What's It All About?

Rock & Pop Family Trees, The Easybeats and “Friday On My Mind”

When I was young, and worked in offices, I couldn’t wait for the weekend to come. From this end of the telescope I really want time to slow down a bit more, as the weekend comes round just too quickly (although always a treat to have another edition of Rol’s Saturday Snapshots). Last year I dashed off a quick poem about this phenomenon for my writing class and it made reference to three songs. As I was the most mature (chronologically) of all the students in my group, no-one recognised the songs, but I’m pretty sure regular visitors to this place will pick them out easily.

I Don’t Like Fridays

Always used to have Friday on my mind
Start of the weekend
The promise (often unfulfilled)
of exciting times ahead

Now it comes round too quickly
Another hundred and sixty eight hours gone
Whoa time, slow down,
you move too fast

Boomtown Bob didn’t like Mondays
Now I want Mondays to last forever
So much left to do
So little time…

Friday On My Mind by the Easybeats:

Back then I realised I knew very little about Australian group the Easybeats who had a big hit in 1966 with Friday On My Mind, so I did a little research, and as often happens around here, I discovered a fascinating rock and pop family tree.

This winter has been quite mild here in Scotland but back in 1962-63 we had what was called The Big Freeze, the worst winter on record with snow lying eight feet deep. A TV advert at the time offered assisted travel to families who fancied a new life in Australia, and 15 members of the Young family from Glasgow moved there in June 1963. One of their sons was George Young who went on to form the Easybeats. His younger brothers Malcolm and Angus went on to form AC/DC a decade later. The Easybeats disbanded in 1969 but then in 1976 George got together with his old bandmate Harry Vanda to form new wave group Flash and the Pan.

Had the winter of 1962-63 been a mild one none of these bands might ever have existed. The family initially stayed at Villawood Immigration Detention Centre on the outskirts of Sydney which was where George Young met and became friends with another migrant, Dutchman Harry Vanda, and together they formed the Easybeats. Malcolm and Angus Young then developed the idea for their band. The name came about after their sister Margaret saw the initials “AC/DC” on her sewing machine. The brothers felt this name symbolised the raw energy and power-driven performances of their music. It was she who also came up with the very memorable schoolboy outfit for Angus Young.

I can’t pretend to be a fan of AC/DC but of course I know of their musical output, although probably attributed more to having watched the film School of Rock several times. I can’t pretend to be a fan of Jack Black either, as he always comes across as just a bit too manic for my liking, but that kind of characterisation was just what was needed for this film. (Fast forward to 2:30 for the best bit in this clip.)

The song Waiting For A Train by Flash and the Pan (George and Harry’s new wave band) was the one that did best in the UK Singles Chart. It reached the No. 7 spot in 1983.

So, “What’s It All About? – I know there are lots of you who still long for the weekend but trust me, once you get to my age, you do want the week to slow down a bit more.

As for the song Friday On My Mind, Harry Vanda described it as reminiscent of the days when the band members lived in hostels in Sydney as “new Australians”. They longed for the end of the week because that’s when the fun began. The song has quite a build-up and after the opening cymbal crash, its just a staccato guitar for the next 20 seconds where the lead vocalist runs through the days of the week, explaining why Monday to Thursday doesn’t excite him. The bass finally comes in as he gets closer to the weekend. 30 seconds into the song we hit Friday, and the drums come in to play.

Well, that’s Saturday Snapshots played and my Saturday blogpost written. Better head off now and achieve meaningful things, as before we know it, it’ll be Friday again. Argh.

Until next time….

Friday On My Mind Lyrics
(Song by George Young/Harry Vanda)

Monday mornin’ feels so bad
Ev’rybody seems to nag me
Comin’ Tuesday I feel better
Even my old man looks good
Wed’sday just don’t go
Thursday goes too slow
I’ve got Friday on my mind

Gonna have fun in the city
Be with my girl, she’s so pretty
She looks fine tonight
She is out of sight to me
Tonight I’ll spend my bread, tonight
I’ll lose my head, tonight
I’ve got to get to night
Monday I’ll have Friday on my mind

Do the five day grind once more
I know of nothin’ else that bugs me
More than workin’ for the rich man
Hey! I’ll change that scene one day
Today I might be mad, tomorrow I’ll be glad
‘Cause I’ll have Friday on my mind

The Cotton Club, Ella Fitzgerald and “Ill Wind (You’re Blowin’ Me No Good)”

One of the new things I discovered during my month of abstinence from all things computer-related (should have waited until lent really) was a telly channel called Talking Pictures. I have bemoaned of late that hardly any of the mainstream channels show old black and white movies any more, and I miss that. Here however (I think it’s No. 81 on Freeview) was a channel totally dedicated to such fare. It bothers me somewhat that there will be a whole generation of people who have never heard of Humphrey Bogart or Fred Astaire, and have never laid eyes on any of their prodigious output.

Talking-Pictures

One film I recently re-watched on Talking Pictures wasn’t black and white however, in fact it was an extravaganza of colour, but was set right at the start of the 1930s so fitted the channel’s ethos well. Many years ago I had one of those “lost weekend” kind of things. My two flatmates were away for the duration; I had recently split up with the long-term boyfriend; and, for two days had no other commitments, so I holed up in my comfy indoors-y clothes and watched telly. We didn’t have a VCR back in those days, just a basic Radio Rentals telly, but one of the flatmates had recently acquired a new job in sales, and had been given a machine with a built in video-player to dazzle her potential customers. That weekend I aimed to make full use of it, but ended up watching only one film, four times, as I was so blown away by it. The film I rented was Francis Ford Coppola’s The Cotton Club and I can still remember most of the dialogue verbatim. (This clip seems to start in the middle, so needs to be reset.)

