, he and his wife preferred listening to Roger Whittaker!

Ok, so Life On Mars aired a fair few years ago now but I think it is generally agreed that one of last year’s best films, for music fans at any rate, was this one – Edgar Wright’s Baby Driver. I’m not usually a fan of films that feature multiple car chases, but this one was a very different animal, and the best car chase of all was played out to the sounds of Focus with what has turned out to be their most memorable recording (was it because the words rhymed so well I wonder?). Watching this excellent clip again, the lead character Baby, could definitely give Lewis Hamilton a run for his money.

So, “What’s It All About?” – I hope you’ve enjoyed joining me on my Jukebox Time Machine journey back to February 1973. All you need is a random number generator it seems and we’re good to go, although I may change the mode of transport for next time as H.G. Wells’ time machine was a tad uncomfortable at times – Doc Brown’s DeLorean might make for a smoother ride.

As to whether the music of 2018 will feature in the movies and telly of the future, having thought about it a bit more, it probably will. As the music-obsessed youngsters of today become the movers and shakers of tomorrow, they will use the “tracks of their years” when making directorial debuts, peppering their films with the works of Kendrick Lamar and Childish Gambino (yes I watched the Grammys this week so am “down with the kids”). Problem is, by the time you make it in that world and are entrusted with the big budgets you are a generation older than the majority of your audience. Great for parents taking their kids to the cinema though as there is something for everyone, the action for the youngsters and the music for the mums and dads (Guardians of the Galaxy springs to mind) – All in all, a win-win situation.

Until next time….

Blockbuster Lyrics
(Song by Mike Chapman/Nicky Chinn)

Ahhh, Ahh Ahhh
You better beware, you better take care
You better watch out if you’ve got long black hair
He’ll come from behind, you’ll go out of your mind
You better not go, you never know what you’ll find
Ahh Ahh, Ahh Ahhh

Can’t look into his eyes, you’ll be surprised
If don’t know what going on behind his disguse
Nobody knows where Buster goes
He’ll steal your woman out from under your nose

Does anyone know the way, did we hear someone say
(We just haven’t got a clue what to do)
Does anyone know the way, there’s got to be a way
To Blockbuster

The cops are out, they’re running about
Don’t know if they’ll ever be able to blockbuster out
He’s gotta be caught, he’s gotta be taught
‘Cause he is more evil then anyone here ever thought

Does anybody know the way, did we hear someone say
(We just haven’t got a aho)
Does anybody know the way, there’s got to be a way
To Blockbuster

Does anybody know the way, did we hear someone say
(We just haven’t got a clue what to do)
Does anybody know the way, there’s got to be a way
To Blockbuster

Ahh Ahh, Ahh Ahh
Ahh Ahh, Ahh Ahh

Buster buster blockbuster
Buster buster blockbuster
Buster buster blockbuster
Buster buster blockbuster

Buster buster blockbuster
Buster buster blockbuster

Postscript:

It occurred to me that although the journey back in time was primarily to find out what we were listening to in February 1973, perhaps it might be interesting to remind myself what I was doing at school. As luck would have it (that trusty archive box came up trumps once again), I still have a self-penned “magazine” which we all had to produce in English (the subject not the language) that year.

All very embarrassing as ever, but I was only 12 remember, and one of the “stories” was essentially an exchange between my mum and myself as to the merits of acquiring one of those new-fangled cassette recorders that had just come on the market. Ignore the fact that I seem to have missed the letter “t” in the title (should be tempted) and please ignore the fact that it seems my family were a bit tight with the cash, as in reality I did get a SONY cassette recorder later that year. It was my absolute pride and joy and was heavily used for the rest of my teenage years. I give you an extract from the Reader’s Realm February ’73 edition (adverts were included).

