Month: February 2020

The Cotton Club, Ella Fitzgerald and “Ill Wind (You’re Blowin’ Me No Good)”

One of the new things I discovered during my month of abstinence from all things computer-related (should have waited until lent really) was a telly channel called Talking Pictures. I have bemoaned of late that hardly any of the mainstream channels show old black and white movies any more, and I miss that. Here however (I think it’s No. 81 on Freeview) was a channel totally dedicated to such fare. It bothers me somewhat that there will be a whole generation of people who have never heard of Humphrey Bogart or Fred Astaire, and have never laid eyes on any of their prodigious output.

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One film I recently re-watched on Talking Pictures wasn’t black and white however, in fact it was an extravaganza of colour, but was set right at the start of the 1930s so fitted the channel’s ethos well. Many years ago I had one of those “lost weekend” kind of things. My two flatmates were away for the duration; I had recently split up with the long-term boyfriend; and, for two days had no other commitments, so I holed up in my comfy indoors-y clothes and watched telly. We didn’t have a VCR back in those days, just a basic Radio Rentals telly, but one of the flatmates had recently acquired a new job in sales, and had been given a machine with a built in video-player to dazzle her potential customers. That weekend I aimed to make full use of it, but ended up watching only one film, four times, as I was so blown away by it. The film I rented was Francis Ford Coppola’s The Cotton Club and I can still remember most of the dialogue verbatim. (This clip seems to start in the middle, so needs to be reset.)

Two weeks ago I wrote about the film Paint Your Wagon and about how it was both a Western, and a Musical. The Cotton Club was a Crime-Drama, but also a Musical and like Paint Your Wagon didn’t get brilliant reviews when it came out, as it didn’t particularly appeal to either audience. Personally I loved it and couldn’t understand why it hadn’t been more successful. With the passage of time that opinion has been reassessed however and a remastered version was released in 2017.

The Cotton Club was the name of a Harlem jazz club of the 1930s during the era of Prohibition and Jim Crow racial segregation. Black people could not patronise the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Duke Ellington, Louis Armstrong, Count Basie, Adelaide Hall, Cab Calloway, Billie Holiday, and dancers such as Bill Robinson and The Nicholas Brothers. In its heyday, the Cotton Club served as a hip meeting spot, with regular “Celebrity Nights” featuring guests such as Jimmy Durante, George Gershwin, Paul Robeson, Al Jolson, Mae West and Fanny Brice, amongst others.

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There were some great musical performances in the film and we got to witness what it would have been like to experience Duke Ellington and Cab Calloway (he of Minnie the Moocher fame) in their prime. The song I most enjoyed when I first watched the film 35 years ago was Ill Wind (You’re Blowin’ Me No Good) and all these years later it was still the song I most enjoyed. The actress Lonette McKee was given the task of singing it, however over the years it has been recorded by all the greats, Frank Sinatra, Dinah Washington and Ella Fitzgerald to name but a few. The song was composed by Harold Arlen who also gave us the soundtrack to The Wizard of Oz. Yes, he was the man responsible for taking us Somewhere Over The Rainbow.

Ill Wind (You’re Blowin’ Me No Good) by Ella Fitzgerald:

One observation from having typed the word “ill” several times for this post, depending on the typeface you use it can look like the number three in Roman numerals. A capital “i”, and the letter “l”, often look the same, but I can assure you it’s neither a song by Lonette McKee the Third, nor a level Three Wind, it is indeed about a wind that we really don’t want, just like the one that whisked Dorothy off to the land of Oz.

These old movies on the Talking Pictures channel are not for everyone but I’ve watched a few now and they are a real insight into our social history. Some of the best lines in The Cotton Club came from a young Lawrence Fishbourne who played mob boss and bookmaker Bumpy Rhodes. They made a real impact on me when I watched the film 35 years ago and his short speech has never left me. Last week I wrote about the BRIT awards and how rapper Dave was responsible for the most powerful performance of the night. 90 years on and I’m realising they are not a million miles apart.

Until next time….

Ill Wind (You’re Blowin’ Me No Good) Lyrics
(Song by Harold Arlen/Ted Koehler)

Blow ill wind,
Blow away,
Let me rest today.
You’re blowin’ me no good,
No good.

Go ill wind,
Go away,
Skies are oh so gray
Around my neighborhood,
And that ain’t good

You’re only misleadin’ the sunshine I’m needin’,
Ain’t that a shame
It’s so hard to keep up with troubles that creep up
From out of nowhere,
When love’s to blame.

So ill wind, blow away.
Let me rest today.
You’re blowin’ me no good.

