Girl Power 2026, SIX The Musical and “Patient Zero”

Well, we are now at week 42 on the 2026 calendar and it’s fair to say the UK Singles Chart has been quite unique this year. I have been updating my followers whenever there has been a change at the top, a new No. 1, but for 23 of those 42 weeks it remained the same – Sam & Olivia’s version of Rein Me In. Having just reviewed the complete list of No. 1s, something else jumps out – there were only four weeks when a male solo artist topped the chart (and one of those artists was Djo/Joe Keery whose role in the final season of Stranger Things probably helped propel his song to the No. 1 spot back in January). Dave’s song Raindance was given a hefty leg up by featuring the beautiful vocals of Tems and once Sam Fender recorded Rein Me In with Olivia Dean (who swept the board at the Brits this year) they were on course for their record-breaking run. No bands at all so far this year at No. 1 and 38 of the 42 weeks featured a woman. Is this a record I wonder or is it just that the fashion in music is leaning towards female solo artists at the moment?

The boys and girls of 2026 so far – lots of female faces there!

The Artists and Their Songs

Raye – Where Is My Husband (1 week)
Djo – End Of Beginning (2 weeks)
Dave/Tems – Raindance (2 weeks)
Harry Styles – Aperture (1 week)
Taylor Swift – Opalite (1 week)
Sam Fender & Olivia Dean – Rein Me In (23 weeks)
Harry Styles – American Girls (1 week)
Olivia Rodrigo – Drop Dead (1 week)
Ariana Grande – Hate That I Made You love Me (1 week)
Taylor Swift – I Knew It, I Knew You (2 weeks)
Ella Langley – Choosin’ Texas (1 week)
Sienna Spiro – Great Expectation (3 weeks)
Taylor Swift – Patient Zero (3 weeks)


It’s now 30 years since the Spice Girls leapt to fame and it seems “Girl Power” (not that it was ever an actual movement!) is back. Another nod to Girl Power came in the form of a musical I went to see last week at our local theatre. SIX is a modern retelling of the lives of the six wives of Henry VIII, presented in the form of a singing competition and pop concert. Last time it came to town my friend and I missed out on tickets but this time we were lucky, albeit our seats were in the 2nd Circle.


If like me you love the whole history of the Tudor period (I’m a great fan of Philippa Gregory’s historical novels), you will already know the wives’ stories but in this very colourful show, they vie with each other to determine who suffered the most at the hands of their shared husband. It was very much updated for the modern age with the artist Holbein’s portrait of Anne of Cleves going onto a dating app that presented a choice of potential brides. Henry chose Anne as we know, but soon rejected her and annulled the marriage, claiming she failed to resemble her “profile picture”. Fortunately the wives ultimately realise they are only known because of their connection to Henry, so by forming the band SIX, they reclaim their individual identities and rewrite their stories. The show started life at the Edinburgh Festival but it has now wowed audiences in the West End and on Broadway. I am really lucky to have a great theatre that hosts these kind of shows only 10 minutes from my home.

We were allowed to film footage during the last five minutes of the show – honest!

So, “What’s It All About?” – Every decade has music, that looking back, was very much of its time. Popular music in the ’90s was awash with boy bands and girl bands, some of them more successful than others and if you were in your early teens back then you will really enjoy looking back at those days. There is a series on BBC Sounds at the moment documenting the career of the 5 Spices. Of course the ’90s was also the era of Britpop and Oasis shocked everyone last year by reuniting and touring (topping up the pension funds), but that was more for the blokes I think. At this point in the 2020s, it seems we are awash with female and male solo artists, but no doubt after a while that will change as the public move on to something else.

As for Girl Power, at age 30 DD has had a very different life to the one I lived up to then, mainly in her relationships with others I think. I love how she always had as many boy “friends” as girl friends which I didn’t have (we were all very awkward with the opposite sex as teens), and she has way more emotional intelligence than I had at the same age. Opportunities for her have been very equal to those for men which was still not the case for me back in the day. Did this have anything to do with the Spice Girls and their Girl Power I wonder? Probably not, but fun to look back.

Taylor Swift

I will leave you with the current No. 1, Patient Zero by Taylor Swift. This is her third of 2026 so despite having time off to plan a wedding, she still seems to be able to rattle off top tunes. The song uses medical metaphors to recount an emotionally abusive relationship and the narrator is consoling someone experiencing the same issues, at the hands of the same man (Taylor must have an awfully good lawyer). The verses consist of Taylor’s conversational lead vocals with pointed inflections and “uh-huh” responses.


