An American Odyssey in Song: Maine – Roger Miller and “King of the Road”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

First of all thanks to everyone who helped out with suggestions for getting this trip started. It may not happen in real life now (although never say never and all that), but I’m going to try and make sure it happens on these pages. I have planned a route map that means we take in all 50 states but never enter and leave the same one more than once. I won’t share the map with you until the end however as best to retain an element of surprise as to where we are going to end up next (although sometimes of course there will be only one contender).

After a bit of thought I have decided to start in Maine and end up in Florida as opposed to doing it the other way round. North to South makes more sense from a geographical point of view and we will build up to all those great songs from the Southern States gradually.

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So, we have just flown across the Atlantic from Scotland and are about to explore the State of Maine. This is not going to be a travelogue style series of posts so I will just include a few pictures and links, but suffice to say, Maine is the most northernmost state in New England, it has an awful lot of forests and coastline, its climate is warm and humid in summer but cold and snowy in winter, and it’s famous for its seafood cuisine, especially lobster and clams. The musical Carousel is set in Maine (songs from which I have written about twice on these pages here and here) and of course a certain amateur lady detective also resides there, in the fictitious Cabot Cove (the American equivalent of our Midsomer it seems). The prolific author Stephen King comes from Maine and many of his books, in turn made into films, are set in that State (Carrie, The Shawshank Redemption and the film that forever gave clowns a bad rap, It).

When I first considered this series, I was a bit troubled that I might sometimes get stuck, and be unable to find songs that I could write about for certain states, but of course you didn’t let me down. A fair few suggestions came in from Marie, CC, Lynchie, Rol, Neil and Chris (links to their blogs on my sidebar) but the song I hadn’t realised even mentioned Maine before, was King Of The Road by Roger Miller (credit for that one goes to both Lynchie and Rol). This song is all about the day-to-day life of a hobo, who, despite being poor (a man of means by no means) revels in his freedom, describing himself as the “king of the road”. The first line in the second verse goes as follows, “Third boxcar, midnight train, destination, Bangor, Maine” which is why it becomes my first featured song in this series.

Roger himself of course didn’t come from Maine but from Texas. He wrote mainly country songs, and was very successful at doing so, but King Of The Road was a major crossover hit into mainstream pop and was No.1 in the UK Singles Chart in 1965.

King Of The Road by Roger Miller:

As is often the case I would be lying if I said that I remembered this song from first time around, but someone who would have done, was my Uncle Keith. This is where it gets a bit personal as is often wont to happen on these pages. Keith was a lad who grew up in our village in Scotland and followed the usual path for young men in those days – Went to school, completed an apprenticeship, met a girl, got married and had a family. The opportunity came along for him to move to the city and start driving lorries long distances. With a large family to support he took it on. Soon he was travelling all over the UK and the Continent, gone from home for long periods at a time. He loved it and whenever anyone was going on holiday by car, he could always be relied upon to come with the best route.

(Uncle Keith is the tall dark-haired chap)

This life on the road was not of course conducive to family life and in due course his marriage failed and we didn’t see much of him for long stretches of time. Every now and again he would turn up at my grandparents house in a massive articulated lorry, stay the night, then head off again. He was very unlike my own very stable, home-loving dad and was a bit of a mythical creature as I was growing up. As I got older I was busy getting on with my own life so didn’t see him often at all, but a few years ago now we heard he was ill, so my mum headed off to see him in his little flat. It wasn’t good and he died soon after at the age of 76 with, ironically, his ex-wife and his children at his bedside – He may not have been a great family man but they had stayed close over the years and loved him to the end.

When it came to organising the funeral it turned out he wanted to be buried along with his parents (my grandparents) in the village where he had grown up. A bit of a surprise but it made sense. The important thing was that he wanted King Of The Road to be played as his coffin was carried out of the church. My mum (his sister), who finds it very important to always “do the right thing”, was a bit concerned – In her experience people always chose very sombre hymns – What would people think? But no, his family stood firm and King Of The Road it was. When the time came there wasn’t a dry eye in the church and even my mum had to admit it was the right choice.

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Before I go, it might be an idea to include the version by those very Scottish Proclaimers from 1990. If he was still driving lorries at that time maybe Uncle Keith liked that one too. Whatever, I am pretty sure if the chance had come up, he would have loved driving across the highways and byways of America in one of those very large trucks, maybe even up as far as Maine. This post therefore is for him. (Look out for The Proclaimers’ homage to Roger Miller at 2:20)

“What’s It All About?” – I have often seen talk on the blogosphere of the music people would like to have played at their funeral (morbid I know but true) and I too have chosen my particular song. We may not be there in person but we will be leaving a little bit of ourselves behind in our choices. Those left will feel a surge of emotion, but it will be much appreciated, as was the case with Uncle Keith.

So, we have now visited Maine in song (very tenuously I know but I think that’s how it will often go) and the next state we will cross into is New Hampshire. I will always have a standby song but would very much appreciate some more suggestions that I have no doubt (if this post is anything to go by), will be better than mine. You know where the comments boxes are.

Until next time….

King Of The Road Lyrics
(Song by Roger Miller)

Trailer for sale or rent, rooms to let, fifty cents.
No phone, no pool, no pets, I ain’t got no cigarettes
Ah, but, two hours of pushin’ broom
Buys an eight by twelve four-bit room
I’m a man of means by no means, king of the road.

Third boxcar, midnight train, destination, Bangor, Maine.
Old worn out clothes and shoes,
I don’t pay no union dues,
I smoke old stogies I have found short, but not too big around
I’m a man of means by no means, king of the road.

I know every engineer on every train
All of their children, and all of their names
And every handout in every town
And every lock that ain’t locked, when no one’s around.

I sing, trailers for sale or rent, rooms to let, fifty cents
No phone, no pool, no pets, I ain’t got no cigarettes
Ah, but, two hours of pushin’ broom
Buys an eight by twelve four-bit room
I’m a man of means by no means, king of the road.

Trailers for sale or rent, rooms to let, fifty cents
No phone, no pool, no pets, I ain’t got no cigarettes
Ah, but, two hours of pushin’ broom
Buys an eight by twelve four-bit room
I’m a man of means by no means, king of the road.

Joshua Kadison, “Jessie” and Trailers by the Sea

When I wrote about the three Jimmy Webb songs recorded by Glen Campbell last summer (link here), I had a plan to at some point take a journey around the 50 States of the USA in song – Wichita Lineman was set in Kansas, Galveston in Texas and By The Time I Get To Phoenix in Arizona. Off the top of my head, and just for starters, there is also Anchorage by Michelle Shocked and Sweet Home Alabama by Lynyrd Skynyrd both set in States that start with the letter “A”, so no shortage of material.

