Well, I’ve been residing in the doghouse since last weekend’s rather lengthy moany and whingey post (now heavily edited). Nothing like experiencing the embarrassment of having put your thoughts out there in a public forum however for you to see sense, and start counting your blessings. I have many, many things in my life to be grateful for, so in a roundabout way, that post was the kickstart I needed to reinject some positivity into my life. Apologies to those of you who found it in their inbox, as this blog is supposed to simply be where I write about, and share, “the tracks of my years” – Perhaps I need another blog for the ranty stuff, but as I already have another one which is an homage to my favourite Scottish author, it could all get a bit complicated.
Anyway, onward and upward. What have I been listening to this week? I imagine I’m not alone in finding that we are living in a bit of a golden age for television drama – What with streaming and on-demand services, as well as the mainstream channels, the discerning viewer is rarely stuck for something great to watch. I am noticing however that cinema audiences are down (around here anyway), and both our local venues have recently slashed their prices. Good news for those of us who still like the excitement of watching our films on the big screen but probably not good for the art form long-term.
This last year alone we have watched Peaky Blinders, Carnival Row, The Boys, Catch-22, Keeping Faith, Summer of Rockets, Years and Years, Killing Eve, Black Mirror, Chernobyl, Gentleman Jack and Les Misérables to name but a few. Seems like all I do is watch telly, but no, our habit is to finish up whatever we’re doing by 9pm, after which we reconvene in the “living room” (the least-used room in the house nowadays, so no longer a very apt name) and settle down for our nightly fix of the goggle-box, as it used to be called.
This week we seemed to be all caught up with everything that had been recorded and nothing new to tickle our fancy on Netflix or elsewhere, so we decided to revisit a series we have already watched, Sons of Anarchy, which follows the lives of a close-knit, outlaw motorcycle club (SAMCRO), operating in a fictional town in Northern California. I’ve written about it around here before, as I became really fond of the theme song This Life performed by Curtis Stigers and the Forest Rangers. As I said last time, probably like most fans, I live in law-abiding “nice-world” where the worst crime I ever commit is to park illegally, or perhaps accidentally speed in a built-up area. Our modern day lives are so controlled and safe that it is sometimes necessary to experience something a bit more edgy from the other side of the tracks, albeit from the comfort of our sofas.
In the penultimate episode of Season 1, a particularly poignant scene was accompanied by a fine version of the song Forever Young written by Bob Dylan, and I was immediately smitten by it. The singer this time was American Audra Mae, who it seems is a great-niece of Judy Garland which might explain the fine pipes. Here is the non-acapella version of the song, but in the show the alternative version was used.
Forever Young by Audra Mae & The Forest Rangers:
Forever Young was originally recorded by Bob Dylan with The Band in November 1973 and first appeared on his album Planet Waves. Dylan had four children between 1966-1969, including his youngest Jakob, and the song was intended as an uplifting message from a parent to a child. The song has endured as one of Dylan’s classics.
As for the show Sons of Anarchy, it took me quite some time to realise that the lead character, played by Charlie Hunnam, was a graduate of British kids telly, first finding his feet on the BBC show Byker Grove along with fellow Geordies Ant & Dec! He next popped up on the award-winning Queer as Folk along with the now seemingly omnipresent Aiden Gillen. Perhaps to those across the pond his accent still has a tinge of Geordie, but he seems to have made the leap from Byker to biker very successfully. I am convinced, and as the anti-hero of the show I have become quite smitten with him, as well as the song featured above.
Charlie Hunnam, Byker Grove
As Nathan in Queer as Folk
Jax Teller, Sons of Anarchy
So, “What’s It All About?” – Again apologies for my rant last time, but hopefully now back on track (no pun intended). Having so much great telly around at the moment, means that whenever we want to side-step the real world for a time it’s right there at our fingertips, and with so many great soundtracks, always something for the discerning music-lover as well.
Until next time…
Forever Young Lyrics (Song by Bob Dylan)
May God bless and keep you always May your wishes all come true May you always do for others And let others do for you May you build a ladder to the stars And climb on every rung May you stay forever young Forever young, forever young May you stay forever young.
May you grow up to be righteous May you grow up to be true May you always know the truth And see the light surrounding you May you always be courageous Stand upright and be strong May you stay forever young Forever young, forever young May you stay forever young.
May your hands always be busy May your feet always be swift May you have a strong foundation When the winds of changes shift May your heart always be joyful And may your song always be sung May you stay forever young Forever young, forever young May you stay forever young
Not sure what’s happened but experiencing a bit of blogger’s block at the moment. For me, it’s never about lack of inspiration as at the latest count I have 83 “posts pending” (yes really), a new series on the go, 3 series on hiatus and 4 “series pending”. I think it’s more that my senses are being over-stimulated at the moment, so can’t concentrate on one topic long enough to write about it without being distracted by something else.