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Blood, Sweat & Tears, Petite Fleur and “You’ve Made Me So Very Happy”

Well, I hope everyone who celebrates it has enjoyed their Christmas Day. We were just four for lunch this year which is a really easy number to cater for so not too stressful at all. I don’t even feel as if I’ve eaten too much as instead of the usual breakfast, lunch and dinner with a few snacks thrown in, on Christmas Day you just have breakfast, a whopping big festive lunch and then not much else, so it all evens itself out nicely. I realise not everyone is quite so restrained, but it works for me. As for the presents, lots of lovely things as ever and my daughter, who knows me just too well it seems, came up with this very appropriate gift. It is sitting beside me as I type so lets hope I will be inspired by the contents which sadly aren’t of the alcoholic variety as I am on driving duty, but I don’t mind, which is just as well.

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It has become my routine of late to post on a Monday so didn’t want to veer away from that pattern just because it’s Christmas Day. Also, the great thing is that we no longer have to share anything Christmassy as a song choice – I don’t know about you but if I ever hear Andy Williams singing It’s The Most Wonderful Time Of The Year again whilst shopping, I will start a petition to have it banned. Unless your life really is on the up, and absolutely nothing bad has happened in the course of the year, it’s tough being constantly bombarded with Mr Williams’ chirpy lyrics. I always feel for those who may indeed not be having the MOST wonderful time. At one point I thought we ourselves might be having a bit of a Blue Christmas (Elvis version) this year as darling daughter is a bit lost spending it without her special someone, my mum is a bit lost without her memories and as regulars to this place know, I myself seem to have temporarily lost my “purpose”. As it turns out however it has been a really lovely day with no “blue-ness” making an appearance at all, for which I am really grateful.

But here I am linking to festive songs whereas the song that has formed an earworm over the last week is something quite different. I have mentioned recently that over the last few weeks I’ve been working my way through all seven series of the television show Mad Men on Netflix. Well here’s a bit of irony – The final season hasn’t fully made it on to Netflix yet so I had to buy back the same DVD I donated to a charity shop earlier in the year after embarking on a bit of decluttering. No matter, all for a good cause, but didn’t realise I would get quite so into it second time around. First time around I hadn’t starting blogging yet whereas this time the carefully chosen songs that feature in each episode are doubly interesting for me as the late 1960s seems to have become my favourite era to revisit. [Spoiler alert: If you haven’t yet reached it, Season 6 is about to be mentioned!]

Megan

By the end of season 6, the main character’s wife had moved west to LA in order to further pursue her acting career. Megan Draper, the French Canadian secretary turned copy-writer turned actress, had always been captivating on screen ever since first appearing in season 4 but having set up home amongst the musicians and acting fraternity of Laurel Canyon, she seemed to have found her spiritual home. Her New York based, “Ad-Man” husband Don was suddenly an anachronism and it made for uncomfortable viewing watching the end of a marriage being played out on screen. Right at the end of episode 6 Megan hosts a party at her house in the hills – One of the songs played at the party was this one and although I had heard of the band Blood, Sweat & Tears and even seen pictures of them, they’ve never featured amongst the tracks of my years so I hadn’t realised they were responsible for this gem of a song – You’ve Made Me So Very Happy.

You’ve Made Me So Very Happy by Blood Sweat and Tears:

This beautiful song was written by Brenda Holloway amongst others and was first recorded by her in 1967 on the Tamla label. The song later became a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, reaching No. 2 on the Billboard Hot 100 and No. 35 in the UK Singles Chart. But the musical surprises didn’t end there in this particular episode as to husband Don’s discomfort, Megan proceeds to entertain her guests with an impromptu dance to Petite Fleur, a jazz instrumental played by some of her musician friends. This piece of music was originally written and recorded by Sidney Bechet in 1952 but became an international hit in 1959 for Chris Barber’s Jazz Band. It was this version with the clarinet solo that provided the inspiration for Megan’s “performance” – Very apt for the petite fleur that was French-speaking Megan Draper (née Calvet).

