2025: The Best So Far – Better Man, SAS Rogue Heroes and Sir Alex

Last time I wrote about my favourite things of 2024, concentrating mainly on what I’d heard, read and seen. Unbelievably, a week into the new year, I think I’ve already seen my favourite things of 2025. If I’m wrong, I’m going to be in for a treat this year. If I’m right, how weird that the year has peaked in week one.

Cinema

The day after New Year’s Day, I went out with a friend for lunch and a film. We thought we’d give the new Robbie Williams biopic a go and boy was I glad I did. I’m not generally a fan of biopics as we usually know the star’s life story already and why watch an actor sing and dance their way through the film when we can still watch plenty of footage of them via other means. Also, it’s often a highly edited version of the star’s life and only from the age of adulthood. All that was turned on its head in Better Man as Robbie was played by a CGI chimp. It sounds ridiculous but you get used to it incredibly quickly and the 8-year-old Robbie/chimp is very, very cute. The story takes us up to Robbie’s concert at the Royal Albert Hall around the time of his Swing While Your Winning album and despite the fact he has had to face his many demons along the way (the messy side of addition is not shied away from), at this point in his career he has made peace with himself and those closest to him.


My friend and I both loved the film and it seems the reviews have been very kind too. What comes across loud and clear is that Robbie was a born showman and from a very young age wanted to entertain people. He was stifled during his Take That years as their manager very much saw the band as being Gary Barlow plus friends, friends who did a bit of backing singing and a lot of dancing. Understandably this was not enough for Robbie and once he met up with his songwriting partner Guy Chambers he was on his way to a very successful solo career. The video clip for this song is a bit manic but the sentiment very appropriate. Let Me Entertain You was the fifth and final single from his debut solo album Life Thru a Lens. In March 1998, the track peaked at No. 3 on the UK Singles Chart.

Television Drama

The next thing I’ve been blown away by (no pun intended) in this first week of the new year is SAS Rogue Heroes, again about real people. I’m not usually a fan of action films and dramas but this one is quite exceptional. We watched the first season a couple of years ago and the second season started on the BBC on New Year’s Day. It had to be binge-watched. I am no fan of war, but 80 years ago one was being waged across the continent of Europe, and it can’t be underestimated how big an influence the small newly formed regiment called the Special Air Service played in bringing that war to an end. The main character in this season was Major Paddy Mayne, a poetry-loving, slightly mad (you had to be) solicitor from Northern Ireland. His regiment didn’t play by the normal rules of engagement and having read up about the real-life man, he was only in his mid-20s at the time. Paddy was played by the actor Jack O’Connell and although it looks as if he overacts much of the time, I have a feeling the real man was probably just as eccentric.


The drama was created by Steven Knight who also created Peaky Blinders. If you enjoyed it you will probably enjoy SAS Rogue Heroes. There is black and white footage of the time interspersed between scenes, and throughout it all, the soundtrack uses urgent punk rock music which perfectly suits the drama taking place. I’ve researched the tracks used and they are listed below with a link to a clip. I’ve also added a video clip of the Cult’s 1985 single She Sells Sanctuary which appeared in one of the episodes.

Television Documentary

This one could be peculiar to me amongst my blogging circle but I really, really enjoyed the BBC documentary Sir Alex this week. Most people probably know of Sir Alex Ferguson from his time as manager of Manchester United where he achieved everything there is to achieve in football, but he cut his teeth at Aberdeen FC, and it coincided with my happiest time living in that city. Every time there is a documentary about Aberdeen’s amazing win against Real Madrid in the European Cup Winner’s Cup final, I have to watch it, as all the memories of that time come flooding back and I remember exactly what I was doing and who with. Some of those I’m still in touch with but others I’m not, which is sad, but what a time for the city.


I thought the doc was very clever in that it bounced back and forth throughout the years of Fergie’s career and I did learn quite a lot I didn’t already know. What I do know was that my Aberdeen flatmate taught his sons during his 8-year tenure there and we often had their homework strewn across our kitchen table. I also remember that the oil company I worked for had a Christmas night out in 1985 in one of the city’s nicer restaurants. As was my wont I recited a festive poem for all my colleagues and then we exchanged the joke presents we had bought for each other. We were being a bit bawdy to be sure and poor Fergie and his wife were sitting next to us trying to have a quiet dinner together. I don’t think our party poppers landed in his soup, but they came close.

Willie Miller holding the European Cup Winners Cup in 1983

A lot of the Aberdeen players were interviewed for the documentary (as he ended up taking a lot of them with him when he moved to Manchester – grrr) and right at the end of part 2, the final word came from “King” Kenny Dalgleish – he said that despite all his success with Manchester United, Fergie’s biggest achievement was winning a European Cup with a provincial Scottish club. Whatever the final judgement, I know it contributed to making Aberdeen a wonderful place to live in the early ’80s. It’s probably going to be my favourite documentary of the year.

Until next time…

Let Me Entertain You Lyrics
(Song by Robbie Williams/Guy Chambers)

Hell is gone and heaven’s here
There’s nothing left for you to fear
Shake your ass, come over here, now scream
I’m a burning effigy of everything I used to be
You’re my rock of empathy, my dear

So come on, let me entertain you
Let me entertain you

Life’s too short for you to die
So grab yourself an alibi
Heaven knows your mother lied, mon cher
Separate your right from wrongs
Come and sing a different song
The kettle’s on, so don’t be long, mon cher

So come on, let me entertain you
Let me entertain you

Look me up in the yellow pages
And I will be your rock of ages
You see through fads and your crazy phrases, yeah
Little Bo Peep has lost his sheep
He popped a pill and fell asleep
The dew is wet, but the grass is sweet, my dear

Your mind gets burned with the habits you’ve learned
But we’re the generation that’s got to be heard
You’re tired of your teachers and your school’s a drag
You’re not going to end up like your mum and dad

So come on, let me entertain you
Let me entertain you
Let me entertain you

He may be good, he may be out of sight
But he can’t be here, so come around tonight
Here is the place where the feeling grows
You gotta get high before you taste the lows
Come on

Let me entertain you
Let me entertain you (let me entertain you)
So come on, let me entertain you (let me entertain you)
Let me entertain you (let me entertain you)

Come on, come on, come on, come on
Come on, come on, come on, come on

Let me entertain you
Let me entertain you