The RAH Band, “Clouds Across the Moon” and The Sap Is Rising!

Another month seems to have whizzed by so we are approaching our next possible sighting of a full moon (cloud cover permitting). Since discovering at the end of last year that all full moons have a name given to them by the Native Americans who kept track of the months by the lunar calendar, I have written about the:

Beaver Moon – November
Cold Moon – December
Wolf Moon and Blue Moon – January

There were two full moons in January because the cycle between them is 29 and a half days, so just the way it landed, one at the beginning of the month and one at the end. A slight quirk this time is that there will no full moon at all in February (although there should have been a Snow Moon) but skip to the night of the 1st/2nd of March and we should witness the Worm Moon. I don’t know about where you live, but here in the North of Scotland it has been feeling quite springlike of late with lighter nights, crocuses appearing in the garden and a general feeling that mother nature will soon wake up from her winter slumber. (Ok, so there is also a weather front called the Beast from the East giving us a bit of trouble at the moment but freakish for the time of year.)

The Worm Moon
Crocuses opening up in the morning sun

As for the Native Americans, this spring full moon was given the moniker Worm Moon because the ground was beginning to soften and earthworm casts reappeared inviting the return of robins. It is also however known as the Sap Moon, as it marks the time when maple sap begins to flow and the annual tapping of maple trees begins. Not many maple trees where I live but yes, it seems the sap is indeed rising!

But this is a music blog and I always include one of the many songs that refer to moons in their titles. Right at the start of this series of what will end up being 13 posts, I picked out all the songs I was likely to use to accompany each full moon, but as is wont to happen such worthy choices can often be replaced along the way with new discoveries. This is to be one of those occasions and most definitely not something I had remotely considered at the outset.

Last Saturday night, before heading to bed, Mr WIAA and myself stumbled upon an old episode of TOTP. Always a bit of nostalgia there and can be a bit of a laugh as we witness some of the acts we had long forgotten about, dressed in what now seems ridiculous looking clothing. The episode we watched was from 1985 and although there were quite a few great songs that have stood the test of time (we loved watching Godley and Creme’s Cry), there were also an awful lot of men dressed in oversized suits, jackets and bizarre trousers. The decade that fashion forgot I think.

King
Dead Or Alive
DeBarge

In amongst all of these highly colourful acts was one I had totally forgotten about but their song has the word moon in the title and because it’s led to a pesky earworm this week, I’m going to include it in this series. Who said all the picks had to be critically acclaimed anyway and always a place in the world for what might now be construed as a bit of a novelty song. I used to like it when there was a bit of spoken word dialogue in a song and this one has it in bucketloads. Yes, not one many of us will remember, but in March 1985 the RAH Band reached No. 6 in the UK Singles Chart with Clouds Across The Moon. A common feature of songs from that era was the (one-way) “telephone conversation” however in this case it is highly unlikely that the futuristic exchange would be carried out via a bulky handset. But hey, the days of the compact mobile phone had not even remotely begun, and people did on the whole still speak to each other rather than simply text or Snapchat, so probably seemed apt at the time.

Clouds Across the Moon by the RAH band:

What I hadn’t realised until revisiting this song was that the RAH Band was in effect one person, Richard Anthony Hewson, an English producer, arranger, conductor and multi-instrumentalist. After graduating from The Guildhall School of Music in the late ’60s, Richard met Peter Asher whose sister Jane was going out with Paul McCartney. Through that contact he was hired as an orchestral arranger and worked with musicians such as The Beatles, The Bee Gees, James Taylor, Supertramp, Carly Simon, Art Garfunkel, Fleetwood Mac and Chris Rea, so quite a pedigree. Apart from his own RAH Band project, he was a producer in the 1980s for Toyah Willcox (makes sense) and in recent years has written music for television shows and advertising slots.

Hewson founded The RAH Band (which obviously took its name from his initials) in 1977 to release an instrumental called The Crunch. This record I do remember as I was chart-obsessed throughout the ’70s – Funnily enough it also reached No. 6 in the UK Singles Chart. As for Clouds Across the Moon, the vocals were provided by his wife Liz, also known as “Dizzy Lizzy”! In an interview at the time, Richard said that the song took place in the future where there was a 100-year-long war going on with Mars. Telephone calls were very expensive due to the privatisation of British Telecom (bit of politics, love it) thus the premature disconnection of the “valuable deep space communication link”.

