Happy Hogmanay and My End Of The Year Review

Music

I’ve not done a post like this before but I have kept a diary of what I’ve read, watched on the telly, and seen at the cinema/theatre this year. This being a music blog, you would think I would also have kept a log of what I’d listened to, but that has pretty much already been documented here, and as my followers know I’m not great at keeping up with “new” music (anything made since the turn of the millennium). I do, however, always watch the Brit Awards, and back in March I wrote about the band Jungle who performed on the night. They are by no means a new band, but they were to me, and I really liked what they gave us so they will be my favourite musical discovery of the year. The dancers who joined them on stage are an integral part of the band and all their videos feature them, not the actual musicians. Here they are with Back On 74.

Back On 74 by Jungle

Books

A few weeks ago I shared a list of the books I’d read this year since we initiated “reading hour”, between 5pm and 6pm. Since then I’ve only added another one to my list but it gets the prize for being my favourite read of 2024, The Bell Jar by Sylvia Plath (if you know you know). The runners-up are listed below:


The First Casualty – Ben Elton (a new angle on the events of WW1)
Demon Copperhead – Barbara Kingsolver (David Copperfield for the modern age)
French Braid – Anne Tyler (a family saga – beautiful writing as ever)

Concerts

Onto concerts now, and again, my exposure to live music is usually restricted to what comes up at our local theatre. Back in January I bought tickets for one of those live streams from elsewhere. It was the Pet Shop Boys latest tour and this was their Copenhagen date. Sitting in a theatre watching them on the big screen is obviously not as good as being there, but it comes a close second. I was bowled over by how many costume changes they made – different coat, boot and funny (peculiar) hat combos. Here they are at the Isle of Wight festival performing the same set list as I saw at the theatre – my favourite concert of the year.

The Pet Shop Boys Tour 2024

Television Drama

Mr WIAA and I spend an awful lot of time watching telly of an evening and we have racked up a fair few seasons of all manner of things this year. The drama that has retained its position as my favourite of the year is Responder with Martin Freeman in the lead role. It showed a side to policing that we don’t often see from the perspective of the bobby in the patrol car, stuck with night shifts that affect his personal life, and how he does his job. It was season 2 that aired earlier on this year, but we rewatched season 1 first, both still on the BBC iPlayer.


As for runners-up in this category, there are almost too many to mention but I’ll pare it down to nine:

The Tourist – BBC
Mr Bates Versus The Post Office – ITV
One Day – Netflix
Bridgerton – Netflix
Douglas Is Cancelled – ITV
Shetland – BBC
Wolf Hall – BBC
Joan – ITV
Until I Kill You – ITV

Cinema

I go to the cinema at our local arts centre a lot, as it’s where I socialise with my friends. This year has been a bit of a disappointment however as although I’ve seen 20+ films, none of them have really blown me away. I did really enjoy the film Wicked which I wrote about last month, but on the whole I’ve had more success watching films on the small screen, ones I’d missed at the cinema when they first came out. By a smidgeon, my favourite of these was Barbie on Amazon Prime. The two leads, Margot Robbie and Ryan Gosling were excellent and it was great to see Ryan reprise his role at this year’s Oscars Ceremony.

Documentary

A lot of other things happened in 2024 – there was an Olympics from Paris and the Euros were hosted in Germany. No enormous time differences this time so I watched a fair bit of both. It was the 80th anniversary of the D-Day Landings and the 40th anniversary of the Band Aid single. It was also the 40th anniversary of Wham!’s song Last Christmas and for the second year in a row it made it to the top of the UK Singles Chart – quite a feat and something its creator, George Michael, missed out on seeing. My favourite documentary of the year was the one about the making of Last Christmas where the original characters from the video (all friends of the band) returned, minus George, to the same village in Switzerland.

The Last Christmas house in Saas Fee


But the year is almost at an end and personally, I’ve had a really good one so I’ll be sad to see it go. I’ve been well all year and met up with many friends both locally and further afield. I love my volunteering role and our little business has ticked away nicely in the background. I even seem to have done a bit more blogging over the last couple of months. There are a few more lines on my face and a few more grey hairs on my head, but hey, I’ve learned to live with them. If next year is even remotely as good I’ll be a very happy woman.

To all my blogging friends and followers, Happy New Year. I hope 2025 brings you health and happiness.

Until next time…

Auld Lang Syne
(Words by Robbie Burns)

Should old acquaintance be forgot
And never brought to mind?
Should old acquaintance be forgot
In the days of auld lang syne?