Petite Fleur by Chris Barber’s Jazz Band:

So, “What’s It All About” – Sometimes we don’t even realise how much time and effort has gone into choosing just the right music for a television show as it just feels incidental, but once you start to take note, as I have done re-watching this award winning drama, it adds a whole new dimension to the experience. The Blood, Sweat & Tears song was the perfect choice for this party in the Hollywood Hills of 1969 but also bittersweet as that evening perhaps marked the beginning of the end for the two main protagonists. Megan had made Don “so very happy” and vice versa, but those days were soon to be in the past. The petite fleur would soon be out of his life for good.

But here I am blogging with my new mug by my side at nearly 10pm on Christmas Day – DD has invited some friends round and by the sound of the laughter from the other room, they seem to be making her “so very happy”. Time to seek out Mr WIAA, as it’s probably time to make him “so very ….. ” – No that all sounds a bit wrong. Time to sign off for today before I get myself into trouble!

Merry Christmas from all of us here at WIAA – Hope you’ve had a good one.

Until next time….

You’ve Made Me So Very Happy Lyrics
(Song by Berry Gordy Jr/Brenda Holloway/Frank Wilson/Patrice Holloway)

I lost at love before
Got mad and closed the door
But you said try just once more
I chose you for the one
Now I’m having so much fun
You treated me so kind,
I’m about to lose my mind
You made me so very happy
I’m so glad you came into my life

The others were untrue,
But when it came to lovin’ you
I’d spend my whole life with you
‘Cause you came and you took control
You touched my very soul
You always showed me that
Loving you was where it’s at
You made me so very happy
I’m so glad you came into my life

Thank you baby, yeah yeah

I love you so much, it seems
That you’re even in my dreams I can hear
Baby, I hear you calling me
I’m so in love with you
All I ever want to do is
Thank you, baby
Thank you, baby

You made me so very happy
I’m so glad you came into my life
You made me so very happy
You made me so, so very happy baby
I’m so glad you
Came into my life
Mmmm, I want to thank you, girl
Every day of my life
I wanna thank you
You made me so very happy
Oh, I wanna spend my life thanking you
(Thank you baby, thank you baby)

“Moonlighting”, Al Jarreau and The Cold Grip of Winter

Last month I wrote a post (link here) about that amazing full moon we in the UK were all witness to. Having discovered that all full moons have a name, generally having come from the Native Americans who very much used the moon’s cycle as their calendar, I decided to embark on a series of “moon posts” to coincide with whenever a new one appears in our skies. Last night, despite the fact there had been solid cloud cover all day, I managed to witness the Cold Moon, so-called because it occurs at that time of the year when the cold grip of winter really starts to take hold. I tried very hard to get a good shot of it both with my phone and camera, but not easy, so here is the best I could come up with – My Cold Moon as seen in the Highlands of Scotland.

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The next full moon will occur in January, so as this is my last lunar offering of 2017 I am going to feature a song by an artist who sadly left us earlier this year and whom I have been remiss in not mentioning until now. I am talking about Al Jarreau who despite having had an incredibly long career as a jazz performer will, for me, always be remembered as the guy who sang the “Moonlighting” Theme. Al started out in 1968 and during his lengthy career received a total of seven Grammy Awards and was nominated for over a dozen more. He is perhaps best known for his 1981 album “Breakin’ Away” but passed away back in February this year at the age of 76, just two days after announcing his retirement.

“Moonlighting” Theme by Al Jarreau:

Moonlighting was the American comedy-drama television series, set in the offices of a private detective agency, that ran for four years in the late 1980s. It was must watch telly in the flat I shared with my best friends and even when we all started to move out and go our separate ways, it was always a great excuse for a get-together back at the mothership!

The show made a star out of Bruce Willis and re-launched the career of Cybill Shepherd. The relationship between their characters, David and Maddie, was of course one of those “will they, won’t they” ones but naturally once they did, the magic ended. Still included in most lists of the best TV couples of all time however.

