Like many others, I was saddened to hear last night’s news of the death of Glen Campbell. It was not one of those shock deaths we had got so used to hearing about last year as most of us who were fans knew he had been suffering from Alzheimer’s Disease for some time, but it still marked the end of an era. Here is the post I wrote last year when I was still relatively new to blogging and still called my appreciation of the music of Glen Campbell a “guilty pleasure”. I have since discovered that he was one of the most respected and accomplished artists of the 20th century, and the Jimmy Webb songs he recorded in the late 1960s are some of the finest pieces of popular music ever produced. RIP Glen – Despite your sad demise we will continue to hear you “singin’ in the wire” for a long time to come, for which I am very, very grateful.
I hope I haven’t caused confusion – Yes Elvis Presley recorded the song An American Trilogy in 1972 and it became a bit of a showstopper for him when performed during the massive event that was “Elvis—Aloha from Hawaii” broadcast in 1973. Three 19th century folk songs had been melded together and given the full jumpsuited-Elvis treatment and even today, I can’t think of anyone better suited (no pun intended) for the song. His poverty-stricken southern roots, his close affinity with black music and his subsequent elevation to all-American global superstar.
But no, the songs I want to visit today are the three Jimmy Webb compositions recorded by Glen Campbell in the late ’60s. In the UK at that time London was “Swinging” and we were listening to Sandie Shaw, Cliff Richard and Lulu but in the USA, the average “Easy-Listening” aficionado would have been enjoying Glen Campbell. He was now in…
I don’t quite know what happened this week but my blogging mojo left me. First of all I had intended to write a few age-related posts ahead of my birthday next week but that old chestnut time, or the lack of it, got the better of me. I then spent a couple of hours last night looking at the screen, unable to string a coherent sentence together. My long list of “posts pending” and my American Odyssey series both require a fair bit of research and to be honest, at the moment, I’m just not in the mood. I blame the fact that this week has been especially spreadsheet-heavy at work, where the numbers side of my brain has obviously encroached on the space usually left for words. In situations like this, for the second week in a row, it will have to be a web-diary type of post.
On Wednesday evening we went along to the local college where Mr WIAA “works” in the art department (although it all sounds a bit of a lark to me). There was a year-end exhibition of the student’s work and it usually makes for an interesting evening where we also get the chance to buy some pieces at very reasonable prices – Who knows, maybe one day these young artists will become famous and their “works” will be worth something. For one group of students, yarn bombing was something that had featured heavily this year, and I did like this bicycle.
This week has also of course been politics-heavy ahead of next week’s “snap” election and although most bloggers steer away from such topics, I cannot deny that the issues at stake have infiltrated my thoughts a lot over the last seven days. The television debates (or non-debates actually) have not been particularly effective and as usual I end up warming most to the Green Party leaders and candidates, but they are never going to be able to form a government (can you imagine them having a special relationship with Mr Trump after his withdrawal from the Accord de Paris this week), so the best alternative it will have to be. Like the Greens, Jeremy Corbyn is against nuclear weapons of any kind but of course he is continually hectored and harangued about whether he would ever actually “press the button” if the need arose. I’m with the young lady from the Question Time studio audience who shook her head in dismay at how so many in the room seemed bent on, in effect, killing millions of people. If things get that bad, it’s curtains for us all anyway.
In the meantime, my employers, as well as creating a new paper-less environment have also created a car park-less environment. This has led to the initiation of a cycle-to-work scheme, where eco-bikes are now at our disposal – The Greens would be proud of them although it’s not always easy being of that persuasion and Andy Hallett sang all about it back in 2001!
It’s Not Easy Being Green by Andy Hallett:
Still thinking fondly of the knitted bicycle from earlier in the week, Mr WIAA and I went to a local café today where they also show you how to fix and repair your bike. It is right next to the college so a frequent pit stop for staff and students alike. Called Velocity Café, it is run by enterprising youngsters who have created a great little hub for like-minded souls right in the centre of town. We sat at one of the long tables where you can have a chat with fellow diners or catch up with the newspapers. And this is where I had a bit of an emotional moment over my butternut squash and red lentil soup. In today’s Review section of The Guardian there was an excellent piece by the author Ian McEwan (link here) which really got to me. Right at that moment in time, I wanted nothing more than to live in a land full of Velocity Cafés, and not one where people who are reluctant to launch nuclear weapons are lampooned.
The long sharing tables
Lovely red lentil soup
The front window
Fortunately I pulled myself together and we even had one of their award winning granola slices for which Mr WIAA managed to get the secret recipe last year. He has attempted to make them a few times now but they never turn out quite like in the café – Methinks they perhaps left out some of the key ingredients, as a secret recipe would no longer be secret, if given out willy-nilly to customers.