One song that I discovered by accident is one that I very much associate with the State of Nevada. I don’t know what I was doing in 1993 when this song was released as I don’t remember it from then at all, but a good few years ago when we were on one of those family holidays where entertainment is laid on at night, first for the kids and then for the worn-out parents, a chap with a guitar got up and performed some very acceptable covers. I knew most of the songs he played, but not this one, and it really struck a cord. Jessie by Joshua Kadison is very much a “story song” and I was really touched by the narrator’s tale of how every time he got back on his feet again, Jessie would call with the promise that this time it would be different, this time the dream would come true. The dream was to have a trailer by the sea, drink tequila, collect seashells…. and Jessie was an expert at “painting pictures of how it’s gonna be”.

Jessie by Joshua Kadison:

Did he just humour her or did he yet again succumb to the promises? Who knows but interesting to have the tables turned whereby it is the female who is making all the promises and not the male, as is usually the case (in a song). As for the State of Nevada, Jessie calls from a “phone booth in Vegas” which conjures up images of the Sin City side of the self-billed Entertainment Capital of the World – It’s very late, Jessie is possibly a little inebriated and obviously tired of whatever she does there to earn her living, so resorts to what we girls often do at such times, contacts an old boyfriend. Surrounding the glitz and glamour of Las Vegas is the Nevada desert so not surprisingly she dreams of something quite different, a beach with white sand and seashells.

I really knew nothing of Joshua Kadison before hearing this song, and even with the resources of the world wide web at my fingertips still know very little other than that he was born in Los Angeles in 1963 to an actress mother, started playing piano and writing songs at the age of 12 and before releasing the album “Painted Desert Serenade” in 1993 dated the actress Sarah Jessica Parker (of Sex And The City fame). They apparently broke up before he recorded this song but of course there was speculation that the song was about her. I doubt it however as SJP, or rather her alter-ego Carrie Bradshaw, is a bit of a hero of mine and there is no way her Manolo Blahniks would navigate a beach anywhere, nor would she have a cat called Moses. Just sayin’.

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Family holidays can ironically be quite hard work, but there is often some time at the end of the day to unwind with your tipple of choice and perhaps listen to some live music. This is the song I remember best from that particular holiday but looking back over the years just about every holiday had a memorable musical moment – Another idea for a new series has developed it seems!

Until next time….

Jessie Lyrics
(Song by Peter Fitch Grant)

From a phone booth in Vegas Jessie calls at five a.m.
To tell me how she’s tired of all of them
She says, “Baby, I’ve been thinking about a trailer by the sea
We could go to Mexico; you, the cat and me
We’ll drink tequila and look for seashells
Now doesn’t that sound sweet”
Oh Jessie you always do this every time I get back on my feet

Jessie paint your pictures
About how it’s gonna be
By now I should know better
Your dreams are never free
But tell me all about our little trailer by the sea
Oh Jessie you can always sell any dream to me
Oh Jessie you can always sell any dream to me

She asked me how the cat’s been
I say “Moses, he’s just fine”
But he used to think about you, all the time
We finally took your pictures down off the wall
Jessie, how do you always seem to know just when to call
She says “Get your stuff together, bring Moses and drive real fast”
And I listened to her promise
“I swear to God this time it’s gonna last”

Jessie paint your pictures
About how it’s gonna be
By now I should know better
Your dreams are never free
But tell me all about our little trailer by the sea
Oh Jessie you can always sell any dream to me
Oh Jessie you can always sell any dream to me
Oh Jessie you can always sell any dream to me

I’ll love you in the sunshine
Lay you down in the warm, white sand
And who knows maybe this time
Things will turn out just the way you planned

Jessie paint your pictures
About how it’s gonna be
By now I should know better
Your dreams are never free
But tell me all about our little trailer by the sea
Oh Jessie you can always sell any dream to me
Oh Jessie you can always sell any dream to me

Postscript:

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Sarah Jessica Parker aka Carrie Bradshaw aka Mrs Ferris Bueller!

David Bowie, George Michael and “Star People”

Some of you who visit this place from time to time (thank you for that by the way) will know that Mr WIAA had recently entered a piece into a sculpture competition and that it had inspired me to write about a specific song (Alice, Jefferson Airplane and White Rabbit). The awards ceremony took place in London on Monday evening and I’m pleased to say that not only did he win a Bronze Award for the sculpture (up against stiff competition) but he also won a Gold Award for his entry in the 2D category. I also think I mentioned in my last post that there was no monetary award, it was just for the prestige of being the best in your field – Turns out I was wrong and the gold award winners do indeed get a cash prize! We left the venue with a spring in our step and headed back to the hotel for some nice food and wine.

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So, we’d spent the whole of day one of our London Trip simply traveling down from the far North of Scotland, navigating our way to the hotel and attending the awards ceremony. On day two we would hopefully have time for a few of the things tourists do in London before it was time to head back home. Because the theme of the competition entry was the marrying up of sculpture with literature, a trip to the British Library was on the cards, mainly because they have the original manuscript of Alice in Wonderland housed there. After dropping off our cases at left luggage and acquiring our blue Oyster Cards (always think of the band Blue Oyster Cult whenever I get one of those but you probably have to be of a certain age to get that joke), we were free to navigate London via its venerable Underground.

I did spot however that we were starting off on the Victoria Line and which station was only four stops away? It was Brixton, south of the river, and birthplace of Mr David Bowie. I knew there was a mural there of David in his Ziggy Stardust guise which people went to visit and treated as a place to leave tributes. We had the time so why not? It turned out to be incredibly easy to find as the mural is right on the street opposite the exit to the station. It wasn’t very big and has now been covered with a perspex sheet to protect both it, and the messages left by fans, but considering my very first blog post was about the death of David Bowie I thought it was important to have seen it. (Excuse the glare from the perspex but unavoidable and a short film added right at the bottom of this post.)

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Reading the messages that surround the David Bowie mural in Brixton

Starman by David Bowie:

It isn’t big and overwhelming but I did enjoy visiting the Starman’s mural in Brixton – People like to have a shrine, a focal point, so that they can leave messages, floral tributes and gifts and this is just one of those places. It got me thinking however, here we were in Brixton but if we travelled back up the line to Highgate we could see all the messages and floral tributes left for George Michael. In view of the fact I have spent a lot of time recently writing about the sadness I have felt over the loss of George, this seemed the right thing to do. And so, at around lunchtime on Tuesday we found his very house and outside there is a little park which has become a bit of a shrine to him.

Again, just so many messages left by fans and here I was doing something I had never contemplated doing before, stalking a big star from the world of music but sadly just a couple of months too late. There was a really great looking little pub across the street from his house so we went in and had a lovely lunch. It wasn’t lost on me that he was bound to have popped in for a pint at some point but I was too cool to ask the staff if that was actually the case. I just sat there and imagined the scene of myself, George and Mr WIAA having a drink, some food and a chat, trying to put the world to rights.

