“Wives and Lovers”, Mad Men and Julie London

Since giving up work a few weeks ago, my life has taken a serious turn for the better – Suddenly there is enough time for everything I need to do in my life and joy of joys there is also enough time for some things that I don’t really need to do, but am enjoying immensely. One of the frivolous things I don’t really need to do, has been to binge watch one of my favourite television shows, Mad Men, set in the 1960s at the fictional Sterling Cooper advertising agency on New York’s Madison Avenue. Season One begins in March 1960, just before I was born, and it’s almost worth watching for the clothes alone. Totally impractical but incredibly beautiful.

The show won many awards over the years and has been lauded for its historical accuracy. For fans of music, the song choices for each episode were spot on in terms of evoking the era and how they related to a particular scene or storyline. This song, Fly Me To The Moon by Julie London, featured in the first season of Mad Men. I have always loved her languid voice, especially when singing her signature song Cry Me A River, and Julie’s look and sound were totally appropriate for this glamorous show.

Towards the end of the first season, the upcoming presidential elections feature highly as the agency was to work with Nixon’s team to help him secure that win. They think it’s a foregone conclusion but of course we all now know it turned out very differently back in 1960 and Nixon ended up being pipped at the post by a young Jack Kennedy. After watching that episode I was reminded of something in my box of memorabilia – Richard Nixon may not have won the election in 1960 but in a very tragic roundabout way, he did win the election in 1968 and soon after he paid a visit to Britain to meet with our incumbent Prime Minister, Harold Wilson. I know this because I still have my 1969 school exercise book devoted to the pursuit of “joint-up writing”, something we were all just getting to grips with at the tender age of eight.

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Last time I shared something written by my own fair hand, CC from Charity Chic Music commented that my handwriting was much better than his at the same age – That would be down to the long hours spent perfecting it in Mrs Fraser’s Primary Four classroom. I think this February entry was one of my first perfect 10 scores, but from then on they just kept on coming. And this has been one of my downfalls in life – I am from the kind of family where if you got 99 out of a 100 in a test, there would be some praise but mainly the question would be, “What did you get wrong and why?”. This drive to get perfect scores in whatever I turned my hand to has led to much anguish over the years and of course when it comes to the world of work it is nigh impossible, especially nowadays when constant “firefighting” seems to be the order of the day. So, although I seem to be living the life of Riley at the moment, sometimes watching television during the day no less, a lot of it is down to the fact that yet again I had to walk away from a job I felt I could no longer do “perfectly” because of our new agile working set-up. Instead it is being done by someone who will do it “well enough”, certainly not perfectly, but everyone will be happy with that.

But I have become side-tracked by Richard Nixon – Time to get back to 1960 and what was happening on Madison Avenue. Mad Men depicts the American society and culture of the 1960s, highlighting cigarette smoking, drinking, sexism, adultery, homophobia, anti-semitism, and racism. It kind of reminds us that although we have a nostalgia for the past, we also sometimes have a selective memory.

A song I have in my digital database by Julie London is this one, but not easy to listen to nowadays. Despite the fact I love the songs of Burt Bacharach and Hal David, the lyrics to Wives and Lovers are just so at odds with how a 21st century woman would think, or more importantly how a man would expect her to think, that they become quite laughable. However if you watched only the first episode of Mad Men, set in 1960, they suddenly seem frighteningly accurate:

Hey! Little Girl
Comb your hair, fix your makeup
Soon he will open the door.
Don’t think because there’s a ring on your finger
You needn’t try anymore   (?!)

Day after day
There are girls at the office
And men will always be men.
Don’t send him off with your hair still in curlers
You may not see him again   (?!)

There is a lot of talk in the media at the moment about certain “unsolicited actions” and “inappropriate behaviour” having been carried out by people in power. Our blogging buddy Jez has written a very good piece about it this weekend (link here) which I would thoroughly recommend. As he says, time and time again we hear the defence that the accused is “a dinosaur”, that their behaviour was acceptable “back in the day” – No, it really wasn’t.

Wives and Lovers by Julie London:

Until next time….

Wives and Lovers Lyrics
(Song by Burt Bacharach/Hal David)

Hey! Little Girl
Comb your hair, fix your makeup
Soon he will open the door
Don’t think because there’s a ring on your finger
You needn’t try anymore

For wives should always be lovers too
Run to his arms the moment he comes home to you
I’m warning you…

Day after day
There are girls at the office
And men will always be men
Don’t send him off with your hair still in curlers
You may not see him again

For wives should always be lovers too
Run to his arms the moment he comes home to you
He’s almost here…

Hey! Little girl
Better wear something pretty
Something you’d wear to go to the city and
Dim all the lights, pour the wine, start the music
Time to get ready for love
Time to get ready
Time to get ready for love

Postscript:

Just in case anyone hadn’t heard of her before, Julie London was an American singer and actress, whose career spanned over forty years. She released 32 albums of pop and jazz standards during the 1950s and 1960s, her signature song being the classic Cry Me a River. Julie’s 35-year acting career began in 1944 and included roles co-starring with Rock Hudson, Gary Cooper and Robert Mitchum. She achieved continuing success in television in the 1970s, appearing in the show Emergency! with her husband, Bobby Troup.