So, ill wind, blow away,
Please let me rest today.
You’re blowing me no good, no good, no good.

Happy Families At The BRITs, Neneh Cherry and “7 Seconds” of Innocence

This week I watched the BRIT Awards. It’s a big night for those in the music industry as a large clutch of awards can really raise sales to stratospheric levels – But enough about “The Suits” from the record companies, it is also a big night for the artists who have worked hard on their craft and been allowed to shine over the last 12 months. For many, all their dreams have come true, but for others, they may crash and burn – Lets hope most will fall into the former camp.

The big winner at the Grammys this year was American Billie Eilish, who is only 18 years old. She was also a big winner at the BRITs and performed the new Bond theme song No Time To Die written by her brother, who simply goes by the name Finneas. Billie certainly doesn’t follow any of the normal rules associated with pop princesses, and eschews make-up, hair extensions and skimpy clothing. With her lime green hair, she is a breath of fresh air in an increasingly plasticised world. What upset me however was that when she received her award she became quite emotional, as she’d been feeling “hated” of late on social media, but the reception she got from the crowd on Tuesday night had made her feel “loved”. Regulars around here will know my last post was about the #BeKind movement, and for Billie’s sake, I hope those who hide behind their keyboards spouting hatred take heed, and start being kinder.

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Billie Eilish with brother Finneas

Another big winner on Tuesday night was Scotland’s own Lewis Capaldi who won both the award for Best New Artist and also for Song of the Year. Like Billie he is no conventional pop idol, which is great, and as is his way, his acceptance speech was peppered with the kind of language not allowed on pre-watershed telly, so we didn’t get to hear any of it. He is so typically Glaswegian however and has that knack of not taking himself too seriously which I love. His Italian surname is the same as that of fellow Glaswegian Peter Capaldi, and yes, it turns out they are related, sharing a great-grandfather. Peter even appeared in the video for Lewis’ song of the year, Someone You Loved.

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Lewis Capaldi with “cousin” Peter Capaldi aka Dr Who

Another family connection that surprised me when watching Tuesday night’s show, was that Mabel, winner of Best British Female Solo Artist, has a mum who herself is the proud owner of three BRIT awards. Who could this be I wondered and did a quick google search – Her mum turns out to be Neneh Cherry and frighteningly, her awards were all received on the show exactly 30 years ago to the day. I remember watching that show well and honest to goodness, it feels like only about 10 years ago! Mabel also put in a great performance of her big hit Don’t Call Me Up on the night which reminded me a lot of Dua Lipa’s New Rules from two year’s ago. More stories of strong women taking control – A regular theme for the 21st century it seems.

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Mabel with her mum Neneh Cherry

But here is a clip of the most powerful performance of the night. Dave, from Streatham in South London, won the award for British Album of the Year which is apparently “the big one”. As a woman of a certain age living in the Scottish Highlands, I could not be culturally more different from Dave and his “brothers”, but listening to his Brits’ version of Black which had an incredibly moving verse added at the end encompassing a tribute to London Bridge terror attack victim Jack Merritt, it does make me understand their world a little more. Two years ago Stormzy blew me away at the Brits, but this year it was Dave. I urge you to watch until the end, and also, to admire the very clever graphics on the piano.

But getting back to Neneh Cherry, in case anyone has forgotten just how good she was back in the day, here is one of my all-time favourite songs – 7 Seconds by Youssou N’Dour featuring Neneh Cherry. It was released in 1994 as a single, and reached the No. 1 spot in numerous countries. In France it stayed at No. 1 for a record 16 weeks and it also won the MTV Europe Music Award for Best Song of 1994. 7 Seconds is apparently about the first positive 7 seconds in the life of a newborn child, a child who does not know about the problems and violence in our world. Three different languages were used in the song: English, French and Wolof, which is a language spoken in Senegal, Gambia, and Mauritania. Also very apt I think for today’s post.

7 Seconds by Youssou N’Dour and Neneh Cherry:

Until next time….