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Richard Anthony Hewson’s RAH Band

So, an unusual song to have picked for this series but one that fell into my lap last weekend, so had to run with it. I wonder what the Native Americans who named the full moons that we see in our skies would have thought of it? Lets hope on the 1st March there will indeed be no clouds across the moon!

Until Next time….

Clouds Across the Moon Lyrics
(Song by Richard Anthony Hewson)

Good evening
This is the intergalactic operator
Can I help you?”

“Yes. I’m trying to reach flight commander P.R. Johnson, on Mars, flight 2-4-7”
“Very well, hold on please (beeping) you’re through!”
“Thank you operator!”

Hi darling!
How are you doing?
Hey baby, where’re you sleeping?
Oh I’m sorry, but I’ve been really missing you!

Hi darling!
How’s the weather?
Say baby, is that cold better now?
Oh I’m sorry, is there someone there with you?

Ooooh… since you went away, there’s nothing going right!
I just can’t sleep alone at night…
I’m not ashamed to say I badly need a friend…
or it’s the end.

Now, when I look at the clouds across the moon
Here in the night I just hope and pray that soon
Oh baby, you’ll hurry home to me.

Hi darling!
The kids say they love you
Hey baby, is everything fine with you?
Please forgive me, but I’m trying not to cry…

Ooooh… I’ve had a million different lovers on the phone
But I just stayed right here at home
I don’t think that I can take it anymore this crazy war

Now, when I look at the cloud’s across the moon
Here in the night I just hope and pray that soon
Oh darling, you’ll hurry home to me

“I’m sorry to interrupt your conversation,
but we are experiencing violent storm conditions in the asteriod belt at this time
We may lose this valuable deep space communication link
Please, be as brief as possible
Thank you”

Ooooh… since you went away, there’s nothing going right!
I just can’t sleep alone at night…
I’m not ashamed to say I badly need a friend…
or it’s… it’s…

“Hello?”
“Hello operator?”
” Yes, we’ve lost the connection!
Could you try again please?”
“I’m sorry, but I’m afraid we’ve lost contact with Mars 2-4-7 at this time”

“Ok. Thank you very much…
I’ll… I’ll try again next year…
next year…
next year…
next year…”

Postscript:

I have a friend with an all singing, all dancing camera who has been roped in to provide pictures for this series but as yet we’ve not been able to come up with anything that captures the full moon alongside some our unique Highland scenery. Hopefully in due course. In the meantime here are a few shots he took from outside his house last night – The moon still a waxing gibbous one at this stage (more than half full and always illuminated from the right) but pretty impressive how you can get such detail with the right equipment.

Pictures courtesy of R.J.

Womack & Womack, “Teardrops” and Extended Family Trees

It’s been a couple of weeks since I posted anything new – That would be because I’ve been getting a bit side-tracked around here of late, and some of my recent rants have involved family members, so time to rein it in a bit I think. Getting back to what this blog was always supposed to be about (that would be nostalgically revisiting the tracks of my years), today’s pick is this wonderful example, Teardrops by Womack & Womack. The song reached the No. 3 spot in the UK Singles Chart in August 1988, when I was in my late twenties. No problem with over-sharing this time as I have no particular personal memories attached to it at all, other than it was a great sounding song and was always included on the mix-tapes I was still putting together at that time.

Teardrops by Womack and Womack:

It is the kind of song however that really conjures up the memory of particular “feelings”, ones most of us will have experienced at some point in our lives:

And the music don’t feel like it did when I felt it with you (yes, we’ve all been there haven’t we?)

Whispers in the powder room, “She cries on every tune” (not called the powder room where I come from but yes, where such things are discussed).

As for Womack & Womack, I always knew they had a touch of rock and pop royalty about them but it was not until today that I found out exactly what the connections were. Linda Womack was the daughter of Sam Cooke, and her husband Cecil Womack was the younger brother of Bobby Womack. They all worked together, then after Sam’s death, Bobby married his widow. Cecil had first met Linda when he was thirteen and she was eight but after her father’s death he married singer Mary Wells, writing material for her and managing her career until they broke up in 1977. Shortly after the split, Cecil and Linda married. Phew, that was complicated.

