Girl Power 2026, SIX The Musical and “Patient Zero”

Well, we are now at week 42 on the 2026 calendar and it’s fair to say the UK Singles Chart has been quite unique this year. I have been updating my followers whenever there has been a change at the top, a new No. 1, but for 23 of those 42 weeks it remained the same – Sam & Olivia’s version of Rein Me In. Having just reviewed the complete list of No. 1s, something else jumps out – there were only four weeks when a male solo artist topped the chart (and one of those artists was Djo/Joe Keery whose role in the final season of Stranger Things probably helped propel his song to the No. 1 spot back in January). Dave’s song Raindance was given a hefty leg up by featuring the beautiful vocals of Tems and once Sam Fender recorded Rein Me In with Olivia Dean (who swept the board at the Brits this year) they were on course for their record-breaking run. No bands at all so far this year at No. 1 and 38 of the 42 weeks featured a woman. Is this a record I wonder or is it just that the fashion in music is leaning towards female solo artists at the moment?

The boys and girls of 2026 so far – lots of female faces there!

The Artists and Their Songs

Raye – Where Is My Husband (1 week)
Djo – End Of Beginning (2 weeks)
Dave/Tems – Raindance (2 weeks)
Harry Styles – Aperture (1 week)
Taylor Swift – Opalite (1 week)
Sam Fender & Olivia Dean – Rein Me In (23 weeks)
Harry Styles – American Girls (1 week)
Olivia Rodrigo – Drop Dead (1 week)
Ariana Grande – Hate That I Made You love Me (1 week)
Taylor Swift – I Knew It, I Knew You (2 weeks)
Ella Langley – Choosin’ Texas (1 week)
Sienna Spiro – Great Expectation (3 weeks)
Taylor Swift – Patient Zero (3 weeks)


It’s now 30 years since the Spice Girls leapt to fame and it seems “Girl Power” (not that it was ever an actual movement!) is back. Another nod to Girl Power came in the form of a musical I went to see last week at our local theatre. SIX is a modern retelling of the lives of the six wives of Henry VIII, presented in the form of a singing competition and pop concert. Last time it came to town my friend and I missed out on tickets but this time we were lucky, albeit our seats were in the 2nd Circle.


If like me you love the whole history of the Tudor period (I’m a great fan of Philippa Gregory’s historical novels), you will already know the wives’ stories but in this very colourful show, they vie with each other to determine who suffered the most at the hands of their shared husband. It was very much updated for the modern age with the artist Holbein’s portrait of Anne of Cleves going onto a dating app that presented a choice of potential brides. Henry chose Anne as we know, but soon rejected her and annulled the marriage, claiming she failed to resemble her “profile picture”. Fortunately the wives ultimately realise they are only known because of their connection to Henry, so by forming the band SIX, they reclaim their individual identities and rewrite their stories. The show started life at the Edinburgh Festival but it has now wowed audiences in the West End and on Broadway. I am really lucky to have a great theatre that hosts these kind of shows only 10 minutes from my home.

We were allowed to film footage during the last five minutes of the show – honest!

So, “What’s It All About?” – Every decade has music, that looking back, was very much of its time. Popular music in the ’90s was awash with boy bands and girl bands, some of them more successful than others and if you were in your early teens back then you will really enjoy looking back at those days. There is a series on BBC Sounds at the moment documenting the career of the 5 Spices. Of course the ’90s was also the era of Britpop and Oasis shocked everyone last year by reuniting and touring (topping up the pension funds), but that was more for the blokes I think. At this point in the 2020s, it seems we are awash with female and male solo artists, but no doubt after a while that will change as the public move on to something else.

As for Girl Power, at age 30 DD has had a very different life to the one I lived up to then, mainly in her relationships with others I think. I love how she always had as many boy “friends” as girl friends which I didn’t have (we were all very awkward with the opposite sex as teens), and she has way more emotional intelligence than I had at the same age. Opportunities for her have been very equal to those for men which was still not the case for me back in the day. Did this have anything to do with the Spice Girls and their Girl Power I wonder? Probably not, but fun to look back.

Taylor Swift

I will leave you with the current No. 1, Patient Zero by Taylor Swift. This is her third of 2026 so despite having time off to plan a wedding, she still seems to be able to rattle off top tunes. The song uses medical metaphors to recount an emotionally abusive relationship and the narrator is consoling someone experiencing the same issues, at the hands of the same man (Taylor must have an awfully good lawyer). The verses consist of Taylor’s conversational lead vocals with pointed inflections and “uh-huh” responses.


Until next time…

Patient Zero Lyrics
(Song by Taylor Swift/Max Martin/Shellback)

If you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero

I’ve gotta be honest, I’ve been expecting your call
No, it’s not a bad time at all
I heard somebody saying there’s trouble in paradise
And my lips are sealed tight now

It’s not for me to tell
Someone else what to do

But if you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero

I bet he burst into your life like fireworks
I bet he even said “I love you” first
And when you saw another woman coming out of his place
I bet he kissed the rain off your face

Now he seems bored by you
And you don’t know what to do

But if you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero (I was patient)
I was patient zero

So let’s get into it
I know he charmed your family and friends
And you thought it’s ’cause he loves you
But it’s ’cause he loves how everybody else loves him (Uh-huh)
I know it seems like he shines so bright
But he’s bathing in your reflected light
On a free solo social climb (Uh-huh)
Take it from somebody who lost his games but won the race
Take it from someone who said all of this to his face
Someone who knows she’s more than just the chase
Someone who had him and walked away
And so

If you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero

So if you wanna kick it, then I’m with it, I’ve been there
Felt the reeling, done the healing, said the curses and prayers
When the fever turns a dreamer into a pathetic ghost
If he’s killing you, I see you
I was patient zero, oh

Happy Families At The BRITs, Neneh Cherry and “7 Seconds” of Innocence

This week I watched the BRIT Awards. It’s a big night for those in the music industry as a large clutch of awards can really raise sales to stratospheric levels – But enough about “The Suits” from the record companies, it is also a big night for the artists who have worked hard on their craft and been allowed to shine over the last 12 months. For many, all their dreams have come true, but for others, they may crash and burn – Lets hope most will fall into the former camp.