Two weeks ago I wrote about the film Paint Your Wagon and about how it was both a Western, and a Musical. The Cotton Club was a Crime-Drama, but also a Musical and like Paint Your Wagon didn’t get brilliant reviews when it came out, as it didn’t particularly appeal to either audience. Personally I loved it and couldn’t understand why it hadn’t been more successful. With the passage of time that opinion has been reassessed however and a remastered version was released in 2017.

The Cotton Club was the name of a Harlem jazz club of the 1930s during the era of Prohibition and Jim Crow racial segregation. Black people could not patronise the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Duke Ellington, Louis Armstrong, Count Basie, Adelaide Hall, Cab Calloway, Billie Holiday, and dancers such as Bill Robinson and The Nicholas Brothers. In its heyday, the Cotton Club served as a hip meeting spot, with regular “Celebrity Nights” featuring guests such as Jimmy Durante, George Gershwin, Paul Robeson, Al Jolson, Mae West and Fanny Brice, amongst others.

taxis-outside-cotton-club

There were some great musical performances in the film and we got to witness what it would have been like to experience Duke Ellington and Cab Calloway (he of Minnie the Moocher fame) in their prime. The song I most enjoyed when I first watched the film 35 years ago was Ill Wind (You’re Blowin’ Me No Good) and all these years later it was still the song I most enjoyed. The actress Lonette McKee was given the task of singing it, however over the years it has been recorded by all the greats, Frank Sinatra, Dinah Washington and Ella Fitzgerald to name but a few. The song was composed by Harold Arlen who also gave us the soundtrack to The Wizard of Oz. Yes, he was the man responsible for taking us Somewhere Over The Rainbow.

Ill Wind (You’re Blowin’ Me No Good) by Ella Fitzgerald:

One observation from having typed the word “ill” several times for this post, depending on the typeface you use it can look like the number three in Roman numerals. A capital “i”, and the letter “l”, often look the same, but I can assure you it’s neither a song by Lonette McKee the Third, nor a level Three Wind, it is indeed about a wind that we really don’t want, just like the one that whisked Dorothy off to the land of Oz.

These old movies on the Talking Pictures channel are not for everyone but I’ve watched a few now and they are a real insight into our social history. Some of the best lines in The Cotton Club came from a young Lawrence Fishbourne who played mob boss and bookmaker Bumpy Rhodes. They made a real impact on me when I watched the film 35 years ago and his short speech has never left me. Last week I wrote about the BRIT awards and how rapper Dave was responsible for the most powerful performance of the night. 90 years on and I’m realising they are not a million miles apart.

Until next time….

Ill Wind (You’re Blowin’ Me No Good) Lyrics
(Song by Harold Arlen/Ted Koehler)

Blow ill wind,
Blow away,
Let me rest today.
You’re blowin’ me no good,
No good.

Go ill wind,
Go away,
Skies are oh so gray
Around my neighborhood,
And that ain’t good

You’re only misleadin’ the sunshine I’m needin’,
Ain’t that a shame
It’s so hard to keep up with troubles that creep up
From out of nowhere,
When love’s to blame.

So ill wind, blow away.
Let me rest today.
You’re blowin’ me no good.

So, ill wind, blow away,
Please let me rest today.
You’re blowing me no good, no good, no good.

Happy Families At The BRITs, Neneh Cherry and “7 Seconds” of Innocence

This week I watched the BRIT Awards. It’s a big night for those in the music industry as a large clutch of awards can really raise sales to stratospheric levels – But enough about “The Suits” from the record companies, it is also a big night for the artists who have worked hard on their craft and been allowed to shine over the last 12 months. For many, all their dreams have come true, but for others, they may crash and burn – Lets hope most will fall into the former camp.

The big winner at the Grammys this year was American Billie Eilish, who is only 18 years old. She was also a big winner at the BRITs and performed the new Bond theme song No Time To Die written by her brother, who simply goes by the name Finneas. Billie certainly doesn’t follow any of the normal rules associated with pop princesses, and eschews make-up, hair extensions and skimpy clothing. With her lime green hair, she is a breath of fresh air in an increasingly plasticised world. What upset me however was that when she received her award she became quite emotional, as she’d been feeling “hated” of late on social media, but the reception she got from the crowd on Tuesday night had made her feel “loved”. Regulars around here will know my last post was about the #BeKind movement, and for Billie’s sake, I hope those who hide behind their keyboards spouting hatred take heed, and start being kinder.

billie-eilish-finneas-getty-full — Billie Eilish with brother Finneas

Another big winner on Tuesday night was Scotland’s own Lewis Capaldi who won both the award for Best New Artist and also for Song of the Year. Like Billie he is no conventional pop idol, which is great, and as is his way, his acceptance speech was peppered with the kind of language not allowed on pre-watershed telly, so we didn’t get to hear any of it. He is so typically Glaswegian however and has that knack of not taking himself too seriously which I love. His Italian surname is the same as that of fellow Glaswegian Peter Capaldi, and yes, it turns out they are related, sharing a great-grandfather. Peter even appeared in the video for Lewis’ song of the year, Someone You Loved.

