California Dreamin’: Laurel Canyon, A Special Place In Time

Like many others I’ve not had a holiday this year, but I did spend much of last week in Laurel Canyon, that hotbed of creativity that became the epicentre of the late ’60s folk rock scene. First of all I watched the two-part series Laurel Canyon, A Place In Time and then I revisited Quentin Tarantino’s latest film, Once Upon A Time In Hollywood, where much of the action takes place in the same location, at the same point in time. (Both can be found on Amazon Prime.)

I’ve watched many documentaries over the years about the music and lifestyles of those who resided in Laurel Canyon, but this was a particularly good one, as the only two ‘talking heads’ were photographers from those days (Henry Diltz and Nurit Wilde) who shared many of their candid shots. We saw Joni Mitchell looking all loved up with Graham Nash, Peter Tork larking around in Frank Zappa’s back garden, Jim Morrison on his bicycle and David Crosby hanging out with future sidekick Stephen Stills.

During my first year of blogging, as some regulars might remember, I kept returning to the year 1967, as for some reason there is a special place in my heart for the music from that era. Perhaps it’s because I was just a little too young to remember it from first time around, so still have many new discoveries to make, or maybe I’m just a bit of a hippie at heart and if I could hire an honest-to-goodness time machine for a day, I think I would head back to Laurel Canyon. In the early ’60s the music industry was still very much centred in New York, but by 1967 many Greenwich Village folk artists were moving west to California and setting up home in the houses and cabins which littered the hillsides of the West Hollywood district of Los Angeles. Doors were left unlocked, residents hung out and partied, but best of all, they made great music.

Laurel Canyon in the Hollywood Hills, a district of Los Angeles

As for choosing a featured song for this post, there are literally too many to choose from. I took notes whilst watching the first episode of the documentary and they stretched to six pages. The names of some of the people who lived in Laurel Canyon in the late ’60s are as follows:

The Byrds, ‘Crosby, Stills and Nash’, Love, Joni Mitchell, Brian Wilson, Neil Young, Jackson Browne, Buffalo Springfield, Jim Morrison, Frank Zappa, Alice Cooper, Peter Tork, Mickey Dolenz and The Mamas & the Papas.

Considering Mama Cass used to have an open house policy, and seems to have been one of the main figures of Canyon life, maybe this song would be a good choice. It was written when the Mamas & the Papas were still based in cold and wet New York, but were contemplating a move to California, which just like many others before them is exactly what they did.

All the leaves are brown and the sky is grey.
I’ve been for a walk on a winter’s day.
I’d be safe and warm if I was in L.A.;
California dreamin’ on such a winter’s day.

California Dreamin’ by the Mamas & the Papas:


But of course all good things come to an end and that’s kind of what happened to this free-loving, drug-fuelled community a few years later. Doors could no longer be left open after The Manson Family killings, and a couple of the key players died way before their time (Jim Morrison and Mama Cass). As we headed into the 1970s bands like the Eagles entered the frame, and the music became more about making money, which was a new direction for Canyon residents. One by one they started to head down to more salubrious residences in more upmarket districts such as Beverley Hills.

The film Once Upon A Time In Hollywood is set in 1969, and is a tribute to the final moments of Hollywood’s golden age. The main character is Rick Dalton (played by Leonardo DiCaprio), a star who fears his career is fading, and his stunt double Cliff Booth (played by Brad Pitt) who now acts as his gofer. As ever with Tarantino, the plot follows multiple storylines all coming together at the end. Rick’s house on Cielo Drive is right next to the one rented by Sharon Tate (a Manson Family victim) and her husband Roman Polanski. I won’t spoil the film for anyone who hasn’t seen it yet, but suffice to say it was vintage Tarantino. Cielo Drive is not in Laurel Canyon but a bit further west, however it’s still located in the Hollywood Hills. With winter now approaching here in Scotland, I know where I’d rather be (without the murders of course).

I’ve long known about the community who took up residence in these hills, just a stone’s throw from downtown Los Angeles, but I never took the time to work out where on the map Laurel Canyon is actually located. Now I’ve got that sorted it’s time to revisit the good times, before it started to go wrong, and enjoy the music that was inspired by the place.

