Months Of The Year In Song: Orange October

Welcome to this second instalment of my new series, where I plan to share songs relating to all 12 months of the year. I didn’t start in January but that’s ok as the months just keep rolling by in a continual loop, or so I thought until last month’s discovery that the calendar year used to have 10 months with a gap for an “unorganised winter”, which is why October is confusingly named after the Latin word for eight. In time that got sorted out and we now have the calendar we are familiar with where October is the 10th month, and what a month it is for those of us who live in the Northern Hemisphere. I don’t know about you but over the last couple of weeks I have been privileged to witness the leaves changing colour all around my neighbourhood and what a treat it’s been.

Last month in the comments boxes there was a bit of debate about September being the first month of autumn, as although meteorologically it is, it still feels like the tail end of summer (again I’m referring to those of us who live in the Northern Hemisphere – sorry if I’m alienating my Southern Hemisphere followers). But October is ‘proper autumn’ and what with the colour of the leaves, our warm woollen clothes back on rotation and Halloween making its presence felt at the end of the month, a very orange one indeed in terms of the hues.

But this is a music blog so where are the songs? Last month it became obvious that September songs are quite nostalgic and melancholy, but mainly because the month’s name rhymes with the word ‘remember’. October doesn’t rhyme with much so by default there are less songs that mention it. No matter, some great suggestions were put forward in the comments boxes last time, so I still have plenty of material.

First of all, both Lynchie and The Swede came up with this song for inclusion, October Song by the Incredible String Band. It wasn’t until I watched a recent documentary about the history of popular music in Scotland that I discovered this band. All the usual suspects were included, from Lulu to the Proclaimers but the Incredible String Band were new to me as from a bit before my time and not the kind of band that would have ever popped up on prime time telly when I was growing up. But despite sounding as if they had San Francisco origins, they actually hailed from Edinburgh, and were really successful during the period 1966 to 1974. As you will hear, they were pioneers of psychedelic folk and by fusing a wide variety of traditional music styles and instruments, helped develop world music. October Song was from their first album released in 1966 and it certainly is full of the imagery of autumn. Beautiful in its way but maybe not my thing.

The fallen leaves that jewel the ground
They know the art of dying
And leave with joy their glad gold hearts
In the scarlet shadows lying


Another suggestion came in from Rol who offered up October Swimmer by JJ72. The period that gets mentioned least around here is the turn of the millennium, as I think I was just so busy working, and being a mum to a small child. This could explain how I have absolutely no memory of this song or band at all despite the fact they did really well with it in 2000 and appeared on ToTP. No imagery of autumn this time just quite bleak lyrics, so thanks, but again not really my thing. The band was from Dublin and lead singer and songwriter Mark Greaney (he of the somewhat unusual voice) for a time lived next door to Phil Lynott of Thin Lizzy. Wonder if the young Mark had been inspired to get into music by Phil?

The splash of October swimmers
The cheers of Helsinki winners
My barbed bones of futility
Leaking marrow of ability


Another new discovery in this next clip and this time it came from Darcy. Here are his own words:

“Regarding October songs the only one that immediately comes to mind is Outubro by Azymuth. The album’s title track is very relaxing and fits the northern hemisphere September and early October vibe very well. There are no words, which you may want, and Azymuth are a Southern Hemisphere band which may mean they are going for a Spring feel, but I think it works for us Northerners too.”

Going a bit left field with this one, and an instrumental, but it follows on nicely from my last post which featured Sérgio Mendes & Brasil ’66. Azymuth are also from Brazil and are a jazz-funk trio that formed in 1973. Outubro is Portuguese for October, and as this series of songs relates to months of the year, not seasons, quite appropriate to include it. Very mellow and pretty like the theme music to many a ’70s television drama.


The final suggestion I’m going to include came from C of Sun-Dried Sparrows fame. She had done a bit of research and found something by Amy Winehouse called October Song. I too found that one but hard to work out if it has any connection to the month. Here’s what C came up with:

Amy Winehouse had a track called October Song which was apparently written in memory of her pet canary… or was it about her use of marijuana? … both have been suggested!”

Sadly, we will now never know, and it can be hard to watch clips of the supremely talented Amy looking so healthy when we now know she only lived another seven years after this was filmed. Tragic, but like watching something in slo-mo, we could almost see it coming.