The big winner at the Grammys this year was American Billie Eilish, who is only 18 years old. She was also a big winner at the BRITs and performed the new Bond theme song No Time To Die written by her brother, who simply goes by the name Finneas. Billie certainly doesn’t follow any of the normal rules associated with pop princesses, and eschews make-up, hair extensions and skimpy clothing. With her lime green hair, she is a breath of fresh air in an increasingly plasticised world. What upset me however was that when she received her award she became quite emotional, as she’d been feeling “hated” of late on social media, but the reception she got from the crowd on Tuesday night had made her feel “loved”. Regulars around here will know my last post was about the #BeKind movement, and for Billie’s sake, I hope those who hide behind their keyboards spouting hatred take heed, and start being kinder.

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Billie Eilish with brother Finneas

Another big winner on Tuesday night was Scotland’s own Lewis Capaldi who won both the award for Best New Artist and also for Song of the Year. Like Billie he is no conventional pop idol, which is great, and as is his way, his acceptance speech was peppered with the kind of language not allowed on pre-watershed telly, so we didn’t get to hear any of it. He is so typically Glaswegian however and has that knack of not taking himself too seriously which I love. His Italian surname is the same as that of fellow Glaswegian Peter Capaldi, and yes, it turns out they are related, sharing a great-grandfather. Peter even appeared in the video for Lewis’ song of the year, Someone You Loved.

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Lewis Capaldi with “cousin” Peter Capaldi aka Dr Who

Another family connection that surprised me when watching Tuesday night’s show, was that Mabel, winner of Best British Female Solo Artist, has a mum who herself is the proud owner of three BRIT awards. Who could this be I wondered and did a quick google search – Her mum turns out to be Neneh Cherry and frighteningly, her awards were all received on the show exactly 30 years ago to the day. I remember watching that show well and honest to goodness, it feels like only about 10 years ago! Mabel also put in a great performance of her big hit Don’t Call Me Up on the night which reminded me a lot of Dua Lipa’s New Rules from two year’s ago. More stories of strong women taking control – A regular theme for the 21st century it seems.

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Mabel with her mum Neneh Cherry

But here is a clip of the most powerful performance of the night. Dave, from Streatham in South London, won the award for British Album of the Year which is apparently “the big one”. As a woman of a certain age living in the Scottish Highlands, I could not be culturally more different from Dave and his “brothers”, but listening to his Brits’ version of Black which had an incredibly moving verse added at the end encompassing a tribute to London Bridge terror attack victim Jack Merritt, it does make me understand their world a little more. Two years ago Stormzy blew me away at the Brits, but this year it was Dave. I urge you to watch until the end, and also, to admire the very clever graphics on the piano.

But getting back to Neneh Cherry, in case anyone has forgotten just how good she was back in the day, here is one of my all-time favourite songs – 7 Seconds by Youssou N’Dour featuring Neneh Cherry. It was released in 1994 as a single, and reached the No. 1 spot in numerous countries. In France it stayed at No. 1 for a record 16 weeks and it also won the MTV Europe Music Award for Best Song of 1994. 7 Seconds is apparently about the first positive 7 seconds in the life of a newborn child, a child who does not know about the problems and violence in our world. Three different languages were used in the song: English, French and Wolof, which is a language spoken in Senegal, Gambia, and Mauritania. Also very apt I think for today’s post.

7 Seconds by Youssou N’Dour and Neneh Cherry:

Until next time….

7 Seconds Lyrics
(Song by Neneh Cherry/Youssou N’Dour/Cameron McVey/Jonathan Sharp)

Boul ma sene, boul ma guiss madi re nga fokni mane
Khamouma li neka thi sama souf ak thi guinaw
Beugouma kouma khol oaldine yaw li neka si yaw
mo ne si man, li ne si mane moye dilene diapale

Roughneck and rudeness,
We should be using
On the ones who practice wicked charms
For the sword and the stone
Bad to the bone
Battle is not over
Even when it’s won

And when a child is born
Into this world
It has no concept
Of the tone the skin is living in

It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
I’ll be waiting
I’ll be waiting

J’assume les raisons qui nous poussent de changer tout,
J’aimerais qu’on oublie leur couleur pour qu’ils esperent
Beaucoup de sentiments de races qui font qu’ils desesperent
Je veux les deux mains ouvertes,
Des amis pour parler de leur peine, de leur joie
Pour qu’ils leur filent des infos qui ne divisent pas
Changer

Seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
I’ll be waiting
I’ll be waiting

And when a child is born
Into this world
It has no concept
Of the tone the skin it’s living in

And there’s a million voices
And there’s a million voices
To tell you what you should be thinking
So you better sober up for just a second

We’re seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
We’re seven seconds away
For just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting