What's It All About?

An American Odyssey in Song: New Hampshire – Noel Harrison and “The Windmills Of Your Mind”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

Last time we started our journey in Maine and our road trip inevitably now takes us to the neighbouring state of New Hampshire. This is a state with very little coastline but it does have the highest peaks east of the Mississippi – The White Mountains cover about a quarter of the state and are part of the northern Appalachian range. Looking at a map of New Hampshire, New England you could be back in Old England as the place names are all very familiar to us. There is Portsmouth on the coast then slightly inland there is Exeter, Dover and Manchester. Yes when the founding fathers landed in the New World they took a lot of the Old World with them.

new hampshire

The most distinctive thing about New Hampshire for me, is that it does seasons like no other state. Autumn, or fall as it is called there, is spectacular and in winter the mountain regions are covered in snow. Spring and summer look quite nifty too and again, although these are not travelogue posts, I’ll include a few pictures.

In popular culture, the Henry/Jane Fonda film On Golden Pond is set in New Hampshire and John Irving, a native of the state, wrote his best-selling novel about the eponymous Hotel. In both crime dramas Breaking Bad and The Sopranos, we have characters who successfully hide out there for long periods, in “cabins in the woods”.

But this is supposed to be a music blog so what song could accompany my post about New Hampshire? The suggestions were not as free-flowing as last time, mainly because there aren’t many well-known songs that mention place names from The Granite State although thanks to Jez for manfully coming up with his suggestion (The Shaw Brothers’ New Hampshire Naturally). Rick, a New-Englander himself, came in with a late suggestion (Tom Rush’s Merrimack County) and CC‘s generic pick (Jonathan Richman’s New England) is being kept for another state. Rol, who can usually be depended on for a multitude of suggestions, was even stumped in finding songs suitable for this blog – As he pointed out there are plenty of songs that refer to Manchester, Portsmouth and even Lebanon but just not the ones in New Hampshire. Time to bend the rules a bit then and this is where I made a wonderful discovery.

On my long list of “posts pending”, mentioned just a few times (I can’t keep up with it), I have the song The Windmills Of Your Mind by Noel Harrison because it is one of Mr WIAA’s favourites. It was written for a key scene in the film The Thomas Crown Affair and wait for it, that key scene is set in New Hampshire where Steve McQueen’s character flies a glider over the little airport in Salem. It’s obviously not autumn, because it’s all very green, but we do literally, get a bird’s eye view of the landscape.

The Windmills Of Your Mind by Noel Harrison:

This classic 1968 bank heist film needed an original song for that glider scene and the director asked French composer Michel Legrand, along with American lyricists Alan and Marilyn Bergman, to come up with something that referenced the feelings of Thomas Crown as he calmly flies his glider, whilst experiencing the inner tension of preparing to commit a major robbery. To quote the Bergmans – “The lyrics were a stream of consciousness. We felt that the song had to be some kind of mind trip. I think we were thinking of that feeling you have when you try to fall asleep at night and you can’t turn your brain off because thoughts and memories tumble.”

I don’t know about you but I often find that I can’t turn my brain off (maybe why all this outpouring in a blog is so therapeutic) and this song does kind of conjure up images of what is going on in there. As for the film, I am actually more familiar with the very stylish remake from 1999 which starred Pierce Brosnan and Renee Russo. The plotline was adapted somewhat to take account of the times but what I remember most about it was that Ms Russo, a lady of a certain age by that time, kept appearing in the most stunning outfits.

Renee in black

Renee in a camel coat

Renee in leather

The Renee capsule wardrobe

One of my many potential schemes for making money over the last decade was to devise a wardrobe planning system for busy women. Out there in cyberspace, there is probably still a website called The Little Red Box Wardrobe Planner, although I can’t quite remember where. There were business cards and I even had conversations with the Dragon’s Den TV Show people about it, as my online pitch must have caught their interest. Nothing came of it in terms of earning potential (I am exceptionally good at putting in an awful lot of time and effort to that end) but it still works for me on a daily basis – My point being is that one of the things that really causes the windmills to work overtime in a woman’s brain is that eternal dilemma, “What to wear?”. Not so if like Renee Russo in The Thomas Crown Affair you have all your outfits carefully co-ordinated and selected for you, or, if you are the proud owner of a Little Red Box Wardrobe Planning System!

It was of course Noel Harrison (son of Rex) who recorded the original version of The Windmills Of Your Mind and it won the Academy Award for Best Original Song in 1968. The remake in 1999 also featured the song, this time played during the end credits and performed by Sting who along with some other very serious-minded chaps seems to rarely pop up in the music blogosphere. Whatever, I do like his jazzy take on the song and it gives us a chance to revisit the autumnal New Hampshire landscape from that upgraded glider, and see some more of Renee’s great outfits (although in the still for this YouTube clip she seems to be in her birthday suit!).

Next time we’re heading across the state border into Vermont and any suggestions for songs associated with that state would be gratefully received. As you can see from this post it doesn’t necessarily have to be namechecked, just associated in some way. You know where the comments boxes are.

In the meantime, it’s not comments boxes I’m off to look at but Little Red Boxes of the wardrobe planning variety. Why have those windmills going round and round in your head all night when there is no need. Just sayin’.

Until next time…..

The Windmills Of Your Mind Lyrics
(Song by Michel Legrand/Alan Bergman/Marilyn Bergman)

Round like a circle in a spiral, like a wheel within a wheel
Never ending or beginning on an ever spinning reel
Like a snowball down a mountain, or a carnival balloon
Like a carousel that’s turning running rings around the moon
Like a clock whose hands are sweeping past the minutes of its face
And the world is like an apple whirling silently in space
Like the circles that you find in the windmills of your mind

Like a tunnel that you follow to a tunnel of its own
Down a hollow to a cavern where the sun has never shone
Like a door that keeps revolving in a half forgotten dream
Or the ripples from a pebble someone tosses in a stream
Like a clock whose hands are sweeping past the minutes of its face
And the world is like an apple whirling silently in space
Like the circles that you find in the windmills of your mind

Keys that jingle in your pocket, words that jangle in your head
Why did summer go so quickly, was it something that you said?
Lovers walking along a shore and leave their footprints in the sand
Is the sound of distant drumming just the fingers of your hand?
Pictures hanging in a hallway and the fragment of a song
Half remembered names and faces, but to whom do they belong?
When you knew that it was over you were suddenly aware
That the autumn leaves were turning to the colour of her hair!
Like a circle in a spiral, like a wheel within a wheel
Never ending or beginning on an ever spinning reel
As the images unwind, like the circles that you find
In the windmills of your mind

An American Odyssey in Song: Maine – Roger Miller and “King of the Road”

First of all thanks to everyone who helped out with suggestions for getting this trip started. It may not happen in real life now (although never say never and all that), but I’m going to try and make sure it happens on these pages. I have planned a route map that means we take in all 50 states but never enter and leave the same one more than once. I won’t share the map with you until the end however as best to retain an element of surprise as to where we are going to end up next (although sometimes of course there will be only one contender).

After a bit of thought I have decided to start in Maine and end up in Florida as opposed to doing it the other way round. North to South makes more sense from a geographical point of view and we will build up to all those great songs from the Southern States gradually.

So, we have just flown across the Atlantic from Scotland and are about to explore the State of Maine. This is not going to be a travelogue style series of posts so I will just include a few pictures and links, but suffice to say, Maine is the most northernmost state in New England, it has an awful lot of forests and coastline, its climate is warm and humid in summer but cold and snowy in winter, and it’s famous for its seafood cuisine, especially lobster and clams. The musical Carousel is set in Maine (songs from which I have written about twice on these pages here and here) and of course a certain amateur lady detective also resides there, in the fictitious Cabot Cove (the American equivalent of our Midsomer it seems). The prolific author Stephen King comes from Maine and many of his books, in turn made into films, are set in that State (Carrie, The Shawshank Redemption and the film that forever gave clowns a bad rap, It).

When I first considered this series, I was a bit troubled that I might sometimes get stuck, and be unable to find songs that I could write about for certain states, but of course you didn’t let me down. A fair few suggestions came in from Marie, CC, Lynchie, Rol, Neil and Chris (links to their blogs on my sidebar) but the song I hadn’t realised even mentioned Maine before, was King Of The Road by Roger Miller (credit for that one goes to both Lynchie and Rol). This song is all about the day-to-day life of a hobo, who, despite being poor (a man of means by no means) revels in his freedom, describing himself as the “king of the road”. The first line in the second verse goes as follows, “Third boxcar, midnight train, destination, Bangor, Maine” which is why it becomes my first featured song in this series.

Roger himself of course didn’t come from Maine but from Texas. He wrote mainly country songs, and was very successful at doing so, but King Of The Road was a major crossover hit into mainstream pop and was No.1 in the UK Singles Chart in 1965.

King Of The Road by Roger Miller:

As is often the case I would be lying if I said that I remembered this song from first time around, but someone who would have done, was my Uncle Keith. This is where it gets a bit personal as is often wont to happen on these pages. Keith was a lad who grew up in our village in Scotland and followed the usual path for young men in those days – Went to school, completed an apprenticeship, met a girl, got married and had a family. The opportunity came along for him to move to the city and start driving lorries long distances. With a large family to support he took it on. Soon he was travelling all over the UK and the Continent, gone from home for long periods at a time. He loved it and whenever anyone was going on holiday by car, he could always be relied upon to come with the best route.

(Uncle Keith is the tall dark-haired chap)

This life on the road was not of course conducive to family life and in due course his marriage failed and we didn’t see much of him for long stretches of time. Every now and again he would turn up at my grandparents house in a massive articulated lorry, stay the night, then head off again. He was very unlike my own very stable, home-loving dad and was a bit of a mythical creature as I was growing up. As I got older I was busy getting on with my own life so didn’t see him often at all, but a few years ago now we heard he was ill, so my mum headed off to see him in his little flat. It wasn’t good and he died soon after at the age of 76 with, ironically, his ex-wife and his children at his bedside – He may not have been a great family man but they had stayed close over the years and loved him to the end.

When it came to organising the funeral it turned out he wanted to be buried along with his parents (my grandparents) in the village where he had grown up. A bit of a surprise but it made sense. The important thing was that he wanted King Of The Road to be played as his coffin was carried out of the church. My mum (his sister), who finds it very important to always “do the right thing”, was a bit concerned – In her experience people always chose very sombre hymns – What would people think? But no, his family stood firm and King Of The Road it was. When the time came there wasn’t a dry eye in the church and even my mum had to admit it was the right choice.

Before I go, it might be an idea to include the version by those very Scottish Proclaimers from 1990. If he was still driving lorries at that time maybe Uncle Keith liked that one too. Whatever, I am pretty sure if the chance had come up, he would have loved driving across the highways and byways of America in one of those very large trucks, maybe even up as far as Maine. This post therefore is for him. (Look out for The Proclaimers’ homage to Roger Miller at 2:20)

“What’s It All About?” – I have often seen talk on the blogosphere of the music people would like to have played at their funeral (morbid I know but true) and I too have chosen my particular song. We may not be there in person but we will be leaving a little bit of ourselves behind in our choices. Those left will feel a surge of emotion, but it will be much appreciated, as was the case with Uncle Keith.

So, we have now visited Maine in song (very tenuously I know but I think that’s how it will often go) and the next state we will cross into is New Hampshire. I will always have a standby song but would very much appreciate some more suggestions that I have no doubt (if this post is anything to go by), will be better than mine. You know where the comments boxes are.

Until next time….

King Of The Road Lyrics
(Song by Roger Miller)

Trailer for sale or rent, rooms to let, fifty cents.
No phone, no pool, no pets, I ain’t got no cigarettes
Ah, but, two hours of pushin’ broom
Buys an eight by twelve four-bit room
I’m a man of means by no means, king of the road.

Third boxcar, midnight train, destination, Bangor, Maine.
Old worn out clothes and shoes,
I don’t pay no union dues,
I smoke old stogies I have found short, but not too big around
I’m a man of means by no means, king of the road.

I know every engineer on every train
All of their children, and all of their names
And every handout in every town
And every lock that ain’t locked, when no one’s around.