My sore neck and shoulder continues to trouble me, so sleep is being disrupted, and when you can’t sleep your mind inevitably goes into overdrive. The darkest hour is just before dawn as we all know, but difficult to control what pops into the old noddle at that time. So, what does a person do when they want to clear their head a bit? – Why they have a notebook at hand at all times ready to capture ideas, thoughts and observations as they pop into the brain, freeing up a few of the terabytes left to fill up with other worries!
I’m making it sound a bit worse than it is as I don’t really have too many major worries compared to a lot of other folks, but being home-based as I am nowadays, I do watch an awful lot of news on telly, and there’s not a lot going on at the moment to give one much hope for the future. Combine that with watching the BBC drama Years and Years which portrays a worrying (but totally believable) picture of what life might be like in just 5 years time, and sleep patterns are inevitably disturbed.
Funnily enough, another drama we binge-watched last week on the BBC iPlayer was Summer of Rockets set in 1958, now over 60 years ago, which should have portrayed a picture of simpler times when we didn’t lie in bed worrying about the future. Not so however, as that was the year of the first hydrogen bomb test, the cold war was ramping up and issues arising from immigration brought out the worst in people. On the upside, I do love a period drama set in the 1950s, as I love the clothes the girls wore – All those wide skirts and petticoats. The omnipresent Keeley Hawes played one of the lead roles, but I was most impressed with another younger actress, called Lily Sacofsky, who played a reluctant debutante being prepared for “the season”. Britain however was on the cusp of major social change and her character Hannah plays a large part the denouement of the main plot. I won’t give too much away as some of the episodes have yet to air on real-time telly, but one to be recommended.
But as I always say at around this point, this is supposed to be a music blog, so which song to include? I wasn’t yet born in 1958 when people were lying in bed worrying about the Bomb, and social change, so have no direct memory of the music of the time. We all know however that rock ‘n’ roll came to our shores in the late ’50s so a really exciting time for young people who were lucky enough to have invested in a record player for the corner of their bedrooms. Looking at the Official UK Singles Chart for this week in 1958 however, there isn’t much rock ‘n’ roll to be found, the top spot being taken by Connie Francis and the Top Ten containing an awful lot of ballads and show tunes.
One band on that list isThe Mudlarks, a family group from Luton comprising Jeff, Fred and Mary Mudd who obviously sang like larks! In 1958, they attracted the attention of radio DJ David Jacobs, who got them an appearance on the Six-Five Special TV show, and a recording contract with EMI. They did a cover of the American novelty song Lollipop, but later in 1958 they released Book of Love, which is a song I am familiar with. At the end of the year The Mudlarks were voted top British vocal group by readers of the New Musical Express.
Here is an interesting snippet – Fred Mudd married Leila Williams, who co-hosted the children’s telly show Blue Peter from 1958 until 1962. Most of us of a certain age grew up watching Blue Peter, and remember well the making of the advent crown from tinsel and coat hangers, the annual Appeal, Freda the tortoise and that baby elephant called Lulu, who trod on John Noakes foot after running amok all over the studio. My era of Blue Peter featured presenters Valerie Singleton, Peter Purves and the aforementioned John (get down Shep) Noakes. I also think that was probably the last time I lay in bed and didn’t worry about “stuff”. Note to self: must do better.
Well, that clip never ceases to amuse, and made me laugh out loud. Lulu, I salute you.
Until next time….
Book of Love Lyrics (Song by Charles Patrick/George Malone/Warren Davis)
I wonder, wonder who, who-oo-ooh, who (Who wrote the Book Of Love) Tell me, tell me, tell me Oh, who wrote the Book Of Love I’ve got to know the answer Was it someone from above (Oh, I wonder, wonder who, ummbadoo-ooh, who) (Who wrote the Book Of Love)
I love you, Darlin’ Baby, you know I do But I’ve got to see this Book of Love Find out why it’s true (Oh, I wonder, wonder who, ummbadoo-ooh, who) (Who wrote the Book Of Love)
Chapter One says to love her You love her with all your heart Chapter Two you tell her you’re Never, never, never, never, never gonna part In Chapter Three remember the meaning of romance In Chapter Four you break up But you give her just one more chance (Oh, I wonder, wonder who, ummbadoo-ooh, wWho) (Who wrote the Book Of Love)
Baby, baby, baby I love you, yes I do Well it says so in this Book Of Love Ours is the one that’s true (Oh, I wonder, wonder who, ummbadoo-ooh, who) (Who wrote the Book Of Love)
I had a long and sad journey to make yesterday as my 56-year-old cousin, who was diagnosed with MND nearly four years ago, finally lost his battle with that horrible “locked-in” disease. Down to the excellent round-the-clock care given to him by his mum and sisters, he outlived most other victims post diagnosis, but everyone knew it was time for his suffering to end and his friends turned out in droves to his memorial service in Aberdeen. It was standing room only and I don’t think I’ve ever been to a service where quite so many middle-aged men found it impossible to control their emotions. The main reason for this outpouring of emotion – Football.
