Alyson’s Archive #10 – Farewell Olivia Newton-John

I was away from home last week, meeting up with old friends of the same age. When we heard the news that Olivia Newton-John had died, we all felt a great sadness, not particularly because we were big fans but because she was part of our teenage years and not really that much older than us. Poor Olivia had been treated for the illness that finally took her life several times over the last 30 years, so in some ways she got more time than many others with the same diagnosis. She certainly put that time to good use becoming both an advocate for breast cancer research, and an activist for environmental and animal rights causes.

There weren’t many pinups of female music artists in the magazines I bought as a young teenager – they were all full of Donny Osmond, David Cassidy and the Bay City Rollers – but amazingly I found this one of Olivia in my box of teenage memorabilia, a box that’s provided a lot of material for this blog. I can’t be quite sure when that picture was taken but I’m guessing it’s from 1972/73 before she changed her hair to the long layered style that suited her so well. She was a regular throughout all four series of Cliff Richard’s prime time television show and families like mine would always tune in on a Saturday night. It wasn’t edgy entertainment and no boundaries were pushed, but for households who had probably only recently acquired colour sets, it was must-watch telly.

A pinup from FAN magazine

She was the golden girl with wholesome good looks, great hair and a fine voice. In the early ’70s she had hits in the UK with If Not For You, Banks of the Ohio and Take Me Home Country Roads. She was also chosen to represent the UK in the Eurovision Song Contest in 1974 with this very lacklustre song, Long Live Love, which even she herself admitted to not liking. She still came fourth however as back then we tended to do pretty well every year. Changed days (until this year of course). She looks as if she’s wearing her nightie and seems to be overcompensating for the poor song with her enthusiastic arm movements. A perfect example of how the contest was at that time though and nothing like the extravaganza it has now become. (And, as a fan of Eurovision it’s inevitable I would have had this song in my music library!)

Long Live Love by Olivia Newton-John:


Perhaps it was the ignominy of coming fourth in the contest that led to her wholeheartedly try her luck in the US and with the support of fellow Australian Helen Reddy ( who herself died only two years ago) she was soon the golden girl over there too, scoring several No. 1 hits on the Adult Contemporary Chart, one of them being I Honestly Love You. Again nothing edgy there and no boundaries pushed but Olivia was a ‘nice’ girl, who was never going to do anything to shock, ever. Or was she?

There can’t be many of us who have never heard of the 1978 film musical Grease, as it has become a bit of a cultural phenomenon. Set in late 1950s California, it follows the lives of 10 students as they navigate their final year of high school. It took a bit of persuasion, and a screen test, to convince her she could play a teenager, but eventually Olivia was cast as Sandy Olsson, the ‘nice girl’ who fell for ‘bad boy’ Danny Zuko, played by John Travolta. What is it with Olivia and nighties but here she is again dressed in one, singing Hopelessly Devoted to You from the film, a song that earned an Oscar nomination.

Hopelessly Devoted to You by Olivia Newton-John:


Ok, so Olivia is still the nice girl we are used to seeing on screen, dressed in her nightie, singing pleasant songs suited to the Adult Contemporary chart. What we didn’t expect was this, the scene that wrapped up the movie, after which she flies off into the sunset in a car called Greased Lightnin’ with aforementioned bad boy Danny Zuko. The nightie has gone, to be replaced by black skin-tight trousers (that she had to be sewn into every day of shooting), a black leather jacket, teased hair and red lipstick. This was not the Olivia we were used to seeing and she certainly set a lot of teenage boys’ pulses racing. It has been pointed out many times this last week that the plotline perhaps doesn’t stand the test of time and that it couldn’t be made the same way nowadays. They are right of course, but in 1978 I had just turned 18, and for me and my friends it was just a light-hearted movie full of great songs and dance routines that we didn’t take too seriously. For Olivia, You’re the one That I Want, made her a bit of a superstar.

You’re the One That I Want by John Travolta and Olivia Newton-John:


After the film Grease, Olivia adopted a slightly raunchier persona, even getting Physical, but just like with her ‘transformation’ in the film, I think we all knew that deep down she was still the same girl who used to appear on Saturday night telly with Cliff Richard. In 1980 they even recorded a duet together, Suddenly, for the film Xanadu. It has ridiculous lyrics (motions and oceans) but it’s a love song and I have always liked it, so a good clip to end with. Olivia was no longer the guest star in Cliff’s universe, the tables had turned and he was now a guest in hers.

Suddenly by Olivia Newton-John and Cliff Richard:


So, yet another of the artists I grew up with has left us. Farewell Olivia, the golden girl who sounds as if she truly was a beautiful person inside and out. She will be missed by all who knew her.


Until next time…

Suddenly Lyrics
(Song by John Farrar)

She walks in and I’m suddenly a hero
I’m taken in my hopes begin to rise
Look at me can’t you tell I’d be so
Thrilled to see the message in your eyes
You make it seem I’m so close to my dream
And then suddenly it’s all there

Suddenly the wheels are in motion
And I, I’m ready to sail any ocean
Suddenly I don’t need the answers
Cos I, I’m ready to take all my chances with you

How can I feel you’re all that matters
I’d rely on anything you say
I’ll take care that no illusions shatter
If you dare to say what you should say
You make it seem I’m so close to my dream
And then suddenly it’s all there

Suddenly the wheels are in motion
And I, I’m ready to sail any ocean
Suddenly I don’t need the answers
Cos I, I’m ready to take all my chances with you

Why do I feel so alive when you’re near
There’s no way any hurt can get thru
Longing to spend every moment of the day with you

Suddenly the wheels are in motion
And I, I’m ready to sail any ocean
Suddenly I don’t need the answers
Cos I, I’m ready to take all my chances with you

Alyson’s Archive #9 – David Bowie, Six Years Gone and ‘Sorrow’

Welcome to this occasional series where I share the contents of my archive box of teenage memorabilia. I always knew these random bits and pieces would come in handy some day, but little did I think back in the 1970s, they would find their way onto such a thing as a ‘blog’, courtesy of that as yet unthought of invention, the world wide web.

I got a little badge this week from the WordPress people as it was my blog’s 6th birthday. It’s not difficult to forget when that anniversary comes around as I posted my first set of ‘memories’ the day we heard of the death of David Bowie. Six years already though – Hard to believe, on either score. Time perhaps to delve back into my box of teenage memorabilia and it didn’t take long to find something of interest.

Back in 1973 I often bought pop magazines aimed at teenage girls and one of these was Hit (note the star instead of the dot – an often used graphics ploy back in those days). What a diverse group of artists (and tennis players!) mentioned on the cover, but we were also invited to David Bowie’s exclusive party which was apparently being held to mark his farewell to pop performances. Well, we all know how that turned out, but in July ’73 he had abruptly retired the character Ziggy Stardust during a show at London’s Hammersmith Odeon, so maybe more to do with temporary burnout. To quote David, “Ziggy wouldn’t leave me alone for years. That was when it all started to go sour. My whole personality was affected. It became very dangerous. I really did have doubts about my sanity.”