Not a lot of music so far included in this post and funnily enough, when it comes, it’s not going to be bicycle related although that does seem to have become the theme for this post. Whilst having lunch, BBC 6 Music was playing on the radio and it was a programme about the Beatles album “Sgt. Pepper’s Lonely Hearts Club Band” which was released 50 years ago this week. I am not remotely qualified to write knowledgably about this ground-breaking album, so I’ll stick to the facts. It was their 8th album release and spent 27 weeks at the top of the UK charts. It was “lauded by critics for its innovative approach to music production, songwriting and graphic design and was probably the first album to bridge the divide between popular music and legitimate art“. Peter Blake’s album sleeve is arguably the most famous of all time, consisting of a collage of 88 figures which included the Beatles themselves. Copyright was a major problem as Brian Epstein had to locate each person in order to get permission to use their image out of context. Looking closely at some of those figures, this can’t have been easy. Today sitting in the café I think I found a renewed affection for this album as it is one of those that has perhaps become a bit over-familiar to my ears. Time maybe for a proper re-visitation over the coming week to mark its landmark birthday.
Sgt. Pepper’s Lonely Hearts Club Band by the Beatles:
So, “What’s It All About?” – We’re heading to our polling stations again next week and although I have been very good at predicting the results of the last few elections and referendums, I have tended myself to always back the losing side. I often visit Jez’s site over at A History of Dubious Taste and he has put together some very good posts on the political goings on (read shenanigans) over the past few weeks – Informative but funny too, so I would thoroughly recommend a visit. This also reminds me of a song he featured a couple of weeks ago which is perfect for tonight’s post. I’d never heard it before but it has become a guilty pleasure over the last fortnight. I will leave you with Johnny Cash and The One On The Right Is On The Left and will return next week once we all know the outcome – Politically charged times indeed!
The One On The Right Is On The Left Lyrics (Song by Jack Clement)
There once was a musical troupe A pickin’ singin’ folk group They sang the mountain ballads And the folk songs of our land They were long on musical ability Folks thought they would go far But political incompatibility led to their downfall
Well, the one on the right was on the left And the one in the middle was on the right And the one on the left was in the middle And the guy in the rear was a Methodist
This musical aggregation toured the entire nation Singing the traditional ballads And the folk songs of our land They performed with great virtuosity And soon they were the rage But political animosity prevailed upon the stage
Well, the one on the right was on the left And the one in the middle was on the right And the one on the left was in the middle And the guy in the rear burned his driver’s license
Well the curtain had ascended A hush fell on the crowd As thousands there were gathered to hear the folk songs of our land But they took their politics seriously And that night at the concert hall As the audience watched deliriously They had a free-for-all
Well, the one on the right was on the bottom And the one in the middle was on the top And the one on the left got a broken arm And the guy on his rear, said, “Oh dear”
Now this should be a lesson if you plan to start a folk group Don’t go mixin’ politics with the folk songs of our land Just work on harmony and diction Play your banjo well And if you have political convictions keep them to yourself Now, the one on the left works in a bank And the one in the middle drives a truck The one on the right’s an all-night deejay And the guy in the rear got drafted
As this was a very bicycle-heavy post it does seems wrong to leave without sharing anything musically related to bikes. Here is a clip that I revisit often as from that impressive London 2012 Olympic Opening Ceremony. The song Come Together was very appropriately for this post a Beatles one, but in this case was performed by the Arctic Monkeys. I loved those guys on the bicycles and from what I have just heard this morning on the news, the sentiment of the song is more relevant than ever.
Welcome to this series where I am going to attempt a virtual journey around the 50 States of America in song – Suggestions for the next leg always welcome!
Well, I’ve just spent a week in New Hampshire but it’s time to move on again and the next state we’re heading into is Vermont. The name comes from old French, meaning “Green Mountain”, and that pretty much sums up the whole state. There are indeed mountains, lots of forests and green, green pastures.
Green pastures of course lead to daily farming and Vermont is where those quirky ice-cream makers called Ben and Jerry set up shop, wowing us with their wittily named flavours (Vermonty Python being one). Their visitor centre is the most visited attraction in the state. Vermont is also where those singing Von Trapps settled when they arrived in America. They built a Lodge in the picturesque Stowe which must have reminded them of their home in Austria. Climb every mountain indeed.
But what song to choose for this state, as again, a bit of tricky one? A few suggestions came in from fellow bloggers – Rol (from My Top Ten) came up with a couple that had the name Vermont in the title but not songs I’m familiar with (Long Vermont Roads by The Magnetic Fields and Just Give Me Moonlight In Vermont by Amy Allison). Another suggestion (from Rich at KamerTunesBlog) was that I use the theme tune from the ’80s TV Series Newhart which was of course set in Bob’s Vermont B&B. I do remember that show and it seemed to come along just at the time American sitcoms started to get really funny, and ours became less so. If you want to see what it would be like to live in that green, green land, check out this clip. Very nice indeed.