My cousin didn’t have a glittering career or ever earn vast sums of money but he worked hard, raised a family and was a loving father, son and brother. From an early age however, his passion was football, and for nearly 35 yrs he played in the many Junior and Amateur leagues run within The Granite City. Apparently he was still playing at age 50, just two years before his diagnosis. Facebook is awash with tributes to him and of his many exploits on the pitch. He had played with, and captained, many teams over the years so knew the entire footballing fraternity and they had nothing but good things to say about him – A legend, a true gent, a prankster, a great friend, and so it went on.
There is a dearth of quality football songs out there, so I’m just going to go with the obvious choice, Football Crazy, a song written back in the days of yore but made popular by Robin Hall and Jimmie Macgregor when they regularly performed their version of it on the Tonight programme back in the early 1960s. I don’t remember watching this show back then (just too young), but I must have recognised the theme tune as I always knew when “Ciff” (that would be Cliff Michelmore) came on the telly, it was time for bed (we didn’t climb the stairs to Bedfordshire where I came from).
Strangely enough, last Saturday I went to our football stadium for the first time in nearly 20 years to watch the local team. DD’s boyfriend, who looks after the team’s physical (and often mental) welfare, got us tickets for the section where the player’s wives, kids and mums sit. They probably go to every home match and build up that familiarity and camaraderie from spending so much time together. I watched friends meet up for their weekly fix of football; old men turning up in their scarves who have probably been fans since they were lads; and the staff who kept everything running like clockwork – A massive footballing family. It was nice.
This week we have had the freaky scenario where two English teams who were not expected to come back with a win on aggregate, did just that – Even fans of other teams, usually fierce rivals, have come out and congratulated them on those fantastic wins. Just at the time we were supposed to have left the EU, both Liverpool and Tottenham Hotspur are on their way to Madrid and the Champion’s League Final. There’s going to be an English winner now whatever the outcome.
This time last week I wasn’t really thinking much about football at all, but as with my cousin, if it has played a large part in your life you could be one of the lucky ones as you are part of one big family. Many of the middle-aged men at yesterday’s service had walked, ran and climbed improbable distances and heights to raise money for a vehicle for their old team-mate. They called it the Stephen-Hawking-mobile and there were many great outings in it. There have also been fund-raising dinners for MND and the many other charities who supported him and his family over the last few years. I don’t know for sure, but I doubt very much if my old work-mates would do the same for me.
On a personal level, one of the player’s mums sitting behind me at last weeks match turned out to be a carer at my mum’s nursing home. I had thought she looked familiar but out of context I couldn’t place her. Having now met with her this week at the home, I realise my mum will now potentially be even better looked after, as I am now (somewhat loosely) attached to her son’s team.
So, a sad week for my family, but as ever at these events it was great to meet up with people whom I have been out of touch with for a long time. Plans are now being made for me to keep in touch with everyone and contact details have been exchanged. It seems unfair that people who are the healthiest, fittest, kindest and most generous can be dealt such a cruel blow, but no-one ever said life was fair.
Until next time…
Football Crazy Original Lyrics (Song by James Curran)
I have a favourite brother And his Christian name is Paul. He’s lately joined a football club For he’s mad about football. He’s got two black eyes already And teeth lost from his gob, Since Paul became a member of That terrible football club.
For he’s football crazy, He’s football mad, The football it has taken away The little bit o’ sense he had, And it would take a dozen servants To wash his clothes and scrub, Since Paul became a member of That terrible football club.
In the middle of the field, one afternoon, The captain says, “Now Paul, Would you kindly take this place-kick Since you’re mad about football?” So he took forty paces backwards, Shot off from the mark. The ball went sailing over the bar And landed in New York.
His wife, she says she’ll leave him If Paulie doesn’t keep Away from football kicking At night-time in his sleep. He calls out ‘Pass, McGinty!” And other things so droll Last night he kicked her out of bed And swore it was a goal!
