Last time I wrote a very serious post, so time for something a bit lighter I think. Regular followers will know my mum is currently in hospital. She is recovering well however and is quite enjoying being cared for I think, so a bit of respite for me. Having had a lot more time to myself over the last few weeks I’ve finally been able to catch up with friends who have been sadly neglected of late. Some of these friends have helped me make full use of the benefits attached to my new Student ID card, by joining me on a fair few trips to the local cinema.
Over the last few weeks I have been to see King of Thieves, the true story of the Hatton Garden jewellery heist, The Seagull based on the Anton Chekov play of the same name and The Escape about a stay-at-home mum who seemingly has it all, but is desperately unhappy. On top of that, DD has started working at our local theatre, so courtesy of the “comps” she gets as a perk of the job we also caught a play, a good old fashioned whodunnit in the form of The Case Of The Frightened Lady which seems to be touring the country at the moment. Our blogging buddy Chris over at Movies and Songs 365 would no doubt now write a pretty good review for each of the above but as that’s not really this blog’s raison d’être, I’ll just say that I enjoyed all four for different reasons: a) secret admiration for the Hatton Garden “Over The Hill Mob”; b) an insight into the complex lives of a rich family of writers and actors in pre-revolution Russia; c) sympathy for the woman (excellently played by Gemma Arterton) whose only means of survival was to escape the role she had found herself in, and finally; d) a bit of a throw-back to the entertainment of a bygone age (and none of us actually correctly identified whodunnit, so quite a good puzzler).
This week, the third remake of A Star Is Born starring Bradley Cooper and Lady Gaga was released in cinemas in the UK. The original film of the same name was made in 1937, one I am somewhat unfamiliar with. I am very familiar however with the 1954 remake starring Judy Garland and James Mason as films from this era used to be shown regularly on telly when I was growing up. I lapped them up and at age 12 could probably have appeared on Mastermind citing The Golden Age of Hollywood as my specialist subject. Much of that knowledge has since left me I’m afraid, replaced with music trivia and the essential but boring work-related stuff we accumulate along the way, but watching the newly released version this week, brought the story all back. Here is a clip showing Judy Garland perform The Man That Got Away, probably the most memorable song from the 1954 version.
This new version stuck to the original storyline pretty much like glue, simply updating each scene for the 21st century. There were stadiums, more guitars, the songs were of a rock persuasion, the bars had drag acts and the clothes were a bit grungier, but other than that it’s a timeless tale of “boy meets girl”, with the backdrop of one career on the way up and the other on the way down. I won’t offer up a spoiler by mentioning which is which, because ahead of the film starting to roll the other night, I inadvertently gave the plotline away to the woman sitting next to me, having assumed everyone already knew the story. I apologised and tried to excuse myself by saying the clue is in the title, A Star Is Born, but she still seemed a bit piqued.
Back in 1954, the star in the ascendance was played by Judy Garland. In 2018, that same role was played by Lady Gaga (oops, spoiled it anyway). I must admit, she was barely recognisable at the start of the film, appearing without her trademark heavy makeup and extrovert clothing. This was Stefani Joanne Angelina Germanotta in the raw without any of the trappings of the Haus of Gaga. Much has been made of the fact that first-time director Bradley Cooper wanted her to audition for the role make-up free, and ahead of her performance produced a few wipes for her to remove it, to ensure authenticity. The irony of course is that the real, or authentic Gaga, is the one with all the stage make-up and costume but hey, it was the unreal Gaga he wanted for the role.
I did enjoy the film despite pretty much knowing (unlike the woman beside me) how each scene would play out and both Bradley and Gaga put in stellar performances. I did expect there to be more standout songs however, as after leaving the cinema I didn’t have any earworms and couldn’t actually remember much of anything included. It seems the first song released as a single was Shallow which I thought was called Shiloh in the film (must have been their accents), but now it makes sense. An actor I did think quite a lot about after leaving the cinema was the lovely Sam Elliot who played lead character Jackson Maine’s long-suffering brother in the movie. If you ever decided to chuck it all in, and head off to live on a ranch in Wyoming, he always looks and sounds as if he would be your man. He would be mine anyway, so hands off!
But all of this is of course building up to only one thing, delving into the archives to reminisce about the 1976 version of A Star Is Born starring Kris Kristofferson (be still my beating heart) and Barbra Streisand. Anyone looking at the “category list” on my sidebar will see that when it comes to decades, I write about songs from the 1970s more than any other. Lots of reasons for that of course (time spent immersing yourself in the world of music as an angst-ridden teenager being one of them), and possibly an idea for a future post, but this clip of Love Theme from “A Star Is Born” (Evergreen) still gives me the collywobbles. The song appeared in the UK Singles Chart in April 1977 and came along just as I was in the midst of my first big (but ultimately highly unsuitable) romance.
Evergreen by Barbra Streisand:
Barbra Streisand has appeared on these pages before as I’m a big fan. Just like Judy and Gaga she is certainly not a conventional beauty, but a great beauty all the same so perfect for the female lead in A Star Is Born.
I often share material from some of the old magazines I still have in my possession dating back from the 1970s. Before I sign off here are a few pages from the April 1977 edition of Words magazine where every month the lyrics to the “top pop songs” of the day were listed. In this edition, A Star Is Born is featured both on the back page and on the Studio Scene and Heard page (hmm…) where current film releases were reviewed. The lyrics to Evergreen also appeared on page 2 along with Knowing Me, Knowing You by ABBA (not Alan Partridge) and Pearl’s A Singer by Elkie Brooks. If you want to have a try, without googling, how many of the other songs would you be able to identify, and attach to an artist? Many of them weren’t big hits, but some were, although scarily over 41 years ago.
As for me, I’m not sure how many cinema visits I might be able to fit in for some time, as there is to be a meeting on Monday to discuss my mum’s discharge plan. We actually sold the idea to her last week that a care home might be the best idea, but having been to see a few over the last couple of days I have now backtracked. She needs company and stimulation more than anything, as well as being looked after, but despite the glossy brochures and the promises of fun, fun, fun…, we didn’t see much of that at all. Instead it was all empty dayrooms and very elderly people slumped in wheelchairs, mostly asleep. We kind of need a half-way house but if they do exist, they are elusive indeed. Back to being a carer for a while I think but maybe that would be the kindest thing to do. I will no doubt return with updates (but possibly no more film reviews for a wee while).
Until next time….
(Song by Barbra Streisand/Paul Williams)
Love soft as an easy chair
Love fresh as the morning air
One love that is shared by two
I have found with you
Like a rose under the April snow
I was always certain love would grow
Love ageless and evergreen
Seldom seen by two
You and I will
make each night the first
Everyday a beginning
Spirits rise and their dance is unrehearsed
They warm and excite us
‘Cause we have the brightest love
Two lights that shine as one Morning glory and midnight sun
Time… we’ve learned to sail above
Time… won’t change the meaning of one love
Ageless and ever evergreen…