An American Odyssey in Song, The Route Map and Simon & Garfunkel

Well, so far I’ve not been able to commit to the discipline of a series within the pages  this blog but a bit of synchronicity has come about which has made me rethink. Last week over at Yeah, Another Blogger, Neil wrote about how he was going to get back into the discipline of reading books and I commented that in 2015, the year before I took up blogging, I had set myself the task of reading my way around the 50 US states. The state always had to be the main character, and it was great. First I read my way round the Southern States (e.g. Fried Green Tomatoes…. , Gone With The Wind, The Orchard Keeper) then for a change of scenery, I headed up to the Great Lakes and started to read my way round the states up there (e.g. Shotgun Lovesongs set in Wisconsin). I had a route map and everything but sadly when I discovered blogging at the start of 2016, due to time constraints, the journey ended.

img051The wonderful post written by Rol last week over at My Top Ten about the song Wichita Lineman reminded me that when I myself wrote about that song (along with Galveston and By The Time I Get To Phoenix), I had mentioned that my plan was to do a series at some point, journeying round the 50 states in song, and here we are at last – My reading journey may have come to an end but my “50 State American Odyssey in Song” is about to begin!

As a bit of background to this obsession with travelling round the 50 states, whether in book form or in song, I think it’s because it had always been a dream of mine to actually make that journey at some point. I am however starting to think it might never happen. As a kid growing up in rural Scotland, I watched an awful lot of films and telly set in what we called, “America”. On wet Sunday afternoons when there were no outdoor chores to be done, my dad and I used to watch classic MGM Musicals, and Westerns starring John Wayne, set in every corner of that vast land. Also, the music I loved as a kid usually came from Americans such as Elvis, The Monkees (Davy Jones being the exception of course) and The Mamas & the Papas. Oh yes, as soon as I was old enough (maybe about ten), and had saved up enough pocket-money, I was going to buy one of those Greyhound bus tickets and be transported from one real life filmset to the next……

But then I grew up. The childhood dreams dissipated and Europe became my destination of choice (although sadly I’m not sure how welcome we’re going to be after all the “triggering” that’s been going on of late). Despite a few far flung trips over the years, none have been across the Atlantic, and (not wanting to offend any of my American blogging buddies), that 50 State Odyssey is no longer at the top of my real life bucket list. It will therefore have to be of the virtual nature, and in song.

Where to start then? As it turns out this is not going to be as easy as I thought. I wanted to complete the journey only entering and leaving the same state once, but the original route map I put together for my reading challenge started in Florida and ended in Maine – Having racked my brains and even done a fair bit of “Googling”, I can’t find any songs I’m familiar with that mention place names from either of those states. Likewise, when I find artists who were born in either state (e.g. Jim Morrison of The Doors was born in Florida), it turns out they moved around a lot, so can’t really be associated with any one place.

For this first post therefore, where I’m simply setting out the rules, I will just include a song that tells a tale of someone, who unlike my 10-year-old self, did actually take the plunge and bought a Greyhound bus ticket for a trip across America. In my digital music database the most common song title to pop up in different guises is in fact America, but this one by Simon & Garfunkel is my favourite. Although released as a single to promote a Greatest Hits album in 1972 it was written by Paul Simon much earlier, inspired by a 1964 road trip he took with his girlfriend – Perfect for this post, and I wonder, did he indeed “find America” on that trip?

America by Simon & Garfunkel:

So, “What’s It All About?” – I am excited about this challenge and I love researching the back story to the songs that have formed the “tracks of my years” but in this case I may need a little help. I think I’m ok with most of the 50 states but if I’m going to follow my continuous route map without cheating, I’m going to need some input from my blogging buddies. The starting point for the journey could be either Florida or Maine but at this rate, left to my own devices, it’s going to be something by Miami Sound Machine for Florida or something from the musical Carousel for Maine and I really don’t want to go down either of those routes. A song that refers to a place name is the way to go, just as Jimmy Webb used Wichita, Galveston and Phoenix in three of his very best songs – Oh Jimmy, where are you when I need you?

Any suggestions for songs (that I’m likely to be able to write about) associated with Florida or Maine would be gratefully received – You know where the comments boxes are. Once I get started it should be fun, it’s just that first step…….

America Lyrics
(Song by Paul Simon)

Let us be lovers,
We’ll marry our fortunes together.
I’ve got some real estate
Here in my bag.
So we bought a pack of cigarettes,
And Mrs. Wagner’s pies,
And walked off
To look for America.

“Kathy”, I said,
As we boarded a Greyhound in Pittsburgh,
Michigan seems like a dream to me now.
It took me four days

To hitch-hike from Saginaw.
“I’ve come to look for America.”

Laughing on the bus,
Playing games with the faces,
She said the man in the gabardine suit
Was a spy.
I said, “Be careful,

His bow tie is really a camera.”
“Toss me a cigarette,
I think there’s one in my raincoat.”
We smoked the last one
An hour ago.
So I looked at the scenery,

She read her magazine;
And the moon rose over an open field.

“Kathy, I’m lost”, I said,
Though I knew she was sleeping.
“I’m empty and aching and
I don’t know why.”
Counting the cars

On the New Jersey Turnpike
They’ve all come
To look for America,
All come to look for America,
All come to look for America.

Carrie Bradshaw, Barbra Streisand and “Guilty”

Although my posts often follow on from each other and are somewhat related, the two I wrote last week (from my sickbed) were very different indeed with no obvious link at all. Yet again however a strange synchronicity has come about, and this is the post that links them.

WARNING: It’s all about to get very girly!

In my last post I featured the song Single Girl by The Primitives/Sandy Posey (take your pick). It was all about a girl feeling a bit sad and lonely in a “great big town”. One of the best-known groups of “Single Girls” were those Manhattan-based stars of Sex and the City, Carrie Bradshaw and her pals, also at times known to feel a bit sad and lonely in a great big town (although not that often to be fair).

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This reminded me that one of my favourite scenes from a SATC episode was the one where Carrie realises that her failed relationship with Mr Big (the nickname her ex-boyfriend is given – he was supposed to be The Big One, the one she married) was down to the same reason that it didn’t work out for Robert Redford and Barbra Streisand in the 1973 film The Way We Were. The world is made up of “complicated girls” with wild curly hair (Carrie and Barbra) and “simple girls”, the ones with tame straight hair – Big and Redford chose the simple girls!

As mentioned above, the female star of TWWW was Barbra Streisand. Who then appeared on the cover of the magazine that pops through my letterbox on a Saturday? – Yes, it was Barbra Streisand. I don’t know what it is about Streisand but she has always just looked so beautiful and timeless to me – Gorgeous hair, skin and that kinky nose. She is one of a very small group of artists who have won Grammys, Emmys, Tonys and Oscars, such is the breadth of her talent – The Queen of the Divas indeed.