Next month’s full moon will be called the Wolf Moon so I shall return at the start of January with another lunar song title. A bit of a quirk next month however in that we will also have a Blue Moon. Doesn’t happen often (thus the name) but as all full moons occur every 29.5 days we will have one on the 2nd and the 31st (just snuck in there at the end of the month). Plenty of song choices for blue moons but will have to have a think about which song would be most suitable for a wolf moon. Bob Seger and his Silver Bullet Band immediately comes to mind but we’ll see!

Until next time…. RIP Al Jarreau

Moonlighting Lyrics
(Song by Al Jarreau/Lee Holdridge)

Some walk by night
Some fly by day
Nothing could change you
Set and sure of the way
Charming and bright
Laughing and gay
I’m just a stranger
Love the Blues and the Braves
There is the sun and moon
Facing their old, sweet tune
Watch them when dawn is due
Sharing one space

Some walk by night
Some fly by day
Something is sweeter
When you meet ‘long the way
There is the sun and moon
Facing their old, sweet tune
Watch them when dawn is due
Sharing one space

So come walk the night
Come fly by day
Something is sweeter
‘Cause we met ‘long the way
We’ll walk the night
We’ll fly by day
Moonlighting strangers
Who just met on the way
Who just met on the way

Alyson’s Archive #4 – David Cassidy, The Partridge Family and “I Think I Love You”

A long time ago in a galaxy far, far away there lived a handsome prince called David. All the young ladies of the land collected pictures of the prince and adorned their walls with them. 

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The humble author’s teenage collection of David Cassidy pin-ups

Many of you will have heard that one of the 1970’s biggest teen idols died earlier this week at the age of 67. Not a massive shock this time as it had been announced earlier this year that he was suffering from dementia and then last weekend, from multiple organ failure – A transplant was not deemed possible so the life-support machines were switched off on Tuesday at noon. Still sad news however for those of us of a certain age who remember him at his shiniest best.

Of course when I heard the news I had to refer to my box of teenage memorabilia and in the folder of pin-ups and posters from the early ’70s, it turned out that most were of David Cassidy. There were also a fair few of those Osmond Brothers, The Jackson 5, David Essex, Bjorn Borg, Marty Kristian from the New Seekers and Ben Murphy of Alias Smith and Jones fame, but no, by far the biggest number were of Mr Cassidy as he was omnipresent within the pages of teen mags from 1970 to 1974.

I have written about David Cassidy in this blog before (link here) as my first three posts ended up being about artists called David – Bowie, Davy Jones of the Monkees and David Cassidy. Sadly, not one of that triumvirate of Davids is still with us, which is a sobering thought. This revisitation of the artists of my youth is a constant reminder that we are all journeying along that conveyer belt of life apace, and with this latest departure it does give us another “mortality reality check”.

I was just at the right age for David Cassidy to come into my life – As a pre-teen I had watched him play the character Keith Partridge in the kid’s musical sit-com The Partridge Family and then as I reached my teenage years he had become the world’s biggest pop idol, selling out concerts in every corner of the globe. But was it his music we adored or was it the idol himself? As I mentioned last time he appeared on these pages, his song Could It Be Forever was the first one that made me cry, and I didn’t even know why! The teenage hormones were starting to kick in and we girls lose our sanity a bit when it comes to our idols, behaving in a totally irrational and frenzied manner. We buy all the magazines with their pictures and create scrapbooks/fanzines. We cover our bedroom walls with their posters and even iron picture transfers onto our pillowcases. Of course we also dream of them being our fantasy boyfriends, without really understanding what having a real boyfriend would mean.

I have another few things in the archive folder that refer to David Cassidy and think they are worth sharing here as a lasting reminder of just how big he was in the early ’70s. These wordy pages are often to be found on the back of the aforementioned pin-ups but are proving to be the most interesting when looking back – A little bit of pop history. (By the way in case anyone thinks it’s a bit weird that I still have all this stuff – No, I don’t sit around of an evening dressed in flares and platform shoes pouring over pictures of my teen idols, it’s just that if you’ve ever had to clear out your parents’ loft so they can downsize, you end up finding all this childhood ephemera and are somewhat loathe to get rid of it just in case you ever start writing a music blog!)