To be honest I’m not entirely sold on any of the above, but they do fit the remit of this series so happy to include them. Something that doesn’t fit the remit at all is this song by Bobby (Boris) Pickett and the Crypt-Kickers but as Halloween is almost upon us, time for a little Monster Mash I feel. This is the kind of song that popped up on Ed (Stewpot) Stewart’s Junior Choice when I was growing up and actually reached the No. 3 spot on the UK Singles Chart in 1973. Bobby Pickett co-wrote Monster Mash with Leonard Capizzi in May 1962. The song was a spoof on the dance crazes popular at the time, including the Twist and the Mashed Potato, which inspired the title. The song also featured Bobby’s impersonations of veteran horror stars Boris Karloff and Bela Lugosi. This must be one of the few novelty records I haven’t tired of as I still find it quite good fun. Maybe just me though?

Monster Mash by Bobby (Boris) Pickett and the Crypt-Kickers:


So, ‘What’s It All About?’ – October is not it seems a month that lends itself to the writing of songs. There were plenty to choose from for September but kind of all over the place this time, what with psychedelic folk, alternative rock and jazz-funk putting in an appearance. Not all the lyrics even mention the month and only one song mentions nature and the falling of leaves.

For me, October is all about the falling leaves and the spectacular colour show natures gives us, but I suppose if you are a city dweller, the month might not conjure up those images. For some, October is all about Halloween, which isn’t a big deal for us nowadays but at DD’s abode she still likes to put up spooky decorations and invite friends over for a themed party. Why I decided to include that old favourite of a song.


Hopefully November will turn out to be a bit more inspirational when it comes to the writing of songs. As ever, your suggestions will be invaluable and gratefully received.

Until next time…

Monster Mash Lyrics
(Song by Bobby Pickett/Leonard Capizzi)

I was working in the lab, late one night
When my eyes beheld an eerie sight
For my monster from his slab, began to rise
And suddenly to my surprise

He did the mash, he did the monster mash
The monster mash, it was a graveyard smash
He did the mash, it caught on in a flash
He did the mash, he did the monster mash

From my laboratory in the castle east
To the master bedroom where the vampires feast
The ghouls all came from their humble abodes
To get a jolt from my electrodes

They did the mash, they did the monster mash
The monster mash, it was a graveyard smash
They did the mash, it caught on in a flash
They did the mash, they did the monster mash

The zombies were having fun
The party had just begun
The guests included Wolfman
Dracula, and his son

The scene was rockin’, all were digging the sounds
Igor on chains, backed by his baying hounds
The coffin-bangers were about to arrive
With their vocal group, ‘The Crypt-Kicker Five’

They played the mash, they played the monster mash
The monster mash, it was a graveyard smash
They played the mash, it caught on in a flash
They played the mash, they played the monster mash

Out from his coffin, Drac’s voice did ring
Seems he was troubled by just one thing
Opened the lid and shook his fist and said
“Whatever happened to my Transylvania Twist?”

It’s now the mash, it’s now the monster mash
The monster mash, and it’s a graveyard smash
It’s now the mash, it caught on in a flash
It’s now the mash, it’s now the monster mash

Now everything’s cool, Drac’s a part of the band
And my Monster Mash is the hit of the land
For you, the living, this mash was meant too
When you get to my door, tell them Boris sent you

Then you can mash, then you can monster mash
The monster mash, and do my graveyard smash
Then you can mash, you will catch on in a flash
Then you can mash, then you can monster mash

Wah-ooh, argh, monster mash, wah-ooh
Easy, Igor, you impetuous young boy
Argh, mash good, mm, argh
Monster mash, wah-ooh, monster mash, wah-ooh

Flying Down To Rio, Ipanema and The Copacabana

Well, many apologies to anyone new to this blog as this post is not representative, but I just couldn’t let the massive event that is the Games of the XXXI Olympiad, commonly known as Rio 2016, pass by without a musical mention. So in one fell swoop I’m going to get all those songs out of my system and into the blog so that I can move on to other, more worthy contenders.

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The Opening Ceremony last Friday night was impressive indeed but of course nothing could have ever surpassed the joy I felt watching Danny Boyle’s “Isles of Wonder” Opening Ceremony at London 2012. But hey that was our Olympics, where we showed the world what we were all about and what with Mr Bean, James Bond, parachuting monarchs, Mary Poppins, Dancing NHS nurses and 50 years of music, I think we did that with bells on.

