I had a long and sad journey to make yesterday as my 56-year-old cousin, who was diagnosed with MND nearly four years ago, finally lost his battle with that horrible “locked-in” disease. Down to the excellent round-the-clock care given to him by his mum and sisters, he outlived most other victims post diagnosis, but everyone knew it was time for his suffering to end and his friends turned out in droves to his memorial service in Aberdeen. It was standing room only and I don’t think I’ve ever been to a service where quite so many middle-aged men found it impossible to control their emotions. The main reason for this outpouring of emotion – Football.
My cousin didn’t have a glittering career or ever earn vast sums of money but he worked hard, raised a family and was a loving father, son and brother. From an early age however, his passion was football, and for nearly 35 yrs he played in the many Junior and Amateur leagues run within The Granite City. Apparently he was still playing at age 50, just two years before his diagnosis. Facebook is awash with tributes to him and of his many exploits on the pitch. He had played with, and captained, many teams over the years so knew the entire footballing fraternity and they had nothing but good things to say about him – A legend, a true gent, a prankster, a great friend, and so it went on.
There is a dearth of quality football songs out there, so I’m just going to go with the obvious choice, Football Crazy, a song written back in the days of yore but made popular by Robin Hall and Jimmie Macgregor when they regularly performed their version of it on the Tonight programme back in the early 1960s. I don’t remember watching this show back then (just too young), but I must have recognised the theme tune as I always knew when “Ciff” (that would be Cliff Michelmore) came on the telly, it was time for bed (we didn’t climb the stairs to Bedfordshire where I came from).
Strangely enough, last Saturday I went to our football stadium for the first time in nearly 20 years to watch the local team. DD’s boyfriend, who looks after the team’s physical (and often mental) welfare, got us tickets for the section where the player’s wives, kids and mums sit. They probably go to every home match and build up that familiarity and camaraderie from spending so much time together. I watched friends meet up for their weekly fix of football; old men turning up in their scarves who have probably been fans since they were lads; and the staff who kept everything running like clockwork – A massive footballing family. It was nice.
This week we have had the freaky scenario where two English teams who were not expected to come back with a win on aggregate, did just that – Even fans of other teams, usually fierce rivals, have come out and congratulated them on those fantastic wins. Just at the time we were supposed to have left the EU, both Liverpool and Tottenham Hotspur are on their way to Madrid and the Champion’s League Final. There’s going to be an English winner now whatever the outcome.
This time last week I wasn’t really thinking much about football at all, but as with my cousin, if it has played a large part in your life you could be one of the lucky ones as you are part of one big family. Many of the middle-aged men at yesterday’s service had walked, ran and climbed improbable distances and heights to raise money for a vehicle for their old team-mate. They called it the Stephen-Hawking-mobile and there were many great outings in it. There have also been fund-raising dinners for MND and the many other charities who supported him and his family over the last few years. I don’t know for sure, but I doubt very much if my old work-mates would do the same for me.
On a personal level, one of the player’s mums sitting behind me at last weeks match turned out to be a carer at my mum’s nursing home. I had thought she looked familiar but out of context I couldn’t place her. Having now met with her this week at the home, I realise my mum will now potentially be even better looked after, as I am now (somewhat loosely) attached to her son’s team.
So, a sad week for my family, but as ever at these events it was great to meet up with people whom I have been out of touch with for a long time. Plans are now being made for me to keep in touch with everyone and contact details have been exchanged. It seems unfair that people who are the healthiest, fittest, kindest and most generous can be dealt such a cruel blow, but no-one ever said life was fair.
Until next time…
Football Crazy Original Lyrics (Song by James Curran)
I have a favourite brother And his Christian name is Paul. He’s lately joined a football club For he’s mad about football. He’s got two black eyes already And teeth lost from his gob, Since Paul became a member of That terrible football club.
For he’s football crazy, He’s football mad, The football it has taken away The little bit o’ sense he had, And it would take a dozen servants To wash his clothes and scrub, Since Paul became a member of That terrible football club.
In the middle of the field, one afternoon, The captain says, “Now Paul, Would you kindly take this place-kick Since you’re mad about football?” So he took forty paces backwards, Shot off from the mark. The ball went sailing over the bar And landed in New York.
His wife, she says she’ll leave him If Paulie doesn’t keep Away from football kicking At night-time in his sleep. He calls out ‘Pass, McGinty!” And other things so droll Last night he kicked her out of bed And swore it was a goal!
Well, I have been largely absent from these pages this month and largely absent from the comments boxes of the blogs I follow, but on the home stretch now of a particulary busy time for me. Today I have decided to timetable my day into four sections in order to fit everything in, and these sections reflect the very diverse strands to how my life has turned out since giving up my sensible, secure job a year and a half ago.
The final assignment for my college course is due in on Wednesday, so I decided to tackle it first thing this morning. The course was meant to be my main focus this year but of course regular visitors will know all that changed when my elderly mum had a fall, and instead of becoming a full-time student last September, I became a full-time carer for a time. As it turns out, the shift to part-time was probably a wise one, and for some time I managed to kill two birds with one stone so to speak, as my Saturday blog post (when I was still sticking to that regime) often inspired the “homework” I endeavoured to complete for the course on a Sunday. I am still amused by the fact my tutor gave me most praise for a poem I dashed off after writing about the song Shades of Gray by the Monkees, following the death of Peter Tork (link here).