Until next time…

Patient Zero Lyrics
(Song by Taylor Swift/Max Martin/Shellback)

If you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero

I’ve gotta be honest, I’ve been expecting your call
No, it’s not a bad time at all
I heard somebody saying there’s trouble in paradise
And my lips are sealed tight now

It’s not for me to tell
Someone else what to do

But if you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero

I bet he burst into your life like fireworks
I bet he even said “I love you” first
And when you saw another woman coming out of his place
I bet he kissed the rain off your face

Now he seems bored by you
And you don’t know what to do

But if you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero (I was patient)
I was patient zero

So let’s get into it
I know he charmed your family and friends
And you thought it’s ’cause he loves you
But it’s ’cause he loves how everybody else loves him (Uh-huh)
I know it seems like he shines so bright
But he’s bathing in your reflected light
On a free solo social climb (Uh-huh)
Take it from somebody who lost his games but won the race
Take it from someone who said all of this to his face
Someone who knows she’s more than just the chase
Someone who had him and walked away
And so

If you wanna party with somebody who might know
About the devil on his shoulder under his halo
When the toxins take their hold, you’d rather die than let it go
But if you’re sick of him, I got you, I was patient zero

So if you wanna kick it, then I’m with it, I’ve been there
Felt the reeling, done the healing, said the curses and prayers
When the fever turns a dreamer into a pathetic ghost
If he’s killing you, I see you
I was patient zero, oh

“It Only Takes A Minute”, Take That and A Surfeit Of Tickets

A shorter post from me today as it’s the last day of the month and we haven’t yet made use of our National Trust for Scotland membership cards, received from DD as a Christmas present. Most castles and stately homes stay closed until April but the Culloden Battlefield Visitor Centre near us is open, so we’ll head up there shortly. For those not in the know, it’s the site of the last pitched battle fought on British soil where the 1745 Jacobite Rising came to a tragic end. Lots of people from around the world come to visit now because of the popularity of the television drama Outlander and the show’s hero, Jamie Fraser, means that the stone marking where Clan Fraser fell is now surrounded by flowers and tributes. Anyway, we’re determined to visit at least one site per month this year so we’re just fitting in this first one before we get to February. I’ve shared quite a few songs from Outlander in this blog over the years but not yet set up a category for it on my sidebar. I’ll put that right forthwith.


But the dashing Jamie Fraser (played by Sam Heughan) is not who I’ve been thinking about this week. Oh no, this week has been all about those five boys from the North of England who formed the band Take That in 1990. Their 3-part Netflix documentary aired this week and I’ve already watched it twice (sneakily, once Mr WIAA has gone to bed). By coincidence this was also the week when former band member Robbie Williams found out he has now overtaken the Beatles in having achieved the most UK No. 1 albums. I don’t know how I feel about that but there is no doubt, once he broke free from the shackles of Take That, he went from strength to strength as an artist and certainly has had longevity.


Despite the fact I was in my early 30s when Take That came along, I have always been a fan and even bought their first album Take That & Party in cassette form when on honeymoon with Mr WIAA. The documentary covered every stage of their career, from the early days when they unbelievably played school assemblies, to Robbie leaving, the calling it quits, and then the journey from when they reformed in 2006 to the present day. There was a lot of never-before-seen footage and voice-overs from the various band members. All of them have had periods of depression, some whilst still in the band and others after they broke up. How indeed can you go back to a normal life after the pop stardom they achieved in the 90s? Howard for one contemplated suicide.

But on a happier note, they are now all older and wiser with families and responsibilities that make life that little bit more normal when they are not performing. The current 3-piece Take That have been going since 2014 after Jason Orange left, and that’s the longest period they’ve had the same line-up since they started. But here’s a reminder of their very first hit in the UK, a cover version of Tavares song It Only Takes A Minute. Gary felt like a failure as none of his self-penned songs had been a success but after this single they were on a roll with Gary writing all of their material from then on.