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George Michael’s local

So, “What’s It All About?” – It seems as humans that we like to be able to visit a specific place to remember our sadly departed. Don’t want to be morbid but I do actually want a headstone when the time comes as I do want my family to have a place they can visit. From what I saw this week the fans of David Bowie and George Michael also wanted a place to visit and I am glad that I was able to persuade my gold award-winning husband (its ok he won’t be allowed to get big-headed) to come along with me on my pilgrimage. For the record we did also manage to visit the British Library and along with Alice, the diaries of Sir Walter Raleigh and the Magna Carta, we also saw some scribbles by John Lennon and the rest of the Beatles, so again very relevant for the blog.

All back to normal now however and as we missed Pancake Day/Shrove Tuesday because of our trip, darling daughter treated us to some tonight. I have already shared David Bowie’s Starman from 1972 but I will leave you with a live version of George singing Star People ’97, funnily enough from 1997 – Enough now, time to move on.

Star People ’97 by George Michael:

Star People Lyrics
(Song by George Michael)

Star people
Counting your money till you soul turns green
Star people
Counting the cost of your desire to be seen

I do not count myself among you
I may be living in a dream
It’s just seem to many of you
Can’t help but hope
There’s a difference between, you and me

You’re a star
(I’m talking to you)
You’re a star

Maybe your mama gave you up boy
(It’s the same old same old)

Maybe your daddy didn’t love you enough girl

Star people
Never forget your secret safe with me
Just look at all wonderful people
Trying to forget they had to pay for what you see

It’s a dream
With a nightmare stuck in the middle
But where would you be
Without all of that attention
You’d die
I’d die
We’d die wouldn’t we
(Well wouldn’t we)

Big, big star
Should go far

Talk about your mother
Talk about your father
Talk about the people
Who have made you what you are
Talk about your teacher
The bully boy who beat you
Talk about the people who have paid
For that new sports car

Did you get off on a bad foot, baby
Do you have a little tale to tell
Is that why you’re a star?
Is that what makes a star?

Nothing comes for nothing, baby
That fame and fortune’s heaven sent
And who gives a fuck about your problems, darling
When you can pay the rent
How much is enough?

Postscript:

Just in case anyone from outside the UK unlikely to ever see the mural in Brixton wants a closer look, here is a short film –  a bit wobbly but a few good close-ups!

An Open Letter to George Michael RIP, Part 3 – The Tributes

Dear George

It’s now been two months since we woke up to the news that you had been found dead on Christmas Day – Of all the shock departures from the world of entertainment last year, yours was the one that affected me most and I still can’t quite believe that you will never again pop up on our screens chatting, singing, campaigning or joining forces with some of our finest comedic talents in one of their fund-raising sketches – Kind of cornered the market with those of late and raised an awful lot of money into the bargain so good on you.

But of course we are now well into Awards Season – Last week we had The Grammys and this week it was our own Brit Awards. Every year there is a short interlude where they give remembrance to those of you who have passed away since the last awards ceremony – 2016 will go down in history I think for being a freakish year in terms of loss. So many of you who were still so young and had so much more to give, left this mortal coil. I did think at the start of the year that this would just be something natural that we would have to get used to, but no, it was indeed a mathematically freakish year and one I don’t want to see repeated for some time.

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At both The Grammys and The Brits, there was a very moving tribute paid to you George, but by golly, for me it just doubly-emphasised what a fantastic singer you were. I never heard you sing out-of-tune ever, which is not something that the people who were given the job of singing your songs seemed to be able to do. First of all we had Adele at The Grammys who is generally very good at the old “live singing”, but even she had to stop and restart her rendition of your 1996 No. 1 Fastlove, because she had messed up. As a means of explaining she said, “I can’t do that to him, I just can’t” which was quite magnanimous of her I suppose. I have a feeling that you and her were probably friends and shared a similar sense of humour but I can’t be sure – Hopefully though you were looking down at her and appreciated what she was trying to do albeit in a bit of a, dare I say it, botched fashion. As for the really slowed down version of Fastlove (oh the irony), I can understand how an up-tempo number would have been inappropriate but somehow it just didn’t work for me. I am therefore going to remind myself of how it should be performed by none other than your good self. I am noticing however that in this video you were going through one of your crisis of confidence phases in terms of how you looked – Yes, it was your “I don’t want to show the right side of my face anymore because it doesn’t look so good” period which was just ridiculous as you were a fantastically attractive man from any angle. Just goes to show how these things can really get into the psyche however and although totally unreasonable, are difficult to shake off. I have a terrible feeling that at the time of your death you were not at all happy with how you looked which is just so sad – Could have been easily resolved if you’d had the right people around you to help.

Fastlove by George Michael:

So, we’ve had Adele with Fastlove complete with a brilliant set of images of you on the big screen – Yes George we even saw the right side of your face and it was lovely. Next up we have The Brit Awards and this time we had none other than Chris Martin of Coldplay doing the tribute song. Hmm… Not my first choice but he does seem to sell an awful lot of records so got the gig – Again not really appropriate for him to have performed one of your more up-tempo numbers (can’t really imagine Chris Martin in a pair of little white shorts and a Choose Life T-shirt singing Wake Me Up Before You Go Go) so what did he go for? – A Different Corner from 1986. But hey, this wasn’t just any old version of A Different Corner – Oh no, it was a really, really bad one! Thankfully at one point they did that really clever thing where a duet is possible with you on the big screen and him on stage (singing out-of-tune) so again your brilliance, from beyond the grave, saved the day.

I have always loved the song A Different Corner and here is a bit of a funny story George. Many years ago before I met Mr WIAA I had a great friend called Anne. We lived in flats only a few doors away from each other and were practically joined at the hip for a few years – We both loved going out socialising at the weekend but often bemoaned the fact that we just hadn’t found “The One” yet, the person we would perhaps marry. We decided that we must always have been turning the metaphorical “wrong corner” – If it had been a different corner, as per your song, we might have bumped into “The One”. Oh how we laughed! Anyway, Anne eventually got a new job in another town and she, and the different corner jokes, were sorely missed for a while – I had to shop solo on a Saturday afternoon which was a bit of a lonely business. One day I was heading up the high street when I saw Mr WIAA walking just ahead of me – I knew him from our social circle but despite getting on really well we always went our separate ways at the end of the evening. I decided it was time for action. The day had come for me to turn the correct corner. It was a race against time but I managed to head into the shopping mall, quickly run past all the shops and emerged at the exit right at the top of the high street just as Mr WIAA was arriving at that point. I was breathless but managed one of those convincing, “Gosh fancy bumping into you” greetings as I met him. After a bit of a chat we organised a date for later on that evening and that my dear George was 28 years ago now, so thank you for inspiring me to take the initiative that day and make sure I didn’t indeed turn a different corner.