In terms of mood, Athens was apparently Classical, Beijing Grandiose, London Smart but Rio was going to be Cool. Well I don’t know about cool but it was definitely very green, in every sense of the word and also very sensual. We watched supermodel Giselle sashay (to walk in a slow and confident way that makes people notice you – tick) across the arena to the strains of Girl From Ipanema – Yes very sensual indeed. This song was about the only one I would have associated with Brazil, as the whole of South America, being non-English speaking, is still pretty much a mystery to me in terms of its music and film. The Girl From Ipanema was recorded by Astrud Gilberto and Stan Getz in 1964 and immediately became an international hit. It is a song I have always loved but it was not until last week that I came to understand that it was of a “bossa nova” persuasion. Brazil in the early ’60s developed a genre called “new wave” (bossa nova) but unlike in ’70s Britain, their genre didn’t involve safety pins, Johnny Rotten or agitated guitar playing, oh no, they combined samba with jazz to create a whole new sultry sound, the sound of Brazil.

Girl From Ipanema:

And so we come to my musical montage, and just to warn you this is not going to be pretty! The whole point of revisiting the “tracks of our years” is that they shouldn’t be carefully thought out so as to weed out all the slightly embarrassing stuff, it should just flow, and as some of my fellow bloggers know, some very dubious tracks can come out of the woodwork.

To kick things off I have a couple of very obvious contenders – Rio by Duran Duran and Gold by Spandau Ballet. Had I been a young teenager in 1983 I would have probably joined in the rivalry between their groups of fans, called Duranies and Fan-daus respectively, but I was too old for all that malarkey by then and was far too busy perming my bleached hair, visiting the sunbed and laundering my all-white clothing anyway. Yes Tony, those were my salad days!

Ok enough of all that but as Simon Le Bon sang, “Her name is Rio”, Dolores del Rio to be precise and if not for her, the magical pairing between Fred Astaire and Ginger Rogers might never have happened. If anyone asked me what my favourite three films were, I would have to include as one choice, the complete set of 1930s RKO musicals starring aforementioned Fred and Ginger. They first paired up in the 1933 film Flying Down to Rio and although Dolores del Rio was the main star along with Gene Raymond, it was Fred and Ginger who sparkled in that one and in no time at all they were the ones getting top billing.

dolores del rio.jpg

But enough of all that because also Flying down to Rio, this time in the 1970s, was that erstwhile Monkee Mike Nesmith who had by this time set up his own music video company (which explains a lot).

Of course having reached Rio you may want to head to the beach and what is the name of the beach again? Why it’s the Copacabana, and although Barry Manilow in 1978 wasn’t singing about the beach (he was singing about the New York nightclub), it is a story song with a very Latin vibe.

copacabana

Just to be a bit different I won’t include Barry Manilow’s version but one from the television show Glee, which we used to watch with my daughter who was a bit of an afionado of musical theatre herself. The kids are having a bit of a meeting here and it could be called ELA (Easy-Listening Anonymous) where one by one they actually admit to loving the work of Barry Manilow. Anyone reading this blog will know that I myself would be a frequent attender of ELA if it existed, so glad to see that these cool kids are similarly afflicted.

And there we have it except that I want to include just two more clips, one simply as a reminder of just how differently we did things in London, and the other just because it feels right.

We don’t really do sultry samba combined with jazz in Britain, but we are very good at the old rock and pop, and the stand out performance for me was when The Arctic Monkeys got on stage at London 2012 to perform The Beatles’ Come Together. Loved those guys on bicycles, and what a great sound from Alex Turner and the boys. Summed the whole thing up for me really.

Although I just pointed out that we don’t really do sultry jazz in Britain, of course we very much did when the late Amy Winehouse was still with us and this is a great version of the “song of the moment” from her. Enjoy.

Back to business as usual for next time but phew, glad I’ve got it all out of my system. I will now just concentrate on the sport (albeit all happening during the night in the main) and I hear from hubby that Chris Froome has just won a medal, so well done him.