Mary Wells
The Womack Brothers
Sam Cooke and family

In 1983, Cecil and Linda began performing and recording together as Womack & Womack, and released a successful album “Love Wars”, drawing from their own, convoluted, personal experiences. Cecil and Linda wrote most of the songs they recorded and it seems, as with Teardrops, they were experts at capturing the trials and tribulations of love.

Watching the music video for the song, all these years later the artists still look cool. Who wouldn’t look cool wearing a pair of shades indoors? – Well most of us actually, but that certainly didn’t happen in the case of those Womacks. It was shot in a film studio in Berlin apparently over a period of 3 days and although there was no plot, it has been described as a funky, disco-dance-energy-video. Sounds fair to me.

teardrops

So, “What’s It All About?” – The edit function has been used a lot here over the last fortnight but the upshot is I am building up a fine music archive which is now being visited by many people daily. My most visited post is still the one featuring the song Sunshine On Leith by The Proclaimers. Most unexpectedly, the post that may well take over that crown soon is the one featuring the song Jessie by Joshua Kadison – Didn’t expect that when I dashed it off one Saturday afternoon last year, but just goes to show what a fascinating place the blogosphere can be!

Until next time….

Teardrops Lyrics
(Song by Cecil Womack/Linda Womack)

Whenever I hear goodbyes
Remind me baby of you
I break down and cry
Next time I’ll be true, yeah
Fever for lost romance
Remind me baby of you
I took a crazy chance
Next time I’ll be true
I’ll be true, I’ll be true

Footsteps on the dance floor
Remind me baby of you
Teardrops in my eyes
Next time I’ll be true, yeah
Whispers in the powder room
“She cries on every tune
Every tune, every tune”

When I’m dancin’ ’round
Remind me baby of you
I really let you down
Next time I’ll be true, yeah
I took a crazy chance
“She cries on every tune
Every tune, every tune”

Footsteps on the dance floor
Remind me baby of you
Teardrops in my eyes
Next time I’ll be true, yeah
Whispers in the powder room
“She cries on every tune
Every tune, every tune”

And the music don’t feel like it did when I felt it with you
Nothing that I do or feel ever feels like I felt it with you

Hurting deep inside
She cries on every tune
I break down and cry
“She cries on every tune
Every tune, every tune”

Footsteps on the dance floor
Remind me baby of you
Teardrops in my eyes
Next time I’ll be true, yeah
Whispers in the powder room
“She cries on every tune
Every tune, every tune”

Snow Scenes, the Beatles and “Ticket to Ride”

Well, this post has come about because of the plethora of snow images that seem to have come my way this week. It’s been a really cold one and although we’ve avoided snowfall in our neck of the woods, I know that many other parts of the country have had a fair bit – Beautiful if falling in remote scenic places but a bit of a pain if you have to dig your car out for the commute to work.

Yesterday morning we had the Opening Ceremony for the 2018 Winter Olympics which are taking place this time in South Korea. A spectacle of a show as expected with technology playing a large part in the proceedings. I can hardly believe however that there is to be a joint Team Korea at these games. Athletes from the North and South walked into the stadium together, dressed in identical “cosy” outfits behind a unifying blue and white flag. Considering the childish badinage that has taken place between some of our world leaders of late (who really should know better), this was a wonderful sight – The power of sport in bringing people together toward a common goal.

winter olympics

But here are the pictures that have inspired today’s song choice. Our “across the road neighbours” got back from their skiing holiday this week and sent me a few of the shots they had taken there. Turns out they had visited Obertauern in Austria, which is where they filmed those very snowy segments for the Beatles film Help!. Over 50 years later and it seems that it’s still the resort’s main claim to fame, as the pictures below show.

Obertauern

Obertauern
Obertauern in Austria where the Beatles filmed Help!

I always loved the snow scenes in that film and of course that was also when the song Ticket to Ride was included, to accompany their “madcap” antics. The Beatles were dressed in those iconic outfits, black against the white snow, complete with top hats, cape-like jackets and “bunnets”.

To quote Paul:
“It was good to make Help! and it’s a nice film. It’s funny. It’s a period film now. We just took it all very lightly, we had a laugh, and in the snow. All the snow scenes were cos the lads wanted a holiday, they were fed up working.”