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I am most definitely not going to share the Chris Martin version of the song here but a version you sang live on television some years ago, perfectly as ever. I think the time has come for me now to let go, and this will probably be my last letter to you. I hope that wherever you are, you have found peace. Despite the less than perfect singing at The Brits it was lovely to see your old pals Andrew Ridgeley, and Pepsi & Shirley read out their own tributes to you – It was a shock however to see Andrew looking like a bit of an old man. If he is looking older then so must we but there is nothing to complain about as at least we will have the luxury of growing older, whereas now you never will.

A Different Corner:

Farewell then my old friend – As these tributes show, you are sorely missed by so many and we thank you for all the wonderful songs you have given us. Because of them (and your amazing acts of generosity) you will never, ever be forgotten.

A Different Corner Lyrics
(Song by George Michael)

I’d say love was a magical thing
I’d say love would keep us from pain
Had I been there, had I been there

I would promise you all of my life
But to lose you would cut like a knife
So I don’t dare, no I don’t dare

‘Cause I’ve never come close in all of these years
You are the only one to stop my tears
And I’m so scared, I’m so scared

Take me back in time maybe I can forget
Turn a different corner and we never would have met
Would you care

I don’t understand it, for you it’s a breeze
Little by little you’ve brought me to my knees
Don’t you care

No I’ve never come close in all of these years
You are the only one to stop my tears
I’m so scared of this love

And if all that there is is this fear of being used
I should go back to being lonely and confused
If I could, I would, I swear

The (Very) Eclectic Mix of Honor Blackman, Andy Stewart and Eric Idle

Reminiscing in my last post about those shiny white boots worn by Nancy Sinatra, reminded me that in December 1990, the novelty song Kinky Boots by those intrepid Avengers Patrick Macnee and Honor Blackman had made it to the top of the UK Singles Chart. Nancy had recorded the theme song to the Bond movie You Only Live Twice and Honor of course played infamous Bond girl Pussy Galore (wouldn’t get away with that name nowadays thankfully), so both ladies had a bit more in common than just a habit of wearing, and singing about, boots!

The reason that I know it was a hit in Dec 1990 is because I still have a copy of the 7-inch single in my collection! At that time BBC Radio 1 was aimed at a more mainstream audience and the Breakfast Show DJ was Simon Mayo. Every year prior to Christmas he championed an old ’60s novelty song and gave it copious amounts of airplay. Needless to say it always sold well and made it to the higher reaches of the singles chart, No. 5 in this case. I’m pretty sure my boyfriend of the time (now husband) bought it for my “hypothetical” Christmas stocking (trying to fit a record of any kind into a real stocking tended to be a physical impossibility).

Kinky Boots had been commissioned to accompany a short film about these fashionable items of footwear for the very popular early ’60s satirical TV Programme, That Was The Week That Was. The most obvious candidates to sing the song were the stars of the new spy-fi drama that was entertaining Britain at that time – The main characters in The Avengers were Steed with his bowler hat and umbrella, and Cathy Gale in her long thigh-length boots. This was a very new kind of role for a woman in television and Honor Blackman played her perfectly. The role must have led to her becoming the leader of the all-female Flying Circus in Goldfinger but there followed in her wake a string of other “Avenging” women namely Emma Peel, Tara King and in the ’70s, the iconic Purdey, who inspired a generation of girls to have their beautiful long hair cut into a bowl shape!

But back to Simon Mayo’s Breakfast Show on the radio – Unbelievably, the previous year the song he had championed was actually by our very own local hero, Andy Stewart. Andy had been a bit of an institution in Scotland in the world of light entertainment and presided over the excruciatingly embarrassing White Heather Club which ran for 10 years between 1958 and 1968. It portrayed a very tartanised version of Scotland, what with the kilts, the dancing, the accordions and all the other stereotypical falderals and although very popular with television audiences, if you were a kid like me, lapping up all the great music that was emerging from America and “Swinging London”, it was seen as very uncool.

But in his wisdom Simon Mayo must have discovered Andy’s novelty song Donald Where’s Your Troosers from 1960 and helped it reach No.4 in the December 1989 singles chart. This could be a difficult listen I grant you, but bear with it, as Andy was a great impressionist as well as a singer/comedian and his impression of Elvis (at 1:45) is still a really funny one.

Out of interest, the third of Simon’s attempts to influence the outcome of who might top the Christmas singles chart, was when he championed Always Look on the Bright Side of Life sung and written by Eric Idle. It had first appeared in the Monty Python film The Life of Brian and here it was back in the charts in December 1991, this time reaching the No. 3 spot. This song still resonates with us today and it has popped up quite frequently in the various blogs I follow of late – ‘Tis the times we obviously live in.

Always Look on the Bright Side of Life by Monty Python:

So, “What’s It All About?” – I really miss that sense of community we used to get from all watching or listening to the same thing at the same time. If like me, you worked in an office back in the ’80s and ’90s, the topic of conversation first thing in the morning was whatever had been on television the night before (very memorable Wogan interviewees for example, and I think we all know who I’m talking about) and what the breakfast DJ had been playing as we got ready for work. Now all you get is, “Don’t tell me what happened, I’ve recorded it” or “I only watch Netflix and boxsets” or “I don’t listen to that radio station”.

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In an era with so much choice and so many ways to consume visual and aural entertainment we have lost what it was that used to bring us all together. The days of getting together for a sing-song around the piano have long-gone and now it seems we hardly ever watch or listen to the same things, at the same time. Maybe, just maybe, that is why I am enjoying the blogosphere so much – Once you are part of a little group, you end up all reading (watching and listening to) the same post at the same time and have a wee chat about it. It’s not the community of my parents generation and not even the community of 20 years ago, but perhaps it’s a new kind of community that works for the modern day world. I may not know much about any of you, but it’s nice that you take the time to drop by and leave some feedback – Whether I’m likely to get much feedback on a post featuring Andy Stewart remains to be seen, but here’s hoping!

Until next time….

Always Look on the Bright Side of Life Lyrics
(Song by Eric Idle)

Cheer up, Brian. You know what they say.
Some things in life are bad,
They can really make you mad.
Other things just make you swear and curse.
When you’re chewing on life’s gristle,
Don’t grumble, give a whistle!
And this’ll help things turn out for the best
And

Always look on the bright side of life!

Always look on the bright side of life
If life seems jolly rotten,
There’s something you’ve forgotten!
And that’s to laugh and smile and dance and sing,

When you’re feeling in the dumps,
Don’t be silly chumps,
Just purse your lips and whistle — that’s the thing!
And always look on the bright side of life

Come on!

Always look on the bright side of life

For life is quite absurd,
And death’s the final word.
You must always face the curtain with a bow!
Forget about your sin — give the audience a grin,
Enjoy it, it’s the last chance anyhow!

So always look on the bright side of death!
Just before you draw your terminal breath.
Life’s a piece of shit,
When you look at it.

Life’s a laugh and death’s a joke, it’s true,
You’ll see it’s all a show,
Keep ’em laughing as you go.
Just remember that the last laugh is on you!