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Got me thinking and joy of joys I discovered that TWWW resides on Netflix so (again from my sickbed) I decided to give it another viewing as I have shockingly never watched it all the way through from beginning to end in one sitting. Of course I had to have a little weep once we got to that scene at the end where Katie (Barbra) tells Hubbell (Robert) that “his girl is lovely” (although she is no doubt crying inside).

Barbra Streisand doesn’t sing in that one but she did record the lovely theme song which contains the following lines:

Can it be that it was all so simple then
Or has time rewritten every line
If we had the chance to do it all again, tell me, would we, could we……?

Ironically, last year, after failing miserably to co-ordinate a date for a reunion weekend with my old “Single Girl” friends, I jokingly sent them an email quoting those very lines with the addendum – Well, apparently not! I thought it was quite funny….but they didn’t. We are all just about talking again now (perhaps that cultural reference was lost on them).

But back to Barbra, it has also of course been known for her to record great duets with some of the biggest artists of the day. Back in 1980 she recorded Guilty with Barry Gibb, on his own, without the rest of The Bee Gees. And this is where the reference to my second post of last week comes in – On St Valentine’s Day I featured a Bee Gees‘ love song and wrote about how sad I felt watching Barry, the lone surviving brother, all on his own at this year’s Grammys, watching a tribute being performed for the 40th anniversary of the album Saturday Night Fever.

Guilty by Barbra Streisand and Barry Gibb:

I am quite frankly amazed that the song Guilty only made it to No. 34 in the UK Singles Chart but looking again at the video clip, Barry and Barbra (nice ring to it) did look oh so very white in it, and this was very much the era of new wave, post-punk and ska where the artists wore very little white indeed and were much, much edgier in terms of their output. Still a great duet however where each of them gets their own boy/girl lines and “nothing to be guilty of” in terms of liking it, as we don’t do that around here any more. The Bee Gees were great songwriters and as mentioned last week I am very proud to have come out and admitted to being a fan.

So, “What’s It All About?” – Who knew that the simple girls always get their man whereas the complicated girls don’t? Well, maybe they didn’t in TWWW, but thirty years later in SATC, Carrie Bradshaw did end up marrying Big. Yes, it turned out he’d made a massive mistake and he did want a complicated girl after all!

As someone with very tame, straight hair but who is not necessarily always simple this is good to know. Sadly back in 1973 it just didn’t seem to be the case but perhaps relationships have evolved and even complicated girls now can have it all!

Until next time….

Guilty Lyrics
(Song by Barry, Robin and Maurice Gibb)

Shadows falling baby, we stand alone
Out on the street anybody you meet got a heartache of their own
(It oughta be illegal)
Make it a crime to be lonely or sad
(It oughta be illegal)
You got a reason for livin’
You battle on with the love you’re livin’ on
You gotta be mine
We take it away
It’s gotta be night and day
Just a matter of time
And we got nothing to be guilty of
Our love will climb any mountain near or far, we are
And we never let it end
We are devotion
And we got nothing to be sorry for
Our love is one in a million
Eyes can see that we got a highway to the sky
I don’t wanna hear your goodbye

Pulse’s racing, darling
How grand we are
Little by little we meet in the middle
There’s danger in the dark
(It oughta be illegal)
Make it a crime to be out in the cold
(It oughta be illegal)
You got a reason for livin’
You battle on with the love you’re buildin’ on
You gotta be mine
We take it away
It’s gotta be night and day
Just a matter of time
And we got nothing to be guilty of
Our love will climb any mountain near or far, we are
And we never let it end
We are devotion
And we got nothing to be sorry for
Our love is one in a million
Eyes can see that we got a highway to the sky

I don’t wanna hear your goodbye

Don’t wanna hear your goodbye

I don’t wanna hear your
And we got nothing, and we got nothing to be guilty of
Our love will climb any mountain near or far, we are
And we never let it end
We are devotion
And we got nothing to be sorry for
Our love is one in a million
Eyes can see that we got a highway to the sky
Don’t wanna hear your goodbye
Don’t wanna hear your
And we got nothing, and we got nothing to be guilty of
Our love will climb any mountain near or far, we are

St Valentine’s Day, The Bee Gees and “How Deep Is Your Love”

By rights I shouldn’t have time for blogging today as it is indeed St Valentine’s Day and I should be spending it being all loved up with Mr WIAA. After being together for 28 years however, it is a bit hard to muster up the enthusiasm for a day of romance but I have just popped in past our local M&S to pick up one of their very delicious special occasion “Dine In For Two” meal deals (no expense spared here at WIAA HQ). I’m sure if we didn’t both have stinky colds it would all taste lovely, but what with the two cards sitting on the mantelpiece and the planned dinner, at least we’re making a bit of an effort.

st-vs-dayThe main reason I wanted to post something today however is that I have been feeling a tad guilty of late for the following reason: of the 120 original posts that I’ve published since starting the blog 13 months ago, the only one I’ve “trashed” permanently is the one I wrote this day last year, featuring a song by The Bee Gees. Yes, despite the fact that I’ve written about some ropey acts since starting this blog, once I’d accumulated a few followers, the only one I was really embarrassed about having covered was The Bee Gees. I blame the sheer number of comedy sketches that were made about them during their heyday (that would be Kenny Everett then), as how else can it be that a group who has sold 100 million-plus records; penned the world’s biggest-selling soundtrack album; had 10 UK No. 1s; wrote 4 consecutive US No. 1s and were the first group to have UK Top 20s in 5 decades, be embarrassing? No indeed, today is the day to come right out and say it – I’m a Bee Gees fan and am proud to admit it!

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The Bee Gees circa 1978

For the record, this was last year’s trashed post (fortunately still in a Word doc as I do worry about the day WordPress crashes and we lose all our stuff):

“No long-winded post today as it’s St Valentine’s Day and I’m going to spend it with my lovely husband. (It was a Sunday last year.)

Last time I wrote about the “break-up song” but How Deep Is Your Love by The Bee Gees is from the other end of the spectrum (I think – although retrospectively I’m starting to doubt some of my interpretations of the lyrics). It is still however, my all-time favourite love-song. It was from the soundtrack to the film Saturday Night Fever (starring a young John Travolta) which was released in the summer of 1978. That turned out to be the best summer of my young life to date. School had finished in the June, and the four month period before University was due to start was filled with happy memories that have stayed with me forever. To use the parlance of American teen movies, for my friends and I, that was our coming-of-age summer.