Ticket to Ride by the Beatles:

I am not going to insult anyone’s intelligence by explaining who the Beatles were so we’ll stick to the song. Released as a single in April 1965, it became the Beatles’ seventh consecutive No. 1 hit in the UK and their third consecutive No. 1 in the US. It similarly topped the charts in many other parts of the world. The song was recorded in London for the album “Help!” and it marked a progression in their work relative to previous releases. The Beatles it seems were growing up!

But of course being a great fan of the Carpenters, I will have to include their version which was originally recorded in 1969 but then re-recorded for their first Greatest Hits album in 1973. Arranged by Richard Carpenter, the song has a very different sound – The long piano intro means it doesn’t even really kick in until 0:35, and in the capable hands of Karen Carpenter, the line “I think I’m gonna be sad” sounds truly convincing.

No snow here today fortunately, and blue skies, so we’re going to head out shortly to enjoy the day. Hopefully these Winter Olympics in South Korea will provide a fair bit of entertainment over the next couple of weeks as unlike in years gone by, Team GB actually win a fair amount of medals nowadays, on the ice and on the snow. There are also usually a few locals in the Curling Team which always adds to the excitement and has made us all experts. It looks comical, but it’s always impressive how they can sweep the ice to make the stone curl, or go faster. I will leave you with a picture of the view I wake up to from my bedroom window if there’s been a fall of snow overnight – Lucky me, but sadly no Carpenters lurking amongst the trees in my forest!

45 22nd Dec Craig Phadrig hill covered in snow

Until next time….

Ticket to Ride Lyrics
(Song by John Lennon/Paul McCartney)

I think I’m gonna be sad
I think it’s today, yeah
The girl that’s driving me mad
Is going away

She’s got a ticket to ride
She’s got a ticket to ride
She’s got a ticket to ride
But she don’t care

She said that living with me
Is bringing her down, yeah
For she would never be free
When I was around

She’s got a ticket to ride
She’s got a ticket to ride
She’s got a ticket to ride
But she don’t care

I don’t know why she’s riding so high
She ought to think twice
She ought to do right by me
Before she gets to saying goodbye
She ought to think twice
She ought to do right by me

I think I’m gonna be sad
I think it’s today, yeah
The girl that’s driving me mad
Is going away, yeah

Oh, she’s got a ticket to ride
She’s got a ticket to ride
She’s got a ticket to ride
But she don’t care

I don’t know why she’s riding so high
She ought to think twice
She ought to do right by me
Before she gets to saying goodbye
She ought to think twice
She ought to do right by me

She said that living with me
Is bringing her down, yeah
For she would never be free
When I was around

Ah, she’s got a ticket to ride
She’s got a ticket to ride
She’s got a ticket to ride
But she don’t care

My baby don’t care, my baby don’t care
My baby don’t care, my baby don’t care
My baby don’t care, my baby don’t care….

Dionne, Aretha and “I Say A Little Prayer”

Now that I no longer have to commute to work every day, I seem to be missing out on those wonderful moments when a great song comes on the car radio, and you just have to turn up the volume to full blast.

I did however experience such a thing earlier this week on my way to the supermarket and needless to say it stuck with me for a good few days. The song was this one, I Say a Little Prayer, written by my favourite songwriting team of Burt Bacharach and Hal David. Inevitably the first person to record it back in 1967 was Dionne Warwick, as she was very much Burt’s “go-to” girl when he needed a chanteuse for his great material. What I hadn’t realised until now was that Hal David’s lyrics were meant to convey a woman’s concern for her man, who was serving in the Vietnam War (makes total sense now considering the timing). I have always loved those first few lines where the words wake up and makeup are used to such great effect. The rhyme just works so perfectly and for us girls, anything that happens before the morning ritual of putting on the makeup is early indeed, so doubly emphasizes the urgency of the prayer.

The moment I wake up
Before I put on my makeup
I say a little prayer for you

Although Burt’s recordings with Dionne usually took no more than three takes, I Say a Little Prayer took ten takes and he still disliked the completed track, feeling it rushed. He was nothing if not a perfectionist that Burt Bacharach.

But the version I heard in the car the other day wasn’t by Dionne but instead by the person who had a big hit with it in the UK. Aretha Franklin was in the process of recording her 1968 album entitled “Aretha Now” when her backing vocalists, The Sweet Inspirations, started singing the song just for fun. It suddenly became apparent that I Say a Little Prayer could be a worthy inclusion on the new album which is exactly what happened. The song ended up being released in July 1968 as the B-side to the single The House that Jack Built, but after accruing its own airplay reached No. 10 on the Billboard Chart and No. 4 on the UK Singles Chart.