But no, my last couple of song choices for states have been a tad tenuous so this time I’m going for a song that really paints a picture of the state – Moonlight in Vermont. There have been numerous versions of this standard from 1944, recorded by a variety of artists, but the one I have enjoyed listening to most over the last week was the one by Willie Nelson. Like Roger Miller, Willie is from Texas but no matter, when he decided to record an album of standards in 1978 called “Stardust”, he wanted this song to be on it. The song is considered the unofficial state song of Vermont and is frequently played as the first dance song at wedding receptions.
Moonlight in Vermont by Willie Nelson:
Willie Nelson is one of the greats of country music and will turn 84 (god willing) later on this month. He was one of the main figures of “outlaw country”, a subgenre of country music that developed in the late 1960s as a reaction to the restrictions of the “Nashville sound”. Willie has also acted in over 30 films, co-authored several books, has been involved in activism and (not surprisingly) the legalisation of marijuana.
The phenomenally successful ballad Crazy, most closely associated with Patsy Cline, was composed by Willie as were many other country standards from the 1950s. After great success he retired in 1972 but of course that didn’t last long and he is still performing today, still sporting his trademark pigtails and bandana. His version of Always On My Mind, although made famous by Elvis, is still my favourite.
But this post needs something else, a little heart-warming story, and whilst doing a bit of background reading about the State of Vermont, I make an interesting discovery. The blacksmith and inventor John Deere was born there and was responsible for giving us much of the agricultural and construction equipment still used today, specifically the large steel plough. My grandfather was not the “lineman for the county” but he was the “roads supervisor for the county” back in the 1940s/50s. The climate and landscape of the North of Scotland would have been similar in many ways to that of Vermont, so thank goodness for the large snow plough attachments that came across from America just at the time my grandfather was responsible for keeping the often snowbound, highways and byways of Aberdeenshire open. Back then, before the days of television, the wireless was the main form of home entertainment and I feel sure that my grandfather might well have listened to an early version of the song Moonlight in Vermont before heading out for a night time shift on one of those giant snow ploughs. He would not have probably realised however that the large steel attachment at the front, was all down to a man called John Deere, from Vermont.
Ploughing in the Moonlight
Moonlight in Vermont
John Deere’s steel plough
So, next time we’re going to be heading down into Massachusetts, and although I have a couple of ideas up my sleeve, I would be very grateful for some more song suggestions connected to that state. We’re still in New England but are now heading back along the coastal states towards New York where the problem will no doubt be, that there are just too many songs to choose from!
Until next time….
Moonlight In Vermont Lyrics (Song by John Blackburn/Karl Suessdorf)
Pennies in a stream Falling leaves, a sycamore Moonlight in Vermont
Icy finger-waves Ski trails on a mountainside Snowlight in Vermont
Telegraph cables, they sing down the highway And travel each bend in the road People who meet in this romantic setting Are so hypnotized by the lovely Ev´ning summer breeze Warbling of a meadowlark Moonlight in Vermont
Welcome to this series where I am going to attempt a virtual journey around the 50 States of America in song – Suggestions for the next leg always welcome!
First of all thanks to everyone who helped out with suggestions for getting this trip started. It may not happen in real life now (although never say never and all that), but I’m going to try and make sure it happens on these pages. I have planned a route map that means we take in all 50 states but never enter and leave the same one more than once. I won’t share the map with you until the end however as best to retain an element of surprise as to where we are going to end up next (although sometimes of course there will be only one contender).
After a bit of thought I have decided to start in Maine and end up in Florida as opposed to doing it the other way round. North to South makes more sense from a geographical point of view and we will build up to all those great songs from the Southern States gradually.
So, we have just flown across the Atlantic from Scotland and are about to explore the State of Maine. This is not going to be a travelogue style series of posts so I will just include a few pictures and links, but suffice to say, Maine is the most northernmost state in New England, it has an awful lot of forests and coastline, its climate is warm and humid in summer but cold and snowy in winter, and it’s famous for its seafood cuisine, especially lobster and clams. The musical Carouselis set in Maine (songs from which I have written about twice on these pages here and here) and of course a certain amateur lady detective also resides there, in the fictitious Cabot Cove(the American equivalent of our Midsomer it seems). The prolific author Stephen King comes from Maine and many of his books, in turn made into films, are set in that State (Carrie, The Shawshank Redemption and the film that forever gave clowns a bad rap, It).