Unusually for me I’m going to leave it there for today – Enjoy that wonderful intro and Barry’s amazing falsetto. Happy Valentine’s day!”

How Deep Is Your Love by The Bee Gees:

But I did say that the main reason for wanting to post something today was to right the wrong of “trashing” a post about this much-loved group of brothers but the second reason is that last night darling daughter and I watched the highlights of the 59th Annual Grammy Awards. Last year I wrote a post about the 58th Grammys where our own Ed Sheerin came away with a couple of awards and I would probably have been writing a post again this year but they have coincided with St Valentine’s Day and anyway, the big awards, yet again, went to Adele. It was pretty much a re-run of our own Brit Awards last year and my thoughts about that ceremony still ring true (The Brits, The “Suits” and Adele), so no point in covering the same old ground.

What was of interest however was finding there had been a Bee Gees tribute on the big night performed by an array of contemporary acts. It is now 40 years since the making of the “Saturday Night Fever” album and 60 years since the brothers first formed a band singing harmonies together. It did make me sad however to see Barry, the only brother still alive, sitting on his own in the front row watching the performance intently, but sometimes also quizzically. Not the way they used to perform these songs back in the day but here is what the 59th Grammys served up.

Until next time…

How Deep Is Your Love Lyrics
(Song by Barry Gibb/Robin Gibb/Maurice Gibb)

I know your eyes in the morning sun
I feel you touch me in the pouring rain
And the moment that you wander far from me
I wanna feel you in my arms again
And you come to me on a summer breeze
Keep me warm in your love and then softly leave
And it’s me you need to show
How Deep Is Your Love

How deep is your love, How deep is your love
I really need to learn
‘Cause we’re living in a world of fools
Breaking us down
When they all should let us be
We belong to you and me

I believe in you
You know the door to my very soul
You’re the light in my deepest darkest hour
You’re my saviour when I fall
And you may not think I care for you
When you know down inside that I really do
And it’s me you need to show
How Deep Is Your Love

Kris Kristofferson, Johnny Cash and “Sunday Morning Coming Down”

Last time I wrote about the song Fog on the Tyne which was actually a suggestion from one of my blogging buddies as it followed on nicely, in meteorological terms anyway, from my previous post which was about the song Misty by Ray Stevens. Lo and behold, just when I needed some inspiration, down from the “cloud” (I am restoring all my files onto a new computer) came a series of old pictures of my late father-in-law who was a Geordie by birth and who had worked as a young man, right in the centre of Newcastle, in an office overlooking the River Tyne.

The other suggestion I had received as to what song could follow on nicely from Misty was from Lynchie, a regular visitor to this place, who informed me that Ray Stevens had been the first person to record the Kris Kristofferson-penned song Sunday Morning Coming Down in 1969. I was a bit nervous about stepping on toes however as our Chain host over at Dubious Towers produces an excellent weekly country music thread with that same title – An homage to the song and its writer. As he just seems to have just found his blogging mojo again however after a surprisingly common bout of January blues, I rather hoped he’ll let me off. Lo and behold, what suddenly descended from the “cloud” yesterday afternoon but an mp3 of the Johnny Cash version of Sunday Morning Coming Down that I didn’t even remember I had – This post was meant to be!

Mr Kristofferson is someone I have long admired – Back in the ’70s he appeared in many films (Pat Garrett and Billy the Kid, Convoy, Alice Doesn’t Live Here Anymore, A Star Is Born) and for some reason he was one of the actors I took a real shine to. I have always had a penchant for a man with a beard (although not necessarily today’s hipster style), and he did sport a very rugged look back then. What I have now discovered is that not only did he write some of the most iconic songs from that era but he was probably one of those guys who would have succeeded in whichever path in life he chose. A top scholar, an accomplished athlete, a US Army captain, a helicopter pilot, a novelist, an actor and a singer/song-writer.

Having just checked, I find it incredible that he never once appeared in the British music charts in his own right, despite the fact that so many of his songs did make an appearance when sung by other people – For the Good Times by Perry Como and Help Me Make It Through the Night by Gladys Knight and the Pips amongst others. He definitely did make an appearance for several weeks in a row however on 1977’s TOTP as he was Barbra Streisand‘s love interest in the film A Star Is Born – Much smooching was done during the filmed recording of the song Evergreen which was a massive hit for her that year. (Yes, my 16-year-old self was definitely smitten with Mr K in that one.)

But this was supposed to be a post about the song Sunday Morning Coming Down and as we have now ascertained Kris Kristofferson wrote it and Ray Stevens was the first person to record it, but when Johnny Cash did a version in 1970 it reached No. 1 on the country chart and won the Country Music Association Award for Song of the Year. The story is that Kris, who was working as a janitor at the time for Columbia Records in Nashville mainly to get a foothold in the industry, flew his National Guard helicopter right onto Johnny’s front lawn in order to deliver the demo tape in person. That was the turning point for him however as once Johnny took the song on, and made it his own, Kris was quoted as saying that he never again “had to work for a living”.

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As for how I came to have a copy of the song in my digital library – That would be because a few years ago I had not so much a mid-life crisis but all of a sudden I became besotted with country music. It started off with acquiring Glen Campbell CDs but I then progressed to compilations of Greatest Country Hits and just about anything else I could lay my hands on, which of course included a Johnny Cash CD containing the song Sunday Morning Coming Down. Before then I had mainly known Johnny from his more light-hearted songs such as One Piece at a Time and A Boy Named Sue but also from the film I Walk The Line and the documentaries about his concerts held in the various state penitentiaries across America. Perhaps you have to be of a certain age to truly appreciate country music, and likewise, in order to really emote the lyrics in the songs you need to have a modicum of life experience, which by the time I came to appreciate Johnny he truly would have had.

The clip here is a great one as not only do we have Johnny but also Kris singing the song, making it a duet. The preamble is something they used to do quite a lot of on these sort of shows, and can be a bit cringifying, but it does lead in to an excellent performance.

Sunday Morning Coming Down by Johnny Cash:

So, “What’s It All About?” – It seems you should never be dismissive of any genre of music as one day you might just suddenly “get it” and you have a great new world to explore. As for Mr Cash’s voice, it was a deep calm bass-baritone which you just don’t often hear in music nowadays. I find it ironic that I always knew him best for his humorous songs, considering he built a whole persona around being “The Man in Black” – Sombre, serious and frankly quite scary.