7 Seconds Lyrics
(Song by Neneh Cherry/Youssou N’Dour/Cameron McVey/Jonathan Sharp)

Boul ma sene, boul ma guiss madi re nga fokni mane
Khamouma li neka thi sama souf ak thi guinaw
Beugouma kouma khol oaldine yaw li neka si yaw
mo ne si man, li ne si mane moye dilene diapale

Roughneck and rudeness,
We should be using
On the ones who practice wicked charms
For the sword and the stone
Bad to the bone
Battle is not over
Even when it’s won

And when a child is born
Into this world
It has no concept
Of the tone the skin is living in

It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
I’ll be waiting
I’ll be waiting

J’assume les raisons qui nous poussent de changer tout,
J’aimerais qu’on oublie leur couleur pour qu’ils esperent
Beaucoup de sentiments de races qui font qu’ils desesperent
Je veux les deux mains ouvertes,
Des amis pour parler de leur peine, de leur joie
Pour qu’ils leur filent des infos qui ne divisent pas
Changer

Seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
I’ll be waiting
I’ll be waiting

And when a child is born
Into this world
It has no concept
Of the tone the skin it’s living in

And there’s a million voices
And there’s a million voices
To tell you what you should be thinking
So you better sober up for just a second

We’re seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
We’re seven seconds away
For just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting

A Memorial Bench, Another Sad Loss and “Try A Little Kindness”

Many regulars to this place will remember the series of posts I published at the end of last year following the tragic death of my friend’s daughter. She was only 18, but after a tough few months, on the 1st November she took her own life. Last week, her mum sent me a picture of the rainbow-coloured bench they have been allowed to place next to her grave. A tiny bit of comfort for those many friends and relatives who will visit her resting place.

Holly

At the time I suggested her death certificate should have stated Death by Social Media, as she had been the victim of the most awful cyber-bullying over the years. Hard for those of us of a certain age to comprehend I know, but something that is very real in today’s world. Her family therefore decided to have the words “Be Kind Always” inscribed on the bench, as a kind of long-lasting legacy.

Holly (2)

So, this was only last Friday. On Saturday afternoon, news broke that one of our best-loved television presenters had been found dead in her home, having taken her own life. Not everyone will have been familiar with Caroline Flack, but she seems to have been responsible for getting the younger generation back in love with terrestrial telly again, hosting shows that drew in large viewing figures. Sadly, her professional and personal life had hit a rocky patch of late, but rather than being left to nurse her wounds and rebuild her confidence in private, she became an absolute magnet for social media trolls, and was hounded relentlessly by the press. Her story was apparently of public interest, but was it really? She was obviously a very vulnerable young woman for whom this level of abuse was unsustainable.

Moving tributes have been pouring in from fellow celebrities, and even from our politicians. After losing her daughter at the end of last year, my friend wanted to do something to highlight the potentially tragic consequences of cyber-bullying. Tough however to get the message out to a wider audience. Now, with a high profile victim such as Caroline, the message really is starting to get out there, and change will have to come.

One politician, Lisa Nandy, has come out saying social media companies cannot be left to police themselves, suggesting the current situation is like the Wild West. “I worry about the approaches that say we allow the social media companies to regulate themselves,” she said. “In no other area of life would we allow private companies to self-police. We ought to make sure the state has a system of regulation and support around that.”

MP Kate Osamor, who appeared in the press herself for a threatening confrontation with journalists who went to her home after her son was convicted of drug offences, wrote: “The trolling & abuse she suffered at the hands of the media was relentless. Being kind is so underrated. RIP Caroline Flack.”

Since Saturday, the #BeKind hashtag has been appearing everywhere. Let’s hope there is a sea change in behaviour going forward, but you know what, I’m not holding my breath. I started to look for songs about being kind for this post, but not as easy as you would think. I did however find this oldie from 1969 recorded by Glen Campbell, who has often popped up around here. Try A Little Kindness was written by Curt Sapaugh & Bobby Austin and, I think, is just the kind of thing I want to listen to at the moment.

Try A Little Kindness by Glen Campbell:

So, “What’s It All About?” – I have been really lucky around here in that I’ve never had to suffer any unpleasantness. Of course the WordPress people do a pretty good job of filtering out spam, but my experience has been a really positive one. Sadly, if you are in the public eye, or indeed a teenager of today, this will not be the case. I really hope people start being kinder, but failing that, I hope regulation of some sort will be forced upon the social media companies. My friend won’t get her daughter back, nor will Caroline Flack’s parents, but hopefully their stories will be the catalyst for change.

Until next time….  RIP Holly, RIP Caroline Flack, #BeKind.