Well, I have been largely absent from these pages this month and largely absent from the comments boxes of the blogs I follow, but on the home stretch now of a particulary busy time for me. Today I have decided to timetable my day into four sections in order to fit everything in, and these sections reflect the very diverse strands to how my life has turned out since giving up my sensible, secure job a year and a half ago.
The final assignment for my college course is due in on Wednesday, so I decided to tackle it first thing this morning. The course was meant to be my main focus this year but of course regular visitors will know all that changed when my elderly mum had a fall, and instead of becoming a full-time student last September, I became a full-time carer for a time. As it turns out, the shift to part-time was probably a wise one, and for some time I managed to kill two birds with one stone so to speak, as my Saturday blog post (when I was still sticking to that regime) often inspired the “homework” I endeavoured to complete for the course on a Sunday. I am still amused by the fact my tutor gave me most praise for a poem I dashed off after writing about the song Shades of Gray by the Monkees, following the death of Peter Tork (link here).
I didn’t have much time, and the song had formed a bit of an earworm over the course of the weekend, so a hybrid list/concrete poem developed after referring to a paint chart courtesy of either Mr Crown or Mr Dulux (can’t remember which now). There is much talk of plagiarism in academia nowadays as there is great scope for cutting and pasting from the work of others online. I made no pretence however of saying I’d come up with these shades of grey myself, I purely selected them and rearranged them, but my lecturer complimented me on them and I didn’t have the heart to tell her the truth. Oh well, not for a marked assignment this one, and it was my take on the Brexit shenanigans going on at the time, so no harm done.
But hey, there are plenty of other songs about the colour grey, and the first that comes to mind is Fade to Grey by Visage. I see this song is attributed to the genre new wave, but in my mind it can only be classed asNew Romantic where Steve Strange, the man who almost single-handedly started that movement, performed lead vocals.
Fade to Grey by Visage:
The whole New Romanticism movement came along half way through my four years as a full-time student first time around, and I probably embraced it more than any other in terms of how I dressed at the time. It was a long time since I’d had to court the approval of my parents in such matters and I was still nowhere near entering the “real world”, where sensible suits rather than flamboyant frills and falderals would have to be adopted.
Many trips to both the local Oxfam and fabric/haberdashery shop were all that was needed to acquire the necessary apparel. Ribbons, tassels, hats and big coats were the order of the day, as were shirts with ruffles and simply made but colourful skirts. Two metres of fabric and a roll of flat sewing elastic was all that was needed. I still had my granny’s old Singer sewing machine in my student room but it needed an upgrade, so I asked for a new sewing machine for my 21st birthday later on that year. Back in those days clothes were still relatively expensive compared to income, especially a paltry student income, so my evenings were split between leaning over the books, and leaning over the sewing machine.
Adam and the Ants
Also in my student room was my beloved black and white portable telly, which in those far less technologically saturated times, was the only one in our flat shared by six people. Come 7.30pm on a Thursday we of course all piled in to watch TOTP, and in 1980-81 this was the kind of music that pretty much filled each show. Fade to Grey was released in 1980, on the same day as the band’s debut album. It reached No. 8 in the UK Singles Chart and made the No. 1 spot in Germany and Switzerland. The song is sung in English and spoken in French. The music video became one of the first directed by Messers Godley and Creme after leaving the world of 10cc behind and becoming masters of that new medium.
Steve Strange formed Visage with Rusty Egan and Midge Ure from Rich Kids, Billy Currie from Ultravox, and Barry Adamson, John McGeoch and Dave Formula from Magazine, so a veritable supergroup. Steve had appeared in the video for David Bowie’s No. 1 hit Ashes to Ashes (first spotted at 0:30), a song which helped propel the burgeoning New Romantic fashion movement into the mainstream. Both he and Rusty Egan worked at Blitz, the influential New Romantic nightclub in London, from 1979 until 1981. They famously only allowed entry to the weird and the wonderful and apparently Mick Jagger was once refused admittance. Egan and Strange later opened up the Camden Palace nightclub, also in London, where they continued to spread and influence the development of electronica music in the UK.
Sadly Steve died at the age of only 55 back in 2015. He had frequently appeared on those talking head shows in the years prior to that, and it didn’t seem as if the years had been kind to him. He certainly left his mark however in that he was responsible for a whole cultural phenomenon right there at the cusp of the ’70s/’80s. He was also responsible for the honing of my sewing skills, which I have to say have come in very handy over the years.
So, that’s the blog post written, which was the second item on today’s timetable. Now it’s time to get Mr WIAA’s latest batch of beautiful things dispatched to their new owners, and then, later on today, I welcome the next set of guests to my holiday hideaway. No time to write any stories about that new venture in this post, but they will definitely follow.
Until next time….