There was a lovely story in the documentary about how the song Our House by Crosby, Stills, Nash and Young came about. Graham Nash and Joni Mitchell, both young and in love, had gone down into Los Angeles for some breakfast. On the way they’d stopped at an antique shop where Joni bought a simple, blue vase. When they got home, Graham suggested she stroll through the woods to pick flowers for the vase. Rather than build the fire he had promised, he sat down at her piano and began writing a song about their shared domestic bliss: “I’ll light the fire, you put the flowers in the vase that you bought today”. I’m an old romantic so really loved that story but find it hard to believe that by the time the song was released, they were no longer a couple. Makes me sad.

This one by Buffalo Springfield always sends shivers down my spine, and it has appeared in many a Vietnam War film. Although often considered an anti-war song, Stephen Stills was inspired to write it because of the Sunset Strip curfew riots in November 1966, a series of early counterculture-era clashes that took place between police and young people.

Of course we can’t forget about Joni Mitchell, that Lady of the Canyon.

Finally, something from Jim Morrison and The Doors, one of the most iconic and influential frontmen in rock history, who sadly died at the age of 27 in 1971. Jim was a true bohemian and poet who struggled to cope with his fame. Perhaps his brooding good looks were a hindrance to him, but he remains on many a deep-thinker’s bedroom wall to this day.

Until next time….

California Dreamin’ Lyrics
(Song by John Phillips/Michelle Phillips)

All the leaves are brown and the sky is grey.
I’ve been for a walk on a winter’s day.
I’d be safe and warm if I was in L.A.;
California dreamin’ on such a winter’s day.

Stopped in to a church I passed along the way.
Well I got down on my knees and I pretend to pray.
You know the preacher liked the cold;
He knows I’m gonna stay.
California dreamin’ on such a winter’s day.

All the leaves are brown and the sky is gray.
I’ve been for a walk on a winter’s day.
If I didn’t tell her I could leave today;
California dreamin’ on such a winter’s day.
California dreamin’ on such a winter’s day.
California dreamin’ on such a winter’s day.

Balm For The Soul #1 – George Michael, ‘Heal The Pain’ and ‘Desafinado’

It’s been a while since I posted anything new around here, but life has suddenly got quite busy for me, what with my college course, our business, and delivering guest posts (I’m over at Rol’s place this week), so finding it tough to set aside some time for the blog. I will now attempt to right that wrong.

It’s exactly six months since we first went into lockdown here in the UK, and as of today the rules have really tightened up again (especially in Scotland) with a whole raft of new restrictions kicking in, so almost back to where we started. I think most of us are now accepting the old normal has gone for the foreseeable, so maybe it’s time to throw in the towel and adapt to this post-pandemic world – There’s still a lot of great stuff out there to enjoy, and whether we simply stumble upon it, or actively seek it out, it can provide a balm for the soul.

I myself stumbled upon something last weekend that led me to think of that phrase, as it just seemed so apt. On Saturday night I caught Mr WIAA perusing the library of recordings on the machine attached to the telly, as we seem to be all caught up at the moment with our ‘boxsets’. I returned later to find him revisiting the George Michael documentary Freedom, which was released nine months after his death. Ironically, back in 2017, it premiered on our screens the same night as my 25th Wedding Anniversary, so I very unromantically spent the evening watching George as opposed to being all loved up with Mr WIAA. Much to his credit he didn’t even mind, as he knew I was (and still am) a big fan, which perhaps goes a long way to explaining how we made it to that landmark number, and now beyond.

I wrote about the documentary back in 2017 in my final Open Letter to George when I think I was still grieving for him, but three years on I could watch it again with less sadness, from the perspective of someone who has accepted he is gone, but is still so grateful we have his wonderful back catalogue of songs. The doc is peppered first of all with the Wham! hits, and then the solo stuff, progressing from the Faith album right through to Symphonica. As happened last time, I homed in on a couple of the songs featured, and they have stayed with me all week. One is Heal The Pain and the other Desafinado (with Astrud Gilberto).

Heal The Pain by George Michael:


How beautiful is that? Oh yes George, from beyond the grave you are healing my pain with your song. I accept the situation the world has found itself in and I accept you have gone – Your music is indeed a balm for the soul. Something I hadn’t realised until now is that this song came about as an homage to Paul McCartney in whose style the song was written. In 2005 George got the chance to record a version with Paul, and it ended up being included on his greatest hits collection Twenty Five. Heal The Pain was the was the fourth of five singles taken from the album Listen Without Prejudice Vol. 1 entering the UK Singles Chart in February 1991 and peaking at number 31. It followed a pattern of reaching a slightly lower spot than its predecessor (the previous three singles having peaked at numbers 6, 23 and 28 respectively) which I now find quite unbelievable, considering the quality of the song.