When I first considered this series, I was a bit troubled that I might sometimes get stuck, and be unable to find songs that I could write about for certain states, but of course you didn’t let me down. A fair few suggestions came in from Marie, CC, Lynchie, Rol, Neil and Chris (links to their blogs on my sidebar) but the song I hadn’t realised even mentioned Maine before, was King Of The Road by Roger Miller (credit for that one goes to both Lynchie and Rol). This song is all about the day-to-day life of a hobo, who, despite being poor (a man of means by no means) revels in his freedom, describing himself as the “king of the road”. The first line in the second verse goes as follows, “Third boxcar, midnight train, destination, Bangor, Maine” which is why it becomes my first featured song in this series.
Roger himself of course didn’t come from Maine but from Texas. He wrote mainly country songs, and was very successful at doing so, but King Of The Road was a major crossover hit into mainstream pop and was No.1 in the UK Singles Chart in 1965.
King Of The Road by Roger Miller:
As is often the case I would be lying if I said that I remembered this song from first time around, but someone who would have done, was my Uncle Keith. This is where it gets a bit personal as is often wont to happen on these pages. Keith was a lad who grew up in our village in Scotland and followed the usual path for young men in those days – Went to school, completed an apprenticeship, met a girl, got married and had a family. The opportunity came along for him to move to the city and start driving lorries long distances. With a large family to support he took it on. Soon he was travelling all over the UK and the Continent, gone from home for long periods at a time. He loved it and whenever anyone was going on holiday by car, he could always be relied upon to come with the best route.
(Uncle Keith is the tall dark-haired one)
This life on the road was not of course conducive to family life and in due course his marriage failed and we didn’t see much of him for long stretches of time. Every now and again he would turn up at my grandparents house in a massive articulated lorry, stay the night, then head off again. He was very unlike my own very stable, home-loving dad and was a bit of a mythical creature as I was growing up. As I got older I was busy getting on with my own life so didn’t see him often at all, but a few years ago now we heard he was ill, so my mum headed off to see him in his little flat. It wasn’t good and he died soon after at the age of 76 with, ironically, his ex-wife and his children at his bedside – He may not have been a great family man but they had stayed close over the years and loved him to the end.
When it came to organising the funeral it turned out he wanted to be buried along with his parents (my grandparents) in the village where he had grown up. A bit of a surprise but it made sense. The important thing was that he wanted King Of The Road to be played as his coffin was carried out of the church. My mum (his sister), who finds it very important to always “do the right thing”, was a bit concerned – In her experience people always chose very sombre hymns – What would people think? But no, his family stood firm and King Of The Road it was. When the time came there wasn’t a dry eye in the church and even my mum had to admit it was the right choice.
Before I go, it might be an idea to include the version by those very Scottish Proclaimers from 1990. If he was still driving lorries at that time maybe Uncle Keith liked that one too. Whatever, I am pretty sure if the chance had come up, he would have loved driving across the highways and byways of America in one of those very large trucks, maybe even up as far as Maine. This post therefore is for him. (Look out for The Proclaimers’ homage to Roger Miller at 2:20)
“What’s It All About?” – I have often seen talk on the blogosphere of the music people would like to have played at their funeral (morbid I know but true) and I too have chosen my particular song. We may not be there in person but we will be leaving a little bit of ourselves behind in our choices. Those left will feel a surge of emotion, but it will be much appreciated, as was the case with Uncle Keith.
So, we have now visited Maine in song (very tenuously I know but I think that’s how it will often go) and the next state we will cross into is New Hampshire. I will always have a standby song but would very much appreciate some more suggestions that I have no doubt (if this post is anything to go by), will be better than mine. You know where the comments boxes are.
Until next time….
King Of The Road Lyrics (Song by Roger Miller)
Trailer for sale or rent, rooms to let, fifty cents. No phone, no pool, no pets, I ain’t got no cigarettes Ah, but, two hours of pushin’ broom Buys an eight by twelve four-bit room I’m a man of means by no means, king of the road.
Third boxcar, midnight train, destination, Bangor, Maine. Old worn out clothes and shoes, I don’t pay no union dues, I smoke old stogies I have found short, but not too big around I’m a man of means by no means, king of the road.
I know every engineer on every train All of their children, and all of their names And every handout in every town And every lock that ain’t locked, when no one’s around.
I sing, trailers for sale or rent, rooms to let, fifty cents No phone, no pool, no pets, I ain’t got no cigarettes Ah, but, two hours of pushin’ broom Buys an eight by twelve four-bit room I’m a man of means by no means, king of the road.
Trailers for sale or rent, rooms to let, fifty cents No phone, no pool, no pets, I ain’t got no cigarettes Ah, but, two hours of pushin’ broom Buys an eight by twelve four-bit room I’m a man of means by no means, king of the road.