Does anyone recognise the woman with David?

I love reading these snippets from the past as they are exactly that, primary sources, written at the time. Interesting to hear who was at the party and of the marriages that were in place at the time. Mick Jagger had come out top on the dance floor apparently which has held him in good stead as he is still performing those moves on stage today. On the menu were such culinary delights as smoked salmon, turkey and strawberries and cream – We were easily pleased back then it seems as the era of the ‘foodie’ and the celebrity chef was still a long way off.

1973 was an incredibly busy year for David Bowie and at one point he had six albums concurrently in the UK Albums Chart. It had been ‘his time’. Got me to thinking about how I consumed this wealth of Bowie goodness back then and it didn’t take long for me to remember that my 1972 Christmas present (from Santa) was a Murphy cassette recorder – For soon-to-be-teens like myself, the affordability of these machines changed our lives. When visiting some of the music blogs written by Americans, like Rich from KamerTunesBlog, I am constantly amazed how many albums they owned by the time they were out of single digits. As a family we certainly weren’t poor, but my pocket money at that time wouldn’t have extended beyond the odd single, or a compilation album bought with birthday or Christmas money. Having my own cassette player/recorder (emphasis on the recorder) changed all that, and unbelievably I still have the operating instructions for it in my box of memorabilia. By the time we got to September 1973 when his ‘farewell party’ (got to laugh, but not like a gnome) took place, I would have been able to tape four of his chart singles from that year already.

But as we all know, he didn’t retire from pop performances in 1973 but continued to reinvent himself every few years, always coming up with a new persona and style of music. I’ve done a fair bit of reading about him this week and am starting to wonder if we will ever see his like again as he was also an actor of renown, an artist and so much more.

Got me to thinking about the many albums he made during the period 1969 to 1984 when I would have been following his music more than I would have done in his later years. Would I be able to put them in order of release if I tested myself. Here they are in a random layout – How would you do? (Answer in the Postscript.)

But my goodness we’ve come a long way with this one and still no song. Since the magazine article above was from 1973 I think it’ll have to be something from that year. As I’ve already shared The Jean Genie and Life On Mars? on the blog, here is Sorrow from later on in 1973, taken from the Pinups album featuring songs by British bands from the 1960s that influenced David as a teenager. The song was first recorded by the McCoys in 1965, and then by the Merseys in 1966. David’s version reached the No. 3 spot on the UK Singles Chart in Oct 1973. If you watch the clip to the end, there’s a bit of a funny out-take.

Sorrow by David Bowie:


What’s your favourite album of those shown above? As ever, I’d love to hear from you.

Until next time…

Sorrow Lyrics
(Song by Richard Gottehrer/Jerry Goldstein/Bob Feldman)

With your long blonde hair and your eyes of blue
The only thing I ever got from you
Was sorrow sorrow
You acted funny
Trying to spend my money
You’re out there playing your high-class games of sorrow sorrow

You never do what you know you ought to
Something tells me you’re a Devil’s daughter
Sorrow, sorrow
Ah, ah, ah

I tried to find her
Cause I can’t resist her
(I tried to find her)
I never knew just how much I missed her sorrow sorrow

With your long blonde hair and your eyes of blue
The only thing I ever got from you
Was sorrow sorrow

Oh-oh-oh-oh
Oh-oh-oh, oh-oh

With your long blonde hair
I couldn’t sleep last night
With your long blonde hair

Ah, ah, ah
Ah, ah, ah, oh, yeah
Ah, ah, ah
Ah, ah, ah, oh, yeah

Postscript:

Easy for Bowie fans but for the rest of us here is the order of David’s studio album releases.

M. David Bowie (1969)
I. The Man Who Sold the World (1970)
N. Hunky Dory (1971)
H. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
I. Aladdin Sane (1973)
D. Pin Ups (1973)
K. Diamond Dogs (1974)
J. Young Americans (1975)
O. Station to Station (1976)
B. Low (1977)
F. “Heroes” (1977)
A. Lodger (1979)
C. Scary Monsters (and Super Creeps) (1980)
E. Let’s Dance (1983)
G. Tonight (1984)

For any of you who also remember with great fondness the analogue world of cassette recorders, here are some pages from my little manual of operating instructions. Happy days.

Alyson’s Archive #8 – My Sporting Ineptitude and More Musical Memories from the Summer of ’76

Considering I go back to college in less than a month’s time, I really need to get back into the swing of putting pen to paper, or rather, typing words on a screen. It’s a very wordy course and this blog used to keep me limbered up so to speak. Going to hold my hands up and admit to being a bit off my game at the moment however, and although not for any one specific reason, a slew of minor anxieties all coming along at the same time can do that to a person. I’m sure I’ll get back on track soon, once we can re-emerge from WIAA Towers having avoided all contact with other humans for the last month in case we’re “pinged”. Both being self-employed it had to happen, but it does get a bit monotonous, especially as life returns to a semblance of normality for everyone else.

The Olympics did raise my spirits for a while but the live events often happened during the night due to the time difference and I’m coming round to the realisation (why has it taken so long?) that akin to football, where you end up on the medals table is down to how much money has been spent. As most of the funding comes via the National Lottery, I can’t help thinking some of it hasn’t given a great rate of return and could have been diverted to initiatives that help more of the people who buy those lottery tickets in the first place. Having said that, I am full of admiration for those who have worked hard in their chosen discipline and won medals, but by now we know it never turns us into a nation of superfit athletes. We’re great at sitting on our couches watching others swim, row, cycle, run and jump, but not so great at partaking ourselves.

A 100 years ago they trained by running along the beach. Mo performed in front of a home crowd in 2012 but this time, because of the pandemic, the stadiums were empty.

I’ve been reminiscing about the year 1976 a lot of late – First of all because of the Long Hot Summer mentioned around here last time, secondly because it was also an Olympic year (Montreal) but mainly because it was the last time I remember having absolutely no worries or anxieties. Sounds dramatic I know, and it doesn’t mean my life has been riddled with anguish since (I’ve had the odd year off!), but in 1976 when I was aged 16, life was indeed sweet.

Time for a family anecdote. My dad inevitably loved watching the 1976 Olympics as he had been quite an athlete in his youth and excelled at many different sports. I on the other hand was no athlete, and despite being encouraged by him to try lots of disciplines I could tell I was a bit of a disappointment when it came to my sporting prowess. Then he had an epiphany – Tennis. The village tennis courts where he had played as a youngster were in a state of disrepair and had long been out of use. He would rebuild the courts and perhaps, just perhaps, his daughter might become the next Wimbledon champion.

Not our courts, but similar

As was my dad’s way he simply went down to the courts every evening for a week sizing up the job to be done and taking measurements. People in the community gradually became interested and many of his friends started to join him. Materials were acquired to create a new clay court and the fences were repaired. The pavilion next to the courts was also refurbished and then painted, so the wives joined in too. For us teenagers it became a great place to hang out during that long hot summer. A coach was hired from the city to come and give us lessons, but yes, you guessed it, although I loved the social scene around the pavilion, tennis turned out not to be my thing either.