Fade To Grey Lyrics (Song by Billy Currie/Chris Payne/Midge Ure)
Devenir gris Devenir gris
One man on a lonely platform One case sitting by his side Two eyes staring cold and silent Show fear as he turns to hide
We fade to grey (fade to grey) We fade to grey (fade to grey)
Un homme dans une gare désolée Une valise à ses cotés Des yeux fixes et froids Montrent de la peur lorsqu’il Se tourne pour se cacher
We fade to grey (fade to grey) We fade to grey (fade to grey)
Sens la pluie comme un été anglais Entends les notes d’une chanson lointaine Sortant de derrière un poster Espérant que la vie ne fut aussi longue
We fade to grey (fade to grey) We fade to grey (fade to grey)
Feel the rain like an English summer Hear the notes from a distant song Stepping out from a backdrop poster Wishing life wouldn’t be so long
We fade to grey (fade to grey) We fade to grey (fade to grey) We fade to grey (fade to grey) Devenir gris
Ashes to Ashes was a fantasy police drama series set in the 1980s and the sequel to Life on Mars which has been written about around here before. Needless to say music from the era played a big part in the show, and what better song to include but Fade to Grey. Here is a clip from the show which features the man himself, Steve Strange.
Saddened to hear the news that Peter Tork of the Monkees has died. Since starting this project, where I journey back in time reminiscing about the music of my youth, it has become apparent that it all started for me at around the age of six, which in my case was 1966. Coincidentally that was when the Monkees first made an appearance on our black and white television screens, and although I was aware of other artists who popped up on the prime time slots watched by my mum and dad, the Monkees belonged to me.
I am sorry Peter, but the Monkee I was most infatuated with at age six, was Davy Jones, and one of the first posts I published on this blog was about him (link here). But you Peter, were the Howard Donald of the Monkees. You weren’t the cutest or the zaniest; you had a bowl haircut, didn’t wear a hat and were the oldest of the group; but like Howard of Take That fame, in time you became my favourite Monkee.
Despite being an accomplished Greenwich Village folk musician when you got the role in the sitcom that would change your life, at the start you weren’t even allowed to play your own instruments. That would change with time however, and you became the man in charge of keyboards and bass. You didn’t get the role of star vocalist very often, but here is a lovely song where you did share lead vocals with Davy Jones. Shades of Gray (American spelling of grey) is also very apt for this post, as it starts off with the lines:
When the world and I were young Just yesterday Life was such a simple game A child could play, (yes, that would have been 1966 for me)
and ends with the verse:
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray, (oh yes, as our politicians can testify, how complicated life has become in 2019)
Shades of Gray was another of those great ’60s songs written by Barry Mann and Cynthia Weil. It was recorded by The Monkees for their 1967 album “Headquarters” and was the first song on which the group played all their own instruments.
But here is another great song from that era, the clip this time in colour, where the boys are wearing those iconic dark red shirts with the silver buttons. Of course back in 1966 we wouldn’t have known their shirts were red, would we, because we watched telly in black and white? But here is where I beg to differ. Our local football team, Aberdeen FC played in red, and whenever their matches were aired on television, the grey of their shirts matched the grey of the Monkees shirts. At age six I was obviously pretty good at working out what the colours should be, based on the shades of grey of the various team shirts. Living in a football loving household meant you developed all sorts of useful skills of a televisual nature.
Last Train To Clarksville by the Monkees:
Tommy Boyce and Bobby Hart wrote Last Train To Clarksville as a protest to the Vietnam War but had to keep that quiet in order to get it recorded. It is about a guy who gets drafted, and the train is taking him to the army base. He knows he may die in Vietnam, and at the end of the song he states, “I don’t know if I’m ever coming home.”
Peter Tork was one of the many artists of my youth to have been born in 1942, right in the middle of a World War, but yet a vintage year for the birth of future musical legends (what was that all about?). Unlike in 2016, when I started this blog, I haven’t actually written any tributes so far this year. Cross fingers there won’t be too many more, but considering the span of time I write about here, I suspect there will be. A great chance to revisit the music though, and I have a feeling that a lot of people who had all but forgotten about the Monkees, might have had a sneaky peek at an old clip of Daydream Believer yesterday – I know I did.