I sing, trailers for sale or rent, rooms to let, fifty cents
No phone, no pool, no pets, I ain’t got no cigarettes
Ah, but, two hours of pushin’ broom
Buys an eight by twelve four-bit room
I’m a man of means by no means, king of the road.

Trailers for sale or rent, rooms to let, fifty cents
No phone, no pool, no pets, I ain’t got no cigarettes
Ah, but, two hours of pushin’ broom
Buys an eight by twelve four-bit room
I’m a man of means by no means, king of the road.

An American Odyssey in Song, The Route Map and Simon & Garfunkel

Well, so far I’ve not been able to commit to the discipline of a series within the pages this blog but a bit of synchronicity has come about which has made me rethink. Last week over at Yeah, Another Blogger, Neil wrote about how he was going to get back into the discipline of reading books and I commented that in 2015, the year before I took up blogging, I had set myself the task of reading my way around the 50 US states. The state always had to be the main character, and it was great. First I read my way round the Southern States (e.g. Fried Green Tomatoes…. , Gone With The Wind, The Orchard Keeper) then for a change of scenery, I headed up to the Great Lakes and started to read my way round the states up there (e.g. Shotgun Lovesongs set in Wisconsin). I had a route map and everything but sadly when I discovered blogging at the start of 2016, due to time constraints, the journey ended.

The wonderful post written by Rol last week over at My Top Ten about the song Wichita Lineman reminded me that when I myself wrote about that song (along with Galveston and By The Time I Get To Phoenix), I had mentioned that my plan was to do a series at some point, journeying round the 50 states in song, and here we are at last – My reading journey may have come to an end but my “50 State American Odyssey in Song” is about to begin!

As a bit of background to this obsession with travelling round the 50 states, whether in book form or in song, I think it’s because it had always been a dream of mine to actually make that journey at some point. I am however starting to think it might never happen. As a kid growing up in rural Scotland, I watched an awful lot of films and telly set in what we called, “America”. On wet Sunday afternoons when there were no outdoor chores to be done, my dad and I used to watch classic MGM Musicals, and Westerns starring John Wayne, set in every corner of that vast land. Also, the music I loved as a kid usually came from Americans such as Elvis, The Monkees (Davy Jones being the exception of course) and The Mamas & the Papas. Oh yes, as soon as I was old enough (maybe about ten), and had saved up enough pocket-money, I was going to buy one of those Greyhound bus tickets and be transported from one real life filmset to the next……

But then I grew up. The childhood dreams dissipated and Europe became my destination of choice (although sadly I’m not sure how welcome we’re going to be after all the “triggering” that’s been going on of late). Despite a few far flung trips over the years, none have been across the Atlantic, and (not wanting to offend any of my American blogging buddies), that 50 State Odyssey is no longer at the top of my real life bucket list. It will therefore have to be of the virtual nature, and in song.

Where to start then? As it turns out this is not going to be as easy as I thought. I wanted to complete the journey only entering and leaving the same state once, but the original route map I put together for my reading challenge started in Florida and ended in Maine – Having racked my brains and even done a fair bit of “Googling”, I can’t find any songs I’m familiar with that mention place names from either of those states. Likewise, when I find artists who were born in either state (e.g. Jim Morrison of The Doors was born in Florida), it turns out they moved around a lot, so can’t really be associated with any one place.

For this first post therefore, where I’m simply setting out the rules, I will just include a song that tells a tale of someone, who unlike my 10-year-old self, did actually take the plunge and bought a Greyhound bus ticket for a trip across America. In my digital music database the most common song title to pop up in different guises is in fact America, but this one by Simon & Garfunkel is my favourite. Although released as a single to promote a Greatest Hits album in 1972 it was written by Paul Simon much earlier, inspired by a 1964 road trip he took with his girlfriend – Perfect for this post, and I wonder, did he indeed “find America” on that trip?

America by Simon & Garfunkel:

So, “What’s It All About?” – I am excited about this challenge and I love researching the back story to the songs that have formed the “tracks of my years” but in this case I may need a little help. I think I’m ok with most of the 50 states but if I’m going to follow my continuous route map without cheating, I’m going to need some input from my blogging buddies. The starting point for the journey could be either Florida or Maine but at this rate, left to my own devices, it’s going to be something by Miami Sound Machine for Florida or something from the musical Carousel for Maine and I really don’t want to go down either of those routes. A song that refers to a place name is the way to go, just as Jimmy Webb used Wichita, Galveston and Phoenix in three of his very best songs – Oh Jimmy, where are you when I need you?

Any suggestions for songs (that I’m likely to be able to write about) associated with Florida or Maine would be gratefully received – You know where the comments boxes are. Once I get started it should be fun, it’s just that first step…….

America Lyrics
(Song by Paul Simon)

Let us be lovers,
We’ll marry our fortunes together.
I’ve got some real estate
Here in my bag.
So we bought a pack of cigarettes,
And Mrs. Wagner’s pies,
And walked off
To look for America.

“Kathy”, I said,
As we boarded a Greyhound in Pittsburgh,
Michigan seems like a dream to me now.
It took me four days
To hitch-hike from Saginaw.
“I’ve come to look for America.”

Laughing on the bus,
Playing games with the faces,
She said the man in the gabardine suit
Was a spy.
I said, “Be careful,
His bow tie is really a camera.”
“Toss me a cigarette,
I think there’s one in my raincoat.”
We smoked the last one
An hour ago.
So I looked at the scenery,
She read her magazine;
And the moon rose over an open field.

“Kathy, I’m lost”, I said,
Though I knew she was sleeping.
“I’m empty and aching and
I don’t know why.”
Counting the cars
On the New Jersey Turnpike
They’ve all come
To look for America,
All come to look for America,
All come to look for America.

New Cars, Mama Cass and “It’s Getting Better”

As visitors to this place know, I am often earworm afflicted and that usually comes about from having listened to something on the radio on the way home from work. Recently Mr WIAA’s car died on us and re-joined his friends from the conveyor belt, in that giant scrapyard in the sky. It had served us well for 15 years however, first as a family car and then as a means of transporting his large, messy, work-related items and sporting apparel. flat,550x550,075,f The replacement car, being a lot newer, has come with a much more cutting edge sound system and after a bit of “discussion” about how this car would have to be kept immaculately clean at all times, we made a swap. He now dots around town in a little red city car whereas I have now taken custody of the new family car with the cutting edge digital radio and sound system. Bonus.