And always look on the bright side of life

Always look on the bright side of life

Come on guys, cheer up

Always look on the bright side of life

Always look on the bright side of life

Worse things happen at sea you know

Always look on the bright side of life

I mean, what have you got to lose?
you know, you come from nothing
you’re going back to nothing
what have you lost? Nothing!

Always look on the bright side of life

Dina Carroll, “The Perfect Year” and a Happy New Year!

Well I think that all of us who blog about the world of entertainment, be it music, film, comedy, theatre, or any other category I might have missed, will agree that 2016 was a pretty desperate year. I don’t know if anyone has done the stats yet, but compared with 2015, never a week seemed to go by without a major name (and I mean really major) leaving this mortal coil. I doubt if any mathematician out there could have produced a formula that would have predicted such things. As we are now into 2017 (well hello new year), I am going to hope that things become a bit more normalised again – Steady as she goes.

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I may be a day too late by the time this gets published but I thought of this song on New Year’s Eve, or Hogmanay as we call it here in Scotland, when I was writing the second part of my George Michael tribute. The two pieces of music (primitive cassette tapes actually) we took into hospital with us to while away those long hours in the Labour Suite awaiting the birth of darling daughter (fortunately selective memory kicks in and I can’t really remember the pain now), were by George and Dina Carroll.

I also can’t remember all these years later, if my daughter was born to the sounds of George, Dina, or neither, as we were probably well and truly sick of both of them by the time the end game came along. Also, I was a bit preoccupied with averting my gaze from the man holding the most enormous pair of forceps I had ever seen in my life, to really take note of which tinny sounds were emanating from the very basic player in the corner of the room. It is appropriate however to feature this lovely song at the birth of this brand new year. Let’s hope it’s going to be a better one, in every sense of the word.

Ring out the old, bring in the new
A midnight wish to share with you

The Perfect Year was actually a song written for the stage musical Sunset Boulevard which opened in July 1993 although it was of course originally a very successful 1950 American film noir directed and co-written by Billy Wilder. The film Sunset Boulevard was nominated for 11 Academy Awards and won 3. It starred William Holden as Joe Gillis, an unsuccessful screenwriter, and Gloria Swanson as Norma Desmond, the faded silent film star who drew him into her fantasy world.

But 1993 brought us the musical, and the music for it was written by that most prolific of impresarios Andrew Lloyd Webber, with the words being written by Don Black and Christopher Hampton. At the end of that same year Mr WIAA and myself ventured quite far afield on holiday, and to my shame, we returned home with quite a lot of music that was perhaps not of the entirely legitimate nature. Looking now at legitimate copies of the “Five Live EP” (mentioned last time) and the “So Close” album by Dina Carroll, the ones we had acquired on holiday in 1993 contained an awful lot of additional material, which is why they probably saw us through the long night in the Labour Suite. The upshot of this tale is that The Perfect Year was actually on our copy of “So Close”, and has always been my favourite track. A beautiful song, sung beautifully, with a sentiment that appeals to an old romantic like myself.

The Perfect Year by Dina Carroll:

Dina Carroll was born in Suffolk in 1968 and if I remember correctly, she is another of those artists with an American Forces father and a British mother who somehow seem hard to place, and could fit in equally well on either side of the pond. Dina started singing at the age of five and won a talent competition at thirteen. Between 1989 and 1993 she had great chart success and carried out a British tour in the November/December of that year supported by the then unknown Eternal (one of whom was little Louise Nurding now Redknapp who reached the final of last year’s Strictly Come Dancing – bit of trivia).

To round off this highly successful 1993, Dina recorded her version of The Perfect Year and released it in the December which is how it must have come to be on our (dubious) copy of “So Close”. The song reached No. 5 in the UK Singles Chart and Dina was to become the only British female to have two singles simultaneously in the Top 10 that decade, with Don’t Be a Stranger still riding high when The Perfect Year entered the charts.

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So, “What’s It All About?” – It is indeed a new calendar year and we humans do like to compartmentalise time in this way, although really it’s still just the day after yesterday. We like to use this time of the year for fresh starts, and I hope your fresh starts work very well for you.

This time last year I had no idea this place existed and had hitherto mainly shared my thoughts with my friends on Facebook, much to their chagrin – It was time to move to a better medium and this one has been great. I will admit to making a few mistakes along the way and am still prone to sometimes making comments on other blogs, then changing my mind, but finding it is too late. Sorry if you have been the recipient of one of my ill-thought-out comments. I will do better in 2017.

Goodbye then to a sorry 2016, and Hello to a hopefully superior 2017 (although I’m not holding my breath).

Until next time, enjoy the beautiful sounds of Dina Carroll who in 1993 thought she was about to have, The Perfect Year.

The Perfect Year Lyrics
(Song by Don Black/Andrew Webber/Christopher Hampton)

Ring out the old, bring in the new
A midnight wish to share with you
Your lips are warm, my head is light
Were we in love before tonight?

Oh, I don’t need a crowded ballroom
Everything I need is here
If you’re with me next year will be
The perfect year

No need to hear the music play
Your eyes say all there is to say
The stars can fade and they can shine
Long as your face is next to mine

I don’t need a crowded ball room
Everything I need is here
If you’re with me next year will be
The perfect year

We don’t need a crowded ballroom
Everything we need is here
If you’re with me next year will be
The perfect year

It’s new year’s eve and hopes are high
Dance one year in, kiss one goodbye
Another chance, another start
So many dreams to tease the heart

We don’t need a crowded ballroom
Everything we need is here
And face to face we will embrace
The perfect year

Oh, we don’t need a crowded ballroom
Everything we need is here
So face to face we shall embrace
The perfect year

An Open Letter to George Michael RIP, Part 2 – The Solo Years

Dear George

Well old friend, it’s been a very sad but oddly uplifting few days. I wrote my first letter to you back on Tuesday when the news of your death was still raw. Since then I have pulled together all the old vinyl and CDs (from both the Wham! and solo years) and had a good wallow through your back catalogue. There is much there to give joy but also material there that now breaks my heart – I don’t know about the Cowboys but I hope you are now with the Angels. A cringey thing to say I know, but I had to include that song somewhere as although not a massive commercial success in its own right, it is still my favourite from your album “Listen Without Prejudice Vol 1” (there never was a Vol 2 but that of course is another story).

Cowboys and Angels by George Michael:

When I say it has also been an oddly uplifting few days, that is because we have now heard about some of your (hitherto anonymous) amazing acts of generosity. You were always at the forefront whenever a charity concert or single was in being put together but most of us had no idea just how many random acts of kindness you were responsible for over the years. You helped out at homeless shelters and always stood up for the downtrodden. A prince among men.