But what were we listening to in the summer of 1976? By good fortune I have just found my copy of Words magazine from the August of that year. This periodical has appeared around here before as I was a subscriber and as well as sharing song lyrics, the mag kept teens like myself up to date with all that was happening in the world of pop music. Here is the contents page from that issue along with the front and back covers. Lots of songs there that have really stood the test of time along with a surprising amount of reissues from the ’60s. Not sure if you can read from the picture, but how many of the artists would you identify from this list of songs without looking them up?

As for the cover star, it was Peter Frampton, who was becoming a bit of a big cheese in America around that time and had just released his Frampton Comes Alive! album. To be honest his previous role as frontman of the band Humble Pie had passed me by and I’m sure it was quite some time before I realised he was actually British, but there is no denying that 1976 was a good year for him.

The song Show Me the Way had reached No. 10 in the UK Singles Chart in the May of 1976 as the lead single from his new album. Peter was also one of the first artists to make extensive use of a talk box .

Show Me The Way by Peter Frampton:


But what else were we talking about whilst hanging out in our newly refurbed pavilion (rather than playing tennis). On the back page of the magazine was a picture of some of the characters from the new film Bugsy Malone. I have nothing but fond memories of this film – Great acting from its incredibly young cast, great songs and a lot of slapstick humour. I seem to remember I went to see it at our local cinema with a potential beau once the schools went back after the summer holidays. At the interval I dropped my ice-cream on the floor after falling over a single seat that had been left down in the row. Very much in tune with the slapstick nature of the film however, so thankfully the date was saved. Once DD came along she loved watching our video recording of the film on telly, but always called it Bugsy Alone (poor Bugsy).

Bugsy Malone – The final scene


So, a trip down memory lane for me and hopefully for some of you too. Out of interest here are some of the other bands that were written about in that particular edition of Words. Hard to imagine that some of them were just starting out, so the writers had no idea yet of what was to come.

The 16-year-old Angus Young
Ian Anderson who went on to become a successful fish farmer around these parts!

I’m going to end with another song featured in my magazine. Kiss and Say Goodbye was a massive worldwide hit in 1976 recorded by American R&B vocal group The Manhattans. I had another listen to it this week and it reminds me of so many other songs coming out of America at that time. It was written by Winfred Lovett, the bass singer, who also got the job of intoning the spoken work introduction. A love affair was coming to an end it seems for these reasons:

Because of my obligations, and the ties that you have

Well, if you both have obligations and ties that will happen, but at age 16 I always thought it was a very pragmatic and unlikely line to have included in such a beautiful but sad song – Shows what I knew about love triangles back then. I was still dropping my ice-cream on the cinema floor on my dates.

Kiss and Say Goodbye by The Manhattans:


I seem to have gone way over my usual wordcount which is good for me in terms of getting in some writing practice, but maybe not so good for you. Having said that I love revisiting these old magazines and reading the contemporary reviews, so hope you do too. Some turn out to be prophetic, but not all of them, as some music journalists got it horribly wrong.

As for me, I might look out my old tennis racquet – I’m going to have to spend more time on sport and less time sitting in front of a computer it seems if I’m to keep these old bones in tip top shape. I might have let my dad down back in 1976 by not becoming a Wimbledon champion, but to fair, I’m sure he always thought of it as a long shot. As it turned out, because of his efforts, the whole village had a thoroughly good summer down at our previously neglected tennis courts. Nice one Dad.

Until next time…

Kiss And Say Goodbye Lyrics
(Song by Winfred Lovett)

This has got to be the saddest day of my life
I called you here today for a bit of bad news
I won’t be able to see you anymore
Because of my obligations, and the ties that you have
We’ve been meeting here everyday
And since this is our last day together
I wanna hold you just one more time
When you turn and walk away, don’t look back
I wanna remember you just like this
Let’s just kiss and say goodbye

I had to meet you here today
There’s just so many things to say
Please don’t stop me ’till I’m through
This is something I hate to do
We’ve been meeting here so long
I guess what we done, oh was wrong
Please darling, don’t you cry
Let’s just kiss and say goodbye

Many months have passed us by
(I’m gonna miss you)
I’m gonna miss you, I can’t lie
(I’m gonna miss you)
I’ve got ties, and so do you
I just think this is the thing to do
It’s gonna hurt me, I can’t lie
Maybe you’ll meet, you’ll meet another guy
Understand me, won’t you try, try, try, try, try, try, try
Let’s just kiss and say goodbye

(I’m gonna miss you)
I’m gonna miss you, I can’t lie
(I’m gonna miss you)
Understand me, won’t you try
(I’m gonna miss you)
It’s gonna hurt me, I can’t lie
(I’m gonna miss you)
Take my handkerchief, wipe your eyes

(I’m gonna miss you)
Maybe you’ll find, you’ll find another guy
(I’m gonna miss you)
Let’s kiss and say goodbye, pretty baby

(I’m gonna miss you)
Please, don’t you cry
(I’m gonna miss you)
Understand me, won’t you try
(I’m gonna miss you)

Let’s just kiss
And say goodbye

Alyson’s Archive #7 – 10cc, “I’m Not In Love”

Things are a bit grim, so we need a bit of a distraction. Welcome back to this occasional series where I share the contents of my archive box of teenage memorabilia. I always knew these random bits and pieces would come in handy some day, but little did I think it would be because 2020 is turning out to be the year when everything changed. Let’s hark back to simpler times.

We’re journeying back to March 1976 when I picked up my monthly copy of Words Magazine. On the cover of that edition were 10cc, and on page 3, we get to hear a little more about our cover stars.

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I do sometimes (always?) ramble on a bit around here, but no need for that this time as I recognise some people actually drop by for the tunes. One of my favourite films is Guardians of the Galaxy and it was on telly on Saturday night as a replacement for the rugby which didn’t go ahead. One of the “stars” of that film is the mixtape made for our hero by his mother, full of her favourite songs from the 1970s. The opening scene shows the young Peter listening to his Walkman, and the song playing is I’m Not In Love.

I’m Not In Love by 10cc:

There is a half hour documentary in the BBC iPlayer archives about the making of this one song, so I urge you to seek it out. Written by band members Eric Stewart and Graham Gouldman, it has a really distinctive backing track, composed mostly of the band’s multitracked vocals. Released in May 1975, it became the second of the group’s three number-one singles in the UK and was our smooching song of choice at my local youth club disco. Written mostly by Stewart as a reply to his wife’s declaration that he did not tell her often enough that he loved her (he really did), it was originally played on guitars, but the other two members of the band, Kevin Godley and Lol Creme, disliked the track and it was abandoned. Stewart persuaded the group to give the song another chance and they ending up creating a new version using just voices.

Until next time….