Until next time…
Shades of Gray Lyrics (Song by Barry Mann and Cynthia Weil)
When the world and I were young Just yesterday Life was such a simple game A child could play It was easy then to tell right from wrong Easy then to tell weak from strong When a man should stand and fight Or just go along
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray
I remember when the answers seemed so clear We had never lived with doubt or tasted fear It was easy then to tell truth from lies Selling out from compromise Who to love and who to hate The foolish from the wise
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray
It was easy then to know what was fair When to keep and when to share How much to protect your heart And how much to care
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray Only shades of gray
For the benefit of any new visitors to the blog, this post is not representative, but a few weeks ago I issued a challenge, asking followers to come up with ideas for future posts. One of these was from Deidra, who after reading my tribute to David Cassidy (link here), suggested I should write some fan fiction in fairytale form involving the man and his music. Anyway, this is a bit tongue-in-cheek, and probably not what Deidra was expecting at all, but always fun to take on a new challenge and run with it. You probably need to be of a certain age to “get” a lot of what is to follow, but if you do, hope you enjoy it.
The Princess and the Pea’r
Princess Deidra looked down from the castle window. The boy from the village had just arrived with baskets of pears from his family’s orchard, and was heading towards the entrance to the large kitchen where he would no doubt laugh and joke with the kitchen maids. Deidra felt sad, and jealous that she could no longer join in their fun, but her mother had deemed it no longer appropriate for her to spend time with Maryberry the cook, Baldrick the kitchen boy and the feisty but fun, Daphne and Celeste.
Maryberry the cook
The kitchen boy Baldrick
The boy was called Davyd and his family supplied the castle with much produce in the course of a year. They reared partridges at the back of their humble dwelling so inevitably came to be known as, The Partridge Family. He had a sister called Susan and a brother called Daniel, who also visited the castle from time to time with their mother, a pretty, petite woman, with light coloured hair. The four of them were accomplished musicians and came to entertain guests in the great hall whenever a banquet was being held. The mother and Susan both played the harpsichord whereas Daniel played that strange stringed instrument which looked a bit like a lute. As for Davyd, he was the singer within the group, and as far as Deidra was concerned, had the voice of an angel.
The reason for his arrival today, was because festivities were being planned in honour of a visiting prince. She knew this prince was being thought of as a possible suitor, but fortunately her mother and father, the King and Queen, were kind and loving parents who would never force her into an arranged marriage. The prince, she had learnt, was called Donald and he came from a far away land that had a great salt lake. She’d also heard he had many brothers who wore tabards of different colours so that their parents could tell them apart. Donald always wore purple, and although they denied it, his parents considered him the handsomest of them all, as he had a beautiful smile and dazzling white teeth. Even when his younger brother James arrived, despite his long hair and loving ways, Donald was still their favourite son and they hoped he would find a deserving princess, perhaps in Deidra.
Prince Donald and his brothers in their coloured tabards
Prince Donald from the land of the great salt lake
Not for the first time however, Deidra wished she had been lowly born and could simply marry the boy from the village who was now leaving the castle grounds, his baskets empty. He would return home to his family, checking the partridges on the way, no doubt perched on the many pear trees in the orchard. Prince Donald may well be someone she could fall in love with, but right now, all she could think of was Davyd, and the songs she imagined he sang just for her. “Yes, I think I love you too”, she thought to herself, remembering the words of the last song he had performed in the great hall, at the same time knowing full well nothing could come of it.
The Partridge Family Minstrels
I Think I Love You:
But the day was warm, and it was time for an afternoon nap ahead of the evening’s banquet and entertainment. She removed her headdress and lay down on her counterpane, but before she could drift off to sleep Daphne appeared, having run up the stairs from the kitchen. The pair had been friends since they were young but of late Deidra had been unable to spend much time with her at all, her mother insisting that she fill her days with needlework, scripture and music lessons.
“Excuse me Princess, but I just had to let you know that Prince Donald is on his way.”
“I know Daphne, but what will he be like I wonder. Will he be as handsome as Davyd from the village? I see he has just been to the kitchen. Did you speak with him?”
“Why of course Princess. He was asking after you but that Celeste had to push in and act all brazen in front of him as usual. Ooh, that girl has no shame but we all knows he only has eyes for you so stick you Celeste. He also told us he has some turtle doves for the princess. Real beauties they are.”
“Oh, how kind”, said Deidra feeling wistful that she would not be allowed to accept them in person. “Is he coming up to the castle with his family tonight, to sing and play for us?”
“He is”, replied Daphne excitedly, “and they have a new song he wants to sing just for you. He knows about Prince Donald and told me to let you know, it’s a magical song that can transport you through time. Time and… relative dimension in… sound, he called it. Means nothing to me but he said you would understand”.
Daphne then headed off, to return to her duties in the kitchen but Deidra was left feeling confused. As a young princess she had been allowed to spend time with the village children, and when playing their games had often told Davyd she believed we would one day travel through time. Had he remembered those conversations she wondered, and had he found a way of really making it happen? It was all very baffling, but time for a quick nap now as Trinny and Susannah, her ladies maids, would soon be along to help her choose the perfect costume for tonight’s banquet, and the inevitable introduction to Prince Donald.