I didn’t have much time, and the song had formed a bit of an earworm over the course of the weekend, so a hybrid list/concrete poem developed after referring to a paint chart courtesy of either Mr Crown or Mr Dulux (can’t remember which now). There is much talk of plagiarism in academia nowadays as there is great scope for cutting and pasting from the work of others online. I made no pretence however of saying I’d come up with these shades of grey myself, I purely selected them and rearranged them, but my lecturer complimented me on them and I didn’t have the heart to tell her the truth. Oh well, not for a marked assignment this one, and it was my take on the Brexit shenanigans going on at the time, so no harm done.
But hey, there are plenty of other songs about the colour grey, and the first that comes to mind is Fade to Grey by Visage. I see this song is attributed to the genre new wave, but in my mind it can only be classed asNew Romantic where Steve Strange, the man who almost single-handedly started that movement, performed lead vocals.
Fade to Grey by Visage:
The whole New Romanticism movement came along half way through my four years as a full-time student first time around, and I probably embraced it more than any other in terms of how I dressed at the time. It was a long time since I’d had to court the approval of my parents in such matters and I was still nowhere near entering the “real world”, where sensible suits rather than flamboyant frills and falderals would have to be adopted.
Many trips to both the local Oxfam and fabric/haberdashery shop were all that was needed to acquire the necessary apparel. Ribbons, tassels, hats and big coats were the order of the day, as were shirts with ruffles and simply made but colourful skirts. Two metres of fabric and a roll of flat sewing elastic was all that was needed. I still had my granny’s old Singer sewing machine in my student room but it needed an upgrade, so I asked for a new sewing machine for my 21st birthday later on that year. Back in those days clothes were still relatively expensive compared to income, especially a paltry student income, so my evenings were split between leaning over the books, and leaning over the sewing machine.
Adam and the Ants
Also in my student room was my beloved black and white portable telly, which in those far less technologically saturated times, was the only one in our flat shared by six people. Come 7.30pm on a Thursday we of course all piled in to watch TOTP, and in 1980-81 this was the kind of music that pretty much filled each show. Fade to Grey was released in 1980, on the same day as the band’s debut album. It reached No. 8 in the UK Singles Chart and made the No. 1 spot in Germany and Switzerland. The song is sung in English and spoken in French. The music video became one of the first directed by Messers Godley and Creme after leaving the world of 10cc behind and becoming masters of that new medium.
Steve Strange formed Visage with Rusty Egan and Midge Ure from Rich Kids, Billy Currie from Ultravox, and Barry Adamson, John McGeoch and Dave Formula from Magazine, so a veritable supergroup. Steve had appeared in the video for David Bowie’s No. 1 hit Ashes to Ashes (first spotted at 0:30), a song which helped propel the burgeoning New Romantic fashion movement into the mainstream. Both he and Rusty Egan worked at Blitz, the influential New Romantic nightclub in London, from 1979 until 1981. They famously only allowed entry to the weird and the wonderful and apparently Mick Jagger was once refused admittance. Egan and Strange later opened up the Camden Palace nightclub, also in London, where they continued to spread and influence the development of electronica music in the UK.
Sadly Steve died at the age of only 55 back in 2015. He had frequently appeared on those talking head shows in the years prior to that, and it didn’t seem as if the years had been kind to him. He certainly left his mark however in that he was responsible for a whole cultural phenomenon right there at the cusp of the ’70s/’80s. He was also responsible for the honing of my sewing skills, which I have to say have come in very handy over the years.
So, that’s the blog post written, which was the second item on today’s timetable. Now it’s time to get Mr WIAA’s latest batch of beautiful things dispatched to their new owners, and then, later on today, I welcome the next set of guests to my holiday hideaway. No time to write any stories about that new venture in this post, but they will definitely follow.
Until next time….
Fade To Grey Lyrics (Song by Billy Currie/Chris Payne/Midge Ure)
Devenir gris Devenir gris
One man on a lonely platform One case sitting by his side Two eyes staring cold and silent Show fear as he turns to hide
We fade to grey (fade to grey) We fade to grey (fade to grey)
Un homme dans une gare désolée Une valise à ses cotés Des yeux fixes et froids Montrent de la peur lorsqu’il Se tourne pour se cacher
We fade to grey (fade to grey) We fade to grey (fade to grey)
Sens la pluie comme un été anglais Entends les notes d’une chanson lointaine Sortant de derrière un poster Espérant que la vie ne fut aussi longue
We fade to grey (fade to grey) We fade to grey (fade to grey)
Feel the rain like an English summer Hear the notes from a distant song Stepping out from a backdrop poster Wishing life wouldn’t be so long
We fade to grey (fade to grey) We fade to grey (fade to grey) We fade to grey (fade to grey) Devenir gris
Ashes to Ashes was a fantasy police drama series set in the 1980s and the sequel to Life on Mars which has been written about around here before. Needless to say music from the era played a big part in the show, and what better song to include but Fade to Grey. Here is a clip from the show which features the man himself, Steve Strange.
Saddened to hear the news that Peter Tork of the Monkees has died. Since starting this project, where I journey back in time reminiscing about the music of my youth, it has become apparent that it all started for me at around the age of six, which in my case was 1966. Coincidentally that was when the Monkees first made an appearance on our black and white television screens, and although I was aware of other artists who popped up on the prime time slots watched by my mum and dad, the Monkees belonged to me.
I am sorry Peter, but the Monkee I was most infatuated with at age six, was Davy Jones, and one of the first posts I published on this blog was about him (link here). But you Peter, were the Howard Donald of the Monkees. You weren’t the cutest or the zaniest; you had a bowl haircut, didn’t wear a hat and were the oldest of the group; but like Howard of Take That fame, in time you became my favourite Monkee.