And here is where the music producers seem to get it horribly wrong at times – It had taken much persuasion for Burt to release the original recording by Dionne Warwick, but with Theme from Valley of the Dolls on the B-side, it became one of the most successful double-sided releases of all time. Aretha’s version was never expected to make any sort of mark in its own right, but in subsequent decades it has been ranked right at the top of lists relating to the “Greatest 150 Singles of All Time”. How bizarre and makes you wonder what other delights have slipped through the net and never been given the air time they indubitably deserved. Then again, is that not the case for every art form? How many great writers and artists (and I include Mr WIAA and some of my blogging buddies in those categories) slip through the net, not seeming to catch that lucky break needed to get to the important next level, where actual money changes hands for exceptional work done.

But before I go, it should also be mentioned that I Say a Little Prayer is one of several Bacharach and David songs to feature prominently in the 1997 rom-com/chick-flick My Best Friend’s Wedding. There was a reggae-style cover by Diana King and a version sung by the film’s cast. Diana’s cover was released as a single which brought the song back to the Top 40 almost thirty years after Dionne Warwick’s original.

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I Say A Little Prayer by Diana King:

So, “What’s It All About?” – Having included all three very different versions in this post, they are ripe for a compare and contrast. Dionne’s does indeed sound a bit too rushed and not typical of Burt Bacharach’s usual orchestral pop style. Diana’s reggae version certainly creates a very different sound where the lyrics are sung Jamaican-style (before mi put on mi makeup). Aretha however, being the Queen of Soul an’ all that, nails it for me and it’s probably why the car radio had to be turned up to such a volume earlier in the week. Some songs, despite having a very low key start in life, end up becoming the most memorable and that’s why I live in hope that some of my wonderful artsy friends also eventually catch that lucky break which leads to their work being reclassified from being ordinary, to being extra-ordinary.

Until next time….

I Say A Little Prayer Lyrics

(Song by Burt Bacharach/Hal David)

The moment I wake up
Before I put on my makeup
I say a little prayer for you
While combing my hair, now
And wondering what dress to wear, now
I say a little prayer for you

Forever, forever, you’ll stay in my heart
And I will love you
Forever, and ever we never will part
Oh, how I’ll love you
Together, together, that’s how it must be
To live without you
Would only be heartbreak for me

I run for the bus, dear
While riding I think of us, dear
I say a little prayer for you
At work I just take time
And all through my coffee break-time
I say a little prayer for you

Forever, forever, you’ll stay in my heart
And I will love you
Forever, and ever we never will part
Oh, how I’ll love you
Together, together, that’s how it must be
To live without you
Would only mean heartbreak for me

I say a little prayer for you
I say a little prayer for you

Forever, forever, you’ll stay in my heart
And I will love you
Forever, and ever we never will part
Oh, how I’ll love you
Together, together, that’s how it must be
To live without you
Would only mean heartbreak for me

My darling, believe me
For me there is no one, but you
Please love me, too
I’m in love with you
Answer my prayer
Say you love me, too
Why don’t you answer my prayer?
You know, every day I say a little prayer
I said, I say, I say a little prayer

An American Odyssey in Song: Pennsylvania – The Delfonics and “Didn’t I (Blow Your Mind This Time)”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

Looking back at the “history” for this post (we get that here at WordPress), I started writing it back in November! I really need to pick up the pace with this series otherwise it looks as if I’m going to be in my dotage before I make it all the way round to my final destination, Florida. Anyway, as it’s now been over three months since I entered New Jersey (must have lost track of time in those vast gambling emporiums in Atlantic City), the great state of Pennsylvania now beckons. Yet again however we are entering a state that cannot be neatly summed up as having a single character. Pennsylvania has wide stretches of farmland, forests and mountains but it also has Philadelphia, the sixth largest city in the US.

pennsylvaniaA few random facts about Pennsylvania. It was one of the 13 original founding states and came into being as a result of a royal land grant given to William Penn, an English Quaker and son of the state’s namesake. Philadelphia played an important role in the American Revolution as a meeting place for the Founding Fathers of the United States – The Declaration of Independence was signed there on the 4th of July, 1776. It is also home to the cracked Liberty Bell, an iconic symbol of American independence.