As for Kris, unlike Johnny he is still with us, and rumours are afoot that he may even appear at Glastonbury this year which would be truly amazing. I am partly amazed by this because I know he is exactly the same age as my little mum and somehow I just can’t imagine her gracing the stage at Glastonbury. What she can do however is read this blog and it has become a feature of our Friday evenings together, when I go to visit. I really don’t think she quite understands the whole concept of “blogging” and why should she?Sharing your innermost thoughts, with complete strangers, across every corner of the globe is indeed a bizarre concept but one that can bring great enjoyment, so I for one intend to keep going!

Until next time….

Sunday Morning Coming Down Lyrics
(Song by Kris Kristofferson)

Well, I woke up Sunday morning
With no way to hold my head that didn’t hurt.
And the beer I had for breakfast wasn’t bad,
So I had one more for dessert.
Then I fumbled in my closet through my clothes
And found my cleanest dirty shirt.
Then I washed my face and combed my hair
And stumbled down the stairs to meet the day.

I’d smoked my mind the night before
With cigarettes and songs I’d been picking.
But I lit my first and watched a small kid
Playing with a can that he was kicking.
Then I walked across the street
And caught the Sunday smell of someone frying chicken.
And Lord, it took me back to something that I’d lost
Somewhere, somehow along the way.

On a Sunday morning sidewalk,
I’m wishing, Lord, that I was stoned.
‘Cause there’s something in a Sunday
That makes a body feel alone.
And there’s nothing short a’ dying
That’s half as lonesome as the sound
Of the sleeping city sidewalk
And Sunday morning coming down.

In the park I saw a daddy
With a laughing little girl that he was swinging.
And I stopped beside a Sunday school
And listened to the songs they were singing.
Then I headed down the street,
And somewhere far away a lonely bell was ringing,
And it echoed through the canyon
Like the disappearing dreams of yesterday.

Music from Love Actually, Part 2 – Joni Mitchell and “Both Sides Now”

Well, what I hadn’t realised earlier this year when I decided to have a nostalgic revisitation of the “tracks of my years”, was that when we got to Christmas it would all get a bit emotional. Emotional partly because it has, I think we all agree, been one of those years; emotional because I am reminded of all the people who are no longer with us especially my darling dad who crops up on these pages often; emotional because this is the first year my daughter won’t be with us (I hadn’t considered that at some point we would have to share her with her boyfriend’s parents) and finally; emotional because of all the seasonal music my fellow-bloggers are posting.

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But this is only Tuesday so still time to pull myself together, once I get this effort done and dusted. The eagle-eyed amongst you will have noticed that last time, the title of my post was “Music from Love Actually, Part 1”. This then, is to be Part 2.

Since watching the film Love Actually last week I have since re-watched it (overkill maybe), just to remind myself of how significant a role today’s featured song plays in the storyline. Those of you who know the film well will also know that Emma Thompson‘s character, who is married to Harry (played by Alan Rickman RIP), has inadvertently found a beautiful gold necklace she fully expects to be given as a present for Christmas. Upon opening the square shaped box with expectant glee, she discovers that it is instead a Joni Mitchell CD, a great present as she is a big fan, but in that split second she realises that the gold necklace was for someone else, and she has to quickly extricate herself from the room. An emotional (that word again) scene then takes place where she has to pull herself together before re-emerging to join the family.

Throughout this scene in the bedroom, we hear the plaintive sounds of a more mature Joni Mitchell sing Both Sides Now from the album of the same name, released in the year 2000. Maybe it’s just because I’m a lady of a certain age, but it gets me every time. Like Emma’s character in the film, my life for many years was one of putting family first. I ran the school board, organised fund-raisers, took my daughter (and all the kids whose parents worked full-time) to after-school activities, completed courses with the OU and was chief cook and bottle-washer. If I had a pound for every time someone told me I was lucky that I “didn’t work”, I would be a very rich woman. Anyway my point is that poor Emma found herself in the situation where Harry had, she felt, made a fool of her and the life she had chosen. Fortunately for me Mr WIAA is self-employed, and as I have acted as his (unpaid) secretary for years, if anyone was going to get a gold necklace it was going to be me (but I didn’t, because I perhaps stupidly keep a tight control on the finances)!

Both Sides Now by Joni Mitchell:

But of course most people will know the song Both Sides Now from the 1967 Judy Collins version (there it is again, my favourite year). Joni had written the song earlier that year inspired by a passage from a novel by Saul Bellow. A quote from her goes as follows:

“I was reading Saul Bellow’s “Henderson the Rain King” on a plane and early in the book Henderson the Rain King is also up in a plane. He’s on his way to Africa and he looks down and sees these clouds. I put down the book, looked out the window and saw clouds too, and I immediately started writing the song. I had no idea that the song would become as popular as it did.”

Judy Collins won a Grammy Award for Best Folk Performance in 1969 and it has become one of her signature songs. What I find remarkable is that I wrote very recently about how Judy Collins recorded Leonard Cohen’s song Suzanne in 1966 and that it was she who persuaded the reluctant poet Cohen, to get out on stage to perform his own songs. Here we are again with Judy being the catalyst who perhaps made a couple of Canadian songwriters, international artists of great renown in their own right.

Very few of my real-life friends know about this “place” but one who does told me that she liked it, because it wasn’t one of those depressing blogs – Oh dear, I think I may have just disappointed! Hopefully got it all out of my system now but oh my, listening to the mature Joni Mitchell again, really tugs at the heartstrings.

I have decided that on Christmas Day, as darling daughter will not be with us, we will have a festive lunch and then take food out for the homeless. Mr WIAA is not convinced we will find them, as they will probably already be well catered for, but I have my doubts – Even up here in The Highlands, last weekend we had girls my daughter’s age sleeping in doorways, and in 2016 that just can’t be right.

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Tomorrow is the winter solstice, where the day is the shortest of the year and the night the longest – We are at the cusp of something astronomical, looking at both sides now, one side has been getting darker and one will be getting lighter. Very apt song therefore for this post.

I will return in a cheerier mood before the big day. Merry Christmas!

Both Sides Now Lyrics
(Song by Joni Mitchell)

Rows and flows of angel hair
And ice cream castles in the air
And feather canyons everywhere,
I’ve looked at clouds that way.

But now they only block the sun,
They rain and they snow on everyone
So many things I would have done,
But clouds got in my way.

I’ve looked at clouds from both sides now
From up and down and still somehow
It’s cloud illusions I recall
I really don’t know clouds at all

Moons and Junes and Ferris wheels,
The dizzy dancing way that you feel
As every fairy tale comes real,
I’ve looked at love that way.

But now it’s just another show,
You leave ’em laughing when you go
And if you care, don’t let them know,
Don’t give yourself away.

I’ve looked at love from both sides now
From give and take and still somehow
It’s love’s illusions I recall
I really don’t know love at all

Tears and fears and feeling proud,
To say “I love you” right out loud
Dreams and schemes and circus crowds,
I’ve looked at life that way.