But I have jumped ahead. In my last letter to you I did a fair bit of reminiscing about all that went on in both of our lives during the Wham! years of the early ’80s but what happened after that? I think we both kind of grew up. You carved out a successful career as a very credible solo artist and I stopped being a flibbertigibbet, moved to a new town and took up a responsible job. Ok, so I still was a bit of a flibbertigibbet, but I now lived on my own and had to travel long distances to meet up with my old friends, but when I did, it was just like old times.

In 1987 you released your first solo album “Faith” and during one of our reunion weekends that year it was played constantly. The girls were mightily taken with your new “look” and we found it quite amusing that so many young men were trying to recreate that look, what with the designer stubble, the leather jacket, the shades and even the glove. Looked great on you but on anyone else it just kind of looked silly. One of my friends had actually been given a video of the single I Want Your Sex by her boyfriend, as a present for her birthday. A few raised eyebrows about that one as how could one ever compete with “Gorgeous George” in the bedroom department!

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George Michael – Faith

But you were exhausted after all the hoopla that came with the promotion of “Faith” George, and to be honest so was I. Living in The Highlands of Scotland but spending every weekend travelling around the country was also exhausting and I started to make friends locally and even got myself a boyfriend who was to become Mr WIAA. Hurrah I hear you say (after getting bored with my stories of the on-off nature of my relationship with boyfriend no. 1 during the Wham! years).

In 1990 you released a much more contemplative album called “Listen Without Prejudice Vol 1” and the first single from it Praying for Time had lyrics that concerned social ills and injustice. We were starting to realise what kind of man you really were. This album was a very different affair and it alluded to your struggle with your artistic identity. Vol 2 never did appear and shortly after, you ended your record contract with Sony.

One good thing that came out of your dispute with the record company is that you had a fair bit of “gardening leave” and threw yourself into appearing at benefit concerts and such like. The one that has gone down in history, is when you took part in the Freddie Mercury Tribute Concert in 1992 along with Queen, Lisa Stansfield, Seal, David Bowie and many others. For some reason I can’t remember watching this concert live on telly at the time (put it down to getting engaged, married and buying and selling a property in a four month period) but it was obviously repeated in 1993 ahead of the Five Live EP where five tracks from the concert were released on a single EP, with all proceeds going to the Mercury Trust. This time we did see it, and my goodness it gave me goosebumps. You know when you witness something truly exceptional and your version of Somebody To Love with the other members of Queen really was exceptional (check out that note at 1:16).

Somebody To Love by George Michael and Queen:

Around this time I always had a blank tape in the VCR (remember those) and if something special came on telly I would quickly press “record”. This performance of Somebody To Love was revisited many times over the next few months. To see you, giving it your all George, in your gorgeous coral-coloured jacket (a great choice by the way) and blousy gold earring, was joy personified.

And here is where you feature in a really important moment in my life, and that of my daughter’s as it turns out. A couple of years later I found myself “with child” (blame the I Want Your Sex video) and it was suggested that we take a few cassette tapes with us to the labour suite come the hour. It all gets a bit frantic when everything starts to happen so we quickly grabbed the bag and two tapes to take with us. One was by Dina Carroll (not thought of her in ages) and the other was the Five Live EP. Despite the rush to get there things did not end up happening very quickly at all and we spent all evening, all night and then part of the next morning awaiting darling daughter’s arrival, all to the sounds of you George, plus those of Lisa Stansfield, Queen and occasionally Dina Carroll. Very apt really, and excuse the schmaltz, but she truly has been “somebody to love”.

I will admit that once you have a family, music has to take a back seat, especially if you are the mum I think, and I am sorry George but my attention to you was a tad neglected over the next few years but I did appreciate your “Older” album when it came out in 1996 and of course I had to buy “The Best of Wham!” in 1997, and then “Ladies and Gentlemen” in 1998. Funnily enough, by this time darling daughter was becoming a little character in her own right and one of our favourite things to do of an afternoon was to dance to your songs. One of the best for this was Club Tropicana where we re-enacted the long pre-amble with the sound of the car pulling up, the footsteps, the cicadas and then the opening of the doors to “Club Tropicana”. Fun times and needless to say she did become a bit of an aficionado of musical theatre and at one point we thought that a life on stage might be for her.

Oh George, here I am running out of words again and I’ve only got to 1998 but of course that was also the year that you kind of let yourself down a bit. None of us who were fans cared whether you were gay or not but you did “out” yourself in a very public way by getting arrested in LA. You say it was a subconsciously deliberate act, which it probably was, and it did give us the very entertaining Outside later on that year. Didn’t endear yourself to the LAPD with that one though, did you?

I can see, as fellow Chain-Ganger George (coincidental name) suggested last time, that this will have to be a game of three thirds as opposed to two halves, so until next time, thank you again Georgios Kyriacos for all the great music I have had the privilege to revisit this week due to your very untimely demise. I would much rather it had been under very different circumstances, but there we are.

Until next time, RIP to the Cowboy and the Angel who tried very hard to find “somebody to love”.

Cowboys and Angels Lyrics
(Song by George Michael)

When your heart’s in someone else’s hands
Monkey see and monkey do 
Their wish is your command
Not to blame
Everyone’s the same

All you do is love and love is all you do
I should know by now the way I fought for you
You’re not to blame, everyone’s the same

I know you think that you’re safe
Mister
Harmless deception
That keeps love at bay
It’s the ones who resist that we most want to kiss
Wouldn’t you say?

Cowboys and angels
They all have the time for you
Why should I imagine that I’d be a find for you
Why should I imagine
That I’d have something to say

But that scar on your face
That beautiful face of yours
In your heart there’s a trace
Of someone before

When your heart’s in someone else’s plans
Things you say and things you do
That they don’t understand
You’re not to blame
Always ends the same

You can call it love but I don’t think it’s true
You should know by now
I’m not the boy for you
You’re not to blame
Always ends the same

I know you think that you’re safe
Sister
Harmless affection that keeps things this way
It’s the ones who persist for the sake of a kiss
Who will pay and pay
Cowboys and angels
They all have the time for you
Why should I imagine that I was designed for you
Why should I believe
That you would stay

But that scar on your face
That beautiful face of yours
Don’t you think that I’d know
They’ve hurt you, before

Take this man to your place
Maybe his hands can help you forget
Please be stronger than your past
The future may still give you a chance
The future, the future, not the past

That scar on your face
That beautiful face of yours
Don’t you think that I know
They hurt you before

Halloween, K’s Choice and “Virgin State of Mind”

Couldn’t really let tonight pass without mentioning that it’s Halloween and we’re just back from a bit of a “do” at our neighbour’s house. The local kids who dropped by for some trick or treating were rewarded with a bit of old-fashioned “bobbing for apples”, which pretty much no-one does any more, so it was great fun for them. Of course when I was a youngster here in Scotland it was called guising and there were certainly no pumpkins in those days – Oh no, it was a case of hollowing out turnips, which if you weren’t careful resulted in the loss of a digit.