1b4d84e4-cbf4-4c70-9e69-5f7caa9a1c84-capaldis001 — Lewis Capaldi with “cousin” Peter Capaldi aka Dr Who

Another family connection that surprised me when watching Tuesday night’s show, was that Mabel, winner of Best British Female Solo Artist, has a mum who herself is the proud owner of three BRIT awards. Who could this be I wondered and did a quick google search – Her mum turns out to be Neneh Cherry and frighteningly, her awards were all received on the show exactly 30 years ago to the day. I remember watching that show well and honest to goodness, it feels like only about 10 years ago! Mabel also put in a great performance of her big hit Don’t Call Me Up on the night which reminded me a lot of Dua Lipa’s New Rules from two year’s ago. More stories of strong women taking control – A regular theme for the 21st century it seems.

thAMO4JS2Y — Mabel with her mum Neneh Cherry

But here is a clip of the most powerful performance of the night. Dave, from Streatham in South London, won the award for British Album of the Year which is apparently “the big one”. As a woman of a certain age living in the Scottish Highlands, I could not be culturally more different from Dave and his “brothers”, but listening to his Brits’ version of Black which had an incredibly moving verse added at the end encompassing a tribute to London Bridge terror attack victim Jack Merritt, it does make me understand their world a little more. Two years ago Stormzy blew me away at the Brits, but this year it was Dave. I urge you to watch until the end, and also, to admire the very clever graphics on the piano.

But getting back to Neneh Cherry, in case anyone has forgotten just how good she was back in the day, here is one of my all-time favourite songs – 7 Seconds by Youssou N’Dour featuring Neneh Cherry. It was released in 1994 as a single, and reached the No. 1 spot in numerous countries. In France it stayed at No. 1 for a record 16 weeks and it also won the MTV Europe Music Award for Best Song of 1994. 7 Seconds is apparently about the first positive 7 seconds in the life of a newborn child, a child who does not know about the problems and violence in our world. Three different languages were used in the song: English, French and Wolof, which is a language spoken in Senegal, Gambia, and Mauritania. Also very apt I think for today’s post.

7 Seconds by Youssou N’Dour and Neneh Cherry:

Until next time….

7 Seconds Lyrics
(Song by Neneh Cherry/Youssou N’Dour/Cameron McVey/Jonathan Sharp)

Boul ma sene, boul ma guiss madi re nga fokni mane
Khamouma li neka thi sama souf ak thi guinaw
Beugouma kouma khol oaldine yaw li neka si yaw
mo ne si man, li ne si mane moye dilene diapale

Roughneck and rudeness,
We should be using
On the ones who practice wicked charms
For the sword and the stone
Bad to the bone
Battle is not over
Even when it’s won

And when a child is born
Into this world
It has no concept
Of the tone the skin is living in

It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
I’ll be waiting
I’ll be waiting

J’assume les raisons qui nous poussent de changer tout,
J’aimerais qu’on oublie leur couleur pour qu’ils esperent
Beaucoup de sentiments de races qui font qu’ils desesperent
Je veux les deux mains ouvertes,
Des amis pour parler de leur peine, de leur joie
Pour qu’ils leur filent des infos qui ne divisent pas
Changer

Seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting
I’ll be waiting
I’ll be waiting

And when a child is born
Into this world
It has no concept
Of the tone the skin it’s living in

And there’s a million voices
And there’s a million voices
To tell you what you should be thinking
So you better sober up for just a second

We’re seven seconds away
Just as long as I stay
I’ll be waiting
It’s not a second
We’re seven seconds away
For just as long as I stay
I’ll be waiting
It’s not a second
Seven seconds away
Just as long as I stay
I’ll be waiting

A Memorial Bench, Another Sad Loss and “Try A Little Kindness”

Many regulars to this place will remember the series of posts I published at the end of last year following the tragic death of my friend’s daughter. She was only 18, but after a tough few months, on the 1st November she took her own life. Last week, her mum sent me a picture of the rainbow-coloured bench they have been allowed to place next to her grave. A tiny bit of comfort for those many friends and relatives who will visit her resting place.

Holly

At the time I suggested her death certificate should have stated Death by Social Media, as she had been the victim of the most awful cyber-bullying over the years. Hard for those of us of a certain age to comprehend I know, but something that is very real in today’s world. Her family therefore decided to have the words “Be Kind Always” inscribed on the bench, as a kind of long-lasting legacy.

Holly (2)

So, this was only last Friday. On Saturday afternoon, news broke that one of our best-loved television presenters had been found dead in her home, having taken her own life. Not everyone will have been familiar with Caroline Flack, but she seems to have been responsible for getting the younger generation back in love with terrestrial telly again, hosting shows that drew in large viewing figures. Sadly, her professional and personal life had hit a rocky patch of late, but rather than being left to nurse her wounds and rebuild her confidence in private, she became an absolute magnet for social media trolls, and was hounded relentlessly by the press. Her story was apparently of public interest, but was it really? She was obviously a very vulnerable young woman for whom this level of abuse was unsustainable.

Moving tributes have been pouring in from fellow celebrities, and even from our politicians. After losing her daughter at the end of last year, my friend wanted to do something to highlight the potentially tragic consequences of cyber-bullying. Tough however to get the message out to a wider audience. Now, with a high profile victim such as Caroline, the message really is starting to get out there, and change will have to come.

One politician, Lisa Nandy, has come out saying social media companies cannot be left to police themselves, suggesting the current situation is like the Wild West. “I worry about the approaches that say we allow the social media companies to regulate themselves,” she said. “In no other area of life would we allow private companies to self-police. We ought to make sure the state has a system of regulation and support around that.”

MP Kate Osamor, who appeared in the press herself for a threatening confrontation with journalists who went to her home after her son was convicted of drug offences, wrote: “The trolling & abuse she suffered at the hands of the media was relentless. Being kind is so underrated. RIP Caroline Flack.”

Since Saturday, the #BeKind hashtag has been appearing everywhere. Let’s hope there is a sea change in behaviour going forward, but you know what, I’m not holding my breath. I started to look for songs about being kind for this post, but not as easy as you would think. I did however find this oldie from 1969 recorded by Glen Campbell, who has often popped up around here. Try A Little Kindness was written by Curt Sapaugh & Bobby Austin and, I think, is just the kind of thing I want to listen to at the moment.