By the time the sun went down, Deidra was ready for the evening of festivities. Trinny and Susannah had picked out the perfect gown and headdress for her and after much pushing, prodding and pulling had secured the bodice into place. They had also brought with them an undergarment called majicnikkers which although made of a very strange fabric that was new to her, had the effect of making her waist appear very small indeed. This was going to be quite an evening, and although she was curious about the meeting with Prince Donald, it was the idea of Davyd’s magical song that truly excited her.
At the banquet Deidra was seated next to Prince Donald. He was indeed very handsome, his dark hair framing his smiling face. His party’s journey to the castle had been an eventful one however, as something had caused their horses to start acting crazily. Something in the air perhaps, an air very different to what they were used to by the great salt lake, over there on the morning side of the mountain. But Deidra could already tell that this was not her prince. He was too young, and for him it would just be a puppy love.
At the end of the table was a cage with the turtle doves that Davyd had sent up to the castle earlier in the day as a gift. He had also presented the cook, Maryberry, with three hens which had curiously been given the names Jacques, Jules and Henri. All we need now she thought to herself, would be some birds that could sing, and we would have quite the menagerie. Just at that moment, The Partridge Family appeared on the minstrel gallery, ready to play for them. Davyd gave her a knowing look, and once his brother tightened the strings on the lute-shaped instrument, the song began. “Could it be forever, or is my mind just rambling on…… .”
Suddenly Deidra’s head started to spin and she had to look down to gather her composure. The words in Davyd’s song were ringing in her ears. “Could it be forever?”, she thought regretfully. “No, not in my world, where princesses just don’t marry commoners.”
The spinning stopped and Deidra looked up. It took a few moments for her to work out where she was. It was still Windsmoor Castle but everything looked different. Her family and Prince Donald still sat next to her but they were all dressed in strange clothes and her flaming red hair was no longer covered by a headdress. The plate, and glassware, was finely crafted and large drapes covered the table. The Partridge Family were no longer up in the minstrel gallery but stood on a low, nearby platform surrounded by large boxes from which the sound seemed to come. Soon the song ended, and instead of retreating to the chambers behind the banquet hall as was usual, the family descended from the stage and came to converse with the guests. Just then, she remembered that Davyd had not just said it was to be a magical song, but that it was perhaps made up of sounds that could transport them through time. “What was it again?”, she frantically tried to remember. “Time and relative dimension in sound. TARDIS for short.”
She was still reeling from this revelation when Davyd came to speak to her. He had done it, he really had. Found a way of traversing through time until they came to an age when red-haired princesses could marry dark-haired, common born entertainers. Without further ado, Davyd got down on one knee and presented Deidra with a pear, from the orchard behind the castle of olden days. When she looked at it quizzically, he just said, “bite into it and see what you find.” Inside was a gold ring, which to everyone’s delight found its way onto her finger. “I started off with five pears and five gold rings”, he said, “but only this final one made it through the sound vortex. It wasn’t until then I knew the time was right to sing my magical song.”
And that my friends, is where the story ends. Davyd and Princess Deidra married in the chapel at Windsmoor Castle a few weeks later and many of their friends came to join in the celebrations. Sir Idris of Elba, Sir George of Clooney and of course Lady Victoria of Beckingham. Prince Donald returned to the land of the great salt lake, married, and had many, many children. Will they all live happily ever after though? Why of course they will, because as we all know, breaking up is hard to do!
Could It Be Forever Lyrics (Song by Wes Farrell/Danny Janssen)
Could it be forever or is my mind just rambling on [No, it can be forever Davyd, thanks to TARDIS – Time and relative dimension in sound!] Well I touched you once and I kissed you once And I feel like you’re mine Well I feel like you’re mine and I see in your face I’m not wrong to have these feelings Well I feel like you’re mine and I’ve never known a time before That’s had so many meanings
Could it be forever or is my mind just wasting time Well I don’t think so because you let me know You make me feel like you’re mine Well I feel like you’re mine and I can’t remember When the feelings have been stronger And all I know is I can’t let go of you Or be with you just a little while longer
All my feelings come together All of me is here Never known when I felt better Cause I know this won’t disappear
But could it be forever Or is my mind just rambling on Maybe it is, if it is Then I’ll be moving on Well, I feel like you’re mine And I see in your face I’m not wrong to have these feelings Well, I feel like you’re mine I’ve never known a time before That’s had so many meanings
Day Three of my annual challenge to write seven posts in seven days. No pressure on regular visitors to leave comments though, and these are going to have to be shorter posts than usual, but I have a bit of a backlog of blog ideas building up so here’s a chance to play catch up. Fell at the first hurdle last year so lets hope I fare better this year.
