New Turntables and Looking Out The Vinyl: Donald Fagen and Everything But The Girl

It was DD’s birthday at the weekend and when asked what she wanted for a present, she said a turntable. Things have turned full circle and young people are now discovering that having thousands of songs (heck, millions of songs?) at their disposal, might not be the best way to really appreciate music. So, we all chipped in, and between us, the in-laws and Mr DD, she is now the proud owner of a turntable, speakers and a starter selection of vinyl albums. Most were recorded by current artists but in amongst those given to her by her other half was Fleetwood Mac’s Rumours. I still find it amazing that she is a fan of a band who first formed nearly 30 years before she was born. Then again I was a big fan of Fred Astaire when I was young and his heyday was nearly 30 years before I was born, so perhaps she’s just following my lead.

Anyway, on the big day we were invited across to their new house for brunch, and for the opening of presents. Although I now have nothing decent to play them on, I still have most of my vinyl albums from back in the day and I’ve decided to loan her a couple every now and again to hear what she thinks of them. On this occasion, the first “loaning out”, I brought Donald Fagan’s The Nightfly and Everything But The Girl’s Baby The Stars Shine Bright, both albums I bought when I was roughly her age. I eagerly await her judgement as she has a good ear.

I only found out about Donald Fagen’s solo career from my friend who made the “awesome mixtapes” (see link on sidebar), as back in 1986 he made me one with a couple of tracks from The Nightfly. I had always liked Steely Dan’s music but I honestly wouldn’t have known the band members’ names back then. It was a pleasant discovery though, and I immediately treated myself to my own copy of The Nightfly.

The album is full of songs that related to Donald’s New Jersey suburban childhood, in the late ’50s and early ’60s, and refer to late-night jazz disc jockeys, fallout shelters, and tropical vacations. One of my favourites is New Frontier and as you will see from the clip it involves a young chap bringing a girl home to “party” in his father’s shelter built in the back garden. Such times.

The New Frontier by Donald Fagen:


Baby, the Stars Shine Bright was an album I bought at the start of 1987, as it was recommended in the magazine The Face which I subscribed to at the time. (I went through a stage of trying to be cooler than I actually was!) It was EBTG’s third album and despite the fact it didn’t spawn any hit singles I have always really liked it.

Apparently, Tracey and Ben were following a distinctively “anti-rock” approach at this time and were unwilling to adopt a synthetic-sounding production that was fashionable at the time. Instead, the album took its influence from ’60s orchestrated music and the singer Dusty Springfield. This explains why I must have liked the album so much as since starting this blog I find myself returning to orchestral pop time and time again. This song, Come On Home, was the first on side one – I wonder what DD will make of it?

Come On Home by Everything But The Girl:


So, “What’s It All About?” – Sharing your music with the generation below I think. DD already has a good appreciation of the music we bought on CD throughout the 1990s and beyond, but my vinyl is all new to her. I’m looking forward to having music-listening sessions in her lovely new house complete with turntable and speakers. I will report back.

Until next time…

The New Frontier Lyrics
(Song by Donald Fagen)

Yes we’re gonna have a wingding
A summer smoker underground
It’s just a dugout that my dad built
In case the reds decide to push the button down
We’ve got provisions and lots of beer
The key word is survival on the new frontier

Introduce me to that big blonde
She’s got a touch of Tuesday Weld
She’s wearing Ambush and a French twist
She’s got us wild and she can tell
She loves to limbo, that much is clear
She’s got the right dynamic for the new frontier

Well I can’t wait till I move to the city
Till I finally make up my mind
To learn design and study overseas

Do you have a steady boyfriend
Cause honey I’ve been watching you
I hear you’re mad about Brubeck
I like your eyes I like him too
He’s an artist, a pioneer
We’ve got to have some music on the new frontier

Well I can’t wait till I move to the city
Till I finally make up my mind
To learn design and study overseas

Let’s pretend that it’s the real thing
And stay together all night long
And when I really get to know you
We’ll open up the doors and climb into the dawn
Confess your passion, your secret fear
Prepare to meet the challenge of the new frontier

Alyson’s Archive #2 – Old Magazines, Steely Dan and “Haitian Divorce”