Try A Little Kindness by Glen Campbell:

So, “What’s It All About?” – I have been really lucky around here in that I’ve never had to suffer any unpleasantness. Of course the WordPress people do a pretty good job of filtering out spam, but my experience has been a really positive one. Sadly, if you are in the public eye, or indeed a teenager of today, this will not be the case. I really hope people start being kinder, but failing that, I hope regulation of some sort will be forced upon the social media companies. My friend won’t get her daughter back, nor will Caroline Flack’s parents, but hopefully their stories will be the catalyst for change.

Until next time…. RIP Holly, RIP Caroline Flack, #BeKind.

Try A Little Kindness Lyrics
(Song by Bobby Austin/Curt Sapaugh)

If you see your brother standing by the road
With a heavy load from the seeds he’s sowed
And if you see your sister falling by the way
Just stop and say, you’re going the wrong way

You got to try a little kindness
Yes show a little kindness
Just shine your light for everyone to see
And if you try a little kindness
Then you’ll overlook the blindness
Of narrow-minded people on the narrow-minded streets

Don’t walk around the down and out
Lend a helping hand instead of doubt
And the kindness that you show every day
Will help someone along their way

An Unlikely Chart Topper: Lee Marvin and “Wand’rin’ Star”

I really enjoyed my return to the world of blogging last weekend after a month’s break. I was also pleasantly surprised that my featured song by Edison Lighthouse proved to be such a favourite with so many of you, as I hadn’t expected that at all. I have ended up returning to the UK Singles Chart of 1970 for these first two posts of the new decade, and both songs have been really enjoyable to research and write about. I thought it might be an idea for this calendar year to revisit that chart once a month (a kind of 50-year-retrospective) but you know what, I can’t wait another month to dip into the archives again because the March 1970 No. 1 single was Wand’rin’ Star by Lee Marvin.

I’ve often mentioned around here that the songs hitting the top spot are not always representative of what we were listening to at the time at all – Oh no, it’s often a song that became a hit because of its association with a prime time television show or blockbuster movie. All those people who would never normally go out and buy records suddenly do so, and it invariably skews the chart keeping what are now thought of as pop classics, off the top spot.

Wand’rin’ Star by Lee Marvin:

But, I really do have a soft spot for this song. It was from the film Paint Your Wagon released in 1969 which was one of only two films I went to see at the cinema with my parents (the other being The Sound of Music). Living nearly 30 miles away from the nearest cinema it wasn’t something we ever did as a family, but I think we were on holiday at the time in the south of Scotland, and it being July it was probably wet, so the decision must have been made to hole up for the afternoon watching a film we were all familiar with because of Mr Marvin’s regular appearances on TOTP. I have featured a few really deep voices around here over the years (Barry White, Johnny Cash…. ) but surely Lee must have had the deepest voice of all. It was described, by co-star Jean Seberg, as “like rain gurgling down a rusty pipe” and has also been described as “the first 33⅓ recorded at 45” – Seems about right.

Paint Your Wagon was a Western, but also a Musical, and it wasn’t really a box-office success, never recouping its cost of production and marketing. Just not the kind of thing people wanted to go and see in 1970 it seems. Musicals of this sort had gone out of fashion and as this Simpson’s clip shows, it had something of a split personality, neither working for rootin’, tootin’, shootin’ western lovers, or lovers of the more sedate musical.

I don’t think Lee ever released any more records but continued to work as an actor right up until his death in 1987. He starred in many classic movies such as The Dirty Dozen and Cat Ballou, winning the 1965 Best Actor Oscar for his role in that film.

I do remember my mum being a bit concerned, after leaving the cinema, that there had been things in Paint Your Wagon I wouldn’t understand. Yes, there was a fair bit of bodice-ripping and all the excitement of kidnapping “six French tarts” in order to provide the miners with female companionship (There’s a Coach Comin’ In), but even at age ten I wasn’t totally green, just mortified at having to sit beside my parents whilst watching such fodder. Funny, but looking back, the only two films watched in a cinema with my family were about a nun called Maria, and a wind called Maria (albeit pronounced differently) – Cue one last link to a song from the film!

Until next time….

Wand’rin’ Star Lyrics
(Song by Frederick Loewe/Alan Jay Lerner)

I was born under a wanderin’ star.
I was born under a wanderin’ star.

Wheels are made for rollin’, mules are made to pack.
I’ve never seen a site that didn’t look better lookin’ back.

I was born under a wanderin’ star.

Mud can make you prisoner and the plains can bake you dry.
Snow can burn your eyes but only people make you cry.
Home is made for comin’ from, for dreams of goin’ to.
Which with any luck will never come true.

I was born under a wanderin’ star.
I was born under a wanderin’ star.

Do I know where hell is, hell is in hell-o.
Heaven is good-bye forever it’s time for me to go.

I was born under a wanderin’ star, a wanderin’, wanderin’ star.

I was born under a wanderin’ star.
I was born under a wanderin’ star.

When I get to heaven tie me to a tree.
Or I’ll begin to roam and soon you’ll know where I will be.

I was born under a wanderin’ star.
A wanderin’, wanderin’ star.

Tony Burrows, “Love Grows (Where My Rosemary Goes)” and A Five Times One-Hit Wonder!

My last offering was over a month ago now and back then it was clear I was feeling a bit sad, and none too optimistic about what this new decade might bring. Since then however: the days have been getting longer (I celebrated Imbolc last weekend, the start of Spring according the pagan calendar); the St John’s Wort has kicked in (try it); the ongoing division over Brexit is in effect behind us, as Boris did eventually “get it done”; we now have a plan as to how we’re going to earn our living until the pensions kick in; and joy of joys, DD is at home for the weekend. She’s heading off shortly to meet friends for lunch so it gives me some time to bash away on the computer for a wee while.

imbolc 2 — My Imbolc shrine – Yes that’s milk and yes it went off!