Yesterday I had to issue a warning that you might not want to read any further if you were a vegetarian, as the post involved a butcher’s shop (complete with images). Today I should point out that if you haven’t yet watched the supposedly final ever episode of Peter Kay’sCar Share, I might be about to spoil things for you. Having aired a good couple of weeks ago now, I will assume however that everyone who wanted to watch it will have done so by now.
Back in May last year, I wrote about the final episode of Series 2 (link here). There was that wonderful scene where Billy Ocean’sRed Light Spells Danger came on the radio, and as ever, our supermarket colleagues who had that whole “unspoken thing” going on, burst into song – One of the real high points of the whole series but it also led to the end of the unspoken thing, as it finally became a “spoken about thing”, so could only go one of two ways. Kayleigh was accused of living in a fairy-tale world and the cautious John, who came from a background and part of the country where such things were most definitely not spoken about, did not come up with the correct responses. Kayleigh stormed out of the car and – we were led to believe – out of his life for good.
But of course life is never that simple and the viewing public were not happy. Another final…, final episode was required. At the time however I was fully in support of Kayleigh’s actions – She was a lady of a certain age and had “no time to waste”. She chose to invoke what I used to call the three-month rule. Fun and laughter can be had with the most unlikely of partners for a few months, but then the rose-coloured spectacles come off, and things about them can really start to grate. If however all is still going well, it is wise to find out where things are “going”, as before you know it the years have rolled by and you find yourself with someone who is unwilling to commit (not that I know of anyone who has had that happen to them of course).
Not everyone wanted a sugar-coated ending to Car Share as realistically life just doesn’t always work out that way, but with these two characters they had come too far to throw it all away, and John was at last forced into taking action. As with his botched attempt at telling Kayleigh how he felt at the end of Series 2, he again went about it via the medium of song. He pulled an all-nighter (despite having work the next day) and dropped off the fruits of his labours at Kayleigh’s house in the early hours of the morning. She was not to be trusted with a digital copy of his self-penned love song, so a Walkman and cassette tape it had to be. I give you Come Back My Car Share Buddy by John Redmond (aka Peter Kay). It is no secret that Peter Kay is a massive Take That fan, so it was perfect that they made him an honorary member of the band for this potentially life-changing three-minute declaration. (Sadly the clip of the Back For Good spoof with Take That has disappeared from YouTube but I’m sure you will remember it.)
By storming off, out of his life, Kayleigh in effect threw down the gauntlet and this time John came up with the correct response. Whether the course of true love runs smoothly for our couple is another story altogether, but they had come too far for it all to end on a busy motorway at rush hour. There are rumours that the door might have been left open for a Christmas Special, but if this truly was the final ever episode, I think I can live with that.
Come Back My Care Share Buddy Lyrics (Song by Peter Kay – With a little help from Gary Barlow?)
Hiding from the past and locked up inside I thought my heart was safe and then you arrived I never knew I needed someone like you To lift the grey away and turn my skies blue You changed my world to colour Turned off the black and white You changed my life You opened up my eyes so…
Come back my car share buddy I don’t think life is fair Come back my car share buddy I’m lost now you’re not there The road is oh so lonely It feels like someone’s died I’m so lost you’re not with me Please won’t you let me be your ride
I didn’t understand that love could be true But then you told me how much I mean to you And never thinking that we’d end up apart I sat andwatched you walk away with my heart Now I don’t wanna lose you But I just need some time to do what’s right To figure out my life so…
Come back my car share buddy I’m empty now you’re gone Come back my car share buddy The journey seems so long I find it hard to say it But I’m feeling it inside I’m so lost you’re not with me Please won’t you let me be your ride
I don’t know about the rest of you, but I think the bit of visual humour (at 0:45) in this clip is the funniest thing I’ve seen on telly all year. Wasn’t expecting it at all, so real laugh-out-loud stuff.
Also, it’s been quite a while since I’d watched the original Back For Good video made by Take That in 1995, but it’s still a great wee pop song, apparently dashed off by Gary Barlow in only 15 minutes. It was their 6th UK No. 1 and reached No. 7 on the US Billboard chart. It was also the last video to include Robbie Williams, whom I must admit does look a bit disgruntled in this one – He’d had enough of boy bands by this time and was soon off to try out solo ventures, which he did with aplomb. A fortuitous partnership was formed with songwriter Guy Chambers and the rest, as they say, is history. But getting back to the video – I bet it took ages for their coats to dry out!