Oh but now old friends they’re acting strange,
They shake their heads, they say I’ve changed
Well something’s lost, but something’s gained
In living every day.

I’ve looked at life from both sides now
From win and lose and still somehow
It’s life’s illusions I recall
I really don’t know life at all

I’ve looked at life from both sides now
From up and down, and still somehow
It’s life’s illusions I recall
I really don’t know life at all

It’s life’s illusions I recall
I really don’t know life
I really don’t know life at all

Ewan McGregor, Elton John and “Your Song”

Before I got side-tracked by other things, like writing my landmark 100th post (still basking in the afterglow of having reached that momentous number), I had revisited the Randy Crawford song One Day I’ll Fly Away which is featured in this year’s John Lewis Christmas ad. It led me to share the version performed by Nicole Kidman in Baz Luhrmann’s lavish movie Moulin Rouge!. Her male co-star and love interest in that movie was Ewan McGregor, my favourite Scottish actor. In fact no, my favourite actor full stop. I am currently eagerly awaiting the sequel to the 1996 film Trainspotting which is due to come out early next year where he very memorably played the character Renton, a young man caught up in a world of addiction and squalor in, ironically, “culturally rich” Edinburgh – Harrowing scenes but also scenes of great humour and on some lists, it is ranked Best Scottish Film of all time.

His role in Moulin Rouge! could not have been more different as in this one he plays a writer/poet who has come to live amongst the Bohemians of Montmartre during the period of La Belle Époque. It is not long before he falls in love with Satine, the star courtesan of the Moulin Rouge nightclub played by Nicole Kidman and for me, the whole film was an absolute spectacle, with fantastic music throughout.

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Ewan and Nicole sing their Love Medley

I hadn’t realised until going to see that film in 2001 that both Nicole and Ewan were such great singers, but they were, and one of their very memorable duets, Elephant Love Medley, was compiled from 13 different Love Songs – If you are around my age, you will recognise all of them. They came just too thick and fast when I watched this song being performed first time around but once home, and with the newly purchased CD in the player (it was 15 years ago now), it was easier to identify and remember all of them. Here is the clip followed by the list, in the correct running order, of all 13 songs from which snippets were plucked. Very aptly for this year, I think my favourite segment is when they sang a few lines from the David Bowie song Heroes.

Elephant Love Medley by Ewan MacGregor and Nicole Kidman:

Medley compiled from:
Love Is Like Oxygen – Sweet
Love is a Many-Splendored Thing – The Four Aces
Up Where We Belong – Joe Cocker and Jennifer Warnes
All You Need Is Love – The Beatles
Lover’s Game – Chris Isaak
I Was Made For Lovin’ You – Kiss
One More Night – Phil Collins
Pride (In The Name Of Love) – U2
Don’t Leave Me This Way – Harold Melvin & the Blue Notes
Silly Love Songs – Paul McCartney and Wings
(Repeated) Up Where We Belong – Joe Cocker and Jennifer Warnes
Heroes – David Bowie
I Will Always Love You – Dolly Parton
Your Song – Elton John

The final song used for the medley was Your Song by Elton John. It was originally released back in 1970 and although I knew it well, I had been too young back then to really appreciate those great lyrics by Elton’s long-time collaborator, Bernie Taupin. By the time I was a teenager in 1973, Elton John was one of the biggest singer/composer/musicians on the planet, his albums “Don’t Shoot Me I’m Only The Piano Player” and “Goodbye Yellow Brick Road” receiving massive critical acclaim. But, at that time my focus was very much on my oh so good-looking teen idols, the Donnys and the Davids. Elton by this time had embraced the full glam-rock persona with ever more outrageous outfits, glasses and footwear, but not someone I saw as a potential teen idol.

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One of Elton’s outrageous outfits!

This is a roundabout way of saying that it was not until going to see Moulin Rouge! in 2001 that I truly appreciated the sentiment of Your Song, and actually dug out a really old cassette tape from the loft that, amongst others, contained my new favourite song. Again maybe it’s the old romantic in me, but what a wonderful thing I thought, to have a song written specially for you which includes the line: “How wonderful life is, while you’re in the world”. Unlike Pattie Boyd, who seems to have had oh so many songs written about how wonderful it was to have her in the world, I am pretty sure no-one has ever written a song for me. At best there may have been a limerick or rhyme (of the non-smutty nature) in a Valentine card at some point, but still perhaps time if Mr WIAA decides to take up the art of song-writing in later life. The really ironic thing is that hubby’s real-life profession is actually mentioned in the song, but in a bit of a derogatory fashion. Yes it is a great source of mirth in our house that one of the lines from Your Song goes as follows: “If I were a sculptor (bit of aside laughter at the ridiculousness of the suggestion), but then again, no”. It turns out that Bernie Taupin decided that it would be preferable being “a man who makes potions in a travelling show” than to be a sculptor although I beg to differ!

Your Song by Elton John:

So, “What’s It All About?” – It’s good in later life to revisit songs you may not have truly appreciated first time around because you were just far too busy swooning over your latest teen idol, who happened to have great hair, teeth, waistcoats and headwear. (That would be Donny Osmond in his trademark purple cap then!) I sadly did not appreciate Your Song first time around so was glad to rediscover it properly after watching Baz Luhrmann’s lavish film. Yet again, the subject matter for both the above songs is that old chestnut love but as I have mentioned here before (just a few times), that is indeed what it’s all about. We seem to be living in a bit of a troubled world at the moment but I will remain positive and hope that love will win out in the end.

Until next time here is the Moulin Rouge! version of the song, Baz Luhrmann style. Both have their merits but it’s the simple pared down version by Elton for me now – Unlike Pattie Boyd I may never have any songs written for me, or about me, but in the meantime a nice piece of sculptural jewellery will do nicely. The man who makes potions in a travelling show is not the one for me!