Try A Little Kindness Lyrics
(Song by Bobby Austin/Curt Sapaugh)

If you see your brother standing by the road
With a heavy load from the seeds he’s sowed
And if you see your sister falling by the way
Just stop and say, you’re going the wrong way

You got to try a little kindness
Yes show a little kindness
Just shine your light for everyone to see
And if you try a little kindness
Then you’ll overlook the blindness
Of narrow-minded people on the narrow-minded streets

Don’t walk around the down and out
Lend a helping hand instead of doubt
And the kindness that you show every day
Will help someone along their way

You got to try a little kindness
Yes show a little kindness
Just shine your light for everyone to see
And if you try a little kindness
Then you’ll overlook the blindness
Of narrow-minded people on the narrow-minded streets

An Unlikely Chart Topper: Lee Marvin and “Wand’rin’ Star”

I really enjoyed my return to the world of blogging last weekend after a month’s break. I was also pleasantly surprised that my featured song by Edison Lighthouse proved to be such a favourite with so many of you, as I hadn’t expected that at all. I have ended up returning to the UK Singles Chart of 1970 for these first two posts of the new decade, and both songs have been really enjoyable to research and write about. I thought it might be an idea for this calendar year to revisit that chart once a month (a kind of 50-year-retrospective) but you know what, I can’t wait another month to dip into the archives again because the March 1970 No. 1 single was Wand’rin’ Star by Lee Marvin.

I’ve often mentioned around here that the songs hitting the top spot are not always representative of what we were listening to at the time at all – Oh no, it’s often a song that became a hit because of its association with a prime time television show or blockbuster movie. All those people who would never normally go out and buy records suddenly do so, and it invariably skews the chart keeping what are now thought of as pop classics, off the top spot.

Wand’rin’ Star by Lee Marvin:

But, I really do have a soft spot for this song. It was from the film Paint Your Wagon released in 1969 which was one of only two films I went to see at the cinema with my parents (the other being The Sound of Music). Living nearly 30 miles away from the nearest cinema it wasn’t something we ever did as a family, but I think we were on holiday at the time in the south of Scotland, and it being July it was probably wet, so the decision must have been made to hole up for the afternoon watching a film we were all familiar with because of Mr Marvin’s regular appearances on TOTP. I have featured a few really deep voices around here over the years (Barry White, Johnny Cash…. ) but surely Lee must have had the deepest voice of all. It was described, by co-star Jean Seberg, as “like rain gurgling down a rusty pipe” and has also been described as “the first 33⅓ recorded at 45” – Seems about right.

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Paint Your Wagon was a Western, but also a Musical, and it wasn’t really a box-office success, never recouping its cost of production and marketing. Just not the kind of thing people wanted to go and see in 1970 it seems. Musicals of this sort had gone out of fashion and as this Simpson’s clip shows, it had something of a split personality, neither working for rootin’, tootin’, shootin’ western lovers, or lovers of the more sedate musical.

I don’t think Lee ever released any more records but continued to work as an actor right up until his death in 1987. He starred in many classic movies such as The Dirty Dozen and Cat Ballou, winning the 1965 Best Actor Oscar for his role in that film.

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Lee Marvin, 1924-1987

I do remember my mum being a bit concerned, after leaving the cinema, that there had been things in Paint Your Wagon I wouldn’t understand. Yes, there was a fair bit of bodice-ripping and all the excitement of kidnapping “six French tarts” in order to provide the miners with female companionship (There’s a Coach Comin’ In), but even at age ten I wasn’t totally green, just mortified at having to sit beside my parents whilst watching such fodder. Funny, but looking back, the only two films watched in a cinema with my family were about a nun called Maria, and a wind called Maria (albeit pronounced differently) – Cue one last link to a song from the film!

Until next time….

Wand’rin’ Star Lyrics
(Song by Frederick Loewe/Alan Jay Lerner)

I was born under a wanderin’ star.
I was born under a wanderin’ star.

Wheels are made for rollin’, mules are made to pack.
I’ve never seen a site that didn’t look better lookin’ back.

I was born under a wanderin’ star.

Mud can make you prisoner and the plains can bake you dry.
Snow can burn your eyes but only people make you cry.
Home is made for comin’ from, for dreams of goin’ to.
Which with any luck will never come true.

I was born under a wanderin’ star.
I was born under a wanderin’ star.

Do I know where hell is, hell is in hell-o.
Heaven is good-bye forever it’s time for me to go.

I was born under a wanderin’ star, a wanderin’, wanderin’ star.

Mud can make you prisoner and the plains can bake you dry.
Snow can burn your eyes but only people make you cry.
Home is made for comin’ from, for dreams of goin’ to.
Which with any luck will never come true.

I was born under a wanderin’ star.
I was born under a wanderin’ star.

When I get to heaven tie me to a tree.
Or I’ll begin to roam and soon you’ll know where I will be.

I was born under a wanderin’ star.
A wanderin’, wanderin’ star.

Tony Burrows, “Love Grows (Where My Rosemary Goes)” and A Five Times One-Hit Wonder!