Poor David’s time in the sun was short-lived as seems to be the case with most teen idols – As soon as your fan base comes of age and finds love with real-life boys, the career is over. Some manage to reinvent themselves but sadly David didn’t really ever manage to negotiate that cross-over success although he did record a new album in the mid ’80s and continued to tour until earlier this year.

But I can’t leave it there. Many of us who were fans back in the early ’70s probably didn’t give David and his Partridge Family pals much thought in the intervening years, but when the Richard Curtis film Four Weddings and a Funeral was released in 1994 there was a great scene where slightly awkward, upper-class Englishman Charles (played by Hugh Grant) attempted to declare his love for Carrie (played by Andie MacDowell). After much procrastination he finally got round to uttering those most difficult of words, “I think I love you” but of course they were attributed first to David Cassidy, when he was still with The Partridge Family – Très amusant and because of that scene (at 0:30) it has become my favourite Cassidy song.

I Think I Love You by The Partridge Family:

So, “What’s It All About?” – Poor old David Cassidy had a bit of a difficult life after his early ’70s heyday as a teen idol but that seems to be the norm for anyone who has experienced that level of idolatry. I can confirm however that having his picture on my bedroom wall back then was a real joy, and as I drifted off to sleep at night I probably whispered those five little words, “I think I love you”.

Until next time…. RIP David

I Think I Love You Lyrics
(Song by Tony Romeo)

I was sleeping and right in the middle of a good dream
Like all at once I wake up from something that keeps knocking at my brain
Before I go insane I hold my pillow to my head
And spring up in my bed screaming out the words I dread
I think I love you (I think I love you)

This morning I woke up with this feeling
I didn’t know how to deal with and so I just decided to myself
I’d
hide it to myself and never talk about it
And did not go and shout it when you walked into the room
I think I love you (I think I love you)

I think I love you so what am I so afraid of
I’m afraid that I’m not sure of a love there is no cure for

I think I love you isn’t that what life is made of
Though it worries me to say that I never felt this way

I don’t know what I’m up against
I don’t know what it’s all about
I got so much to think about

Hey, I think I love you so what am I so afraid of
I’m afraid that I’m not sure of a love there is no cure for

I think I love you isn’t that what life is made of
Though it worries me to say I never felt this way

Believe me you really don’t have to worry
I only wanna make you happy and if you say “hey go away” I will
But I think better still I’d better stay around and love you
Do you think I have a case let me ask you to your face
Do you think you love me?

I think I love you
I think I love you…

Postscript:

I now realise I was remiss in not sharing any video footage of David Cassidy in today’s post – Here he is as Keith Partridge singing Walking In The Rain, the Phil Spector song that was first a hit for The Ronettes in 1964. This song has actually featured in the blog before (link here) when I wrote about radio, and the chart-run down shows of my early teenage years. Shirley Jones who played his mother in The Partridge Family television series was actually his step-mother in real life and has also appeared on these pages before (link here) when I wrote about the song You’ll Never Walk Alone. As I often say, we keep going in circles around here. Oh and one more thing, the eagle-eyed amongst you might just spot a young Jodie Foster in the front row of the audience in this clip as she played the daughter of Shirley Jones love interest in this episode!

“Wives and Lovers”, Mad Men and Julie London

Since giving up work a few weeks ago, my life has taken a serious turn for the better – Suddenly there is enough time for everything I need to do in my life and joy of joys there is also enough time for some things that I don’t really need to do, but am enjoying immensely. One of the frivolous things I don’t really need to do, has been to binge watch one of my favourite television shows, Mad Men, set in the 1960s at the fictional Sterling Cooper advertising agency on New York’s Madison Avenue. Season One begins in March 1960, just before I was born, and it’s almost worth watching it for the clothes alone. Totally impractical but incredibly beautiful.