I’m Not In Love Lyrics
(Song by Eric Stewart/Graham Gouldman)

I’m not in love
So don’t forget it
It’s just a silly phase I’m going through
And just because
I call you up
Don’t get me wrong, don’t think you’ve got it made
I’m not in love, no no, it’s because..

I like to see you
But then again
That doesn’t mean you mean that much to me
So if I call you
Don’t make a fuss
Don’t tell your friends about the two of us
I’m not in love, no no, it’s because..

I keep your picture
Upon the wall
It hides a nasty stain that’s lying there
So don’t you ask me
To give it back
I know you know it doesn’t mean that much to me
I’m not in love, no no, it’s because..

Ooh you’ll wait a long time for me
Ooh you’ll wait a long time
Ooh you’ll wait a long time for me
Ooh you’ll wait a long time

I’m not in love
So don’t forget it
It’s just a silly phase I’m going through
And just because I call you up
Don’t get me wrong, don’t think you’ve got it made
I’m not in love
I’m not in love

Alyson’s Archive #6 – “Rollermania” and Me

Welcome to this occasional series where I share the contents of my archive box of teenage memorabilia. I always knew these random bits and pieces would come in handy some day, but little did I think back in the 1970s that they would find their way onto such a thing as a “blog”, courtesy of that as yet unthought of invention, the world wide web!

I’ve been threatening to write this post for a while, and it seems the time is right, coming at the end of a trilogy of posts inspired by my recent trip to Edinburgh. On our last day there we met some friends in an area of the city called The Meadows, a large green space near the Old Town. Bordering the Meadows is a large building which I discovered was Edinburgh’s Royal Infirmary, however in days gone by it was called Simpson’s Hospital. And why did that sound familiar? Because it’s where most baby boomers from that city were born, including those five lads who for a brief period of time went on to be the world’s biggest boy band – Yes, I’m talking about Les, Eric, Woody, Derek and Alan: The Bay City Rollers.

Simpsons Hospital where the Rollers were born

“It’s a teenage dream, to be seventeen”, sang Les McKeown back in 1975. But no, I beg to differ Les. Back in 1975 it was a teenage dream to be fourteen, and have pictures of you and the rest of the boys staring down at me from my bedroom wall. Had I been a year or two older, or a year or two younger, it just wouldn’t have happened but I was the perfect demographic for these “tartan teen sensations from Edinburgh”. My generation had missed out on Beatlemania, and Osmondmania was on the wane, it was time for something new and luckily for me the band that inspired this latest mania came from Scotland.

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The humble author’s teenage collection of Bay City Roller pinups!

(I have shared a display like this once before, of David Cassidy pinups. I would just like to reiterate that I honestly don’t spend my evenings pouring over such teen-dream fodder, because that truly would be weird, it’s just that if you’ve ever had to clear out your parents loft when they downsize, it kind of becomes redistributed to your own loft, which fortunately for this blog is where it remains today.)

Anyway, getting back to the Rollers, the band’s founder members were brothers Alan and Derek Longmuir but after a few changes along the way, in late 1973 the classic line-up fell into place, consisting of guitarists Eric Faulkner and Stuart “Woody” Wood, singer Les McKeown, bassist Alan and drummer Derek. Tam Paton, their (highly controlling) manager was the man in charge, they got a record deal with Bell, and they came up with a unique “look” which consisted of cropped trousers, skimpy V-neck sweaters and plenty of tartan – What could go wrong?

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That’s me on the left in brown corduroy!

All through the year 1974 they were never far from the UK Singles Chart and when we heard the band were coming to the Capitol Theatre in Aberdeen, of course my friends and I (aged only 13) went to see them. This tour was to promote the album “Rollin'” where most of the songs were written by those champions of the short and catchy pop song, Phil Coulter and Bill Martin. First of all we had Remember (Sha-La-La-La), then we had Shang-A-Lang, Summerlove Sensation and finally All Of Me Loves All Of You. The album went to No. 1 in the Album Chart – The boys were adored by hordes of teeny-bopper fans and were well and truly on their way.

And here are a few personal memories of that time. I don’t know about elsewhere in the country but here in Scotland, back in the 1970s, many young lads left school at 16 after (half-heartedly for many of them) sitting their “O” Grades. They all had apprenticeships lined up and work was plentiful, so why not? There was however the technicality that if you turned 16 later on in the calendar year, you couldn’t leave school until Christmas. As a group they were called “The Christmas Leavers”. They didn’t want to be there and the concept of abiding by strict school uniform rules went out the window. One by one, in 1974, they started to adopt Bay City Roller style clothing wearing trousers with tartan down the side, the cropped jumpers and the short-sleeved shirts. They had Les, Eric and Woody style haircuts and of course had similar accents – For girls like us in the lower grades they became our big crushes. We all had our favourite Roller (mine was Les, quite the showman back in the day) and there were definitely boys in our school who started to look like him – Unlike the clean-cut Osmonds, who kind of came from an alien planet as far as we were concerned, the Rollers were the “boys next door”.

By 1975, Rollermania had really taken hold, and after putting together their second album “Once Upon A Star”, another tour was announced. Again my friends and I persuaded one of the mums to take us into Aberdeen to see them. Their cover of the old Four Seasons song Bye Bye Baby was at No. 1 in the Singles Chart and ended up being the biggest selling record of the year.

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The Rollin’ Tour programme and Once Upon A Star, complete with pull-out pics

Unlike the previous year when we went to see them, this was a far more hysterical concert with girls screaming constantly throughout – I probably went hoarse myself, shouting LES at the top of my voice every time he came near the front of the stage. But strangely, my most vivid memory of that night is of a particular member of security staff, who for one night only had been given free rein to manhandle young girls. This is not a #MeToo confession but I did come home with a whiplash that night, as suddenly, out of nowhere, a pair of hands had grabbed my shoulders and firmly shoved me back down into my seat. Everyone in the entire theatre was standing, but for some reason this one “bouncer” had decided he would go up and down all the rows forcing us back into our seats – I took some time out to watch him, and even at that young age, could tell he was enjoying hurting us. Of course I didn’t tell my parents, as we didn’t in those days, but this was a new concept for me and one I have obviously never forgotten.

But back to the Rollers – In 1976 they were kind of lost to us as they secured a record deal with Arista and were heavily promoted in America. They appeared on Saturday Night Live and ended up at the top of the Billboard Chart with a song that had been a flop in the UK but obviously hit the spot in the US. Saturday Night started off with a chant that also struck a cord with New York band the Ramones – It is no coincidence that their record Blitskrieg Bop starts in the same way. They had watched the Rollers on telly and decided to copy their winning formula of a catchy three minute song, a “uniform” and a football-style chant. Hard to believe I know, but part of rock and pop folklore.