During the American Civil War, the Battle of Gettysburg was fought in the south central region of the state and is the place where Abraham Lincoln delivered his landmark address. The Pennsylvania Dutch (who were actually German/Deutsch) settled in the south-east of the state and there are still Christian groups living there today who separate themselves from the world favouring simple living and plain dressing.

Lincoln at Gettysburg
The cracked Liberty Bell
The Philadelphia skyline
The Appalachians
A buggy carrying Pennsylvania Dutch

But what do I associate with Pennsylvania when it comes to music. Last time a few suggestions were offered up for which I am always grateful. Rol over at My Top Ten suspected I might choose Pennsylvania 6-5000 by The Glenn Miller Orchestra which was most definitely going to be a contender until I discovered it was actually the telephone number for the Hotel Pennsylvania in New York City! C, from Sun Dried Sparrows suggested I’m in Pittsburgh (and It’s Raining) by the Outcasts, a sort of “sub-Stones US ’60s garage classic” she tells us. Last but not least Lynchie, a frequent and very knowledgeable visitor to the music blogosphere, came up with two songs by Loudon Wainwright III. “I don’t think you’ll find the first one on YouTube” he said, and he was right, but fortunately he gave us some of the lyrics for Have You Ever Been To Pittsburgh.

Have you ever been to Pittsburgh
Do you think you’d wanna go?
Have you ever been to Pittsburgh
(It’s in Pennsylvania)
Do you think you’d wanna go?
Well – if you wanna go to Pittsburgh
Get on the bus and go!

“Loudon however”, he added, “also wrote the more affectionate Ode To Pittsburgh” and this time it could be found YouTube. A nice little film to accompany the song that gives us a bit of a flavour of what it might be like to live there. Not heard it myself before, but I find myself strangely smitten.

But as ever, music and film go hand in hand for me, and three movies immediately came to mind for this Pennsylvania post. The tunes from them are by no means all favourites, but they do for me, sum up the state. As tends to happen at award ceremonies, I will announce the results in reverse order:

First of all, when I saw that the next state we would be entering was Pennsylvania, I was immediately reminded of the film The Deer Hunter as the main characters in that epic Vietnam war drama were steelworkers from Clairton, Pennsylvania, a small working class town south of Pittsburgh. The images of that grim steel town have obviously stayed with me but also the scenes in the mountains where that trio of friends, played by Robert De Niro, Christopher Walken and John Savage, spend much of their time deer hunting. I didn’t see the film when it first came out in 1979, but I do remember that the piece of music called Cavatina (popularly known as “Theme from The Deer Hunter”) received much radio airplay at the time and reached No. 13 in the UK Singles Chart. It was performed by classical guitarist John Williams whom I have just discovered is not the same John Williams responsible for writing the film scores for ET and Jurassic Park. Obvious now, but the same name and from a long time ago.

poster_thedeerhunter

Cavatina by John Williams:

The second film I was reminded of was of course Rocky where the main character, played by new kid on the block Sylvester Stallone, is to be seen pounding the streets of Philadelphia in his grey sweats, whilst carrying out his gruelling training regime. These scenes were of course very memorably played out to the sounds of Gonna Fly Now (popularly known as the “Theme from Rocky”) which was composed by Bill Conti. The lyrics (all 30 words of them), were performed by DeEtta Little and Nelson Pigford. Released in February 1977, the song has become part of American popular culture after Rocky Balboa runs up the 72 stone steps leading to the Philadelphia Museum of Art and then raises his arms in a victory pose.

Whenever I watch 1970s footage of American cities (like in this clip), I think of “the three B’s”, boxes, braziers and back alleys, as just about everything I watched on telly back then seemed to feature these three elements. Maybe it was just because there was a plethora of gritty cop shows and crime dramas, but also our inner cities were in real need of gentrification. I am sure however that the Philadelphia of today looks quite different, and I’m also sure that Neil from Yeah, Another Blogger, who is a resident, will keep us right on that score?

