For those of you following my updates as to what is currently at the top of the UK Singles Chart, I haven’t had to do that for a while as the Sam Fender / Olivia Dean collaboration, Rein Me In, has reigned supreme (pun intended) for seven of the last eight weeks. It only slipped to the No. 2 spot in mid-March, the week Harry Styles’ new album came out, when his song, American Girls, (very similar to his previous No. 1, Aperture) made the top spot before promptly dropping down the chart again.
Rein Me In is Sam’s first chart topper, maybe made possible because of his collaboration with Olivia, the lady of the moment. The song blends indie rock with modern soul influences; Sam’s signature anthemic guitar sound and Olivia’s smooth, expressive vocals. I was pleased to hear DD recently chose it as the sign-off song, for her work Friday “Teams Meeting”.
Talking of Harry Styles and Olivia Dean, I had intended today’s post to be about how modern day pop stars don’t seem to have to put in the graft nowadays, as artists used to in days gone by, but can become an instant success via – reality tv shows (Harry), graduating from the Brit School (Olivia), being YouTube/TikTok sensations or having rich parents willing to subsidise their efforts. I suspected Sam Fender must have had a similar leg-up but once I looked into his backstory a bit more I realised I couldn’t have been more wrong.
He has been dubbed the British Bruce Springsteen and I can see why. Born and raised in a small terraced house in North Shields, Sam says the first 10 years of his life were comfortable being part of a musical family. His dad Alan is also a singer-songwriter and guitarist, whilst his brother Liam plays the drums. Both musicians performed locally. His late childhood and adolescence were tumultuous however. His mother left when he was eight years old, although he later reconnected with her at age 17, when he was forced out of his house by his stepmother.
From the age of 13, all Sam wanted to do was become a professional musician and at age 14 he started to write his own songs. His brother introduced him to Bruce Springsteen’s album, Born to Run, at age 15, when he also began playing at his brother’s open mic nights. By the age of 17 however, he and his mother were poor and living in a small, crumbling flat on the outskirts of North Shields. Whilst studying, and playing with his new band, Sam also held down two jobs. He had to abandon his A Levels to earn money to help his mother, who had developed a mental illness in addition to her existing fibromyalgia. Eventually, at age 18, Sam began performing paid gigs at pubs and restaurants which is how his manager discovered him and took him on as a client.
So, unlike many others in today’s music industry, no leg-up (although music was probably in his genes via his dad). Sam started off trying to write songs he thought would be popular, as he was desperate to get himself and his mother out of their financial and living situation. However, after a major health scare and facing the possibility of death, he changed his outlook on life. His recovery refocused his songwriting efforts, and he started writing songs for himself. It was from this period he wrote a number of the songs he went on to release. I have found a new appreciation for this one, Seventeen Going Under, as at that time, he really was.
In 2018 Sam was named the BBC’s “Sound of 2018”, and signed to Polydor Records. He won the Critics’ Choice Award at the 2019 Brit Awards and released his debut album, Hypersonic Missiles, which entered the UK Albums Chart at No. 1. His second album, Seventeen Going Under, was released in 2021 and also topped the UK Albums Chart and received a nomination for the 2022 Mercury Prize. In 2022, 2025, and 2026, he won the Brit Award for British Rock/Alternative Act and in October 2025, he was awarded the Mercury Prize for his third studio album, People Watching.
Sam Fender I salute you (and your Geordie accent).
Until next time…
17 Going Under Lyrics
(Song by Sam Fender)
I remember the sickness was forever
I remember snuff videos
Cold Septembers, the distances we covered
The fist fights on the beach, the bizzies round us up
Do it all again next week
An embryonic love
The first time that it scarred
Embarrass yourself for someone
Crying like a child
And the boy who kicked Tom’s head in
Still bugs me now
That’s the thing, it lingers
And claws you when you’re down
I was far too scared to hit him
But I would hit him in a heartbeat now
That’s the thing with anger
It begs to stick around
So it can fleece you of your beauty
And leave you spent with nowt to offer
Makes you hurt the ones who love you
You hurt them like they’re nothing
(Oh, oh)
You hurt them like they’re nothing
(Oh, oh)
You hurt them like they’re nothing
(Oh, oh)
See I spent my teens enraged
Spiralin’ in silence
And I armed myself with a grin
‘Cause I was always the fuckin’ joker
Buried in their humor
Amongst the white noise and boys’ boys
Locker-room talkin’ lads’ lads
Drenched in cheap drink and snide fags
A mirrored picture of my old man
Oh God, the kid’s a dab hand
Canny chanter, but he looks sad
God, the kid looks so sad
God, the kid looks so sad
She said the debt, the debt, the debt
So I thought about shifting gear
And how she wept and wept and wept
Well, luck came and died ’round here
I see my mother
The DWP see a number
She cries on the floor encumbered
I’m seventeen going under
I’m seventeen going under
(Oh, oh)
I’m seventeen going under (oh, oh)
(Oh, oh)
I’m seventeen going under (oh, oh)
(Oh, oh)
I’m seventeen going under (oh, oh)
(Oh, oh)
(Oh)
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