Your Song Lyrics
(Song by Elton John/Bernie Taupin)

It’s a little bit funny this feeling inside
I’m not one of those who can easily hide
I don’t have much money but boy if I did
I’d buy a big house where we both could live

If I was a sculptor, but then again, no
Or a man who makes potions in a traveling show
I know it’s not much but it’s the best I can do
My gift is my song and this one’s for you

And you can tell everybody this is your song
It may be quite simple but now that it’s done
I hope you don’t mind
I hope you don’t mind that I put down in words
How wonderful life is while you’re in the world

I sat on the roof and kicked off the moss
Well a few of the verses well they’ve got me quite cross
But the sun’s been quite kind while I wrote this song
It’s for people like you that keep it turned on

So excuse me forgetting but these things I do
You see I’ve forgotten if they’re green or they’re blue
Anyway the thing is what I really mean
Yours are the sweetest eyes I’ve ever seen

And you can tell everybody this is your song
It may be quite simple but now that it’s done
I hope you don’t mind
I hope you don’t mind that I put down in words
How wonderful life is while you’re in the world

Leonard Cohen, “Suzanne” and Tea From China

This has been a truly dreadful year for loss. In my first 10 days of blogging I had written about the deaths of three of my heroes from the world of music and film, and as the year has progressed there seems to have been little respite. Of course once I thought about it a bit more, this being a blog mainly about artists from the ’60s and ’70s, it was going to be highly likely that some may well leave this mortal coil before I got round to writing about them. Most of these people will be of advanced years by now and in many cases already past their biblical three score and ten.

There were exceptions however. I wrote about the 57-year-old Prince only 10 days before we heard of his sudden death and I was actually in the process of writing about music from the ’80s which featured an amusing story about Pete Burns (also 57), when his sudden death was announced. Will have to come back to that one now from a different angle.

This week (a momentous one indeed) also saw the death of Leonard Cohen. As it turns out I wrote briefly about Mr Cohen as part of another post back in February, in the context of him being one of the new discoveries I made as a student in the late ’70s:

“After a confusing 1st Year at University where my friends and I still had ties to our old lives and friendships from school days, by the start of 2nd Year we had finally morphed into late-’70s students. We dressed in interesting clothes from charity shops (they weren’t called vintage in those days), hung around dingy bars and listened to “The Songs of Leonard Cohen” (in between attending lectures of course). Looking back, the tracks of my years had up until then, revolved around what was on Top of The Pops, what was played on BBC Radio 1 and the music from film soundtracks so this was a whole new branch of music that I hadn’t really experienced before. Artists like Cohen didn’t release singles that would appear in a chart show run-down, but whole albums of songs to be listened to late at night, in a soporific condition with preferably, a significant other.

Also, the great thing about having a boyfriend who flat-shared with an older brother, was that you immediately had access to their record collection as well. Being of the opposite sex and having a few more years’ worth of vinyl, his collection was vastly different to my own and so it came about, that in late 1979 I fell in love with the music of Joni Mitchell, Bob Dylan, Carole King and last but not least, Leonard Cohen.”

Since then his name has cropped up many times when researching other artists, specifically women artists. I got the impression that he really “liked” (in the truest sense of the word) women and they liked him right back, often helping him out at times when a little nudge in a certain direction was required.

Judy Collins recorded his song Suzanne in 1966 and it was she who persuaded him to get out on stage and start performing his songs himself. She first introduced him to television audiences during one of her shows in 1976, where they performed duets of his songs, and was once quoted as saying, “People think Leonard is dark, but actually his sense of humor and his edge on the world is extremely light”. I like that considering his style of music produced albums often quoted as being full of songs to slash your wrists to!

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Leonard and Judy Collins

His songs often had girl’s names in their titles and So Long, Marianne was inspired by Marianne Ihlen whom Cohen met on the Greek island of Hydra in 1960. Cohen said she was the most beautiful woman he had ever met. The two hit it off and lived together throughout the ’60s. She died earlier this year and Cohen’s words, written to her before her death were read out at her funeral. “Know that I am so close behind you that if you stretch out your hand, I think you can reach mine… Goodbye old friend. Endless love, see you down the road”.

The song Suzanne was inspired by Cohen’s platonic relationship with Suzanne Verdal, the then-girlfriend of sculptor Armand Vaillancourt. Its lyrics describe very literally the routine they enjoyed when they met. Suzanne would invite Cohen to her apartment by the harbour in Montreal, where she would serve him tea, and they would then walk around Old Montreal past the church of Notre-Dame-de-Bon-Secours, where sailors were blessed before heading out to sea. I have always loved that song and am amazed how he managed to convert such seemingly simple routines into such colourful and romantic lyrics, “And she feeds you tea and oranges that come all the way from China”.

Suzanne by Leonard Cohen:

When I wrote about Jennifer Warnes a couple of months ago it came as a surprise to me that this American singer, songwriter, arranger and record producer, most famous for having performed on no less than three Oscar-winning songs from movies, was also a close friend and collaborator of Mr Cohen. In the ’70s, Cohen toured twice with Jennifer Warnes as a backup singer and she would become a fixture on Cohen’s future albums, receiving full co-vocals credit. In 1987 she recorded a tribute album of Cohen songs, “Famous Blue Raincoat” even though her career at the time was in much better shape than his. “So this is a real friend,” he said. “Someone who in the face of great derision, has always supported me”. The tribute album helped restore Cohen’s career in the U.S.

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Leonard and Jennifer Warnes

I am glad that Mr Cohen’s music entered my life when it did and he has left a great body of work for us to enjoy forever. I also love that he had all these great relationships with women who seemed to really appreciate having him as a friend. Says a lot about the man. RIP Leonard.

Suzanne Lyrics
(Song by Leonard Cohen)

Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she’s half crazy
But that’s why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you’ve always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you’ve touched her perfect body with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said “All men will be sailors then
Until the sea shall free them”
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you’ll trust him
For he’s touched your perfect body with his mind.

Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she’s touched your perfect body with her mind.

Dusty Springfield, “The Look of Love” and Late ’60s Movies

I’ve decided that I might as well rename this blog A Nostalgic Journey Through the Works of Burt Bacharach, January to December 1967, as yet again I have found myself troubled by a pesky earworm from that year. All day yesterday I had the first few lines of The Look of Love by Dusty Springfield going round and round in my head but wasn’t sure where it had come from. I was pretty sure I hadn’t heard it on the radio or on television but here I was yet again revisiting my seemingly favourite year and favourite composer.

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The Look of Love, by Burt Bacharach and Hal David featured in the 1967 spoof James Bond film Casino Royale. Here is the scene in the movie where it appears and between Dusty’s husky vocals, the slow motion filming and the saxophone playing, Peter Sellers looks as if he is in for quite a time with Ursula Andress (the original Bond girl – Honey Ryder).

The Look of Love by Dusty Springfield:

Of all the songs featured in this blog, 1967 is the year I seem to keep coming back to and after thinking about it a bit more I have come up with a few reasons as to why that might be happening.

First of all I was only six at the start of ’67, so most of my personal musical memories are from the ’70s, ’80s and ’90s (post turn-of-the-millennium is still classed as “new” music for me). My point is, there are many songs from the ’60s that are still fresh for me, as I haven’t yet reached the tipping point of having heard them just once too often. (Sadly the exception to that rule is now the song Alfie – After undertaking this project I hope I never, ever, have to listen to it again.)

