We lost a titan of the music industry last Sunday when Quincy Delight Jones Jr., 91, died peacefully at his home in Bel-Air. He had come a long way from his humble beginnings on the South Side of Chicago. I thought I knew a fair bit about Quincy when I heard the news, but as ever, it’s not until you start to read the tributes that you discover how much you didn’t know.
I hadn’t, for example, realised he’d had quite the career as a jazz musician, arranger, and composer throughout the 1950s, and worked extensively with Frank Sinatra. Quincy first worked with Frank in 1958 and then six years later he was invited to arrange and conduct his live album with the Count Basie Orchestra, Sinatra at the Sands. Frank even gave him a gold pinkie ring with his personal crest and from that day on he never took it off.
I also didn’t know that Soul Bossa Nova, which became the theme tune for Mike Myers’ film series Austin Powers, was composed and first performed by Quincy in 1962. It got a whole new lease of life, and audience, when the first film was released in 1997.
In the 1960s Quincy started to write the music for film soundtracks and along with Don Black created this bit of movie magic, On Days Like These, the theme tune for 1969’s The Italian Job starring Michael Caine. Sublime – one of my favourite ever film themes.
We’re now getting onto more familiar territory and I did know that Quincy produced the soundtrack for 1978’s The Wiz, the musical adaptation of The Wizard of Oz, starring Michael Jackson and Diana Ross. It was whilst working on The Wiz that Michael asked Quincy to recommend some producers for his upcoming solo album. He offered some names but when none were right for the project he eventually offered to produce the album himself. Michael accepted and the rest, as they say, is history. The first album they made together, Off the Wall, sold about 20 million copies. Michael and Quincy’s next collaboration, Thriller, sold 65 million copies and became the highest-selling album of all time. The third album in the trilogy was Bad, which sold 45 million copies, and this was the last time they worked together.
Quincy didn’t often produce albums under his own name but back in 1981 he released the The Dude. I wouldn’t have remembered this album but I very definitely remember the single Razzamatazz (with vocals by Patti Austin) as it climbed to No. 11 in the UK Singles Chart, Quincy’s biggest solo hit over here. Having just listened to it straight after Off The Wall, there is more than a passing similarity, which of course makes perfect sense.
This tribute is growing arms and legs and I am conscious that I seem to be relying on a string of YouTube clips. We’re nearly there though. I’m also conscious I’ve shared a clip of someone I had banished from this blog a few years ago. It just didn’t seem right to make no mention of the three albums Quincy made with Michael Jackson, however, as in terms of his musical legacy they were probably his finest hour. I actually enjoyed watching the 21-year-old Michael sing and dance his way through Off The Wall, as being objective, he really was a rare talent.
In 1985 Quincy used his influence to get most of the major American artists together to record We Are The World. It was the US version of our Band Aid single and it raised even more money for the victims of famine in Ethiopia.

By the 1990s, Quincy Jones had his own production company and worked with film studios and television networks to make copious amounts of entertainment. He was the person who gave us Will Smith in the form of The Fresh Prince of Bel-Air and yes, you guessed it, he composed the theme tune for the show.


For the next 30 years Quincy continued to be active in the entertainment industry and as recently as 2020, he appeared on the album Dawn FM by the Weeknd, performing a monolog in the sixth track, A Tale by Quincy. I would urge you to listen to it. It explains a lot.
I am reminded of the post I wrote about Burt Bacharach when he died. Both he and Quincy were in their 90s when they died so it’s not a tragedy, but it does draw a line under their amazing body of work. Unlike with Burt, whose life’s work I was more familiar with, I have learnt a lot about Quincy writing this post. They don’t come along very often, these magicians of music, but aren’t we glad that a few times in a generation, they do. RIP Quincy Jones.

Until next time…
Razzamatazz Lyrics
(Song by Quincy Jones/Rod Temperton)
Don’t believe those clouds in the sky
‘Cause they’ll be movin’ on and the sun will shine
If the world’s been passin’ you by
Just reach for a star and you’ll realize
Got to put back all the good times that we had
We can make it better with a little bit of Razzamatazz
If you feel your life’s in a rut
Just come on out tonight, and we’ll pull you up
Ain’t no use in dragging your feet
‘Cause something’s in the air that just can’t be beat
Got to put back all the good times that we had
We can make it better with a little bit of Razzamatazz (Razzamatazz)
Bring out the rides with all those white wall tires
Let’s go out cruisin’ like we used to do
Get suited down, let’s set the town on fire
Jump out your seat and let the music pull you through
We can make it better with a little bit of Razzamatazz (Razzamatazz)
We can make it better with a little bit of Razzamatazz (Razzamatazz)
We can make it better with a little bit of Razzamatazz (Razzamatazz)
We can make it better with a little bit of Razzamatazz (Razzamatazz)
We can make it better with a little bit of Razzamatazz (Razzamatazz)
Got to put back all the good times that we had
We can make it better with a little bit of Razzamatazz (Razzamatazz)
Bring out the rides with all those white wall tires
Let’s go out cruisin’ like we used to do
Get suited down, let’s set the town on fire
Jump out your seat and let the music pull you through
You can lay your soul on the line
‘Cause we can make it work if we do it right
Got to spread this message around
The people of the world should be getting down
Got to put back all the good times that we had
We can make it better with a little bit of Razzamatazz (Razzamatazz)
We can make it better with a little bit of Razzamatazz (Razzamatazz)
We can make it better with a little bit of Razzamatazz (Razzamatazz)
(Give a bit of Razzamatazz)