Girl From Ipanema Lyrics
(Song by Antônio Carlos Jobim/Vinicius de Moraes/Norman Gimbel)

Tall and tan and young and lovely,
The girl from Ipanema goes walking
And when she passes, each one she passes goes, “Aaah…”
When she walks, she’s like a samba
That swings so cool and sways so gently
That when she passes, each one she passes goes, “Aaah…”
Oh, but he watches so sadly –
How can he tell her he loves her?
Yes, he would give his heart gladly,
But each day when she walks to the sea,
She looks straight ahead – not at he…
Tall and tan and young and lovely,
The girl from Ipanema goes walking
And when she passes, he smiles, but she doesn’t see…

Oh, but he sees her so sadly –
How can he tell her he loves her?
Yes, he would give his heart gladly,
But each day when she walks to the sea,
She looks straight ahead – not at he…
Tall and tan and young and lovely,
The girl from Ipanema goes walking
And when she passes, he smiles, but she doesn’t see…
She just doesn’t see…
No, she doesn’t see…
But she doesn’t see…
She doesn’t see…
No, she doesn’t see…

Amy Winehouse, Beehives and “Tears Dry On Their Own”

Last time I wrote about Ed Sheerin and of his success at this year’s Grammy awards. Back in 2008 it was Amy Winehouse who swept the board at the awards winning a total of six. Sadly just over three years later she was dead.

When writing earlier this year about David Bowie’s sad passing, and all the media outpouring it caused, I had momentarily forgotten what a massive news story it had been when poor Amy was found dead, at home, on a July afternoon in 2011. It was no big shock however as we had seen her life played out over the years on television and in the newspapers. After the massive success of her album “Back to Black”, her life seemed to descend into chaos – Don’t want to go into the detail here but she did appear to have serious addiction issues, relationship issues, an eating disorder and so it goes on. Were we all partly to blame? The press and paparazzi couldn’t seem to get enough of her and although her family seemed to be really supportive, in some ways they seemed to add to the feeding frenzy.

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I had seen Amy on television many times over the previous few years as she started out as a soulful, jazz-influenced singer who did really well with her first album “Frank”. For “Back to Black” however she had morphed into a 21st century version of a 1960s, American girl-group member (think Ronnie Ronette with tatoos and piercings). Every time we saw her, the beehive had got bigger and the eye make-up even more extreme but sadly, she also seemed to be getting thinner and more erratic in her behaviour. I remember watching the 2008 BRIT awards with great trepidation as she was due to perform Valerie with Mark Ronson. It actually went well but she did look “unworldly” and kept pulling at her short skirt and hair throughout the performance. We all hoped that she would get the help she so obviously needed as her talent was immense, and she had so much more to give.

My favourite song from Back to Black was Tears Dry On Their Own. Watching the video again however just reminds me of the chaotic and extreme world she seemed to be living in at that time which ultimately proved just too much for her.

Tears Dry On Their Own by Amy Winehouse:

It was at the end of 2009 that we moved our entire record collection to our new Apple Mac computer. All the CDs and downloads were now in one place which was great as personal playlists of favourites could be compiled by each member of the family. My playlists generally included an Amy Winehouse track and invariably it was this song. Very sad when you listen to it now knowing that she died aged only 27. I have written a lot about icons who have passed away since starting this blog but none were young like poor Amy and I have a feeling that for some, it is only a matter of good luck that they got through their “crazy period” intact. Wasn’t to be the case for this talented lady – RIP Amy.

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Tears Dry On Their Own Lyrics
(Song by Amy Winehouse)

All I can ever be to you
Is the darkness that we knew,
And this regret I’ve got accustomed to.
Once it was so right,
When we were at our high,
Waiting for you in the hotel at night.

I knew I hadn’t met my match,
But every moment we could snatch,
I don’t know why I got so attached.
It’s my responsibility,
And you don’t owe nothing to me,
But to walk away I have no capacity.

He walks away,
The sun goes down,
He takes the day
But I’m grown,
And in your way,
In this blue shade
My tears dry on their own.

I don’t understand
Why do I stress a man
When there’s so many bigger things at hand.
We coulda never had it all,
We had to hit a wall,
So this is inevitable withdrawal.

Even if I stop wanting you,

A perspective pushes through,
I’ll be some next man’s other woman soon.
I shouldn’t play myself again,

I should just be my own best friend,
Not fuck myself in the head with stupid men.

So we are history,
Your shadow covers me
The sky above,
A blaze.

I wish I could say no regrets,
And no emotional debts,
‘Cause as we kiss goodbye the sun sets

So we are history,
The shadow covers me,
The sky above,
A blaze that only lovers see,