Something else I find quite unbelievable is that until this week I didn’t actually own a hard copy of Listen Without Prejudice Vol. 1 (there never was a Vol. 2 but that’s a whole other story), so when in town on Monday I swung by our local HMV which thankfully still seems to be trading. I was very tempted by a lovely looking vinyl copy sitting on one of the long display shelves at the entrance, but I dithered, and tussled with my conscience, as it was expensive and I don’t even have a half-decent turntable at the moment. On the other hand the CD shelves were awash with his albums, so in one fell swoop, for the grand sum of £15, I filled the gaps in my Wham!/George Michael collection of music. I’ve not even played them yet, but that wasn’t the point. The point was to have something tangible as opposed to digital, which although highly practical and portable, just doesn’t always hit the spot.

Filling in the gaps – At last!

Before I go I want to share the other song that’s stayed with me since rewatching the doc last weekend. During these troubled times, what could be better than a bit of bossa nova, combined with the dulcet tones of George Michael & Astrud Gilberto (The Girl from Ipanema). It seems Desafinado has been recorded by at least 65 people since 1959 and is translated into English as ‘Out of Tune’ or ‘Off Key’, originally written as a response to critics who claimed bossa nova was a new genre for singers who couldn’t sing. Well this pair certainly can sing, and listening to the 1996 recording feels like being wrapped in a large, fluffy, comfort blanket. Yet another balm for the soul.

Desafinado by George Michael (with Astrud Gilberto):


So, “What’s It All About?” – Not sure if I can keep up the positivity around here long-term but it seems being just that little bit too busy is also good for the soul, as it leaves little time for doomsurfing/doomscrolling, which I’ve spent far too much time doing of late.

As for my apparent fan worship of George Michael, it’s really not like that at all. In fact it wasn’t until he died on Christmas Day 2016 that I realised he had been there by my side for the entire journey that was my adult life. In a non-interfering, almost unnoticed way, he had provided one of its soundtracks and was there at a few of the most pivotal points, including the birth of DD (but not literally). Like many others I will probably continue to make new George Michael discography discoveries, and will thank the universe for having allowed this kind, sensitive, genius of a man, into our lives.

Until next time….

Heal The Pain Lyrics
(Song by George Michael)

Let me tell you a secret
Put it in your heart and then keep it
Something that I want you to know
Do something for me
Listen to my simple story
And maybe we’ll have something to show

You tell me you’re cold on the inside
How can the outside world
Be a place that your heart can embrace
Be good to yourself
Because nobody else
Has the power to make you happy

How can I help you
Please let me try to
I can heal the pain
That you’re feeling inside
Whenever you want me
You know that I will be
Waiting for the day
That you say you’ll be mine

He must have really hurt you
To make you say the things that you do
He must have really hurt you
To make those pretty eyes look so blue

He must have known
That he could
That you’d never leave him
Now you can’t see my love is good
And that I’m not him

How can I help you
Please let me try to
I can heal the pain
Won’t you let me inside
Whenever you want me
You know that I will be
Waiting for the day
That you say you’ll be mine

Won’t you let me in
Let this love begin
Won’t you show me your heart now
I’ll be good to you
I can make this thing true
Show me that heart right now

Who needs a lover
That can’t be a friend
Something tells me I’m the one you’ve been looking for
If you ever should see him again
Won’t you tell him you’ve found someone who gives you more

Someone who will protect you
Love and respect you
All those things
That he never could bring to you
Like I do
Or rather I would
Won’t you show me your heart
Like you should

Freshers Week, Student Life 2020 and The Long Journey From ‘Grease’ to ‘GREECE’

I seem to have lost my blogging mojo at the moment which is a bit of a worry as I am due to return to college on Monday and a fair amount of writing is required for the course I’m enrolled on. Hopefully all will go well, but of course this time there will be no meeting up with fellow students, no hours spent in the library and no visits to the support team, who can very impressively advise on a myriad of issues relevant to the student body (especially mature students like myself who don’t find the technology quite as easy to navigate).