Also, since last time, I received one of these badges from the WordPress people as it was my blog’s 4th birthday. Because I pay an annual fee to keep this place going, and I don’t want to lose everything I’ve posted over the last few years, I’ve just paid my dues for another 12 months. My output seems to be reducing year on year but I’m not ready to call it a day yet.

B5B24684-70D5-4091-B04C-A5905E41AF50

I’ve really enjoyed my digital detox over the last few weeks, but I live in the real world so it can’t continue for much longer. If you ever get the chance however, give it a whirl – I’ve read several books, knitted three (small) garments and not had to experience Facebook envy at all!

But what is it I usually say at this point? Ah yes, this is supposed to be a music blog so where is the song? About that. Heading into my fifth year of blogging I just want to remind everyone that I am by no means a muso and just enjoy revisiting the chart music of my youth, and being able to find out so much more about the song/singer than was available at the time. I used to pride myself on being a Pop Quiz Queen but have often never heard of the artists shared by many of the music bloggers on my sidebar. I thank them in return for adding me to their sidebars and can only apologise that my featured songs are perhaps not always of the “cool” persuasion.

So, which “uncool” song will be featured this time? Exactly 50 years ago this week, the song at the top of the UK Singles Chart was Love Grows (Where My Rosemary Goes) by Edison Lighthouse, a one-hit wonder put together from a group of session musicians. Tony Burrows was the lead singer and I have only just discovered that he has appeared in this blog before as one of The Flower Pot Men who recorded Let’s Go To San Francisco.

Love Grows (Where My Rosemary Goes) by Edison Lighthouse:

I have fond memories of this song as it would have been in the charts when I was aged around 10, and really into catchy pop tunes. Along with the Archies’ Sugar Sugar and Christie’s Yellow River (also one-hit wonders), this was one of the songs we sang on our way to school and in the back seat of the car when going on long journeys with my cousins. Oh how we loved to slide around the shiny leather seats of my grandad’s car way before anyone thought having seatbelts might be a good idea.

But getting back to Tony Burrows of Edison Lighthouse fame, he is the only artist to have appeared in four different episodes of TOTP twice, with different bands. Back in 1970, many, many bands were made up of session singers who changed personnel regularly. Just at the same time Love Grows was a massive hit, Tony sang on the White Plains’ song My Baby Loves Lovin’, The Brotherhood of Man’s United We Stand and The Pipkins’ novelty song Gimme Dat Ding (less said about that one the better). Later on he sang lead on The First Class hit Beach Baby. Tony is the only artist to have been a “one-hit wonder” 5 times. As I often say around here, every day’s a school day.

Well, that’s me broken the back of this, my fifth year of blogging. I seem to be getting less prolific year on year and can’t promise to visit all the other blogs as frequently as I used to as earning my living really has to take priority, but putting this effort together wasn’t too hard in the end. It certainly can be fun revisiting the “tracks of our years” and nothing wrong with a bit of pure pop to raise the spirits from time to time.

Until next time….

Love Grows (Where My Rosemary Goes) Lyrics
(Song by Tony Macaulay/Barry Mason/Sylvan Mason)

She ain’t got no money
Her clothes are kinda funny
Her hair is kinda wild and free
Oh, but Love grows where my Rosemary goes
And nobody knows like me

She talks kinda lazy
And people say she she’s crazy
And her life’s a mystery
Oh, but Love grows where my Rosemary goes
And nobody knows like me

There’s something about her hand holding mine
It’s a feeling that’s fine
And I just gotta say
She’s really got a magical spell
And it’s working so well
That I can’t get away

I’m a lucky fella
And I’ve just got to tell her
That I love her endlessly
Because Love grows where my Rosemary goes
And nobody knows like me

There’s something about her hand holding mine
It’s a feeling that’s fine
And I just gotta say
She’s really got a magical spell
And it’s working so well
That I can’t get away

I’m a lucky fella
And I’ve just got to tell her
That I love her endlessly
Because Love grows where my Rosemary goes
And nobody knows like me

Kenny Rogers, “Ruby” and A Tentative Peek Into 2020

I have been putting off writing this, my first post of the new calendar year, as somehow my foray into the world of blogging has coincided with the world going to hell in a handbasket. I know this has nothing to do with me and my little blog, but weird how things have worked out, both closer to home and in the world at large.

Can it really be that only four years ago we were still very much in the EU; Barrack Obama was at the helm in the US; David Bowie, George Michael and Prince were still with us; Mr WIAA and I both had jobs we enjoyed; my mum was well and living independently; my back, neck and shoulders didn’t ache all the time; and my daughter lived in a flat just round the corner? None of these things now apply. Also, we seem to be on the verge of war, and one of our continents is on fire.

Heading into a new decade, can I really still justify spending most of my free time researching, and writing about, the pop music of my youth? I admit to having lost much of my joie de vivre of late and I know this has been reflected in my blogging which was always meant to be light-hearted and fun. It’s just really tough trying to stay upbeat at the moment, but I suppose we must try.

Looking at my sidebar on the right, I have a long list of categories that seem to have built up over the years. The first ones on the list are the decades from which the songs I write about come. Looks as if there will have to be a new decade added soon, as although on a technicality it seems we are not actually in the 2020s yet, I think most of us would agree it makes sense for us to think of it as such. The decade I seem to have revisited more often than any other around here is the 1970s which is probably the decade I spent most time listening to, and obsessing over, chart music. Perhaps then, in order to get past this obstacle of publishing my first post of the year, I should look back at what we were listening to 50 years ago just as a new decade was dawning.