As everyone who visits here must realise by now I’m a bit of a hoarder, but it’s all well catalogued and stored so when I heard the other day that Walter Becker from the band Steely Dan had died, I just had to have a search for this. Why would I want to search for a magazine with a picture of The Glitter Band on the cover I hear you ask? (They had just changed their name to The G Band by the way, perhaps having had the foresight to distance themselves from the former “Leader Of The Gang”). Well, between 1976 and 1978 I had a subscription to this publication and along with snippets of pop news and gossip, they also printed the lyrics to 25 chart, or smash hits.

img004.jpgThis was the first edition of 1977 and because the Steely Dan song Haitian Divorce was in the current UK Singles Chart, the lyrics appeared on page 3 (although credited to Steeley Dan I see – tut, tut, Mr Words editor). Now how is it possible that I can remember which page a set of lyrics appeared on from over 40 years ago but I can’t remember really important work-related stuff from just last week? Beyond me, but I imagine it all stems from the sheer amount of time that was spent pouring over such publications.

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During the mid ’70s I spent an awful lot of hours in a day listening to the radio. Combine that with the regular purchase of a fair number of music-related magazines during those years and it means that I still have a fairly good knowledge of just about everything that made it to even the lower reaches of the ’72-’78 charts. Haitian Divorce was the first Steely Dan single to enter the UK Top 20, and I was mighty impressed by it. First of all much use was made of that device called a talkbox, which created the distinctive robotic intro. Secondly it was about a couple called Babs and Clean Willie – None of the mums and dads I knew were called that, it was all Bill and Ann, or Mike and Fiona, so all very exotic. Finally it just had a great sound and feel to it because Steely Dan’s music was characterised by “complex jazz-influenced structures and harmonies”.

Haitian Divorce by Steely Dan:

What I wouldn’t have known back in 1977 was that the lyrics to Haitian Divorce were about the tourism ploy that led foreigners who were dissatisfied with their marriages to the country of Haiti. A simple and easy divorce could take place with hardly any restrictions and only one member of the married party had to be present. Of course this is what Babs planned to do but somehow the zombie cocktail, a Charlie and a bit of Merengue dancing leads to a tearful reunion back in the USA. Nine months later a kinky-haired baby is born, but nothing is said of it.

At 16 I really wouldn’t have got any of this and there was no internet in those days to offer up an explanation but it didn’t really matter as it was still just a great sounding song and started me out on a journey of Steely Dan fandom – Not in a big way like many of you out there but I do have a fair bit of their music on my digital database and unlike many of the songs that would have appeared in Words magazine (Haitian Divorce shared a page with Grandma’s Party by Paul Nicholas!), theirs have very much stood the test of time.

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Walter Becker in 1977

So, we say farewell to yet another of the artists of our youth and this time at the suddenly very young-sounding age of 67. This year has not been quite so brutal as last (so far) in terms of the sheer number of shock deaths from the world of rock and pop, but never a month goes by without someone’s name appearing amongst the obituaries, which is now to be expected I suppose.

Before I go, as I have added this post to the Alyson’s Archive series I should really share something else from that edition of Words magazine. I give you the “Sounds Around” feature where amongst other stories there is a piece about the New York club CBGBs – It was a place where, “If the music’s good, punk bands don’t need to degrade both themselves and their audiences to attract attention”. Nice to know.

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Until next time…., RIP Walter

Haitian Divorce Lyrics
(Song by Donald Fagen/Walter Becker)

Babs and Clean Willie were in love they said
So in love the preacher’s face turned red
Soon everybody knew the thing was dead
He shouts, she bites, they wrangle through the night

She go crazy
Got to make a getaway
Papa say

Oh – no hesitation
No tears and no hearts breakin’
No remorse
Oh – congratulations
This is your Haitian Divorce

She takes the taxi to the good hotel
Bon marche as far as she can tell
She drinks the zombie from the cocoa shell
She feels alright, she get it on tonight
Mister driver
Take me where the music play
Papa say

At the Grotto
In the greasy chair
Sits the Charlie with the lotion and the kinky hair
When she smiled, she said it all

The band was hot so
They danced the famous Merengue
Now we dolly back
Now we fade to black

Tearful reunion in the USA
Day by day those memories fade away
Some babies grow in a peculiar way
It changed, it grew, and everybody knew
Semi-mojo
Who’s this kinky so-and-so?
Papa go