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My dad once helped me create a pretty spectacular one for a Brownie Halloween party, but unfortunately on the way there, it got dropped (in those days we walked everywhere unaccompanied, even at night). Being a root vegetable it pretty much fell to pieces, so when it came to the prize for the best “neep lantern” it was in a bit of a sorry state and did not fare well against other, initially lesser neeps! When I got back, I of course told the parents it had befallen an accident on the way home from the party, so as not to have made the making of the lantern a waste of time – One of the rare lies of my childhood and I felt bad about it for years. Funny how those things stick.

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But of course Halloween is now big business and pop-up shops appear on our high streets during the build up to the 31st selling nothing but ghoulish dressing-up outfits, scary masks and very realistic, gory make-up. Our daughter had two events at the weekend and needed a different outfit for each one. In fact the town was so busy with Halloween revellers on Saturday night that the ATMs ran out of money in the early hours of the morning. With no access to cash for taxis home, there were many SOS calls to parents, us included.

Most of this commercialisation of Halloween has come from across the pond but there is no point in trying to fight it anymore, so I did indeed buy myself a pumpkin this year. Unlike with the “neeps” of my youth however, faster than you can say Jack Robinson he became the fine Jack-o’-Lantern you see above.

So, what song comes to mind when I think of Halloween? – Far too many to mention actually so instead I am going to pick something, yet again, from one of our favourite television shows – Buffy the Vampire Slayer. This song, Virgin State of Mind by Belgian band K’s Choice, featured in the 1999 episode “Doppelgängland” where the vampire alternate of Willow Rosenberg arrives in Sunnydale. The Bronze nightclub was the meeting place of choice for Buffy and her pals, and it was usual to have bands playing there. If you watched all seven seasons, as we did, you were treated to some excellent music and this song by K’s Choice is the one I enjoyed most.

Virgin State of Mind by K’s Choice:

K’s Choice have been around since the early ’90s and their music can be described as guitar-based, singer-songwriter rock or folk-rock. Sarah Bettens’ husky voice is the band’s most distinctive characteristic. Sarah and her brother Gert write all the songs for the band and although most of the lyrics are easily understood, some are strange and incomprehensible. This led Gert to comment on this song, Virgin State of Mind – “Listening to the lyrics for the first time, you may find it hard to understand their meaning. When you listen to them a second time however, you may sense a basic truth in those cryptic words. If you do, please let me know.” – Will do Gert.

As it turns out, by the time I finish this post and publish it, Halloween will be over and we will have moved into All Hallows’ Day. Time to blow out the candle in my Jack-o’-Lantern then, but before I go I will share a clip featuring the the scariest group of characters from aforementioned seven seasons of Buffy – “The Gentlemen from Hush”.

“Hush” was the tenth episode in the fourth season where creator Joss Whedon set out to write a silent episode, almost completely devoid of speech. Only about 17 minutes of dialogue is presented in the entire 44 minutes. In “Hush”, a group of fairytale ghouls named “The Gentlemen” come to town and steal everyone’s voices, leaving them unable to scream when they cut out their hearts. The episode was highly praised when it aired and was the only episode from that season to be nominated for an Emmy Award. Prepare to be afraid.

Virgin State of Mind Lyrics
(Song by Sarah Bettens/Gert Bettens)

There’s a chair in my head on which I used to sit
Took a pencil and I wrote the following on it

Now there’s a key where my wonderful mouth used to be
Dig it up, throw it at me
Dig it up, throw it at me

Where can I run to, where can I hide
Who will I turn to now I’m in a virgin state of mind

Got a knife to disengage the voids that I can’t bear
To cut out words I’ve got written on my chair

Like do you think I’m sexy
Do you think I really care

Can I burn the mazes I grow
Can I, I don’t think so

Can I burn the mazes I grow
Can I, I don’t think so

Where can I run to, where can I hide
Who will I turn to now I’m in a virgin state of mind
Virgin state of mind
Virgin state of mind
Virgin state of mind

Autumn, “California Dreaming” and The Mamas & the Papas

Having totally accepted now that autumn is well and truly with us, it’s possible to start enjoying all the things it brings. It was interesting this week to discover that the Pagan name for the autumnal equinox is actually “Mabon”, and that it really is a celebration of the fact the harvests are in and we can count our proverbial blessings for another year. Not that I’ve suddenly gone all new-age or anything but I decided to head out for a walk on Thursday (the day of the equinox) to gather some of nature’s riches in a basket. Hubby decided to humour me and tagged along. Living right on the edge of a forest we didn’t have to go far to find all sorts of interesting bits and pieces. The basket idea was ditched however in favour of a bag (too Little Red Riding Hood-like otherwise) but when I asked hubby to retrieve the bag from his pocket it turned out he’d taken a giant plastic one from a well-known sporting goods store. This was not the rustic, rural idyll I was trying to recreate so he very kindly headed back for something in cloth or hessian.

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Celebrating Mabon!

It was a beautiful afternoon and the walk in itself would have been enough but I was really pleased to be able to gather so many interesting berries, leaves and seedpods. Once back home, my items were placed in a bowl on the hearth but when darling daughter arrived home and questioned why there was indeed a bowl of “stuff” in the living room, I explained we were celebrating the start of autumn and the fact the harvests were in for another year. “But we go to the supermarket” she said, seemingly nonplussed – Missing the point there I think!

Anyway, having done my bit of new-age celebrating (with a candle no less) it occurred to me that one of my favourite autumnal songs is California Dreamin’ by The Mamas & the Papas. Now this is a really great song (not least because of the harmonies) but can cause real seasonal confusion. It shouldn’t really as the lyrics are quite straightforward – The narrator is basically longing for the warmth of his home in LA during a cold winter’s day in New York. But what with the reference to the autumn leaves, the winter’s day, and the sunshine of California, it kind of encapsulates three seasons in one song.

All the leaves are brown and the sky is grey.
I’ve been for a walk on a winter’s day.
I’d be safe and warm if I was in L.A.,
California dreamin’ on such a winter’s day.

California Dreamin’ by The Mamas & the Papas:

This autumn/winter song was written by John and Michelle Phillips of The Mamas & the Papas. Because it is so closely associated with The Mamas & the Papas however, it confusingly comes under the sub-genre sunshine pop. They, along with other mid-sixties artists such as The Beach Boys and Jan & Dean, were part of a musical aesthetic called The California Sound. To be a teenager in southern California in the late 1950s and early 1960s, it must have felt as if you’d died and gone to heaven, and the songs identified with that culture were full of wide-eyed, sunny optimism. They were all about surfin’, riding around in hotrods and partying at the beach. The California Sound however gradually evolved to reflect a more mature world view, becoming less to do with surfing and cars and more about social consciousness and political awareness. Between 1964 and 1969, it inspired artists to tackle meatier themes such as sexual freedom, black pride, drugs, politics and war.