Like for many other colleges and universities this semester all of our lectures and tutorials will be online, so not the experience it should be at all, and for students entering higher education for the first time it must be a real disappointment. There is no denying many youngsters head to ‘Uni’ nowadays more for the social life than the actual academia, but that seems to have gone online as well. It’s over 40 years since I first experienced a Freshers Week but I still remember it fondly – Not sure if an online Freshers Week will go down in memory in quite the same way.

None of this in 2020
…. but more of this.

This year has certainly not turned out the way any of us expected it to, and you know what, I really don’t think we’re going to get back to anything resembling the old normal, ever. The upside is that much of the old normal was not good for us, so we’re happy to say goodbye to it (air pollution, long commutes now replaced by effective working from home) but the stuff that was good for us has also gone (joyous mass gatherings, planned trips, being able to hug our friends), and that’s what I miss most. For young people, nearly everything that made their lives worth living has been made more difficult or complicated and it can’t be lost on them that they are the ones who have been disproportionately affected by the crisis. Although not the wisest thing to do at the moment, can you blame them for wanting to hold illicit parties and gatherings. A euphemism used on breakfast news this morning was “intimate socialising” when discussing student Freshers Week. None of that hanky panky allowed this year I’m afraid!

Whenever I compare eras like this, I also like to compare the music of the day, and back in 1978 when I left home to embark on student life for the first time, the music charts were very different to the ones of today. For a start we had far less exposure to new music and only really had Radio One at our disposal. If one of your favourites was allocated a slot on that week’s TOTP, record sales were bound to rise exponentially selling a volume of “units” unheard of nowadays. Now and again the songs from popular films would make their way into the charts, and in the autumn of 1978 that’s exactly what happened after John Travolta and Olivia Newton-John sashayed their way across the big screen in that summer’s bit hit musical Grease. Oh yes, the week I started University, the song at the No. 1 spot was Summer Nights, at No. 5 was the title track Grease by Frankie Valli and at No. 9 was Sandy sung by broken-hearted T-Bird Danny Zuko.

Grease by Frankie Valli:


Looking at today’s chart, it paints a very different picture. Eight of the Top Ten songs is a collaboration, and I only recognise a couple of names in there. By some strange coincidence there is a song called GREECE (different kind from the one of 1978) by DJ Khaled (feat. Drake) but what comes across loud and clear from the video is that whatever the era, young people like to get together in mass gatherings, listen to music, and dance with each other. Not really been possible this summer at all.

So, ‘What’s It All About?’ – I will hopefully return to more entertaining blog posts soon, but by the time I tussle with the MyDay, Webex, Brightspace, MyStudentMail and MyStudentHub sites just added to my homepage, my brain might be addled. Let’s hope not.

As for the Freshers of 2020, to anyone who has been a student themselves, especially back in the days of generous maintenance grants and zero tuition fees, let’s spare a thought for them and what they are missing out on. Many youngsters we know are not even leaving home, so will be starting the new academic year in their school bedroom. Not quite the rite of passage it ought to be, but student life as we knew it has just become yet another casualty of 2020.

Until next time….

Grease Lyrics
(Song by Barry Gibb)

I solve my problems and I see the light
We got a lovin’ thing, we gotta feed it right
There ain’t no danger we can go too far
We start believing now that we can be who we are
Grease is the word

They think our love is just a growing pain
Why don’t they understand, it’s just a crying shame
Their lips are lying, only real is real
We stop the fight right now, we got to be what we feel
Grease is the word

(Grease is the word, is the word that you heard)
It’s got a groove, it’s got a meaning
Grease is the time, is the place, is the motion
Grease is the way we are feeling

GREECE Lyrics
(Song by Aubrey Graham/Calvin Tarvin/Elijah Maynard/Khaled Khaled/Ozan Yildirim/Peter Eddins)

Come with me, leave all of your things, yeah
We can stop at Gucci, stop at Louis V, yeah
Come with me, fly you out to Greece
Full speed, survoler Paris, yeah

Speedboats, baby, in Nikki Beach
Waves in my ears, smokin’ weed (Oui, oui)
Whippin’ through the sand in a Jeep (Oui, oui)
All because of what I did on beats, baby
Life’s sweet, baby, iced out, baby
You just go get ready, we go out, baby
Long time lookin’ for the bounce, yeah
OZ had the bounce, yeah