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Most of us by this time had moved on to “real boys”, so we were happy to forget about the Rollers and leave them to their success in other parts of the world such as North America, and strangely enough Japan, where they still have a following today. I have never had any inclination to see them perform as part of a reunion tour, as for me, they were very much of their time. I do however feel very sorry for them sometimes, as it is well known that despite their global success they ended up with none of the money – 300 million albums sold worldwide (in an era where the revenue came from such sales) and no spondulicks. Tam Paton was of course blamed, and he went to his grave taking the secret of where the money went with him. The Rollers were not highly educated and they came from families that were ill-equipped to deal with their fame, so became one of the many financial casualties of that era.

Give A Little Love by the Bay City Rollers:

I am going to end this post with some extracts from what has turned out to be the most interesting part of rifling through old teenage memorabilia – The words that were on the back of the pinups. Prior to being in a band, Alan used to get the horses ready for the local dairy’s milk round (yes really). Eric and Derek (has a nice ring to it) were apprentice joiners and Woody and Les were only 16 when they found fame – Not the best backgrounds from which to go on and “take care of business”. Despite it all falling apart in the late ’70s, it sounds as if the Rollers still have happy memories of their heyday, their time in the sun. The Beatles had a mania, and so did these five boys from Edinburgh – Who would have ever thought it possible?

The Rollers’ Story Part 1

The Rollers’ Story Part 2

Until next time….

Give A Little Love Lyrics
(Song by Phil Wainman/John Goodison)

It’s a teenage dream to be seventeen
And to find you’re all wrapped up in lo-o-ove
And I found that you made a dream come true
Now I do believe in what they say-ay-at

You’ve got to give a little love, take a little love
Be prepared to forsake a little love
And when the sun comes shining through
We’ll know what to do-oo

Give a little love, take a little love
Be prepared to forsake a little love
And when the sun comes shining through
We’ll know what to do

When I walk with you there is just we two
And the world goes by and I just don’t care-are
And I know one day I will find a way
To be safe and sound within your hear-eart

So until I do, gonna give a little love, take a little love
Be prepared to forsake a little love
And when the sun comes shining through
We’ll know what to do-oo

Give a little love, take a little love
Be prepared to forsake a little love
And when the sun comes shining through
We’ll know what to do

Alyson’s Archive #5 – David Bowie, “Heroes” and Seasonal Duets

Think back forty years ago, to this week in December 1977. I’m pretty sure I would have been busy at school sitting mock exams ahead of the Christmas break (luckily we got them out of the way beforehand so had the luxury of no holiday revision). But what else would I have been doing? Oh yes, that’s right, I would have been picking up my monthly copy of Words magazine, of which a couple of issues have already been shared in this series.

On the cover was none other than Mr David Bowie, as 1977 was a pretty good year for him having released two successful albums, “Low” at the start of the year and “Heroes” right at the end. Hard to believe that he left us nearly two years ago now. I started this blog on the day we heard of his death and despite never having really been a Bowie fanatic, he has appeared on these pages many times now. He obviously infiltrated the “tracks of my years” in a stealthy fashion without me having realised, and the song Heroes from that second album is one of my all-time favourites.

Heroes by David Bowie:

I’ve visited the soundtrack to the film Moulin Rouge! twice before in this blog (here and here) but as it’s coming up to Christmas (and the sumptuous red dress and glittering lights in this clip remind me of the festive period), I can’t help but share the Heroes portion of the medley performed by the two main actors, Ewan McGregor and Nicole Kidman. A total of 13 songs were melded together to create a cornucopia of love-songs, but for me, Bowie’s Heroes worked the best.

But as usual I’ve become side-tracked – Getting back to the magazine, the music journalist who wrote the column on December’s “Cover Star” seemed to get it just right. To quote from the piece, “Of all our current top rock stars, David Bowie is the one most likely to remain a major musical force decades hence… .” And they continue, “Listening to this [Heroes], you realise that Bowie’s strength and durability lies in the fact he refuses to fit neatly into any specific category. He will constantly surprise even his most dedicated followers, while maintaining an unvarying high quality of performance.” As I’ve discovered from this series, we didn’t always get it right back in the day and the slightly disparaging remarks in my 1978 journal about artists who went on to great things, proves this – Sorry Squeeze! Likewise the music journalists often got it wrong themselves and many of the stories printed in these vintage mags were about people who are now residing at Her Majesty’s pleasure. Makes for a somewhat excruciating read.

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You can’t have failed to notice that Bing Crosby also appears in the picture above – As I’ve already mentioned the “C” word in this post there is no point in holding back any longer. My first festive offering for this year is therefore going to be that very unusual foray into the 1982 UK Singles Chart by David Bowie. As explained in the column above, it came about as a result of this guest appearance on Bing Crosby’s 1977 Christmas Show. Poor Bing died a month later, before it was aired on television, but if you can get past the highly scripted, faux exchange at the start, it is a remarkable piece of archive material, especially as both “boys in blue” have now passed on. It is unlikely that Bing even knew who David Bowie was before recording the show but once the Peace On Earth counterpoint was written for the duet, Bowie got on board. It was apparently available as a bootleg for several years before the record company decided to release it as a bona fide single, complete with dialogue. Bowie was unhappy with this move however and it probably led to him leaving RCA soon after.

Peace On Earth/Little Drummer Boy by David Bowie and Bing Crosby:

So, “What’s It All About?” – As of this last weekend the festive madness has begun, but it seems to be impossible to opt out. I’ve also just discovered that the online retail store named after a vast South American river is almost out of everything that darling daughter requested on her Santa list (yes he still visits 22-year-olds apparently), so a trip to the shops seems to be on the cards. Looks as if Mr WIAA and I will have to be “Heroes”, just for one day.

Oh and one more thing, the reason this particular cover jumped out at me is possibly because there is currently a 10 foot tall picture of David Bowie residing at the entrance to our local shopping centre – Forty years on, and two years after his death, his images still exude “cool” which has obviously made him the perfect candidate for a certain watch-maker to use as inspiration for their latest timepiece.

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Until next time….

Heroes Lyrics
(Song by David Bowie/Brian Eno)

I, I will be king
And you, you will be queen
Though nothing, will drive them away
We can beat them, just for one day
We can be heroes, just for one day

And you, you can be mean
And I, I’ll drink all the time
‘Cause we’re lovers, and that is a fact
Yes, we’re lovers, and that is that

Though nothing, will keep us together
We could steal time, just for one day
We can be heroes, forever and ever
What’d you say?

I, I wish you could swim
Like the dolphins, like dolphins can swim
Though nothing, nothing will keep us together
We can beat them, forever and ever
Oh, we can be heroes, just for one day

I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be heroes, just for one day
We can be us, just for one day

I, I can remember (I remember)
Standing, by the wall (by the wall)
And the guns, shot above our heads (over our heads)
And we kissed, as though nothing could fall (nothing could fall)
And the shame, was on the other side

Oh, we can beat them, forever and ever
Then we could be heroes, just for one day
We can be heroes
We can be heroes
We can be heroes
Just for one day

We can be heroes
We’re nothing, and nothing will help us
Maybe we’re lying, then you better not stay
But we could be safer, just for one day
Oh-oh-oh-oh, oh-oh-oh-oh

Postscript:

Just in case you’re curious as to what else we were listening to in December ’77 (other than David Bowie) here is a copy of the Words contents page which also includes two sets of lyrics. How many of these (without Googling) would you remember?