But for now I will just enjoy the song, whatever musical sub-genre it belongs to. I was too young to enjoy The California Sound first time around but it is a sound we are all familiar with. The offspring of Beach Boy Brian Wilson, and Mama and Papa John and Michelle Phillips, went on to form the late ’80s band Wilson Phillips so one of those second generation things going on there – Sadly I was a bit too old for their kind of sunshine pop by this time so yet again missed the boat. I will however leave you with their biggest hit, Hold On from 1990 (which incidentally had a bit of a starring role in the very funny Kristen Wiig film, Bridesmaids). Enjoy.

California Dreamin’ Lyrics
(Song by John Phillips/Michelle Phillips)

All the leaves are brown and the sky is grey.
I’ve been for a walk on a winter’s day.
I’d be safe and warm if I was in L.A.;
California dreamin’ on such a winter’s day.

Stopped in to a church I passed along the way.
Well I got down on my knees and I pretend to pray.
You know the preacher liked the cold;
He knows I’m gonna stay.
California dreamin’ on such a winter’s day.

All the leaves are brown and the sky is gray.
I’ve been for a walk on a winter’s day.
If I didn’t tell her I could leave today;
California dreamin’ on such a winter’s day.
California dreamin’ on such a winter’s day.
California dreamin’ on such a winter’s day.

Warm Winds, Burt Bacharach and “A House Is Not A Home”

Ahead of the onset of autumn, my plan for the weekend was, (perhaps foolishly, this being the north of Scotland) to organise an outdoors get-together for some good friends. Ever since writing about the England Dan & John Ford Coley song I’d Really Love To See You Tonight earlier in the year, I’ve been a tad obsessed with trying to recreate the ambiance it conjures up (there’s a warm wind blowing the stars around). This being Scotland it was never going to be easy as to see the stars it has to be dark, and earlier in the summer it barely gets dark at all. So, it really had to be right at the end of the season which meant there would be no warm winds, but if a fire was present at least there would be warmth. Other than a short shower of rain, when we conveniently decanted inside to eat, we were able to sit outside until midnight and although not many stars visible last night there was a lovely half-moon, so really pleased with my efforts.

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Late summer in Scotland – waiting for the guests to arrive!

Another real treat was that I took my new portable turntable outside which meant rifling through the old vinyl from back in the day. Rediscovered a lot of records I had forgotten about that have not been replaced in digital format, so a real added bonus to the evening. After writing about Raindrops Keep Fallin’ On My Head recently, and how the scene where it appears in Butch Cassidy and The Sundance Kid contains most of the ingredients I consider important for creating “the perfect day”, last night’s get-together contained most of the ingredients for the “perfect evening”.

You would think that would have been enough for one evening but no, after the guests left and some tidying up had been done, we discovered a wonderful show on BBC4 called Burt Bacharach, A Life In Song. Anyone familiar with this blog will know that I’m a great fan of Burt’s music and especially the songs he wrote with Hal David. This show had been filmed three years ago when Burt was 85 and although it was sad to see him looking so frail and aged, he still rose to the challenge of leading his orchestra and guest singers in a celebration of his music.

It was one of those shows where between the songs, Burt was interviewed by Michael Grade, who quizzed him on all aspects of his very lengthy career. What I found really interesting was that near the end, Michael asked Burt what his favourite song was and it turned out to be Alfie – This was obviously a pleasant surprise. Sadly, because I think I’ve listened to the song once too often this year, I have now become a bit tired of it but it was interesting to note that Burt chose it because he considered Hal’s lyrics to be “important”. A few months back I came to this conclusion also. There are earlier important lyrics in the song but near the end there are the lines:

I believe in love, Alfie
Without true love we just exist, Alfie
Until you find the love you’ve missed
You’re nothing, Alfie

Early on in this process of looking back nostalgically via song, it became apparent that “What’s it all about?” was indeed love – First for our family as children, then for our best friends as teenagers and finally for the people we form relationships with on the way to finding that special person. If you are lucky enough to have children, that is perhaps the greatest love of all and one from which you have no escape, although your patience may be tested at times. There is the old adage that nobody on their deathbed has ever said “I wish I’d spent more time at the office”- It is all about the people you meet on the way. In music and song, the subject of love is never far away, and what a wonderful thing to have in the world (I’m in tears here).

Of course there are many versions of the song Alfie (and it ended up being the Cher version used for the film) but when pressed, Burt very carefully sidestepped the issue of which one he preferred. He did however refer to the now infamous footage of Cilla Black being harangued into recording 41 versions, which suggests it wasn’t her one!

Alfie by Cilla Black:

But back to the show – When Burt was then asked what his second favourite song was, it turned out to be A House Is Not A Home. This show just kept getting better and better because earlier that evening, when getting ready for the party, I had thanked my lucky stars that due to circumstance we very much reside in a lived-in home as opposed to a show-house. I know that is not really the point of the song, but it had come to mind. By the time you reach your “middle-years” a lot of friends have invested heavily in their expensive, possibly cream-coloured furniture, fittings and floor coverings (the three Fs). All very nice but they are then terrified of ever hosting a social event in case anything gets spoilt or damaged. Having given up a good job when our daughter was born to be a stay-at-home mum, we’ve not had the luxury of constantly upgrading every few years – The upside of this however is that your house becomes a home, where the people in it are the most important thing and not the expensive furnishings. Our daughter’s friends were always welcome, pets were encouraged and social gatherings are a regular occurrence. I feel sorry in a way for those people trapped in the cycle of working so hard to buy all those lovely things that then can’t be enjoyed and shared, but hey, maybe that’s just me.

Yet again I have run out of words but I will end with a version of A House Is Not A Home from my collection which comes from the television show Glee, where it was sung very sweetly by the actor/singer Chris Colfer. I hadn’t really taken too much heed of the song until that point (previously recorded by Dionne Warwick, Brook Benton and many others) but it perfectly fitted the storyline and led me straight to iTunes after the show ended.

A House Is Not A Home by Chris Colfer:

So yet again I’m up far too late, just as happened last night when I was drawn to watching a late night show featuring Burt Bacharach. And of course this has been a very serious post, so apologies for that – I promise that a much more light-hearted one is to follow and it involves trousers. Watch this space.

A House Is Not A Home Lyrics
(Song by Burt Bacharach/Hal David)

A chair is still a chair
Even when there’s no one sitting there
But a chair is not a house
And a house is not a home
When there’s no one there to hold you tight,
And no one there you can kiss good night.

A room is still a room
Even when there’s nothing there but gloom;
But a room is not a house,
And a house is not a home
When the two of us are far apart
And one of us has a broken heart.

Now and then I call your name
And suddenly your face appears
But it’s just a crazy game
When it ends it ends in tears.

Darling, have a heart,
Don’t let one mistake keep us apart.
I’m not meant to live alone. turn this house into a home.
When I climb the stair and turn the key,
Oh, please be there still in love with me.