The show won many awards over the years and has been lauded for its historical accuracy. For fans of music, the song choices for each episode were spot on in terms of evoking the era and how they related to a particular scene or storyline. This song, Fly Me To The Moon by Julie London, featured in the first season of Mad Men. I have always loved her languid voice, especially when singing her signature song Cry Me A River, and Julie’s look and sound were totally appropriate for this glamorous show.

Towards the end of the first season, the upcoming presidential elections feature highly as the agency was to work with Nixon’s team to help him secure that win. They think it’s a foregone conclusion but of course we all now know it turned out very differently back in 1960 and Nixon ended up being pipped at the post by a young Jack Kennedy. Mad Men depicts the American society and culture of the 1960s, highlighting cigarette smoking, drinking, sexism, adultery, homophobia and racism. It kind of reminds us that although we have a nostalgia for the past, we also sometimes have a selective memory.

A song I have in my digital database by Julie London is this one, but not easy to listen to nowadays. Despite the fact I love the songs of Burt Bacharach and Hal David, the lyrics to Wives and Lovers are just so at odds with how a 21st century woman would think, or more importantly how a man would expect her to think, that they become quite laughable. However if you watched only the first episode of Mad Men, set in 1960, they suddenly seem frighteningly accurate:

Hey! Little Girl
Comb your hair, fix your makeup
Soon he will open the door.
Don’t think because there’s a ring on your finger
You needn’t try anymore   (?!)

Day after day
There are girls at the office
And men will always be men.
Don’t send him off with your hair still in curlers
You may not see him again   (?!)

Wives and Lovers by Julie London:

There is a lot of talk in the media at the moment about certain “unsolicited actions” and “inappropriate behaviour” having been carried out by people in power. Our blogging buddy Jez has written a very good piece about it this weekend (link here) which I would thoroughly recommend. As he says, time and time again we hear the defence that the accused is “a dinosaur”, that their behaviour was acceptable “back in the day” – No, it really wasn’t.

Until next time….

Wives and Lovers Lyrics
(Song by Burt Bacharach/Hal David)

Hey! Little Girl
Comb your hair, fix your makeup
Soon he will open the door
Don’t think because there’s a ring on your finger
You needn’t try anymore

For wives should always be lovers too
Run to his arms the moment he comes home to you
I’m warning you…

Day after day
There are girls at the office
And men will always be men
Don’t send him off with your hair still in curlers
You may not see him again

For wives should always be lovers too
Run to his arms the moment he comes home to you
He’s almost here…

Hey! Little girl
Better wear something pretty
Something you’d wear to go to the city and
Dim all the lights, pour the wine, start the music
Time to get ready for love
Time to get ready
Time to get ready for love

Postscript:

Just in case anyone hadn’t heard of her before, Julie London was an American singer and actress, whose career spanned over forty years. She released 32 albums of pop and jazz standards during the 1950s and 1960s, her signature song being the classic Cry Me a River. Julie’s 35-year acting career began in 1944 and included roles co-starring with Rock Hudson, Gary Cooper and Robert Mitchum. She achieved continuing success in television in the 1970s, appearing in the show Emergency! with her husband, Bobby Troup.

An American Odyssey in Song: New Jersey – Frank, The Sopranos and “It Was A Very Good Year”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

Well, I seem to have been tettering on the edge of the George Washington bridge for two months now, as my New York post ended up being rather a long one, and New Jersey doesn’t look as if it will be much shorter, or easier to put together. After this state I will really try and get back to the original premise of one state, one song, but in the meantime it will have to be another “stream of consciousness” kind of affair. Here goes….

new-jersey

New Jersey is tantalisingly close to wealthy and sophisticated Manhattan, but here, a mere 10 minutes across the bridge (or through the tunnel), we have a much more workaday state. To use another British analogy, New Jersey is probably the Essex of America where “Joisey” girls and boys tend to be the butt of many a joke. It is called the Garden State but the area bordering the Hudson is heavily industrialised and provides a home to many a chemical plant. The beautiful Ivy League University Princeton however is in New Jersey and further south we have the many fine beaches. Atlantic City, with it’s seven miles of boardwalk, was a highly successful and popular resort in the 19th and early 20th centuries. Post WWII it fell into decline but in 1976 came the legalisation of gambling after which massive casino hotels were built such as the Trump Taj Mahal. The original was one of the seven wonders of the world, but inside this one day and night merge into one, as high and low rollers from all over the world are sucked in leaving the old boardwalks neglected and empty.