My last offering was over a month ago now and back then it was clear I was feeling a bit sad, and none too optimistic about what this new decade might bring. Since then however: the days have been getting longer (I celebrated Imbolc last weekend, the start of Spring according the pagan calendar); the St John’s Wort has kicked in (try it); the ongoing division over Brexit is in effect behind us, as Boris did eventually “get it done”; we now have a plan as to how we’re going to earn our living until the pensions kick in; and joy of joys, DD is at home for the weekend. She’s heading off shortly to meet friends for lunch so it gives me some time to bash away on the computer for a wee while.

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My Imbolc shrine – Yes that’s milk and yes it went off!

Also, since last time, I received one of these badges from the WordPress people as it was my blog’s 4th birthday. Because I pay an annual fee to keep this place going, and I don’t want to lose everything I’ve posted over the last few years, I’ve just paid my dues for another 12 months. My output seems to be reducing year on year but I’m not ready to call it a day yet.

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I’ve really enjoyed my digital detox over the last few weeks, but I live in the real world so it can’t continue for much longer. If you ever get the chance however, give it a whirl – I’ve read several books, knitted three (small) garments and not had to experience Facebook envy at all!

But what is it I usually say at this point? Ah yes, this is supposed to be a music blog so where is the song? About that. Heading into my fifth year of blogging I just want to remind everyone that I am by no means a muso and just enjoy revisiting the chart music of my youth, and being able to find out so much more about the song/singer than was available at the time. I used to pride myself on being a Pop Quiz Queen but have often never heard of the artists shared by many of the music bloggers on my sidebar. I thank them in return for adding me to their sidebars and can only apologise that my featured songs are perhaps not always of the “cool” persuasion.

So, which “uncool” song will be featured this time? Exactly 50 years ago this week, the song at the top of the UK Singles Chart was Love Grows (Where My Rosemary Goes) by Edison Lighthouse, a one-hit wonder put together from a group of session musicians. Tony Burrows was the lead singer and I have only just discovered that he has appeared in this blog before as one of The Flower Pot Men who recorded Let’s Go To San Francisco.

Love Grows (Where My Rosemary Goes) by Edison Lighthouse:

I have fond memories of this song as it would have been in the charts when I was aged around 10, and really into catchy pop tunes. Along with the Archies’ Sugar Sugar and Christie’s Yellow River (also one-hit wonders), this was one of the songs we sang on our way to school and in the back seat of the car when going on long journeys with my cousins. Oh how we loved to slide around the shiny leather seats of my grandad’s car way before anyone thought having seatbelts might be a good idea.

But getting back to Tony Burrows of Edison Lighthouse fame, he is the only artist to have appeared in four different episodes of TOTP twice, with different bands. Back in 1970, many, many bands were made up of session singers who changed personnel regularly. Just at the same time Love Grows was a massive hit, Tony sang on the White Plains’ song My Baby Loves Lovin’, The Brotherhood of Man’s United We Stand and The Pipkins’ novelty song Gimme Dat Ding (less said about that one the better). Later on he sang lead on The First Class hit Beach Baby. Tony is the only artist to have been a “one-hit wonder” 5 times. As I often say around here, every day’s a school day.

Well, that’s me broken the back of this, my fifth year of blogging. I seem to be getting less prolific year on year and can’t promise to visit all the other blogs as frequently as I used to as earning my living really has to take priority, but putting this effort together wasn’t too hard in the end. It certainly can be fun revisiting the “tracks of our years” and nothing wrong with a bit of pure pop to raise the spirits from time to time.

Until next time….

Love Grows (Where My Rosemary Goes) Lyrics
(Song by Tony Macaulay/Barry Mason/Sylvan Mason)

She ain’t got no money
Her clothes are kinda funny
Her hair is kinda wild and free
Oh, but Love grows where my Rosemary goes
And nobody knows like me

She talks kinda lazy
And people say she she’s crazy
And her life’s a mystery
Oh, but Love grows where my Rosemary goes
And nobody knows like me

There’s something about her hand holding mine
It’s a feeling that’s fine
And I just gotta say
She’s really got a magical spell
And it’s working so well
That I can’t get away

I’m a lucky fella
And I’ve just got to tell her
That I love her endlessly
Because Love grows where my Rosemary goes
And nobody knows like me

There’s something about her hand holding mine
It’s a feeling that’s fine
And I just gotta say
She’s really got a magical spell
And it’s working so well
That I can’t get away

I’m a lucky fella
And I’ve just got to tell her
That I love her endlessly
Because Love grows where my Rosemary goes
And nobody knows like me