For auld lang syne, my dear
For auld lang syne
We’ll drink a cup of kindness yet
For the sake of auld lang syne

And surely, you will buy your cup
And surely, I’ll buy mine!
We’ll take a cup of kindness yet
For the sake of auld lang syne

The Girls Take Over At The Brits and A New Discovery, Jungle

WIAA: Did you watch the Brit Awards on Saturday night Alyson?

ALYSON: I did indeed WIAA and thanks for prompting me, as I usually drop by with a rundown of what happened on the night. Nothing shocking or calamitous this year as the Brits have become very corporate and rehearsed, with the fans seated so far from the stage in the O2 arena that they can barely be heard. Made for a few uncomfortable exchanges with the celebs announcing and handing out the awards.

WIAA: Who were the big winners this year?

ALYSON: Well, you’ll be glad to hear I took notes but it would have been impossible to forget that there was one big winner this year, the artist known as Raye. She received six statuettes on the night which is apparently a record. She reminds me very much of a young Amy Winehouse which may well be intentional, and despite having been dropped by her record label three years ago she seems to have independently risen to the dizzy heights already. Here is her performance from the show (like another songstress from many years ago – Sandie Shaw – she appears to favour the barefoot look).

Brits Medley by Raye


ALYSON: She looks like a superstar already what with the dress, the band and the Brit School choir backing her. Someone who is likely to be around for some time methinks.

WIAA: Who else won awards Alyson?

The 2024 statuette

ALYSON: It was very much a year when the girls cleaned up WIAA, unlike last year when most of the nominees were male. All ties in with the cycle of releasing new albums apparently. As well as Raye’s haul of prizes, Dua Lipa was voted Best Pop Act and Miley Cyrus got the award for Best International Song. A special Global Icon award went to Kylie who has well and truly done her apprenticeship now having been around since the late ’80s.

There was a bit of confusion for us when the award for Best Producer was announced as we didn’t know that Jason Statham had moved over to the music industry. Turned out it was the talented duo called Chase and Status. Ok, so that was a little joke, but it sums up how little I know about the current movers and shakers in the world of music and why I feel compelled to watch the Brits every year – I learn a lot.

WIAA: Which performance did you enjoy most on the night?

ALYSON: That’s an easy one WIAA. There were performances from Dua Lipa, Calvin Harris & Ellie Goulding, Becky Hill and Kylie but our favourite by far was from Jungle who were voted Best Group. Here is what they gave us on the night:

Back On 74 by Jungle


I think you will work out why I like them so much and why I’ve been listening to them ever since the show. I see they are classed a neo soul, funk, electronic music project but whatever they are, their late ’60s vibe is totally up my street. The dancers who joined them on stage on the night are very much an integral part of the group and all their videos feature them, and not the actual musicians. Here is another song from an earlier 2018 album. Just look at that guy dance – he’s very malleable indeed.

Casio by Jungle


I don’t think many in my little corner of the blogosphere watch the Brits so hope I’ve given you a flavour of how it went down this year. I am mindful of Jez’s statement from a couple of years ago, “Alyson, she watches the Brits so we don’t have to.” I hope I’ve upheld my side of the bargain?

Until next time…

Back On 74 Lyrics
(Song by Josh Lloyd/Thomas McFarland/Lydia Kitto)

Keep it rockin’, doin’ the same thing
And we get high in the nighttime
And we’ll just watch it from the same thing
But that don’t change what I think now
And we were talking ’bout the same crap
No, we don’t have [?] now
I learned my lesson at the same time
Ooh-ooh-ooh-ooh why did it

Oh, back on 74 (74 street)
Call this place my home (My home)
Never gonna cry anymore (Cry anymore)
Where did it all
(Ooh, oh, oh-oh)
(Ooh, oh, oh-oh)
(Ooh, oh, oh-oh)
Ooh, oh, oh-oh

Keep it rockin’, doin’ the same thing
And we get high in the daytime
And we’ll just watch it from the same thing
But that don’t change what I think now
And we were talking ’bout the same crap
No, we don’t have [?] now
I learned my lesson at the same time
Ooh-ooh-ooh-oh why did it

Oh, back on 74 (74 street)
Call this place my home (My home)
Never gonna cry anymore
Where did it all
Go, let ’em know
Uh, let ’em know
Let ’em know
Let ’em know