This week, despite the political shenanigans going on all around us, there have been a lot of beautiful sunny days and the drive home from work has been a joy. I usually choose to skirt around the edge of town, rather than drive through the centre, which means you get to see the Firth, the Ben and the Bridge.

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The journey is quite a short one so there is usually only time to listen to about five songs on the radio, tops. Earlier this week the 1969 song It’s Getting Better by Mama Cass Elliot came on and it being an uplifting, joyful one I decided to test the volume control and am pleased to say it passed muster, although not wise to drive with the sound that loud for long periods probably. The song, needless to say, did become an earworm (a calque from the German ohrwurm I discovered last year) for the next few days as often happens when I hear something sung by that big lady, with the big voice.

It’s Getting Better by Cass Elliot:

I have written about Cass Elliot (as she preferred to be called) on these pages before (here and here) so no point going over old ground but she is the only artist I think other than George Michael, to have cropped up three times now. Considering her time in the sun was when I was still under the age of ten, she, and her sunshine pop style of music, obviously made a big impact on me and I still feel real joy whenever I hear her songs today.

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So, “What’s It All About?” – This song is obviously about a down-to-earth but very satisfactory relationship rather than one that is extravagantly romantic. I was nearly 30 when I met Mr WIAA and after a bit of a slow start precipitated by my carefully planned turning of the correct corner (documented recently), it has indeed just kept getting better the longer we’ve been together. Who needs fireworks when you have someone who will quite happily swap cars with you, squeeze himself into a quite frankly very girly mode of transport, just so that you can enjoy the new sound system!

Until next time…….

It’s Getting Better Lyrics
(Song by Barry Mann/Cynthia Weil)

Once I believed that when love came to me
It would come with rockets, bells and poetry
But with me and you it just started quietly and grew
And believe it or not
Now there’s something groovy and good
Bout whatever we got

And it’s getting better
Growing stronger warm and wilder
Getting better everyday, better everyday

I don’t feel all turned on and starry eyed
I just feel a sweet contentment deep inside
Holding you at night just seems kind of natural and right
And it’s not hard to see
That it isn’t half of what it’s going to turn out to be

Cause it’s getting better
Growing stronger, warm and wilder
Getting better everyday, better everyday

And just like a flower that takes time to bloom
This love of ours is taking time to grow
Ba da da da da da da da da da da da
And I don’t mind waitin’, don’t mind waitin’
Cause no matter how long it takes
The two of us know

That it’s getting better
Growing stronger, warm and wilder
Getting better everyday, better everyday

Joshua Kadison, “Jessie” and Trailers by the Sea

When I wrote about the three Jimmy Webb songs recorded by Glen Campbell last summer (link here), I had a plan to at some point take a journey around the 50 States of the USA in song – Wichita Lineman was set in Kansas, Galveston in Texas and By The Time I Get To Phoenix in Arizona. Off the top of my head, and just for starters, there is also Anchorage by Michelle Shocked and Sweet Home Alabama by Lynyrd Skynyrd both set in States that start with the letter “A”, so no shortage of material.

One song that I discovered by accident is one that I very much associate with the State of Nevada. I don’t know what I was doing in 1993 when this song was released as I don’t remember it from then at all, but a good few years ago when we were on one of those family holidays where entertainment is laid on at night, first for the kids and then for the worn-out parents, a chap with a guitar got up and performed some very acceptable covers. I knew most of the songs he played, but not this one, and it really struck a cord. Jessie by Joshua Kadison is very much a “story song” and I was really touched by the narrator’s tale of how every time he got back on his feet again, Jessie would call with the promise that this time it would be different, this time the dream would come true. The dream was to have a trailer by the sea, drink tequila, collect seashells…. and Jessie was an expert at “painting pictures of how it’s gonna be”.

Jessie by Joshua Kadison:

Did he just humour her or did he yet again succumb to the promises? Who knows but interesting to have the tables turned whereby it is the female who is making all the promises and not the male, as is usually the case (in a song). As for the State of Nevada, Jessie calls from a “phone booth in Vegas” which conjures up images of the Sin City side of the self-billed Entertainment Capital of the World – It’s very late, Jessie is possibly a little inebriated and obviously tired of whatever she does there to earn her living, so resorts to what we girls often do at such times, contacts an old boyfriend. Surrounding the glitz and glamour of Las Vegas is the Nevada desert so not surprisingly she dreams of something quite different, a beach with white sand and seashells.

I really knew nothing of Joshua Kadison before hearing this song, and even with the resources of the world wide web at my fingertips still know very little other than that he was born in Los Angeles in 1963 to an actress mother, started playing piano and writing songs at the age of 12 and before releasing the album “Painted Desert Serenade” in 1993 dated the actress Sarah Jessica Parker (of Sex And The City fame). They apparently broke up before he recorded this song but of course there was speculation that the song was about her. I doubt it however as SJP, or rather her alter-ego Carrie Bradshaw, is a bit of a hero of mine and there is no way her Manolo Blahniks would navigate a beach anywhere, nor would she have a cat called Moses. Just sayin’.

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Family holidays can ironically be quite hard work, but there is often some time at the end of the day to unwind with your tipple of choice and perhaps listen to some live music. This is the song I remember best from that particular holiday but looking back over the years just about every holiday had a memorable musical moment – Another idea for a new series has developed it seems!

Until next time….