Secondly, when you are six (just like in the world of A.A. Milne) you have no exam, work, money or relationship worries, so none of the songs from that era conjure up any unpleasant memories. If you were lucky like me and came from a stable family where you were loved and taken care of, life was sweet – The days of teenage angst were far off in the future.

Thirdly (is that even a word), the radio stations I now listen to (briefly in the morning when I get up, and when in the car) generally play older music so I am much more likely to hear something by Burt Bacharach than by Tame Impala in the course of the day, setting off one of those pesky earworms (although to be fair not pesky in the case of this song, more pleasurable).

Fourth, I am truly amazed at the sheer number of musical sub-genres, and in the last couple of weeks alone I have covered songs from the sunshine pop, baroque pop and champagne soul camps. Burt’s music was apparently from the orchestral pop camp and of the many sub-genres out there, I think this is the one I warm to most. In the late ’60s plenty of other arrangers and producers were championing this style of music such as George Martin, Brian Wilson and John Barry (of Bond theme fame) so lots of great stuff to listen to.

And finally, the big one, in my youth I absolutely loved old ’60s movies like Casino Royale shown in the clip. There is a delay of a few years before films made for the big screen can be shown on television and I am guessing that this one, and the non-spoof Cubby Broccoli Bond movie You Only Live Twice, first made an appearance on British television in the early ’70s. Perhaps all was hunky dory where you lived but my memory of early ’70s Britain is that things were a bit grim and depressing. We had economic and political unrest, three-day weeks and power cuts. The clothes were all droopy (midi/maxi skirts and flared trousers) and came in a variety of shades of brown and beige. Compare all that to the brilliant colours and exotic locations shown in those comedic, technicolor movies from the ’60s and I know which era I wanted to live in, albeit vicariously.

It is no coincidence that Peter Sellers popped up in the clip for The Look of Love – His output was prolific around that time and he had already starred in What’s New Pussycat? in 1965 and After The Fox in 1966, both films having title songs written by Bacharach and David. There can’t be many people who wouldn’t recognise Tom Jones’ version of What’s New Pussycat? but despite the fact that After The Fox by The Hollies (featuring Peter Sellers) is lesser known, it has now become one of my favourite Burt songs from that period. Again, when you listen to it, you just remember all those great films that usually had very funny cartoonised opening sequences and colourful movie posters designed by Frank Frazetta.

After The Fox by The Hollies (featuring Peter Sellers):

So, “What’s It All About?” – After writing this post, I worked out how the song The Look Of Love became an earworm yesterday. It turns out that it is being used in a new advert for tinned soup! That’s another song ruined then, as from now on it won’t be associated with the husky sounds of Dusty Springfield, it will be associated with tinned tomato.

I wrote a while back about how advertising companies have worked out that if they use music from the era their target market turned 16, they will be putty in their hands and mindlessly buy anything on offer. In the case of this song, it looks as if all those recent retirees aged around 65 who eschew spending a fortune on designer soup in cartons, are about to have a purchasing frenzy, buying up all their favourite tinned soups from their youth. (Oxtail anyone? No me neither.)

Very clever marketing The Heinz Corporation, but for me, they have just ruined another classic song from the ’60s…, for all of us.

The Look of Love Lyrics
(Song by Burt Bacharach/Hal David)

The look of love
Is in your eyes
The look your smile can’t disguise
The look of love
Is saying so much more
Than just words could ever say
And what my heart has heard
Well it takes my breath away

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you

You’ve got the look of love
It’s on your face
A look that time can’t erase
Be mine tonight
Let this be just the start
Of so many nights like this
Let’s take a lover’s vow
And then seal it with a kiss

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you
Don’t ever go

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you
Don’t ever go
Don’t ever go
I love you so

Warm Winds, Burt Bacharach and “A House Is Not A Home”

Ahead of the onset of autumn, my plan for the weekend was, (perhaps foolishly, this being the north of Scotland) to organise an outdoors get-together for some good friends. Ever since writing about the England Dan & John Ford Coley song I’d Really Love To See You Tonight earlier in the year, I’ve been a tad obsessed with trying to recreate the ambiance it conjures up (there’s a warm wind blowing the stars around). This being Scotland it was never going to be easy as to see the stars it has to be dark, and earlier in the summer it barely gets dark at all. So, it really had to be right at the end of the season which meant there would be no warm winds, but if a fire was present at least there would be warmth. Other than a short shower of rain, when we conveniently decanted inside to eat, we were able to sit outside until midnight and although not many stars visible last night there was a lovely half-moon, so really pleased with my efforts.

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Late summer in Scotland – waiting for the guests to arrive!

Another real treat was that I took my new portable turntable outside which meant rifling through the old vinyl from back in the day. Rediscovered a lot of records I had forgotten about that have not been replaced in digital format, so a real added bonus to the evening. After writing about Raindrops Keep Fallin’ On My Head recently, and how the scene where it appears in Butch Cassidy and The Sundance Kid contains most of the ingredients I consider important for creating “the perfect day”, last night’s get-together contained most of the ingredients for the “perfect evening”.

You would think that would have been enough for one evening but no, after the guests left and some tidying up had been done, we discovered a wonderful show on BBC4 called Burt Bacharach, A Life In Song. Anyone familiar with this blog will know that I’m a great fan of Burt’s music and especially the songs he wrote with Hal David. This show had been filmed three years ago when Burt was 85 and although it was sad to see him looking so frail and aged, he still rose to the challenge of leading his orchestra and guest singers in a celebration of his music.

It was one of those shows where between the songs, Burt was interviewed by Michael Grade, who quizzed him on all aspects of his very lengthy career. What I found really interesting was that near the end, Michael asked Burt what his favourite song was and it turned out to be Alfie – This was obviously a pleasant surprise. Sadly, because I think I’ve listened to the song once too often this year, I have now become a bit tired of it but it was interesting to note that Burt chose it because he considered Hal’s lyrics to be “important”. A few months back I came to this conclusion also. There are earlier important lyrics in the song but near the end there are the lines:

I believe in love, Alfie
Without true love we just exist, Alfie
Until you find the love you’ve missed
You’re nothing, Alfie

Early on in this process of looking back nostalgically via song, it became apparent that “What’s it all about?” was indeed love – First for our family as children, then for our best friends as teenagers and finally for the people we form relationships with on the way to finding that special person. If you are lucky enough to have children, that is perhaps the greatest love of all and one from which you have no escape, although your patience may be tested at times. There is the old adage that nobody on their deathbed has ever said “I wish I’d spent more time at the office”- It is all about the people you meet on the way. In music and song, the subject of love is never far away, and what a wonderful thing to have in the world (I’m in tears here).