Despite being an accomplished Greenwich Village folk musician when you got the role in the sitcom that would change your life, at the start you weren’t even allowed to play your own instruments. That would change with time however, and you became the man in charge of keyboards and bass. You didn’t get the role of star vocalist very often, but here is a lovely song where you did share lead vocals with Davy Jones. Shades of Gray (American spelling of grey) is also very apt for this post, as it starts off with the lines:
When the world and I were young Just yesterday Life was such a simple game A child could play, (yes, that would have been 1966 for me)
and ends with the verse:
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray, (oh yes, as our politicians can testify, how complicated life has become in 2019)
Shades of Gray was another of those great ’60s songs written by Barry Mann and Cynthia Weil. It was recorded by The Monkees for their 1967 album “Headquarters” and was the first song on which the group played all their own instruments.
But here is another great song from that era, the clip this time in colour, where the boys are wearing those iconic dark red shirts with the silver buttons. Of course back in 1966 we wouldn’t have known their shirts were red, would we, because we watched telly in black and white? But here is where I beg to differ. Our local football team, Aberdeen FC played in red, and whenever their matches were aired on television, the grey of their shirts matched the grey of the Monkees shirts. At age six I was obviously pretty good at working out what the colours should be, based on the shades of grey of the various team shirts. Living in a football loving household meant you developed all sorts of useful skills of a televisual nature.
Last Train To Clarksville by the Monkees:
Tommy Boyce and Bobby Hart wrote Last Train To Clarksville as a protest to the Vietnam War but had to keep that quiet in order to get it recorded. It is about a guy who gets drafted, and the train is taking him to the army base. He knows he may die in Vietnam, and at the end of the song he states, “I don’t know if I’m ever coming home.”
Peter Tork was one of the many artists of my youth to have been born in 1942, right in the middle of a World War, but yet a vintage year for the birth of future musical legends (what was that all about?). Unlike in 2016, when I started this blog, I haven’t actually written any tributes so far this year. Cross fingers there won’t be too many more, but considering the span of time I write about here, I suspect there will be. A great chance to revisit the music though, and I have a feeling that a lot of people who had all but forgotten about the Monkees, might have had a sneaky peek at an old clip of Daydream Believer yesterday – I know I did.
Until next time…
Shades of Gray Lyrics (Song by Barry Mann and Cynthia Weil)
When the world and I were young Just yesterday Life was such a simple game A child could play It was easy then to tell right from wrong Easy then to tell weak from strong When a man should stand and fight Or just go along
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray
I remember when the answers seemed so clear We had never lived with doubt or tasted fear It was easy then to tell truth from lies Selling out from compromise Who to love and who to hate The foolish from the wise
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray
It was easy then to know what was fair When to keep and when to share How much to protect your heart And how much to care
But today there is no day or night Today there is no dark or light Today there is no black or white Only shades of gray Only shades of gray
For the benefit of any new visitors to the blog, this post is not representative, but a few weeks ago I issued a challenge, asking followers to come up with ideas for future posts. One of these was from Deidra, who after reading my tribute to David Cassidy (link here), suggested I should write some fan fiction in fairytale form involving the man and his music. Anyway, this is a bit tongue-in-cheek, and probably not what Deidra was expecting at all, but always fun to take on a new challenge and run with it. You probably need to be of a certain age to “get” a lot of what is to follow, but if you do, hope you enjoy it.
The Princess and the Pea’r
Princess Deidra looked down from the castle window. The boy from the village had just arrived with baskets of pears from his family’s orchard, and was heading towards the entrance to the large kitchen where he would no doubt laugh and joke with the kitchen maids. Deidra felt sad, and jealous that she could no longer join in their fun, but her mother had deemed it no longer appropriate for her to spend time with Maryberry the cook, Baldrick the kitchen boy and the feisty but fun, Daphne and Celeste.
Maryberry the cook
The kitchen boy Baldrick
The boy was called Davyd and his family supplied the castle with much produce in the course of a year. They reared partridges at the back of their humble dwelling so inevitably came to be known as, The Partridge Family. He had a sister called Susan and a brother called Daniel, who also visited the castle from time to time with their mother, a pretty, petite woman, with light coloured hair. The four of them were accomplished musicians and came to entertain guests in the great hall whenever a banquet was being held. The mother and Susan both played the harpsichord whereas Daniel played that strange stringed instrument which looked a bit like a lute. As for Davyd, he was the singer within the group, and as far as Deidra was concerned, had the voice of an angel.
The reason for his arrival today, was because festivities were being planned in honour of a visiting prince. She knew this prince was being thought of as a possible suitor, but fortunately her mother and father, the King and Queen, were kind and loving parents who would never force her into an arranged marriage. The prince, she had learnt, was called Donald and he came from a far away land that had a great salt lake. She’d also heard he had many brothers who wore tabards of different colours so that their parents could tell them apart. Donald always wore purple, and although they denied it, his parents considered him the handsomest of them all, as he had a beautiful smile and dazzling white teeth. Even when his younger brother James arrived, despite his long hair and loving ways, Donald was still their favourite son and they hoped he would find a deserving princess, perhaps in Deidra.
Prince Donald and his brothers in their coloured tabards
Prince Donald from the land of the great salt lake
Not for the first time however, Deidra wished she had been lowly born and could simply marry the boy from the village who was now leaving the castle grounds, his baskets empty. He would return home to his family, checking the partridges on the way, no doubt perched on the many pear trees in the orchard. Prince Donald may well be someone she could fall in love with, but right now, all she could think of was Davyd, and the songs she imagined he sang just for her. “Yes, I think I love you too”, she thought to herself, remembering the words of the last song he had performed in the great hall, at the same time knowing full well nothing could come of it.