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The Name Of The Game by Abba:

Alyson’s Archive #4 – David Cassidy, The Partridge Family and “I Think I Love You”

A long time ago in a galaxy far, far away there lived a handsome prince called David. All the young ladies of the land collected pictures of the prince and adorned their walls with them. 

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The humble author’s teenage collection of David Cassidy pin-ups

Many of you will have heard that one of the 1970’s biggest teen idols died earlier this week at the age of 67. Not a massive shock this time as it had been announced earlier this year that he was suffering from dementia and then last weekend, from multiple organ failure – A transplant was not deemed possible so the life-support machines were switched off on Tuesday at noon. Still sad news however for those of us of a certain age who remember him at his shiniest best.

Of course when I heard the news I had to refer to my box of teenage memorabilia and in the folder of pin-ups and posters from the early ’70s, it turned out that most were of David Cassidy. There were also a fair few of those Osmond Brothers, The Jackson 5, David Essex, Bjorn Borg, Marty Kristian from the New Seekers and Ben Murphy of Alias Smith and Jones fame, but no, by far the biggest number were of Mr Cassidy as he was omnipresent within the pages of teen mags from 1970 to 1974.

I have written about David Cassidy in this blog before (link here) as my first three posts ended up being about artists called David – Bowie, Davy Jones of the Monkees and David Cassidy. Sadly, not one of that triumvirate of Davids is still with us, which is a sobering thought. This revisitation of the artists of my youth is a constant reminder that we are all journeying along that conveyer belt of life apace, and with this latest departure it does give us another “mortality reality check”.

I was just at the right age for David Cassidy to come into my life – As a pre-teen I had watched him play the character Keith Partridge in the kid’s musical sit-com The Partridge Family and then as I reached my teenage years he had become the world’s biggest pop idol, selling out concerts in every corner of the globe. But was it his music we adored or was it the idol himself? As I mentioned last time he appeared on these pages, his song Could It Be Forever was the first one that made me cry, and I didn’t even know why! The teenage hormones were starting to kick in and we girls lose our sanity a bit when it comes to our idols, behaving in a totally irrational and frenzied manner. We buy all the magazines with their pictures and create scrapbooks/fanzines. We cover our bedroom walls with their posters and even iron picture transfers onto our pillowcases. Of course we also dream of them being our fantasy boyfriends, without really understanding what having a real boyfriend would mean.

I have another few things in the archive folder that refer to David Cassidy and think they are worth sharing here as a lasting reminder of just how big he was in the early ’70s. These wordy pages are often to be found on the back of the aforementioned pin-ups but are proving to be the most interesting when looking back – A little bit of pop history. (By the way in case anyone thinks it’s a bit weird that I still have all this stuff – No, I don’t sit around of an evening dressed in flares and platform shoes pouring over pictures of my teen idols, it’s just that if you’ve ever had to clear out your parents’ loft so they can downsize, you end up finding all this childhood ephemera and are somewhat loathe to get rid of it just in case you ever start writing a music blog!)

Poor David’s time in the sun was short-lived as seems to be the case with most teen idols – As soon as your fan base comes of age and finds love with real-life boys, the career is over. Some manage to reinvent themselves but sadly David didn’t really ever manage to negotiate that cross-over success although he did record a new album in the mid ’80s and continued to tour until earlier this year.

But I can’t leave it there. Many of us who were fans back in the early ’70s probably didn’t give David and his Partridge Family pals much thought in the intervening years, but when the Richard Curtis film Four Weddings and a Funeral was released in 1994 there was a great scene where slightly awkward, upper-class Englishman Charles (played by Hugh Grant) attempted to declare his love for Carrie (played by Andie MacDowell). After much procrastination he finally got round to uttering those most difficult of words, “I think I love you” but of course they were attributed first to David Cassidy, when he was still with The Partridge Family – Très amusant and because of that scene (at 0:30) it has become my favourite Cassidy song.

I Think I Love You by The Partridge Family:

So, “What’s It All About?” – Poor old David Cassidy had a bit of a difficult life after his early ’70s heyday as a teen idol but that seems to be the norm for anyone who has experienced that level of idolatry. I can confirm however that having his picture on my bedroom wall back then was a real joy, and as I drifted off to sleep at night I probably whispered those five little words, “I think I love you”.

Until next time…. RIP David

I Think I Love You Lyrics
(Song by Tony Romeo)

I was sleeping and right in the middle of a good dream
Like all at once I wake up from something that keeps knocking at my brain
Before I go insane I hold my pillow to my head
And spring up in my bed screaming out the words I dread
I think I love you (I think I love you)

This morning I woke up with this feeling
I didn’t know how to deal with and so I just decided to myself
I’d
hide it to myself and never talk about it
And did not go and shout it when you walked into the room
I think I love you (I think I love you)

I think I love you so what am I so afraid of
I’m afraid that I’m not sure of a love there is no cure for

I think I love you isn’t that what life is made of
Though it worries me to say that I never felt this way

I don’t know what I’m up against
I don’t know what it’s all about
I got so much to think about

Hey, I think I love you so what am I so afraid of
I’m afraid that I’m not sure of a love there is no cure for

I think I love you isn’t that what life is made of
Though it worries me to say I never felt this way

Believe me you really don’t have to worry
I only wanna make you happy and if you say “hey go away” I will
But I think better still I’d better stay around and love you
Do you think I have a case let me ask you to your face
Do you think you love me?

I think I love you
I think I love you…

Postscript:

I now realise I was remiss in not sharing any video footage of David Cassidy in today’s post – Here he is as Keith Partridge singing Walking In The Rain, the Phil Spector song that was first a hit for The Ronettes in 1964. This song has actually featured in the blog before (link here) when I wrote about radio, and the chart-run down shows of my early teenage years. Shirley Jones who played his mother in The Partridge Family television series was actually his step-mother in real life and has also appeared on these pages before (link here) when I wrote about the song You’ll Never Walk Alone. As I often say, we keep going in circles around here. Oh and one more thing, the eagle-eyed amongst you might just spot a young Jodie Foster in the front row of the audience in this clip as she played the daughter of Shirley Jones love interest in this episode!

Alyson’s Archive #3 – David Bowie, Aladdin Sane and “The Jean Genie”

Welcome to this occasional series where I share the contents of my archive box of teenage memorabilia. I always knew these random bits and pieces would come in handy some day, but little did I think back in the 1970s that they would find their way onto such a thing as a “blog”, courtesy of that as yet unthought of invention, the world wide web! 

One of the things I found in the archive box recently was an old pocket file containing lots of pin-ups from 1970s teen magazines such as Jackie, Fab 208 and this lesser known publication (and one I had forgotten about), called FAN. I can tell which of these pin-ups had appeared on my bedroom wall at some point as the corners are a bit damaged with drawing pin holes or sticky blu-tack. This one of David Bowie was in mint condition however which makes sense as at this time it was David Cassidy and Donny Osmond (I was only 12) who tended to grace my walls, but I had obviously been enough of a fan to carefully remove it from the magazine and keep it for posterity.