Well, well, maybe things haven’t changed that much after all – The song at the top of the UK Singles Chart on the 6th January 1970 was actually the very first single I ever bought with my own money, yet it is one (look it up here) I have never been able to admit to around here, as the artist involved spent a fair bit of time residing At Her Majesty’s Pleasure.

Time to move on then and joy of joys, the record at the No. 2 spot was one of the best story songs ever written, Ruby, Don’t Take Your Love To Town performed by the wonderful Kenny Rogers when he was still with The First Edition.

Ruby, Don’t Take Your Love To Town by Kenny Rogers and The First Edition:

Took me a while to recognise Kenny in that clip as many of us are more used to his silver fox appearance in the later stages of his career. His very distinctive, understated vocals are perfect for this song however, and I especially love the sound patterning in this line (even Kenny has a sly grin as he sings it):
And the wants and the needs of a woman your age, Ruby, I realize

The percussion accompanying this line is also just perfect and mimics the footsteps outside the door:
She’s leaving now ’cause I just heard the slamming of the door

Less said about this next line the better. Suffice to say not to be recommended:
And if I could move I’d get my gun and put her in the ground

And finally he almost whispers:
…. for God’s sakes turn around

Because of the timeline, it’s assumed the crazy Asian war they refer to in the song is the Vietnam War so yet again maybe things haven’t changed so much after all. Maybe it’s just that in 1970 my life was as yet unaffected by the kind of stuff we worry about as adults.

So, “What’s It All About?” – I wasn’t sure if I would be able to carry on blogging this year as it seems somehow frivolous to write about pop music when life just seems to be getting tougher year on year. Then again, as it’s often mentioned around here, it can be a real stress-buster and possibly I’ve just had one too many personal knocks of late which has coloured my view of the world. Also, as I’ve just discovered by revisiting the music charts of 1970, back then we had songs about wars happening on the other side of the world and songs by artists who were later found to be sexual predators of the worst kind. Maybe it’s time to concentrate on doing the best for our families, friends and community, and not worry too much about the stuff we can do little about. We have to hope that humanity wins out in the end.

Kenny_Rogers_&_the_First_Edition_-_Ruby,_Don't_Take_Your_Love_to_Town

Until next time…. Happy New Year (I think).

Ruby, Don’t Take Your Love To Town Lyric
(Song by Mel Tillis)

You’ve painted up your lips and rolled and curled your tinted hair
Ruby, are you contemplating going out somewhere?
The shadow on the wall tells me the sun is going down

Oh, Ruby,
Don’t take your love to town

It wasn’t me that started that old crazy Asian war
But I was proud to go and do my patriotic chore
And yes, it’s true that I’m not the man I used to be

Oh, Ruby,
I still need some company

It’s hard to love a man whose legs are bent and paralyzed
And the wants and the needs of a woman your age, Ruby, I realize
But it won’t be long I’ve heard them say until I’m not around

Oh, Ruby,
Don’t take your love to town

She’s leaving now ’cause I just heard the slamming of the door
The way I know I’ve heard it slam one hundred times before
And if I could move I’d get my gun and put her in the ground

Oh, Ruby,
Don’t take your love to town

Oh, Ruby,
for God’s sakes turn around

Postscript:

Interestingly an answer song to Ruby was also released in 1969 by an artist called Geraldine Stevens. Called Billy, I’ve Got To Go To Town the melody is just the same, but this time the lyrics confirm Ruby’s love for her paralysed husband and she pleads for him to have faith in her fidelity. Not a big hit this one, but fascinating how these larger-than-life characters in songs can then spawn new songs, continuing the story-telling. If anyone knows of any other similar answer songs please share, as I’m now kind of intrigued.

Christmas In Latin, “Gaudete” and “In Dulci Jubilo”

We had a really long round trip yesterday clocking up over 200 miles, and all because it’s the time of year when you really need to touch base with family in other parts of the country. We were lucky in that the day we picked for our drive was a good one with clear skies and no rain. We passed lots of familiar landmarks and although you don’t actually pass through them any more, we skirted the edge of the village where I grew up, and the town where I went to secondary school. I was reminded of the happy times spent there (yes I was one of the lucky ones) and of the many friends made over the years.

Like most of us I had a favourite teacher and my one happened to teach Latin. She had finished her training the year we moved up to the academy, so was still only 22 when she was entrusted with filling our 12-year-old brains with the language of the Romans. Can’t say I ever used my Latin much and have forgotten most of it, but something I will never forget is the opening page of Ecce Romani Textbook 1. These books told stories of a family who lived in a fine villa with an atrium (a new word to us back then but a fairly commonplace feature now in hotels and office blocks). There was the father Gaius Cornelius, the mother Aurelia and their four children, but also living with them was the tutor Euclydes and not surprisingly, it being ancient Rome an’ all, Davus the slavus. If I remember correctly the opening chapter read as follows:

Ecce, in pictura est puella. Puella est Cornelia. Cornelia est puella parva, sed etium in pictura est puella magna. Puella magna est Flavia…. and so it went on teaching us the words for “look” (ecce), “girl” (puella), “small” (parva), “big” (magna), “but also” (sed etium), et cetera (not et cetera yet actually, but you know what I mean).

But this of course is a music blog so how the heck do I get from the Ecce Romani Latin textbooks to a festive song pick. Well as luck would have it in 1973, our second year of being taught Latin by the lovely Miss Fraser (whose platform shoes, midi skirts and tank tops were the envy of all the girls in the class), the British folk rock group Steeleye Span had a chart hit with Gaudete, a sacred Christmas carol with lyrics in Latin. The Ecce Romani books were cast aside for a whole lesson whilst we grappled with the task of translating the song into English.