But this is a music blog so what, and who, comes to mind when I think of New Jersey? First of all here is a clip showing the opening sequence to the television show The Sopranos – It shows the journey made by its lead character Tony Soprano (played by James Gandolfini), all the way from the New Jersey Turnpike to his comfortable suburban home. The theme music for this show (Woke Up This Morning) was ironically provided by British band Alabama 3 and I have written about that song here before as I’ve always really liked it. The short film also gives a pretty good whistle stop tour of that part of the state, just across the Hudson from NYC.

Woke Up This Morning by Alabama 3:

Like many other successful television dramas it wasn’t long before a CD was released featuring the songs included in the show, and being a big fan of course I bought it. Being a drama very much focused on Italian-Americans, it was inevitable that one of New Jersey’s most famous sons, born to Italian immigrants living in Hoboken, would pop up quite early on in the series. Not in person of course, as he died the year before the show first aired, but by providing It Was A Very Good Year, the soundtrack to the opening sequence for Season 2.

Frank Sinatra was possibly the very first teen idol, the hero of the “bobby-soxers” who sang with the Tommy Dorsey band in the ’40s and appeared in many lavish MGM musicals. After his career started to slump in the early ’50s he turned to Las Vegas, becoming one of the infamous Rat Pack. A second successful film and recording career followed in the later half of that decade and then a long period of recording and performing live in concert, right up until 1995. In terms of retirement, it never really worked out for him.

ItalianAmericans_Sinatra_Hoboken_Photofest_t600
A young Frank in Hoboken, New Jersey

Although Frank didn’t ever learn how to read music, he had a fine, natural understanding of it and was known to be a perfectionist. It is often mentioned that he had wonderful “phrasing”, which is how a musician shapes a sequence of notes in a passage of music in order to express an emotion or impression – I do believe that with It Was A Very Good Year, he does that with bells on.

It Was A Very Good Year by Frank Sinatra:

Another reason I wanted to include this song in my New Jersey post is because its whole sentiment is very appropriate for what I am doing with this blog – I am probably now in the autumn of my years myself but it is enjoyable to look back nostalgically over my life, telling the stories and sharing the music of my youth.

When I was seventeen, it was a very good year:

Right at the start of my teenage years a new Community Centre was built next to the Academy I attended, and so for the next five years, until I reached the age of 17, it became the focus of our social life. Unlike today when very few parents/community leaders are willing (or allowed) to supervise a few hundred teenagers with raging hormones, back in the ’70s they were plentiful. Nearly every weekend we headed along to the Saturday night “disco” held in one of the big halls. The records, played by some of our classmates who had been insightful enough to buy the equipment, were all the current chart hits and of course it was there that we experienced first kisses, fumbles and romance.

Funnily enough one of my most vivid memories of those years is dancing to songs by a band that really should be more closely associated with the ’60s. Those original Jersey Boys, Frankie Valli and the Four Seasons had a bit of a resurgence in popularity in the ’70s and I am pretty sure my first kiss took place whilst the song December, 1963 (Oh, What A Night) was playing in the background.

When I was twenty-one, it was a very good year:

By the age of 21 I had done the unthinkable, I had dropped all my female friends because I wanted to spend most of my day with my student boyfriend. He was never alone however so it was usually a group of about five lads and myself, in the library, in the bar, in the dining hall…., you get the picture. (“Yes, we see, he was the Leader of the Pack” – sorry couldn’t resist).