The Partridge Family Minstrels
I Think I Love You:
But the day was warm, and it was time for an afternoon nap ahead of the evening’s banquet and entertainment. She removed her headdress and lay down on her counterpane, but before she could drift off to sleep Daphne appeared, having run up the stairs from the kitchen. The pair had been friends since they were young but of late Deidra had been unable to spend much time with her at all, her mother insisting that she fill her days with needlework, scripture and music lessons.
“Excuse me Princess, but I just had to let you know that Prince Donald is on his way.”
“I know Daphne, but what will he be like I wonder. Will he be as handsome as Davyd from the village? I see he has just been to the kitchen. Did you speak with him?”
“Why of course Princess. He was asking after you but that Celeste had to push in and act all brazen in front of him as usual. Ooh, that girl has no shame but we all knows he only has eyes for you so stick you Celeste. He also told us he has some turtle doves for the princess. Real beauties they are.”
“Oh, how kind”, said Deidra feeling wistful that she would not be allowed to accept them in person. “Is he coming up to the castle with his family tonight, to sing and play for us?”
“He is”, replied Daphne excitedly, “and they have a new song he wants to sing just for you. He knows about Prince Donald and told me to let you know, it’s a magical song that can transport you through time. Time and… relative dimension in… sound, he called it. Means nothing to me but he said you would understand”.
Daphne then headed off, to return to her duties in the kitchen but Deidra was left feeling confused. As a young princess she had been allowed to spend time with the village children, and when playing their games had often told Davyd she believed we would one day travel through time. Had he remembered those conversations she wondered, and had he found a way of really making it happen? It was all very baffling, but time for a quick nap now as Trinny and Susannah, her ladies maids, would soon be along to help her choose the perfect costume for tonight’s banquet, and the inevitable introduction to Prince Donald.
By the time the sun went down, Deidra was ready for the evening of festivities. Trinny and Susannah had picked out the perfect gown and headdress for her and after much pushing, prodding and pulling had secured the bodice into place. They had also brought with them an undergarment called majicnikkers which although made of a very strange fabric that was new to her, had the effect of making her waist appear very small indeed. This was going to be quite an evening, and although she was curious about the meeting with Prince Donald, it was the idea of Davyd’s magical song that truly excited her.
At the banquet Deidra was seated next to Prince Donald. He was indeed very handsome, his dark hair framing his smiling face. His party’s journey to the castle had been an eventful one however, as something had caused their horses to start acting crazily. Something in the air perhaps, an air very different to what they were used to by the great salt lake, over there on the morning side of the mountain. But Deidra could already tell that this was not her prince. He was too young, and for him it would just be a puppy love.
At the end of the table was a cage with the turtle doves that Davyd had sent up to the castle earlier in the day as a gift. He had also presented the cook, Maryberry, with three hens which had curiously been given the names Jacques, Jules and Henri. All we need now she thought to herself, would be some birds that could sing, and we would have quite the menagerie. Just at that moment, The Partridge Family appeared on the minstrel gallery, ready to play for them. Davyd gave her a knowing look, and once his brother tightened the strings on the lute-shaped instrument, the song began. “Could it be forever, or is my mind just rambling on…… .”
Suddenly Deidra’s head started to spin and she had to look down to gather her composure. The words in Davyd’s song were ringing in her ears. “Could it be forever?”, she thought regretfully. “No, not in my world, where princesses just don’t marry commoners.”
The spinning stopped and Deidra looked up. It took a few moments for her to work out where she was. It was still Windsmoor Castle but everything looked different. Her family and Prince Donald still sat next to her but they were all dressed in strange clothes and her flaming red hair was no longer covered by a headdress. The plate, and glassware, was finely crafted and large drapes covered the table. The Partridge Family were no longer up in the minstrel gallery but stood on a low, nearby platform surrounded by large boxes from which the sound seemed to come. Soon the song ended, and instead of retreating to the chambers behind the banquet hall as was usual, the family descended from the stage and came to converse with the guests. Just then, she remembered that Davyd had not just said it was to be a magical song, but that it was perhaps made up of sounds that could transport them through time. “What was it again?”, she frantically tried to remember. “Time and relative dimension in sound. TARDIS for short.”
She was still reeling from this revelation when Davyd came to speak to her. He had done it, he really had. Found a way of traversing through time until they came to an age when red-haired princesses could marry dark-haired, common born entertainers. Without further ado, Davyd got down on one knee and presented Deidra with a pear, from the orchard behind the castle of olden days. When she looked at it quizzically, he just said, “bite into it and see what you find.” Inside was a gold ring, which to everyone’s delight found its way onto her finger. “I started off with five pears and five gold rings”, he said, “but only this final one made it through the sound vortex. It wasn’t until then I knew the time was right to sing my magical song.”
And that my friends, is where the story ends. Davyd and Princess Deidra married in the chapel at Windsmoor Castle a few weeks later and many of their friends came to join in the celebrations. Sir Idris of Elba, Sir George of Clooney and of course Lady Victoria of Beckingham. Prince Donald returned to the land of the great salt lake, married, and had many, many children. Will they all live happily ever after though? Why of course they will, because as we all know, breaking up is hard to do!