As I don’t have any Steeleye Span in my digital database, I am going to have to add another festive offering. Gaudete is one of only three top 50 British hits to be sung in Latin, but in 1975 Mike Oldfield had a top 10 hit with In Dulci Jubilo. This time the Latin song was performed purely as an instrumental and it licks along at a fair old pace making me feel quite Christmassy (at last).

I could have shared a boring old clip featuring pictures of Mike Oldfield, but no, as it’s Christmas I will add a clip showcasing the talents of Pans People, the Top Of The Pops in-house dance troupe, whose very literal routines delighted the viewing public every Thursday between 1970 and 1976. In this routine they are wearing diaphanous white garments as opposed to the skimpy bikinis they were often probably forced into wearing. A jaunty festive frolic this time with a blinking great Christmas tree getting in the way for much of it – Enjoy.

In Dulci Jubilo by Mike Oldfield:

Not sure if I’ll return with anything else before the big day so time to wish everyone a Merry Christmas from all of us here at WIAA. A bit thin on the ground this year what with DD having moved to the other end of the country and my little mum in the care home, but that’s just how life works, always change. Luckily for us DD is due to arrive home with her boyfriend on Christmas Eve so looking forward to that very much. With any luck some of their friends will turn up for a visit and it will be like old times again, old times I’ve missed very much of late.

Have a good one. Until next time….

Gaudete Lyrics
(Medieval song of praise)

Gaudete, gaudete, Christus est natus
Ex Maria virgine, gaudete
Gaudete, gaudete, Christus est natus
Ex Maria virgine, gaudete

Tempus adest gratiae, hoc quod optabamus
Carmina laetitiae devote redamus

Gaudete, gaudete, Christus est natus
Ex Maria virgine, gaudete
Gaudete, gaudete, Christus est natus
Ex Maria virgine, gaudete

Deus homo factus est natura mirante
Mundus renovatus est a Christo regnante

Gaudete, gaudete, Christus est natus
Ex Maria virgine, gaudete
Gaudete, gaudete, Christus est natus
Ex Maria virgine, gaudete

Ezechielis porta clausa per transitur
Unde lux est orta salus invenitur

Gaudete, gaudete, Christus est natus
Ex Maria…

Cold Winter Nights, George Harrison and “Here Comes The Moon”

Since discovering that all full moons have a name (given to them by the Native Americans who kept track of the months by the lunar calendar), I have written about each one as they appear in our skies. To accompany the post I always include one of the numerous songs that have been written about the moon and its many foibles.

Well, it’s been a bit of a cataclysmic week here in the UK. On December the 12th we had a General Election and by the 13th we woke up to the news that the Tory party had secured a “stonking” majority at Westminster. They certainly didn’t secure a stonking majority here in Scotland, but they never do, so no change there. As I often say around here, we are living through strange times and I don’t believe for a minute it will be all plain sailing for the new government heading into 2020 – Things had come to a head however and it seems Brexit fatigue had taken over the country which is a great shame, as I have a terrible feeling that many of those who voted Tory for the very first time last Thursday, will be the ones who suffer most over the next five years.

Anyway, we all need a break from the politics and before the end of the weekend I just wanted to share this picture of the full moon which lit up our skies on election night. It’s not a great example in terms of quality, but it was the one I managed to take on my phone when heading back to the house after a trip to the hairdressers. When things are looking a bit glum, a trip to your local salon is sometimes just the tonic required and I am happy to report my tresses have now been lit up too, just in time for Christmas.

cold moon (2).jpg — The Cold Moon, 12th Dec 2019

We’ve been here before in this blog with a December Cold Moon post both in 2017 and 2018, but it’s the series that just keeps on giving as no two years are ever the same. It seems to be a bit of an optical illusion but the closer to the horizon the moon is, the larger it appears, and by golly that moon on the 12th of December certainly looked large. The politicians may come and go but thankfully the moon still waxes and wanes every 29 and a half days, which is a pleasant constant in a topsy turvy world.

I’m rapidly running out of songs I am familiar with for this series but here’s one written by many a fan’s favourite Beatle, George Harrison. I’m pretty sure it was put forward as a suggestion early on in this series, but it’s not put in an appearance yet, so now would be a good time. Here Comes The Moon was written by George whilst on holiday in Hawaii in February 1978. He came up with several songs for his album George Harrison there, drawing inspiration from his surroundings. He apparently recalled seeing marvellous sunsets and on one particular occasion, the full moon was coming up just as the sun was going down which totally bowled him over (but the bowling over was possibly more down to the effect of certain hallucinogenic substances!).

Here Comes The Moon by George Harrison:

As for George, he was the youngest of the Beatles and a mere lad of 15 when he first joined John and Paul in their skiffle group The Quarrymen. He was also sometimes called “the quiet Beatle” which is perhaps why so many warmed to him the most. He died far too young in 2001 at the age of 58 but has left us a large body of solo material as well as all that he recorded with the Beatles and Traveling Wilburys.

I for one will have to investigate further as I have become quite smitten by this uncomplicated song, written purely about the moment, and not intended as a metaphor for life in any way. Perhaps we should finish off with something from George himself, that gentle soul whose last words were apparently, “Love one another”.

Until next time….

Here Comes The Moon Lyrics
(Song by George Harrison)

Everybody’s talking up a storm
Act like they don’t notice it
But here it is and here it comes . . .
Here comes the moon, the moon, the moon, the moon, the moon.

Impulse always quickens when it’s full
As it turns my head around me
Yes it does and here it comes
Here comes the moon, the moon, the moon, the moon, the moon.