Jessie Lyrics
(Song by Peter Fitch Grant)

From a phone booth in Vegas Jessie calls at five a.m.
To tell me how she’s tired of all of them
She says, “Baby, I’ve been thinking about a trailer by the sea
We could go to Mexico; you, the cat and me
We’ll drink tequila and look for seashells
Now doesn’t that sound sweet”
Oh Jessie you always do this every time I get back on my feet

Jessie paint your pictures
About how it’s gonna be
By now I should know better
Your dreams are never free
But tell me all about our little trailer by the sea
Oh Jessie you can always sell any dream to me
Oh Jessie you can always sell any dream to me

She asked me how the cat’s been
I say “Moses, he’s just fine”
But he used to think about you, all the time
We finally took your pictures down off the wall
Jessie, how do you always seem to know just when to call
She says “Get your stuff together, bring Moses and drive real fast”
And I listened to her promise
“I swear to God this time it’s gonna last”

I’ll love you in the sunshine
Lay you down in the warm, white sand
And who knows maybe this time
Things will turn out just the way you planned

Postscript:

cb2 — Sarah Jessica Parker aka Carrie Bradshaw aka Mrs Ferris Bueller!

Frankie Valli and The Four Seasons, “The Night” and Northern Soul

Last night I finally got round to watching the film Northern Soul which had been recorded on the machine the previous week. It was made in 2014 but was all about the dance culture that emerged in the working-class industrial towns of the North of England in the early 1970s. Instead of chart music, the DJs in the various dance halls and youth clubs of Bury, Bolton, Blackburn, Burnley and Rochdale, played American soul music from the mid ’60s. And, this wasn’t mainstream soul music familiar to these youngsters, these DJs played the more obscure records that had never even charted (e.g. Tony Clarke: Landslide, Gloria Jones: Tainted Love, The Salvadors: Stick By Me Baby) but somehow they managed to attract large crowds of young people on a weekly basis, who literally danced all night.

The film Northern Soul is what would probably be classed as a gritty drama but told the story of two lads from Lancashire who immersed themselves in this culture, working in a factory by day but playing DJ at night, and at the weekends frequenting the big all-nighters at venues such as Wigan Casino. Watching them dance, this was early break dancing, what with the spins and the athletic moves. Who knew it all started in Lancashire?

For me, the standout record in the film was The Night by Frankie Valli and The Four Seasons. I knew this song well but didn’t realise that although it was originally released in 1972, due to poor promotion, didn’t chart. It did however become a popular track on the northern soul circuit and subsequently became a hit in 1975 reaching No.7 in the UK Singles Chart. An oh so familiar tale of a boy pleading with a girl he likes to resist the advances of another – Sadly all the pleading in the world is not going to work in a case like this as we girls all seem to go through a (probably) hormonally-induced phase of being attracted to the wrong kind of boy.

The Night by Frankie Valli and The Four Seasons:

But going back to northern soul, as a great fan of chart music between 1972 and 1975, carefully recording the chart rundown every Sunday night, it had not escaped my attention that there were a fair few listings around that time attributed to bands with the word Wigan in the title – There was Wigan’s Chosen Few with Footsee in 1975 and later on that year Wigan’s Ovation with three separate chart entries. They turned up on TOTP and we witnessed this very energetic style of dancing, so different to what we were used to down the local youth club. I didn’t give it much thought at the time but in later life have been intrigued by how this movement took off to such an extent. It was hard enough getting boys to dance at all where I came from so to see a whole dance hall full of, let’s face it, very macho males showboating on the dancefloor was surprising indeed.

I will leave you with a couple of clips that kind of sum up what it was like back then – The dance halls had seen better days and life was a bit grim on the outside but when all that great American soul music was being blasted from the sound systems, life it seemed, was sweet. I am pretty sure the Frankie Valli track that has become an earworm over the last 24 hours is not representative of the music that was played back then, and there are some music bloggers like Marie from It’s All In The Grooves who are experts in the kind of ’60s soul played at these venues, but watching the film it did remind me how much I loved Frankie’s falsetto. Still touring it seems at the grand old age of 82 and tickets selling fast so if you live in the North of England and want a little reminder of your days down at the Casino, get online fast!

The Night Lyrics
(Song by Bob Gaudio/Al Ruzicka)

Beware
Of his promise
Believe
What I say
Before
I go forever
Be sure
Of what you say

So he paints a pretty picture
And he tells you that he needs you
And he covers you with flowers
And he always keeps you dreaming
If he always keeps you dreaming
You won’t have a lonely hour
If a day could last forever
You might like your ivory tower

But the night begins to turn your head around
And you know you’re gonna lose more than you found
Yeah the night begins to turn your head around

Beware
Of his promise
Believe
What I say
Before
I go forever
Be sure
Of what you say

For the words may come too easy
If you don’t believe I’m leaving
And goodbye will come too quickly
If you really think he loves you
If you really think he loves you
You would give your love so sweetly
If that day could last forever
You would fall in love completely

But the night begins to turn your head around
And you know you’re gonna lose more than you found
Yeah the night begins to turn your head around

The Vernal Equinox, Nina Simone and “Feeling Good”

Today is one of my favourite days of the year. At 10.28pm tonight we reach the Vernal Equinox, one of only two points in the year when the number of hours of night and day are equal. Because it’s March, and I’m in the Northern Hemisphere, that means it’s just going to get lighter and brighter every day now for the next three months. Unlike when we reach the Autumnal Equinox, when the thought of all those extra hours of darkness makes me sad, this equinox makes me very perky – The montbretia flowers in my garden today definitely add to this perkiness!

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Any regulars to this place will know that over the last six months I have been celebrating these markers in the calendar, and following some of the traditions from those days when nature dictated all that was important in life. In the pagan calendar today is Ostara, derived from the Old English goddess Eostre, later borrowed by Christians for Easter. This festival is therefore all about fertility, where seeds are blessed for planting soon after. It is traditionally the day of equilibrium, neither harsh winter or merciless summer (although never that merciless here in Scotland to be fair). Painted eggs and baskets of flowers are generally used to decorate the house so yet again I have created a little tableau of my own with eggs, spring flowers, a hare (not a real one) and a yellow candle.

Yesterday, as it was Sunday, I went for a walk. I couldn’t seem to muster up the enthusiasm for blogging at all and thought I might find my lost mojo, which seems to have gone a-wanderin’ of late. Taking inspiration from C at Sun Dried Sparrows who took us on a walk with her recently, how about if I take you on my walk, which was up to the local duck pond. Also, will we find the missing mojo?