Could It Be Forever Lyrics (Song by Wes Farrell/Danny Janssen)
Could it be forever or is my mind just rambling on [No, it can be forever Davyd, thanks to TARDIS – Time and relative dimension in sound!] Well I touched you once and I kissed you once And I feel like you’re mine Well I feel like you’re mine and I see in your face I’m not wrong to have these feelings Well I feel like you’re mine and I’ve never known a time before That’s had so many meanings
Could it be forever or is my mind just wasting time Well I don’t think so because you let me know You make me feel like you’re mine Well I feel like you’re mine and I can’t remember When the feelings have been stronger And all I know is I can’t let go of you Or be with you just a little while longer
All my feelings come together All of me is here Never known when I felt better Cause I know this won’t disappear
But could it be forever Or is my mind just rambling on Maybe it is, if it is Then I’ll be moving on Well, I feel like you’re mine And I see in your face I’m not wrong to have these feelings Well, I feel like you’re mine I’ve never known a time before That’s had so many meanings
Day Three of my annual challenge to write seven posts in seven days. No pressure on regular visitors to leave comments though, and these are going to have to be shorter posts than usual, but I have a bit of a backlog of blog ideas building up so here’s a chance to play catch up. Fell at the first hurdle last year so lets hope I fare better this year.
Yesterday I had to issue a warning that you might not want to read any further if you were a vegetarian, as the post involved a butcher’s shop (complete with images). Today I should point out that if you haven’t yet watched the supposedly final ever episode of Peter Kay’sCar Share, I might be about to spoil things for you. Having aired a good couple of weeks ago now, I will assume however that everyone who wanted to watch it will have done so by now.
Back in May last year, I wrote about the final episode of Series 2 (link here). There was that wonderful scene where Billy Ocean’sRed Light Spells Danger came on the radio, and as ever, our supermarket colleagues who had that whole “unspoken thing” going on, burst into song – One of the real high points of the whole series but it also led to the end of the unspoken thing, as it finally became a “spoken about thing”, so could only go one of two ways. Kayleigh was accused of living in a fairy-tale world and the cautious John, who came from a background and part of the country where such things were most definitely not spoken about, did not come up with the correct responses. Kayleigh stormed out of the car and – we were led to believe – out of his life for good.
But of course life is never that simple and the viewing public were not happy. Another final…, final episode was required. At the time however I was fully in support of Kayleigh’s actions – She was a lady of a certain age and had “no time to waste”. She chose to invoke what I used to call the three-month rule. Fun and laughter can be had with the most unlikely of partners for a few months, but then the rose-coloured spectacles come off, and things about them can really start to grate. If however all is still going well, it is wise to find out where things are “going”, as before you know it the years have rolled by and you find yourself with someone who is unwilling to commit (not that I know of anyone who has had that happen to them of course).
Not everyone wanted a sugar-coated ending to Car Share as realistically life just doesn’t always work out that way, but with these two characters they had come too far to throw it all away, and John was at last forced into taking action. As with his botched attempt at telling Kayleigh how he felt at the end of Series 2, he again went about it via the medium of song. He pulled an all-nighter (despite having work the next day) and dropped off the fruits of his labours at Kayleigh’s house in the early hours of the morning. She was not to be trusted with a digital copy of his self-penned love song, so a Walkman and cassette tape it had to be. I give you Come Back My Car Share Buddy by John Redmond (aka Peter Kay). It is no secret that Peter Kay is a massive Take That fan, so it was perfect that they made him an honorary member of the band for this potentially life-changing three-minute declaration. (Sadly the clip of the Back For Good spoof with Take That has disappeared from YouTube but I’m sure you will remember it.)
By storming off, out of his life, Kayleigh in effect threw down the gauntlet and this time John came up with the correct response. Whether the course of true love runs smoothly for our couple is another story altogether, but they had come too far for it all to end on a busy motorway at rush hour. There are rumours that the door might have been left open for a Christmas Special, but if this truly was the final ever episode, I think I can live with that.
Come Back My Care Share Buddy Lyrics (Song by Peter Kay – With a little help from Gary Barlow?)
Hiding from the past and locked up inside I thought my heart was safe and then you arrived I never knew I needed someone like you To lift the grey away and turn my skies blue You changed my world to colour Turned off the black and white You changed my life You opened up my eyes so…
Come back my car share buddy I don’t think life is fair Come back my car share buddy I’m lost now you’re not there The road is oh so lonely It feels like someone’s died I’m so lost you’re not with me Please won’t you let me be your ride
I didn’t understand that love could be true But then you told me how much I mean to you And never thinking that we’d end up apart I sat andwatched you walk away with my heart Now I don’t wanna lose you But I just need some time to do what’s right To figure out my life so…
Come back my car share buddy I’m empty now you’re gone Come back my car share buddy The journey seems so long I find it hard to say it But I’m feeling it inside I’m so lost you’re not with me Please won’t you let me be your ride
I don’t know about the rest of you, but I think the bit of visual humour (at 0:45) in this clip is the funniest thing I’ve seen on telly all year. Wasn’t expecting it at all, so real laugh-out-loud stuff.
Also, it’s been quite a while since I’d watched the original Back For Good video made by Take That in 1995, but it’s still a great wee pop song, apparently dashed off by Gary Barlow in only 15 minutes. It was their 6th UK No. 1 and reached No. 7 on the US Billboard chart. It was also the last video to include Robbie Williams, whom I must admit does look a bit disgruntled in this one – He’d had enough of boy bands by this time and was soon off to try out solo ventures, which he did with aplomb. A fortuitous partnership was formed with songwriter Guy Chambers and the rest, as they say, is history. But getting back to the video – I bet it took ages for their coats to dry out!