God’s gift I see that’s moving up there into the night . . .
Though dark the mirror in the sky reflects us our light:
Looks like a little brother to the sun
Or mother to the stars at night
And here it is and here it comes
Here comes the moon, the moon, the moon, the moon, the moon.

Breath is always taken when it’s new
Enhance upon the clouds around it
Yes it is and here it comes
Here comes the moon, the moon, the moon.

Northern Soul, Frank Wilson and “Do I Love You (Indeed I Do)”

One of the loveliest things about having a blog, is that you just never know when a particular post from your archive is going to go viral, but that’s just what’s happened around here over the last couple of days because of a particular drinks advert. If like us you’ve been trying to avoid all the political programming on telly (we already know who we’re going to vote for and just feel depressed whenever we see the runners and riders in action), you might have caught some of the popular prime time shows that still attract a fair few million viewers of an evening. They’re not for everyone I know, but with no guests in the holiday hideaway and no-one ordering Christmas gifts from Mr WIAA’s website, we seem to have more time on our hands than is realistically good for us, and they do offer a bit of light relief of an evening.

The other night, in between watching celebrity campmates do things no human should ever have to do (eating kangaroo anus for entertainment comes to mind) we were treated to multiple showings of one particular seasonal advert, and it leapt out of the screen at us because it featured the Frankie Valli and The Four Seasons song, The Night. A couple of years ago I had written a post about that very song after watching the film Northern Soul (link here) and it seems I was not alone in enjoying the ad, as later that evening my “viewing stats” for the post really started to ramp up and it looks as if it will continue that way for the duration of the campaign. I’m not sure if I’m supposed to share such things around here but if you haven’t yet caught it, here is that very stylish ad.

The Night by Frankie Valli and The Four Seasons:

Always pleased when I find myself at the top of a search engine results page after the YouTube clip and the wiki entry, as I often experience “blogger’s guilt”, feeling I should be spending my time working on something more lucrative. Finding your blog in amongst the big boys makes me realise, like many others around here, I have quietly and anonymously built up quite a database of “stories and songs”, way beyond anything achieved at college or in the world of work.

You will notice there are a fair few party-goers dancing “Northern Soul style” in the ad. Despite not charting first time around, The Night became one of the most popular tracks on the northern soul circuit, becoming a hit in the UK in 1975. As often happens around here, a strange coincidence has occurred, as even before the ad aired I had already been revisiting my original post to remind myself just how great some of these lesser known American soul records from the mid ’60s were, and all because of another popular Saturday night telly show.

strictly

It’s apparently been running for 17 years and along with the various X-Factor formats and the crazy jungle show, I’ve kind of forgotten what people used to watch before they came along. It’s a show that really seems to draw in the viewers though and although we have never been fervent devotees of Strictly Come Dancing, if you have the telly on whilst you’re preparing Saturday night’s dinner, it’s inevitable you will catch some of the performances.

The other week I think the “celebrities” had to pick a song or style of dancing which was personal to them and Kelvin Fletcher (a soap star and fantastic dancer as it turns out) picked Northern Soul, as his dad had been a fervent devotee back in the day. Since becoming fascinated by the movement a couple of years ago, my ears pricked up, and the song they danced to, Do I Love You (Indeed I Do) by Frank Wilson formed an earworm for the following week.

Do I Love You (Indeed I Do) by Frank Wilson:

This song was new to me so of course I had to find out more. Although it became popular at Wigan Casino and the like in the mid 1970s, it was originally recorded in 1965 on the Motown subsidiary label Soul. But here is the really interesting bit, it was Frank Wilson’s only Motown single and is a prized item amongst collectors as all but 5 of the original 250 demo singles were destroyed. Berry Gordy had apparently given the vocals a lukewarm reception and Frank himself decided he would rather focus on production, which has led to the crazy scenario where some of these original copies are changing hands for over £25,000 each.

Every time I hear about the phenomenon that was Northern Soul, I regret not having been in the right place at the right time, as the dancing would have been perfect for me. In the mid ’70s we only had our local youth club’s disco, but it was there I discovered my passion and was never, ever to be seen dancing round my handbag. Oh no, we had the space so I made full use of it and watching the genuine afionadas of Northern Soul (the dance above was more a stylised version for the show), I reckon I could have given them a run for their money. As a form of exercise, it looks as if it would be much more fun than a workout at the gym. Time to look out the talc, some very wide trousers and get practicing.

Until next time….

Do I Love You (Indeed I Do) Lyrics
(Song by Frank Wilson)

Here I am on bended knees
I lay my heart down at your feet
Now do I love you

All you have to do is ask
I’ll give until there’s nothing left
do I love you

As long as there is life in me
Your happiness is guaranteed
I’ll fill your heart with ecstasy, forever darling

Do I love you?
Do I love you?
Do I love you?
Indeed I do Indeed I do

The very thing that I want most
Is just to have and hold you close
Do I love you?

From early morning until late at night
You fill my heart with pure delight
Do I love you?

whenever I lay me down to sleep
I pray the Lord your soul to keep
And bring you home safe to me, for ever darling

Do I love you?
Do I love you?
Do I love you?

Indeed I do, sweet darling, indeed I do

Now whenever I lay me down to sleep
I pray the Lord your soul to keep
And bring you home safe to me
for ever darling

Do I love you?
Do I love you?
Do I love you?
Indeed I do, little darling, indeed I do

	Alyson on Edinburgh, XTC and “Maki…
	Alyson on Edinburgh, XTC and “Maki…
	Alyson on Edinburgh, XTC and “Maki…
	Alyson on Edinburgh, XTC and “Maki…
	Alyson on Edinburgh, XTC and “Maki…