Right here we go, anti-clockwise or clockwise round the pond? Yesterday I chose anti-clockwise and didn’t even realise how much birdsong was in the air until I played this back. So far however, no sign of the missing mojo. Hmm… Where can it have gone?

Ok, so now we’ve got to the other side of the pond but thank goodness I went to the loo before I left or I’d be in trouble with the sound of all this running water! Loads of bikes been this way by the looks of things so a bit muddy but time perhaps for a wee sit down and another good look round for that pesky missing mojo.

No still nothing, but wait a minute, I see a few ducks out on the pond, maybe they’ve seen it.

“Hi guys, you haven’t happened to see my missing mojo have you? It was around until a couple of weeks ago but seems to have gone a-wanderin’.”

“Oh, hi Alyson, lovely day isn’t it. Yes we have seen it actually, it’s over by the Pet Cemetery.”

“Cheers guys, I’ll go and take a look.”

Got it! It was hiding out amongst those tiny little gravestones marking the resting place of long gone, but much-loved pets.

What with the birdsong, the ducks, the blue skies and the forest, the perkiness brought on by the coming of today’s vernal equinox really hit me yesterday on the way back from my walk. What kind of song would suit a day like this I thought to myself and it turned out to be Feeling Good by Nina Simone.

Birds flying high you know how I feel
Sun in the sky you know how I feel
Breeze driftin’ on by you know how I feel

It’s a new dawn
It’s a new day
It’s a new life for me yeah

Nina Simone

Feeling Good by Nina Simone:

Feeling/Feelin’ Good (take your pick) was written back in 1964 by Anthony Newley and Leslie Bricusse for the Broadway musical The Roar of the Greasepaint – The Smell of the Crowd. Nina Simone recorded the song for her 1965 album “I Put a Spell on You” and it has kind of become a standard and been covered by many other artists including George Michael, Muse, Michael Bublé and American jazz musician John Coltrane. I would of course be lying if I said I remembered it from back then – Oh no, as often happens Nina’s version was used by a car company for a 1994 television advert, which in turn led to it re-entering the UK Singles Chart in the July of that year. Thankfully I couldn’t have been over-exposed to it at that time, as sometimes happens when song is used in that way, as I still enjoy listening to it and it is of course my very aptly chosen featured song for today, the day of the Vernal Equinox

It is not often that I revisit anything from the 21st century in this blog but I do also have a soft spot for the version by Muse which was originally recorded for their 2001 album “Origin of Symmetry” but was again used for an advert (must be good for sales), this time for an airline company. Until next time, I give you Muse with Feeling Good – Happy Ostara!

Feeling Good Lyrics
(Song by Leslie Bricusse/Anthony Newley)

Darling Daughter, “Defying Gravity” and The Day We Cut A Record

I mentioned last time that I now have a backlog of “posts pending” – I seem to continually add new post ideas to my blogging notebook but then write about other things instead. In order to start making inroads into this long list of ideas I have now put them on a spreadsheet, sorted them alphabetically, given each one a number and then, to make it a bit more interesting, used a random number generator to select the next “post idea”. (You can probably tell I work in finance and am by nature a very spreadsheety kind of person.)

Well, number 37 popped up and what did that correspond to on the long list of ideas? – “Musical Theatre and Wicked”. Before you start panicking that I’m about to share a whole load of show tunes with you, let me explain this little bit of self-indulgence. A couple of our good friends have been very successful on the career front (didn’t rub off on us sadly), but have not had any children. There is probably a correlation there but the upside is, when it comes to birthday presents, darling daughter is bestowed with some very nice ones. Just before her 16th birthday a rectangular padded envelope arrived and much speculation went on as to what could be inside. It turned out to be one of those Experience packages where she was given the chance to visit a recording studio and lay down some tracks. Being a keen singer, and having been in a few theatre shows up to that point, there was much excitement, and in due course the experience was booked for a Sunday in August.

thOW7E3LIT As the good friends live in London and we live in the Scottish Highlands, we chose the recording studio in Edinburgh, which was listed as an option, and planned a meetup. The timing coincided with the Edinburgh Festival Fringe and if you’ve never been to our capital city in August I would thoroughly recommend it (although accommodation is hard to come by, granted). I’m pretty sure the locals who just want to go about their daily business during the month of August get pretty hacked off with it all but it certainly brings a colourful, carnival atmosphere to the city and many a stand-up comedian has cut his or her teeth in one of the many venues.

Darling daughter was given the choice of which show she wanted to see on the Saturday night and she chose one starring those very nifty street dancers, Flawless. I was sceptical that they would be able to hold our attention for a whole hour and a half but you know what, they did. The audience were also all given fluorescent gloves and after a short lesson on “the moves” we had to make, we were projected on a big screen behind the dancers, so all very interactive.

And so it came to the Sunday, and we made our way to the recording studio which turned out to be in an Industrial Estate in Leith. Sadly there was no sunshine on Leith that day and Abbey Road it was most definitely not, but once we arrived, the “producers” were all really friendly and welcoming – I’m pretty sure they would have preferred to spend their afternoon laying down some tracks with a cool new rock band as opposed to a 16-year-old from the Highlands and her extended family, but if they did, they didn’t show it.

The song of choice that day was Defying Gravity from the musical Wicked, based on the alternative telling of L. Frank Baum’s classic story The Wonderful Wizard of Oz. Around that time the television show Glee, about an American High School glee club/show choir, was a firm favourite with darling daughter and her friends, and one of the characters in the show had performed the song in a recent episode. Of course now her musical tastes are very different and I know she would be very embarrassed about me sharing this but hey, I’m a proud mum, she never reads my blog and it’s the most anonymous place on the internet, so here is what she came up with on that day. It was a fascinating process, how you record many versions of the same song, do a bit of tweaking and then cut and paste sections together to create the best version possible. She starts off a bit tentatively but after 1:00 the confidence shines through.

Defying Gravity by “Darling Daughter”:

As I said earlier, this was always going to be a very self-indulgent post but this 2003 song by Stephen Schwartz is, for the reasons above, now very much one of the “tracks of my years” and that is exactly what this blog is all about. The lyrics of the song are about living without limits and going against the rules that others have set for you. For darling daughter’s generation I think that can-do attitude is going to be very important as they try to negotiate this brave new world we seem to find ourselves in.

Until next time….

Defying Gravity Lyrics
(Song by Stephen Schwartz)

Something has changed within me
Something is not the same
I’m through with playing by the rules of someone else’s game
Too late for second-guessing
Too late to go back to sleep
It’s time to trust my instincts, close my eyes and leap!

It’s time to try
Defying gravity
I think I’ll try
Defying gravity
Kiss me goodbye
I’m defying gravity
And you won’t bring me down

I’m through accepting limits ’cause someone says they’re so
Some things I cannot change but ’til I try, I’ll never know!
Too long I’ve been afraid of losing love I guess I’ve lost
Well, if that’s love, it comes at much too high a cost!

I’d sooner buy
Defying gravity
Kiss me goodbye
I’m defying gravity
I think I’ll try
Defying gravity
And you won’t bring me down

Peter Sarstedt, A Trio of Brothers and “Where Do You Go To My Lovely?”

Well, it’s over a week since I’ve posted anything new but what shall I write about today? Time to refer to my trusty blogging notebook (it’s a thing) in order to check out the long list of “ideas for future posts” that seems to have developed. Now this list is growing faster than I can keep up with the writing, but I am drawn to a post idea that I had last June, around the time of my birthday, when I wrote about those artists who were really big around the time I was born. I always think it’s a bit silly to receive a gift with songs from the year of your birth as you will have no memory of them, or affinity to them at all, as it is not until you around six or seven that you really start to take heed of such things and remember them in later life.

Back then my chosen featured artist (from 1960) was Adam Faith but included in the long list of his contemporaries was Eden Kane. I had no idea until that point that Eden Kane was in fact Richard Sarstedt who was the older brother of Peter and Robin, both of whom I did remember from the “tracks of my years”.

The Sarstedt brothers, like Cliff Richard and many other shiny stars from the world of entertainment (is there a connection I wonder?), were born in India in the 1940s. Sadly their father died quite young after which they came back, with their mother, to live in the UK. Richard was first off the mark and formed a skiffle group. Like that other group of three brothers, the Bee Gees, he included his younger siblings but after winning a talent contest changed his name to Eden Kane and went onto solo success. His 1960 song Well I Ask You even reached the No. 1 spot in the UK Singles Chart.

Eden/Richard’s career was on the wane by 1964 as groups such as the Beatles and the Rolling Stones started to take over the airwaves. On a stopover in Los Angeles later that year however he met journalist Charlene Groman, the sister of American actress Stefanie Powers, whom he went on to marry. He has lived and worked in LA ever since, and they are still happily married today.

Peter Sarstedt was the next brother to pick up the mantle of singing stardom. Although another pop artist, his music was more derived from traditional folk music. He is best known for writing and performing Where Do You Go To (My Lovely) which again was a No. 1 hit in the UK Singles Chart, this time in 1969, and even won an Ivor Novello Award. It is very much a “story song” about a fictional girl called Marie-Claire who grows up on the poverty-stricken backstreets of Naples, but soon becomes a member of the international jet set and goes on to live in Paris. The lyrics are from the perspective of a childhood friend but the rhetorical question of the title suggests that her glamorous lifestyle may not have brought Marie-Claire happiness or contentment. The lyrics of the song reflect the fact that we seemed to be having a bit of a love affair with all things European that year, what with Jane, Serge and Jacques Brel also making a massive impact. Oh dear, how things change.

Here is a great clip that not only showcases Peter, his lovely song, and stupendous moustache, but also Simon Dee whom some of us of a certain age will remember well from late ’60s Saturday night telly. Sadly Peter Sarstedt died in January this year at the age of 75 and as happened last year, I am only now getting round to writing about him, after his death. The artists who have formed the “tracks of my years” are leaving us faster than I can get round to writing about them – Will have to pick up the pace.

Where Do You Go To (My Lovely) by Peter Sarstedt:

The third brother, Robin Sarstedt (whose actual name was Clive) had a bit of a hit in 1976 with the Hoagy Carmichael-penned My Resistance Is Low. I remember this song well as it was from the era when I probably listened to more chart music than at any other point in my life. In the mid ’70s we seemed to be having a love affair with these old classics, possibly because there were quite a few films around at that time set in earlier decades and I know that girl’s clothes and hairstyles also had a distinct retro feel to them. I should know because I had a couple of dresses which were very much in the style of the ’30s and ’40s. ‘Twas the times.

So, “What’s It All About?” – I really will have to pick up the pace. If I am getting older, so are my musical heroes, and it’s much nicer writing about them when they are still alive as opposed to after they have died. I see that Joni from Sister Sledge died yesterday and last month it was Al Jarreau – Both are linked to “posts pending” in my blogging notebook so again it will have to be a “posthumous post” (so much alliteration).

And, although I don’t really do politics here, this of course is the month when the Triggering of Article 50 happens. Back in 1969 we weren’t even in Europe yet and here was Peter Sarstedt writing songs about girls called Marie-Claire from Naples, Sasha Distel, Marlene Dietrich, Zizi Jeanmaire, Balmain and Picasso. Somewhere along the line something has gone horribly wrong.

Until next time….