Another Edinburgh post, as I came home from last week’s trip armed with lots of great pictures that are ripe for sharing. This time we stayed in an apartment right at the top of the Grassmarket, which centuries ago was the site of one of Edinburgh’s main markets. The name apparently came from the grazing livestock, held in pens beyond its western edge.
Daniel Defoe, who visited Edinburgh in the 1720s, described the West Bow at the north-east corner of the Grassmarket (where our apartment was situated) as follows – “This street, which is called the Bow, is generally full of traders and dealers”, and you know what, it still is today, although nowadays the colourful shops are aimed primarily at the many tourists who pass through every year.
Looking out across the Grassmarket
Our apartment on West Bow
Shops on West Bow
The White Hart Inn – Est. 1516
Because it was originally a gathering place for market traders and cattle drovers, the Grassmarket was always a place full of taverns, hostelries and temporary lodgings – Again nothing much has changed, bar the prices, and the fact the traders and drovers have been replaced by tourists. In 1803 William Wordsworth took rooms at the White Hart Inn, where the poet Robert Burns had stayed during his visit to Edinburgh in 1791. It was described by him as being “not noisy, and tolerably cheap”. In the film version of Greyfriars Bobby, they chose a lodging in the Grassmarket as the place where the Skye terrier’s owner dies. Yes indeed, lots of history thereabouts.
1766 or 2018 – hard to tell!
For C – Old keys in an Antique Shop window
Having lived in the midst of such history for days, imagine my delight when we got home, to find that the next episode in the box-set we are currently watching on telly, was now set in the Old Town of Edinburgh circa 1766. The show Outlander is based on the historical time travel series of novels by Diana Gabaldon and is a firm favourite with most of us who live in the Highlands, as much of the drama is set here. It stars Caitriona Balfe as Claire Randall, a married World War II nurse who in 1945 finds herself transported back to the Scotland of 1743, where she meets the dashing Highland warrior Jamie Fraser (played by Sam Heughan) and becomes embroiled in the Jacobite risings. It does all sound a bit implausible, and is another of those wibbly wobbly timey wimey kind of things, but possibly because it covers all the bases for a cult drama, has kind of become one.
The handsome Jamie Fraser
The Old Town as seen in Outlander
I will include a clip here of the opening title sequence, which definitely gives a flavour of what the show is all about. Also, it makes use of the music to the Skye Boat Song, which most of us in Scotland are very familiar with – Unlike the very twee versions I was used to hearing in my youth, performed on highly uncool shows like The White Heather Club, this version has been given a 21st century makeover by Bear McCreary. The lyrics, taken from the Robert Louis Stevenson poem Sing Me a Song of a Lad That Is Gone, were adapted to fit the storyline and are performed by Raya Yarbrough,
So here we were this week, still thinking about our trip to an Edinburgh that has changed little since the 1700s, watching a show that was set in that very place and time. It isn’t often that contemporary music is used for the show’s soundtrack, but in one of the episodes we watched this week, a particularly poignant scene was played out to Bob Dylan’s song A Hard Rain’s A-Gonna Fall. All about a blue-eyed son, so very apt really and thankfully (for me) not performed by Bob but by the Canadian band Walk Off the Earth. In case anyone watching the show hasn’t reached season three yet, I won’t give the game away and include a clip of that particular heart-wrenching scene, but suffice to say the song was just perfect for it, and has most definitely formed an earworm this week.
A Hard Rain’s A-Gonna Fall by Walk Off the Earth:
Walk Off the Earth had performed the song just once, for kicks, and then pretty much forgot about it until someone from Outlander contacted them about using it for the episode. Band founder Ryan Marshall said they were surprised, as it was an acoustic cover without any bells and whistles – Just one of those tearjerker songs. When the writers decided they wanted to use the song, because Bob had just won the Nobel Prize an’ all, they knew they would never get his version, but after hearing the cover they kind of fell in love with it, as have I.
So, “What’s It All About?” – Last time I wrote a post about the film Trainspotting, and here I am now writing about the cult television drama Outlander. Yes, I do like my film and telly, and having emotionally invested in some of the storylines watched on both big and small screens, it can be quite something to find yourself in the very spot where they were filmed. It seems I am not alone however, as only this week I read a story in the local paper about how the Clan Fraser marker stone on Culloden Battlefield has had to be cordoned off, and the road around it relaid due the sheer volume of Outlander fans coming to visit it. Even poor old Greyfriar’s Bobby has had all the paint rubbed off his nose (see picture above) due to the sheer number of visitors to the faithful dog’s statue on Candlemaker Row.
One more Edinburgh post before I move on to new themes, but this next one won’t be about music from film or television. No, it seems the time has come to admit to which band was the first one I ever saw perform live!
Until next time….
A Hard Rain’s A-Gonna Fall Lyrics (Song by Bob Dylan)
Oh, where have you been, my blue-eyed son? And where have you been, my darling young one? I’ve stumbled on the side of twelve misty mountains I’ve walked and I’ve crawled on six crooked highways I’ve stepped in the middle of seven sad forests I’ve been out in front of a dozen dead oceans I’ve been ten thousand miles in the mouth of a graveyard And it’s a hard, it’s a hard, it’s a hard, and it’s a hard It’s a hard rain’s a-gonna fall
Oh, what did you see, my blue-eyed son? And what did you see, my darling young one? I saw a newborn baby with wild wolves all around it I saw a highway of diamonds with nobody on it I saw a black branch with blood that kept drippin’ I saw a room full of men with their hammers a-bleedin’ I saw a white ladder all covered with water I saw ten thousand talkers whose tongues were all broken I saw guns and sharp swords in the hands of young children And it’s a hard, it’s a hard, it’s a hard, and it’s a hard It’s a hard rain’s a-gonna fall
And what did you hear, my blue-eyed son? And what did you hear, my darling young one? I heard the sound of a thunder, that roared out a warnin’ I heard the roar of a wave that could drown the whole world I heard one hundred drummers whose hands were a-blazin’ I heard ten thousand whisperin’ and nobody listenin’ I heard one person starve, I heard many people laughin’ Heard the song of a poet who died in the gutter Heard the sound of a clown who cried in the alley And it’s a hard, it’s a hard, it’s a hard, it’s a hard It’s a hard rain’s a-gonna fall
Oh, what did you meet, my blue-eyed son? Who did you meet, my darling young one? I met a young child beside a dead pony I met a white man who walked a black dog I met a young woman whose body was burning I met a young girl, she gave me a rainbow I met one man who was wounded in love I met another man who was wounded in hatred And it’s a hard, it’s a hard, it’s a hard, it’s a hard It’s a hard rain’s a-gonna fall
And what’ll you do now, my blue-eyed son? And what’ll you do now, my darling young one? I’m a-goin’ back out ‘fore the rain starts a-fallin’ I’ll walk to the depths of the deepest dark forest Where the people are many and their hands are all empty Where the pellets of poison are flooding their waters Where the home in the valley meets the damp dirty prison And the executioner’s face is always well hidden Where hunger is ugly, where souls are forgotten Where black is the color, where none is the number And I’ll tell and speak it and think it and breathe it And reflect from the mountain so all souls can see it And I’ll stand on the ocean until I start sinkin’ But I’ll know my song well before I start singin’ And it’s a hard, it’s a hard, it’s a hard, and it’s a hard It’s a hard rain’s a-gonna fall
Lately, I seem to have somewhat lost track of the original premise behind this blog. The eagle-eyed amongst you might have spotted that the domain name for this site contains the words Jukebox Time Machine but it wasn’t long before I decided to veer away from simply journeying back in time to select a random “track from my years”. Oh no, the featured song instead became inspired by what was going on in the news, by the seasons, or indeed what was happening in my own life. Once you delve into the backstory to a song, you find out so much more than was ever available back in the day, so it became appropriate to change the name of the blog to “What’s It All About?” (a nod to the opening lyric from the song Alfie, written by my favourite songwriting team Burt Bacharach and Hal David).
But just for a bit of a change, I am going to resurrect the idea of having an honest to goodness “time machine” that could randomly whisk me back through the years to find out what we were listening to, in terms of the music of the day. There are a fair few time machines in popular culture, but the one I’m going to use this time, is the contraption conjured up by H.G. Wells (very steampunk) and put together by some clever prop designers for the 1960 film The Time Machine starring Rod Taylor.
So, now we have a vehicle to take us back in time, but how will we randomly generate the date to which we will be taken? Fortunately there are lots of devices at our disposal and I’m going to use an online random number generator. The year will be generated from between 1964 and 2006, when the popular UK chart music show Top of the Pops aired on the BBC. I can at a push, remember watching that show with my parents right from the beginning (yes I’m that old), and I stuck with it through the good and bad years, until they pulled the plug on it in the mid-noughties. Since then I have kind of lost the plot as far as non-mainstream new music goes, so will stick to those more familiar years. The month and date can also be randomly generated after which all we have to do is refer to the Official UK Top 40 Archive. All sounds very complicated but trust me, it’s not.
Time to climb aboard then and generate the first date. Here goes:
Year – 1973
Month – 2, i.e. February
Date – 14 (cute, it’s Valentine’s Day!)
Anyone who visits here regularly will know that this year could not be better for me in terms of conjuring up memories, as it was not only the year I became a teenager, but it was also the year I became obsessed with pop music and chart rundowns (already written about here). Referring to the Official Top 40 Chart from the 14th Feb 1973, the act at the No. 1 spot was this one, Scottish glam-rock band The Sweet with their only chart-topper, Blockbuster.
Blockbuster by Sweet:
I’m not going to dilly-dally too long writing about that one however as it has been showcased very recently over at Charity Chic Music (link here) where quite a few of us chimed in with our schoolday memories of the song. It amazes me, watching this footage of the band perform, how they still somehow managed to look “macho” whilst wearing just so much glitter, gold lamé and make-up. ‘Twas the times obviously. Lead singer Brian Connolly was a particularly good-looking man back then, and I was very envious of his long blonde hair (although oddly, in this song he refers to someone with long black hair). I think I actually sported a not too dissimilar hairstyle myself for much of the noughties, but hadn’t realised until now that the inspiration for it must have been Brian from The Sweet.
But what else was in the 1973 St Valentine’s Day chart? Well as luck would have it, a song I have already featured in the blog – The Jean Genie by David Bowie (link here). It was pointed out back then by The Swede, that the opening riff of Jean Genie bore a striking similarity to that of The Sweet’s Blockbuster which was recorded for the same record label, at around the same time, and released just a couple of months later (go on, do a quick compare and contrast). But it was The Sweet who made it to the top spot on this occasion as Bowie’s offering only made it to No. 2. Having done a little digging, the date we’re travelling back to in time to was very relevant to Mr Bowie as it seems that it was on the 14th of February 1973 that he collapsed from exhaustion after a performance at New York’s Madison Square Garden. He had been touring and giving press conferences as his alter-ego Ziggy Stardust for some time, but soon after this collapse, he abruptly retired the character live on stage at London’s Hammersmith Odeon.
The Jean Genie by David Bowie:
So far we’ve revisited two songs that sound very similar to each other but what else in that chart sounded very similar? Although I can’t say I was a big fan back then, in the fullness of time I have come to appreciate all the falderals involved in the making of a Focus record (a bit of yodeling anyone?) and February 1973 was their time in the sun as far as chart success went. Their instrumental Sylvia was a climber at No.5 and Hocus Pocuswas also climbing up the chart at No. 22.
I may well have forgotten all about these Dutch prog rockers had it not been that the album I got for Christmas that year was “Arcade’s 20 Fantastic Hits by the Original Artists”, the emphasis on the word original, as up until then most of these compilations were very much by the unoriginal artists. If you look closely you will see that Blockbuster, The Jean Genie and Hocus Pocus (Track 7 on Side 2) all featured, so this February chart certainly seems to have spawned a fair few of the year’s most memorable hits. (Interesting to note there is a picture of the artist who is apparently Python Lee Jackson which caused lots of confusion at the time. Turned out PLJ was the name of an Aussie band and Rod Stewart had been a guest vocalist.)
Hocus Pocus by Focus:
Although we have travelled back in time 45 years, so many of these songs are now part of popular culture and I can’t imagine them ever being forgotten, whereas can we really say that about much of what is in the charts today? Maybe I’m wrong but could we envisage a time in the future when there will be another television cop show, this time inspired by the music of 2018? Not sure, but it certainly happened around 10 years ago when Life On Mars was made for our own BBC. The lead character Sam Tyler goes back in time to 1973 and finds himself working under the highly misogynistic, homophobic, borderline alcoholic Detective Chief Inspector Gene Hunt – The Gene Genie. For those of us who remember those days, there were many, many amusing musical exchanges between Sam and Gene. These were only made possible because Sam knew the legacy left behind by some of the artists they listened to, on the Ford Granada car radio, or during a nightclub raid. For Gene all this music was as yet unknown, and anyway, he and his wife preferred listening to Roger Whittaker!
Ok, so Life On Mars aired a fair few years ago now but I think it is generally agreed that one of last year’s best films, for music fans at any rate, was this one, Edgar Wright’s Baby Driver. I’m not usually a fan of films that feature multiple car chases, but this one was a very different animal, and the best car chase of all was played out to the sounds of Focus with what has turned out to be their most memorable recording (was it because the words rhymed so well I wonder?). Watching this excellent clip again, the lead character Baby, could definitely give Lewis Hamilton a run for his money.
So, “What’s It All About?” – I hope you’ve enjoyed joining me on my Jukebox Time Machine journey back to February 1973. All you need is a random number generator it seems and we’re good to go, although I may change the mode of transport for next time as H.G. Wells’ time machine was a tad uncomfortable at times – Doc Brown’s DeLorean might make for a smoother ride.
As to whether the music of 2018 will feature in the movies and telly of the future, having thought about it all a bit more, it probably will. As the music-obsessed youngsters of today become the movers and shakers of tomorrow, they will use the “tracks of their years” when making directorial debuts, peppering their films with the works of Kendrick Lamar and Childish Gambino (yes I watched the Grammys this week so am “down with the kids”). Problem is, by the time you make it in that world and are entrusted with the big budgets you are a generation older than the majority of your audience. Great for parents taking their kids to the cinema though as there is something for everyone, the action for the youngsters and the music for the mums and dads (Guardians of the Galaxy springs to mind) – All in all, a bit of a win-win situation.
Until next time….
Blockbuster Lyrics (Song by Mike Chapman/Nicky Chinn)
Ahhh, Ahh Ahhh You better beware, you better take care You better watch out if you’ve got long black hair He’ll come from behind, you’ll go out of your mind You better not go, you never know what you’ll find Ahh Ahh, Ahh Ahhh
Can’t look into his eyes, you’ll be surprised If don’t know what going on behind his disguse Nobody knows where Buster goes He’ll steal your woman out from under your nose
Does anyone know the way, did we hear someone say (We just haven’t got a clue what to do) Does anyone know the way, there’s got to be a way To Blockbuster
The cops are out, they’re running about Don’t know if they’ll ever be able to blockbuster out He’s gotta be caught, he’s gotta be taught ‘Cause he is more evil then anyone here ever thought
Does anybody know the way, did we hear someone say (We just haven’t got a aho) Does anybody know the way, there’s got to be a way To Blockbuster
Does anybody know the way, did we hear someone say (We just haven’t got a clue what to do) Does anybody know the way, there’s got to be a way To Blockbuster
It occurred to me that although the journey back in time was primarily to find out what we were listening to in February 1973, perhaps it might be interesting to remind myself what I was doing at school. As luck would have it (that trusty archive box came up trumps once again), I still have a self-penned “magazine” which we all had to produce in English (the subject not the language) that year.
All very embarrassing as ever, but I was only 12 remember, and one of the “stories” was essentially an exchange between my mum and myself as to the merits of acquiring one of those new-fangled cassette recorders that had just come on the market. Ignore the fact I seem to have missed the letter “t” in the title (should be tempted) and please ignore the fact that it seems my family were a bit tight with the cash, as in reality I did get a MURPHY cassette recorder later that year. It was my absolute pride and joy and was heavily used for the rest of my teenage years. I give you an extract from the Reader’s Realm February ’73 edition (adverts were included).