But this is not the only reason I am writing about Take That. I have a big birthday this year (although not at big as it should have been as I was born two months and one day too late to get my age-related remuneration from the state at 66, so I have to wait another three months) and for the next four years I’m going to pack in as many adventures as I can. God willing I’ll still be having adventures after that too, but looking around me you just never know so it’s all systems go. With that in mind I have already booked an Italian adventure for September which I will no doubt write about in due course, and many short breaks dotted all over the country. At the end of last year there was much hoopla surrounding the announcement that Take That would yet again be performing The Circus Live tour, based on their previous tour of the same name, in Summer 2026. I would have wanted to go last time as it looked so spectacular but I didn’t have that kind of lifestyle back in 2009 so this year we’re going. They will be 17 years older, with a fair bit of grey hair, but I hear they are all working on their fitness and unicycle skills so I am optimistic it will be just as good.

The Garden by Take That:


This was the first time I have ever tried to buy tickets from an online site where you have to be totally on the ball as soon as they go live, otherwise they can sell out before you even get to the checkout. Mr WIAA and I had done a few trial runs ahead of schedule to make sure we knew all the steps involved so at the appointed hour we dived in. I was the first to get to the checkout and amazingly got two tickets for the area right in front of the stage at Glasgow’s Hampden Park. I thought our friends might want to come with us so dived in again, madly clicking on all the boxes, and got two more tickets. I had thought they would sell out quickly so couldn’t believe I now had four tickets – then I discovered I’d booked them for the following night by mistake. No matter I thought, we’re bound to have friends or family who might want to buy them from us, so I dived in again and got another two tickets for the correct night.

As it turns out none of our friends and family do want our spare tickets and there are even ones still to be had on the booking site. Perhaps Take That’s Circus Tour is not as popular as I had thought it would be now that they, and their fans, are well into middle age. Whatever, I now have a four ticket surfeit so if any of my blogging buddies have an inkling to see what this tour is all about you know where to come. I suspect they are not every middle-aged music blogger’s cup of tea, but as long as I see Mark Owen’s lovely smile up there on stage I’ll be happy. He was always my favourite.

The lovely Mark Owen of Take That

Before I go I will mention another heartthrob from a boy band who has gone on to great things since going solo. I am taking my role seriously of updating my followers on changes at the top of the UK Singles Chart, and yesterday I found out that Harry Styles had gone straight in at No. 1 with the first single released from his new album. I don’t think it’s as strong as his previous chart singles but he does have legions of fans who will be playing it continuously I’m sure, thus it’s success. Here is Harry with Aperture.


Right, my NTS membership card is burning a hole in my pocket so I’m off to the battlefield. There will be plenty of images of Jamie Fraser in the gift shop I’m sure. Take That or Harry Styles – not so much.

Until next time…

Aperture Lyrics
(Song by Harry Styles, Kid Harpoon)

Take no prisoners for me
I’m told you’re elevating
Drinks go straight to my knees
I’m sold, I’m going on clean
I’m going on clean

I’ve no more tricks up my sleeve
Game called review the player
Time codes and Tokyo scenes
Bad boys, it’s complicated
It’s complicated

It’s best you know what you don’t
Aperture lets the light in
It’s best you know what you don’t
Aperture lets the light in

We belong together
It finally appears it’s only love
We belong together
We belong together
It finally appears it’s only love
We belong together

In no good state to receive
Go forth, ask questions later
Trap doors, you’re toying with me
Dance halls, another cadence

It’s best you know what you don’t
Aperture lets the light in

We belong together
It finally appears it’s only love
We belong together
It finally appears
We belong together
It finally appears it’s only love
We belong together

I won’t stray from it
I don’t know these spaces
Time won’t wait on me
I wanna know what safe is
I won’t stray from it
I don’t know these spaces
Time won’t wait on me
I won’t stray from it
I don’t know these spaces
Time won’t wait on me
I wanna know what safe is
I won’t stray from it
I don’t know these spaces
Time won’t wait on me

We belong together
It finally appears it’s only love
We belong together
It finally appears
We belong together
It finally appears it’s only love
We belong together

Postscript

I did make it to the battlefield yesterday and took this shot. A solitary reminder of what life was like in 1746 at the time of the famous battle.


I also discovered that the Duke of Cumberland who led the Government Forces at Culloden was aged only 24. There were Scottish Clans fighting on both sides so the history is certainly not black and white. In the aftermath of the battle however life was tough for Highlander Scots. The wearing of tartan was banned and the Clan system was decimated.