Where Do You Go To My Lovely Lyrics
(Song by Peter Sarstedt)

You talk like Marlene Dietrich
And you dance like Zizi Jeanmaire
Your clothes are all made by Balmain
And there`s diamonds and pearls in your hair
You live in a fancy apartment
Of the Boulevard of St. Michel
Where you keep your Rolling Stones records
And a friend of Sacha Distel

But where do you go to my lovely
When you’re alone in your bed
Tell me the thoughts that surround you
I want to look inside your head

I’ve seen all your qualifications
You got from the Sorbonne
And the painting you stole from Picasso
Your loveliness goes on and on, yes it does
When you go on your summer vacation
You go to Juan-les-Pins
With your carefully designed topless swimsuit
You get an even suntan, on your back and on your legs
When the snow falls you’re found in St. Moritz
With the others of the jet-set
And you sip your Napoleon Brandy
But you never get your lips wet

But where do you go to my lovely
When you’re alone in your bed
Tell me the thoughts that surround you
I want to look inside your head, yes I do

Your name is heard in high places
You know the Aga Khan
He sent you a racehorse for Christmas
And you keep it just for fun, for a laugh haha
They say that when you get married
It’ll be to a millionaire
But they don’t realize where you came from
And I wonder if they really care, they give a damn

But where do you go to my lovely
When you’re alone in your bed
Tell me the thoughts that surround you
I want to look inside your head

I remember the back streets of Naples
Two children begging in rags
Both touched with a burning ambition
To shake off their lowly brown tags, yes they try
So look into my face Marie-Claire
And remember just who you are
Then go and forget me forever
`Cause I know you still bear
the scar, deep inside, yes you do

I know where you go to my lovely
When you’re alone in your bed
I know the thoughts that surround you
`Cause I can look inside your head

Al Stewart, On the Border and “Year of the Cat”

A couple of weeks ago I wrote about a song that was inspired by the picture of Barbra Streisand on the front cover of the magazine that pops through my letterbox every Saturday. I like a challenge so thought it might be interesting to use the weekly cover as inspiration for future posts – Lo and behold, what appeared on last Saturday’s cover but a cat of all things. I am not really a cat lover and much prefer dogs so what could I come up with to write about? My first thoughts led me to the song Moon River as the final scene in Breakfast at Tiffany’s, where Audrey and George finally get together to the strains of Henry Mancini, revolved around the search for Audrey’s cat, imaginatively named Cat.

But no, that is more of a film song (although I still love the term “huckleberry friend” as it conjures up something that I just don’t think we have any more) – My next thoughts led me to the song Year of the Cat by Al Stewart and amazingly it occurred to me that all these years on, I still didn’t know what Al looked like, as he was more of an album artist and as far as I know never appeared on Top of the Pops or any mainstream TV shows I may have watched. Unbelievably Year of the Cat only made it to No. 31 in the UK Singles Chart in 1977 and those must have been the heady days when I laboriously recorded chart positions in notebooks, as I still remember his song being the first to be played on a Radio Luxembourg chart rundown from that year (must have been a Top 40 bearing in the mind the paltry No. 31 peak position). So now I know what Al looked like and perhaps it’s just me but does he have a hint of the late George Harrison about him? What a fantastic song though with a great saxophone solo – All apparently about a tourist who is visiting an exotic market when a mysterious silk-clad woman appears and takes him away for a gauzy romantic adventure. He of course awakens the next day beside her, but soon calmly realises that his tour bus has left without him and he has lost his ticket. Sounds as if it was all worthwhile though!

Year Of The Cat by Al Stewart:

Regulars to this place will know that I am often earworm-afflicted and it usually comes about from hearing long-forgotten songs played on the radio on my way home from work. This week, just as I approached one of the trickier roundabouts in town, Al’s song On the Border came on and it has been going round and round in my head ever since. As I had already been pondering the works of Al Stewart this week, it confirmed that he would feature in my next post. On the Border never did make an appearance in the UK Singles Chart although I see it did enter the US Billboard Chart – It is another fantastic song that I often hear on the radio so what the heck were we thinking of back in 1977? Not Al Stewart by the sound of it! Time to find out a bit more about this chap.

On the Border by Al Stewart:

Well, shock of shocks, Al turns out not to be American as I had always thought but was indeed born in Glasgow. Sadly his father, a Royal Air Force flight lieutenant, died in a 1945 plane crash before he was born so his mum moved down to Dorset which is where Al grew up. After school he moved to London and rose to prominence as part of the British folk revival of the ’60s and ’70s. He developed a unique style of combining folk-rock songs with delicately woven tales of characters and events from history. He knew Yoko Ono before she met John Lennon, shared a flat with a young Paul Simon and bought his first guitar from Police guitarist Andy Summers. Why oh why am I only finding out about all of this now, and why wasn’t he a lot more successful in the UK?

Al is an artist who seems to have worked with just about everyone and one of the people he collaborated with from the 1960s onward was Alan Parsons who produced the album “Year of The Cat”. I don’t know about you but I just can’t think of Alan Parsons now without being reminded of that scene in the Austin Powers movie where Dr Evil, having travelled forward in time, just doesn’t get modern day cultural references. When he names his new scheme to achieve world domination “The Alan Parsons Project” in honour of its inventor, Dr Parsons, it of course causes great hilarity.

So, “What’s It All About?” – It seems that there are some artists who just quietly get on with the job of making great albums but who never really become household names. As a music fan myself I find it very strange that I didn’t even know what Al looked like, or that he was British, considering he had recorded three songs that I have always really loved but only ever hear on the radio (the third being Time Passages from 1978).

Al went to live in Los Angeles shortly after the release of his “Year Of The Cat” album and seems to have consistently sold more records there than in his native UK. It turns out he became a bit of a wine connoisseur and has built up a vast collection of fine wines over the years – Preferable to some of the other vices his contemporaries succumbed to!

At this year’s BBC Folk Awards, which will take place in April at the Royal Albert Hall, Al will receive the prestigious Lifetime Achievement Award. He will also it seems perform at the awards ceremony, so after all these years, I may actually manage to watch Al on television – Looking forward to it already.

Until next time ….

Year Of The Cat Lyrics
(Song by Al Stewart/Peter Wood)

On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolour in the rain
Don’t bother asking for explanations
She’ll just tell you that she came
In the year of the cat

She doesn’t give you time for questions
As she locks up your arm in hers
And you follow ’till your sense of which direction
Completely disappears
By the blue tiled walls near the market stalls
There’s a hidden door she leads you to
These days, she says, I feel my life
Just like a river running through
The year of the cat

While she looks at you so coolly
And her eyes shine like the moon in the sea
She comes in incense and patchouli
So you take her, to find what’s waiting inside
The year of the cat

Well morning comes and you’re still with her
And the bus and the tourists are gone
And you’ve thrown away your choice you’ve lost your ticket
So you have to stay on
But the drum-beat strains of the night remain
In the rhythm of the new-born day
You know sometime you’re bound to leave her
But for now you’re going to stay
In the year of the cat

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