Anyway, they were all great fans of that other famous son of New Jersey Bruce Springsteen, so when a rumour went round that he was coming to play the NEC in Birmingham, tickets were acquired. The boyfriend’s parents’ Volvo was commandeered and on the day of my 21st birthday we headed off, driving through the night to the West Midlands. I will have to admit that at age 21 I was more of a fan of Ultravox, Spandau, Visage and Adam Ant so my knowledge of Bruce’s back catalogue was scant indeed. In the weeks before the concert I therefore immersed myself in his album “The River”. By the time the concert came along I was sufficiently au fait with his material to really enjoy the whole experience, especially the saxophone playing of Clarence Clemons. As for the song The River, Bruce cited his inspiration as being his sister and brother-in-law who are still married today. Unlike my New Romantic bands from the early ’80s, Bruce has kept on writing and touring to this day. Never having been a follower of fashion in any way (his stage outfit remains almost unchanged) he has never gone out of fashion – He is the bard of New Jersey but a campaign to get Bruce’s Born To Run named as official state song did flounder, as in reality the song was all about getting the hell out of New Jersey!

When I was thirty-five, it was a very good year:

By 35 I was a working mum and a very busy bee indeed so music didn’t feature quite as highly in my life but it would have been hard to miss the fact that Ms Whitney Houston, one of New Jersey’s most famous daughters, had really achieved success of the stratospheric nature. Pop royalty, she was the cousin of Dionne Warwick, the daughter of Cissy Houston, Darlene Love was her godmother and Aretha Franklin an honorary aunt. She had been around since the mid ’80s but after appearing in films such as The Bodyguard the awards just kept on coming. The lead single from the film’s original soundtrack, I Will Always Love You, received the Grammy Award for Record of the Year in 1994 and became the best-selling single by a female in music history. I think I now prefer the original version, by the writer of the song Dolly Parton, but no-one can deny that Whitney had a stupendous set of pipes back then.

Sadly, Whitney died in 2012 at the very young age of 48, but she certainly has left us with a wonderful back catalogue of songs. She was one of the first singers to make use of that vocal technique called melisma, where by packing in a series of different notes, a single syllable can take nearly six seconds to sing. The technique inspired a host of imitators in the ’90s but what Whitney perhaps nailed best was moderation. Earlier this year I went to the cinema to see the new Kevin Macdonald documentary film Whitney: Can I Be Me – The upshot seemed to be that no, she couldn’t.

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Whitney Houston, RIP

I Will Always Love You by Whitney Houston:

So there we have it, by using Frank’s song I have been able to link three other musical legends from New Jersey into this post. Incidentally there is another link you might not have noticed. Frankie Valli actually made several appearances in The Sopranos, playing the mobster Rusty Millio. Also, the Four Seasons’ music is heard in many episodes, especially Big Girls Don’t Cry. Steven Van Zandt, a long term member of Bruce Springsteen’s E Street Band, played the character Silvio Dante in all six seasons of The Sopranos and finally, Whitney Houston, was a mezzo-soprano (tenuous that one, but you can’t win them all).

Big Girls Don’t Cry by The Four Seasons:

Next time we head across the border into Pennsylvania – As ever, ideas for song choices gratefully received.

Until next time….

It Was a Very Good Year Lyrics
(Song by Ervin Drake)

When I was seventeen, it was a very good year
It was a very good year for small town girls
And soft summer nights
We’d hide from the lights
On the village green
When I was seventeen

When I was twenty-one, it was a very good year
It was a very good year for city girls
Who lived up the stairs
With all that perfumed hair
That came undone
When I was twenty-one

When I was thirty-five, it was a very good year
It was a very good year for blue-blooded girls
Of independent means
We’d ride in limousines
Their chauffeurs would drive
When I was thirty-five

But now the days are short, I’m in the autumn of the years
And now I think of my life as vintage wine
From fine old kegs
From the brim to the dregs
It poured sweet and clear
It was a very good year