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What I’ve discovered to be the most interesting aspect of having kept all this stuff for over 40 years however, is that yet again I seem to have developed a selective memory when it comes to reminiscing about the musical heroes of my youth. It is only after reading the articles on the back of these pin-ups that you work out what was actually happening in the world of pop music in the early ’70s as opposed to what we choose to remember was happening. No need for a long wordy post with this one therefore as it’s just kind of interesting to read this 1973 interview with Mr Bowie as it stands – It took place right around the time of the release of the album “Aladdin Sane” (with it’s iconic lightning bolt cover) and just before he embarked on the tour that would culminate in the “retirement” of the character that had become his alter-ego, Ziggy Stardust.

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Question Time with David Bowie, not David Dimbleby!

Considering Bowie went on to make albums right up until his death at the beginning of 2016, it is bizarre to read in this 1973 interview that he fully intended to wave goodbye to the music industry at that time and concentrate on other projects. In fact he doubted that he would appear on stage again for a very long time!

Anyway, as the timing of this interview coincided with the release of “Aladdin Sane” (apparently a play on the words “A Lad Insane”), it is entirely appropriate that today’s featured song should be something from that album. The Jean Genie had been a hit for him in December 1972 reaching No. 2 in the UK Singles Chart. It had a protagonist that was partly inspired by his good friend Iggy Pop, or an “Iggy-type” character at any rate. Much has also been made about the title referring to the author Jean Genet however Bowie himself admitted that even if it was the case, it was probably done subconsciously.

The Jean Genie by David Bowie:

So, “What’s It All About?” – I’m loving looking back at all this material from over 40 years ago but time and time again I’m having to reappraise my memories of the times. Back in the ’60s, bands like the Beatles, the Rolling Stones and the Kinks fully expected their careers to last for 2 or 3 years maximum, and being of the first rock ‘n’ roll generation there was no model to suppose it would turn out to the contrary. Likewise in the early ’70s David Bowie fully embraced that his music career was probably now over and I no doubt just accepted that as being the case back then. How bizarre then to think that I have a friend who is just back from seeing Sir Paul McCartney perform live at Madison Square Garden in New York, the Rolling Stones are still touring and Ray Davis has just been knighted. Who would have thought it?

The Jean Genie Lyrics
(Song by David Bowie)

A small Jean Genie snuck off to the city
Strung out on lasers and slash back blazers
Ate all your razors while pulling the waiters
Talking bout Monroe and walking on Snow White
New York’s a go-go and everything tastes right
Poor little Greenie

The Jean Genie lives on his back
The Jean Genie loves chimney stacks
He’s outrageous, he screams and he bawls
Jean Genie let yourself go!

Sits like a man but he smiles like a reptile
She loves him, she loves him but just for a short while
She’ll scratch in the sand, won’t let go his hand
He says he’s a beautician and sells you nutrition
And keeps all your dead hair for making up underwear
Poor little Greenie

The Jean Genie lives on his back
The Jean Genie loves chimney stacks
He’s outrageous, he screams and he bawls
Jean Genie let yourself go!

He’s so simple minded he can’t drive his module
He bites on the neon and sleeps in the capsule
Loves to be loved, loves to be loved

The Jean Genie lives on his back
The Jean Genie loves chimney stacks
He’s outrageous, he screams and he bawls
Jean Genie let yourself go!

The Jean Genie lives on his back
The Jean Genie loves chimney stacks
He’s outrageous, he screams and he bawls
Jean Genie let yourself go!

Alyson’s Archive #2 – Old Magazines, Steely Dan and “Haitian Divorce”

As everyone who visits here must realise by now I’m a bit of a hoarder, but it’s all well catalogued and stored so when I heard the other day that Walter Becker from the band Steely Dan had died, I just had to have a search for this. Why would I want to search for a magazine with a picture of The Glitter Band on the cover I hear you ask? (They had just changed their name to The G Band by the way, perhaps having had the foresight to distance themselves from the former “Leader Of The Gang”). Well, between 1976 and 1978 I had a subscription to this publication and along with snippets of pop news and gossip, they also printed the lyrics to 25 chart, or smash hits.

img004.jpgThis was the first edition of 1977 and because the Steely Dan song Haitian Divorce was in the current UK Singles Chart, the lyrics appeared on page 3 (although credited to Steeley Dan I see – tut, tut, Mr Words editor). Now how is it possible that I can remember which page a set of lyrics appeared on from over 40 years ago but I can’t remember really important work-related stuff from just last week? Beyond me, but I imagine it all stems from the sheer amount of time that was spent pouring over such publications.

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During the mid ’70s I spent an awful lot of hours in a day listening to the radio. Combine that with the regular purchase of a fair number of music-related magazines during those years and it means that I still have a fairly good knowledge of just about everything that made it to even the lower reaches of the ’72-’78 charts. Haitian Divorce was the first Steely Dan single to enter the UK Top 20, and I was mighty impressed by it. First of all much use was made of that device called a talkbox, which created the distinctive robotic intro. Secondly it was about a couple called Babs and Clean Willie – None of the mums and dads I knew were called that, it was all Bill and Ann, or Mike and Fiona, so all very exotic. Finally it just had a great sound and feel to it because Steely Dan’s music was characterised by “complex jazz-influenced structures and harmonies”.

Haitian Divorce by Steely Dan:

What I wouldn’t have known back in 1977 was that the lyrics to Haitian Divorce were about the tourism ploy that led foreigners who were dissatisfied with their marriages to the country of Haiti. A simple and easy divorce could take place with hardly any restrictions and only one member of the married party had to be present. Of course this is what Babs planned to do but somehow the zombie cocktail, a Charlie and a bit of Merengue dancing leads to a tearful reunion back in the USA. Nine months later a kinky-haired baby is born, but nothing is said of it.

At 16 I really wouldn’t have got any of this and there was no internet in those days to offer up an explanation but it didn’t really matter as it was still just a great sounding song and started me out on a journey of Steely Dan fandom – Not in a big way like many of you out there but I do have a fair bit of their music on my digital database and unlike many of the songs that would have appeared in Words magazine (Haitian Divorce shared a page with Grandma’s Party by Paul Nicholas!), theirs have very much stood the test of time.

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Walter Becker in 1977

So, we say farewell to yet another of the artists of our youth and this time at the suddenly very young-sounding age of 67. This year has not been quite so brutal as last (so far) in terms of the sheer number of shock deaths from the world of rock and pop, but never a month goes by without someone’s name appearing amongst the obituaries, which is now to be expected I suppose.

Before I go, as I have added this post to the Alyson’s Archive series I should really share something else from that edition of Words magazine. I give you the “Sounds Around” feature where amongst other stories there is a piece about the New York club CBGBs – It was a place where, “If the music’s good, punk bands don’t need to degrade both themselves and their audiences to attract attention”. Nice to know.