Of course there are many versions of the song Alfie (and it ended up being the Cher version used for the film) but when pressed, Burt very carefully sidestepped the issue of which one he preferred. He did however refer to the now infamous footage of Cilla Black being harangued into recording 41 versions, which suggests it wasn’t her one!

Alfie by Cilla Black:

But back to the show – When Burt was then asked what his second favourite song was, it turned out to be A House Is Not A Home. This show just kept getting better and better because earlier that evening, when getting ready for the party, I had thanked my lucky stars that due to circumstance we very much reside in a lived-in home as opposed to a show-house. I know that is not really the point of the song, but it had come to mind. By the time you reach your “middle-years” a lot of friends have invested heavily in their expensive, possibly cream-coloured furniture, fittings and floor coverings (the three Fs). All very nice but they are then terrified of ever hosting a social event in case anything gets spoilt or damaged. Having given up a good job when our daughter was born to be a stay-at-home mum, we’ve not had the luxury of constantly upgrading every few years – The upside of this however is that your house becomes a home, where the people in it are the most important thing and not the expensive furnishings. Our daughter’s friends were always welcome, pets were encouraged and social gatherings are a regular occurrence. I feel sorry in a way for those people trapped in the cycle of working so hard to buy all those lovely things that then can’t be enjoyed and shared, but hey, maybe that’s just me.

Yet again I have run out of words but I will end with a version of A House Is Not A Home from my collection which comes from the television show Glee, where it was sung very sweetly by the actor/singer Chris Colfer. I hadn’t really taken too much heed of the song until that point (previously recorded by Dionne Warwick, Brook Benton and many others) but it perfectly fitted the storyline and led me straight to iTunes after the show ended.

A House Is Not A Home by Chris Colfer:

So yet again I’m up far too late, just as happened last night when I was drawn to watching a late night show featuring Burt Bacharach. And of course this has been a very serious post, so apologies for that – I promise that a much more light-hearted one is to follow and it involves trousers. Watch this space.

A House Is Not A Home Lyrics
(Song by Burt Bacharach/Hal David)

A chair is still a chair
Even when there’s no one sitting there
But a chair is not a house
And a house is not a home
When there’s no one there to hold you tight,
And no one there you can kiss good night.

A room is still a room
Even when there’s nothing there but gloom;
But a room is not a house,
And a house is not a home
When the two of us are far apart
And one of us has a broken heart.

Now and then I call your name
And suddenly your face appears
But it’s just a crazy game
When it ends it ends in tears.

Darling, have a heart,
Don’t let one mistake keep us apart.
I’m not meant to live alone. turn this house into a home.
When I climb the stair and turn the key,
Oh, please be there still in love with me.

Alexander O’Neal, “Saturday Love” and Mix-Tapes

As is wont to happen, you sometimes start with a plan but then veer off in a different direction to what was originally intended. I started this blog right at the start of the year on the momentous day that David Bowie died. As my day job involves working pretty much exclusively with numbers, I felt in need of some writing practice and with a blog you have a good chance of sticking to the discipline of writing regularly.

david b

But what to write about? Well for a long time I had thought it would be a good idea to write about those memories conjured up by a random piece of music heard in the course of the day. Like most of us, I have ended up letting my grandparents and even my own dad pass away without ever getting their stories down on paper and as I live what I would call an ordinary life, no-one was ever going to ask me to write an autobiography. Even ordinary lives have extra-ordinary moments however and it has been a bit of a joy recalling some of my special moments.

Mans Zermerlow

So for seven months now I have been merrily tapping away on whatever device is available and have found that it does become quite addictive. There is also the temptation to continually check on your “stats” only to find them disappointingly low considering you have just published something you think is pretty damned good. Feedback is a gift they say, and even if you are working on a pet project mainly for your own benefit, it can still make your day. But as time goes by, you can become a bit too focussed on the desire to get followers, likes and views and lose sight of why you started the thing in the first place!

Time to get back to what was originally intended therefore and not write for any particular audience other than myself – If anyone does read my posts and enjoys them that’s a bonus but not why I’m doing it. I have discovered some excellent blogs written by real music buffs and enjoy them a lot but the music I write about is really just an anchor for the memory and I would not profess to being an expert on any of it.

So if I were to go back to basics and pick a random piece of music to write about, what would that be right now? Well I have just switched on my iPhone which is sitting here beside me, and the song that randomly started playing on the music app was Saturday Love by American R&B star Alexander O’Neal. It was a hit in 1985 and was written by that incredibly successful songwriting team Jimmy Jam and Terry Lewis who also wrote for Janet Jackson, Usher, Boyz ll Men, TLC and many more.

Saturday Love by Alexander O’Neal & Cherelle:

And that is why I think I stopped writing randomly – There is very little I have to say about this track other than that it was one of these smooth night-clubby numbers that I probably heard a lot whilst out with the girls in the mid-eighties (sporting big hair and earrings). I was never a particular fan of the ’80s night club however as it was all smoke and mirrors (literally) and not enough room for the serious business of dancing which is one of my passions. But then again it is a long time since dancehalls and night clubs have been for the sole purpose of dancing – No they have survived for decades for a very different purpose and I think we all know what that would be.

I think this is common to all girls but I do remember having quite a collection of mix-tapes made for me in the mid ’80s by potential beaus! Some of these tapes had fantastic collections of music on them and one had quite a few very seductive Alexander O’Neal tracks. Needless to say, when I met my future husband he was quite jealous of these “love letters in song” and tried to compete by making his own. Sadly he had sold most of his record collection to pay for essentials (like food) when he was a student so didn’t have a great base to work from. His answer was to use my record collection and although it was a really lovely thought, it’s just not the same when a mix-tape is compiled from your own well-loved, but well-worn, tracks. As it turns out we are still together all these years later and I hear him working away on his latest DIY project as I type, so the secret of a long-lasting marriage is obviously not the quality of the mix-tape, just perhaps, it’s the quality of the DIY!

Saturday Love lyrics
(Song by Jimmy Jam/Terry Lewis)

It’s been a long time

I didn’t think I was
Going to see you again

See you haven’t changed
It’s good to see you anyway

Sunday, Monday, Tuesday, Wednesday
Thursday, Friday, Saturday love
Sunday, Monday, Tuesday, Wednesday
Thursday, Friday, Saturday love

When I think about you
My feelings can’t explain
Why after all this time
My heart still feels pain

When I look at you
Memories of love
Like no one before
You’ll stay on my mind

Always so special
(I was yours and you were mine)
Made for each other
(All the good I won’t forget)
You will stay on my mind
(Saturday, the day we met)