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Until next time…., RIP Walter

Haitian Divorce Lyrics
(Song by Donald Fagen/Walter Becker)

Babs and Clean Willie were in love they said
So in love the preacher’s face turned red
Soon everybody knew the thing was dead
He shouts, she bites, they wrangle through the night

She go crazy
Got to make a getaway
Papa say

Oh – no hesitation
No tears and no hearts breakin’
No remorse
Oh – congratulations
This is your Haitian Divorce

She takes the taxi to the good hotel
Bon marche as far as she can tell
She drinks the zombie from the cocoa shell
She feels alright, she get it on tonight
Mister driver
Take me where the music play
Papa say

At the Grotto
In the greasy chair
Sits the Charlie with the lotion and the kinky hair
When she smiled, she said it all

The band was hot so
They danced the famous Merengue
Now we dolly back
Now we fade to black

Tearful reunion in the USA
Day by day those memories fade away
Some babies grow in a peculiar way
It changed, it grew, and everybody knew
Semi-mojo
Who’s this kinky so-and-so?
Papa go

Alyson’s Archive #1 – Eddie and the Hot Rods, Radio Stars and Squeeze

Welcome to this occasional series where I will very embarrassingly, share the contents of my archive box of teenage memorabilia. I always knew these random bits and pieces would come in handy some day, but little did I think back in the 1970s that they would find their way onto such a thing as a “blog” thanks to Sir Tim Berners-Lee and his little invention, the world wide web! 

Back in 1978 I used to keep a journal. Here is the extract from Friday, March the 3rd, the day I’d gone in to Aberdeen with the school boyfriend (sbf) to watch Eddie and the Hot Rods at the Capitol Theatre. The Capitol was used as a cinema most of the time but between the mid ’70s and mid ’80s I went to see an awful lot of acts perform there. Eddie and the Hot Rods were the only band on the bill that night who’d had much chart success to date, having got to No. 9 in the UK Singles Chart with Do Anything You Wanna Do in August, 1977. The two support acts were Radio Stars and an unheard of, fledgling band called Squeeze.

If you can read the extract below you will see that I was a very “proper” and not very “cool” teenager (who also didn’t have brilliant writing skills it seems) but hey, I was wearing my new-fangled straight-legged trousers and was still flushed with the success of having won the prize for “Best Pogoing” at our local Community Centre (documented here) so despite my misgivings about punk concerts, it turned out to be a good night. Interesting also to note that the ticket cost only £2.50 but looking back that was what I earned from my Saturday job, working a whole day in a shop – It’s all relative.

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The strange thing is that in later life we seem to develop a selective memory based on subsequent events and I had always thought that the standout act that night was Squeeze – Looking back at my journal entry, the verdict was that “they weren’t bad”. How bizarre as down the line they became one of my favourite bands and Up The Junction is still one of my all-time favourite songs.

Eddie and the Hot Rods were apparently “very good” and we had “no qualms about jumping up and down pogoing”, although it was “an exhausting occupation” (it’s all just so embarrassing). I don’t really think that in the annals of punk, Eddie and the Hot Rods will be remembered as one of that movement’s biggest movers and shakers – They were more of a pub rock band from Canvey Island but I suppose back in 1977, they did fit that whole “new wavey” mould quite well.

It seems that the band I most enjoyed that night were the Radio Stars and looking at the picture of them now, I still remember the showmanship of their lead singer, Andy Ellison. He had bleached blond hair and certainly knew how to work the crowd – I remember how he effortlessly meandered through the audience, niftily navigating his way across the back of the seats in the stalls. Their minor hit record Nervous Wreck also went down well that night and funny how my memories of that night are so at odds with how the respective careers of each of these bands evolved. I don’t know if it’s just me but looking at him now, does he have a hint of the Joe Brown about him?

But I can’t leave it there, for although it seems I didn’t think that much of Squeeze that particular night, they went on to become one of the UK’s best-loved bands. The vast majority of their songs were written by Chris Difford and Glenn Tilbrook, but of course the band Squeeze also spawned one Jools Holland, who seems to have become a bit of a National Treasure and whose annual New Year’s Eve Hootenanny is watched by millions. During the height of their popularity in the late ’70s/early ’80s they had hits with such classics as Cool for Cats, Slap and Tickle, Another Nail in My Heart, Pulling Mussels (from the Shell), Tempted, Labelled with Love, Black Coffee in Bed and Hourglass, as well as the aforementioned Up The Junction.

It was with great joy therefore, whilst watching live footage from Glastonbury this year, that I managed to catch Chris and Glenn pop up as guests in the outdoorsy green room area where Mark Radcliffe and (my other girl crush) Jo Whiley usually reside. They performed a very alternative version of Up The Junction complete with a band of kazoo players – This clip has appeared in my little corner of the blogosphere before but well worth another outing I feel.

Up The Junction (original version) by Squeeze:

So, “What’s It All About?” – Funny how we have a selective memory when it comes to reminiscing about the music of our youth. Just as Fred Astaire’s first audition went badly and notes were made to the effect, “Can’t act, can’t sing, slightly bald, can dance a little”, my diary entry from March ’78 was less than complimentary about Squeeze. Fortunately I soon saw the light and became a big fan down the line – I must have just been far too dazzled on the night by the energetic antics of Joe Brown lookalike Andy Ellison, to really concentrate on the talents of Messrs Difford and Tilbrook. That of course and all the pogoing – “An exhausting occupation”!

Up The Junction Lyrics
(Song by Chris Difford/Glenn Tilbrook)

I never thought it would happen
With me and the girl from Clapham
Out on the windy common
That night I ain’t forgotten
When she dealt out the rations
With some or other passions
I said “you are a lady”
“Perhaps” she said. “I may be”

We moved in to a basement
With thoughts of our engagement
We stayed in by the telly
Although the room was smelly
We spent our time just kissing
The Railway Arms we’re missing
But love had got us hooked up
And all our time it took up

I got a job with Stanley
He said I’d come in handy
And started me on Monday
So I had a bath on Sunday
I worked eleven hours
And bought the girl some flowers
She said she’d seen a doctor
And nothing now could stop her

I worked all through the winter
The weather brass and bitter
I put away a tenner
Each week to make her better
And when the time was ready
We had to sell the telly
Late evenings by the fire
With little kicks inside her

This morning at four fifty
I took her rather nifty
Down to an incubator
Where thirty minutes later
She gave birth to a daughter
Within a year a walker
She looked just like her mother
If there could be another

And now she’s two years older
Her mother’s with a soldier
She left me when my drinking
Became a proper stinging
The devil came and took me
From bar to street to bookie
No more nights by the telly
No more nights nappies smelling

Alone here in the kitchen
I feel there’s something missing
I’d beg for some forgiveness
But begging’s not my business
And she won’t write a letter
Although I always tell her
And so it’s my assumption
I’m really up the junction