Gonna Fly Now by DeEtta Little and Nelson Pigford:

But of course I can’t write a post about PA, without mentioning all the great music that came to be known as the Philadelphia Sound, or Philly Soul. Any regular visitors to this place might remember that I wrote about how it all came to pass recently (The O’Jays, The Three Degrees and a “Year Of Decision”). It does seem that there were three pivotal players without whom it might never have happened – Philadelphia International Records was founded in 1971 by the very talented writer-producer duo Kenny Gamble and Leon Huff, along with collaborator Thom Bell. It very much showcased a new genre of music based on the gospel, doo-wop and soul music of the time. Throughout the 1970s the label released a string of worldwide hits which featured lavish orchestral instrumentation, heavy bass and driving percussion. Some of their most popular and best selling acts included The O’Jays, The Three Degrees, Harold Melvin & the Blue Notes, Teddy Pendergrass, Billy Paul, Patti LaBelle and Lou Rawls.

0000219089

But I have written about some of those artists before so this time I’m going to go a little further back in time to 1969 when Didn’t I (Blow Your Mind This Time) was written by producer Thom Bell and William Hart, lead singer of the Philadelphia R&B/Soul vocal group The Delfonics. It was released by the group on the Philly Groove record label and is regarded as a classic, winning a Grammy Award for Best R&B Performance by a Duo or Group.

And this is where my third film choice comes in, as for many of us, it is simply that great song from the Tarantino film Jackie Brown. It very much plays a pivotal role in the film as it underscores the relationship between main characters Jackie, and Max Cherry. Like many others I was probably a bit too young for a song like this when it first came along in 1969 but after re-discovering it in 1997, when the film came out, I found a new appreciation for Philadelphia based groups like The Delfonics.

Didn’t I (Blow Your Mind This Time) by The Delfonics:

So that’s your lot as far as Pennsylvania goes. When I started this series it was with a view to featuring one song per state but of course once you start to do the research it becomes impossible to limit it to just that. Next time however we will be entering Delaware, a very small state indeed which at the moment is not offering up any inspiration (bar the obvious candidate). If you have any suggestions feel free to leave them in the comments boxes, as left to my own devices it’s going to be a very short post.

It has just occurred to me, as I returned to the top of the page to insert a title, that I may have inadvertently been a tad insensitive having included both the Theme from The Deer Hunter and Didn’t I (Blow Your Mind This Time) in the same post – To anyone who has “experienced” the film The Deer Hunter, they will probably know what I mean. Enough said.

See you in Delaware….

Didn’t I (Blow Your Mind This Time) Lyrics
(Song by Thom Bell/William Hart)

I gave my heart and soul to you, girl
Now didn’t I do it, baby didn’t I do it baby
Gave you the love you never knew, girl, oh
Didn’t I do it, baby didn’t I do it baby

I’ve cried so many times and that’s no lie
It seems to make you laugh each time I cry

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I
Yes sir

I thought that heart of yours was true, girl
Now, didn’t I think it baby didn’t I think it baby
But this time I’m really leavin’ you girl oh
Hope you know it baby hope you know it baby

Ten times or more, yes, I’ve walked out that door
Get this into your head, there’ll be no more

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I
Yes sir

(Didn’t I do it baby didn’t I do it baby)
(Didn’t I do it baby didn’t I do it baby)

Ten times or more, yes, I’ve walked out that door
Get this into your head, there’ll be no more

Didn’t I blow your mind this time, didn’t I (oh)
Didn’t I blow your mind this time, didn’t I (Hoo
Didn’t I blow your mind this time, didn’t I (Did I blow your mind, baby)
Didn’t I blow your mind this time, didn’t I (Can’t you see)
Didn’t I blow your mind this time, didn’t I (Did I blow your mind)
Didn’t I blow your mind this time, didn’t I (Ooh baby, ooh)

Girl, can we talk for a second
I know it’s been a long time
Since some someone’s blown your mind, like I did
There’ll be other times, for me and you
And I can see the tears fallin’ from your eyes

Tell me girl, did I blow your mind

Didn’t I blow your mind this time, didn’t I (Did I blow your mind baby)
Didn’t I blow your mind this time, didn’t I (Ooh, ooh, ooh, ooh, ooh, ooh, ooh)

Cat Stevens, “Moonshadow” and Freaky Lunar Phenomena

I seem to have become interested in the full moon cycle at a pretty unique time, celestially speaking. Since first noticing that amazing supermoon at the start of November there have already been two more supermoons and this month, because of how the first full moon fell, we are to have another one 29 and a half days later right at the end of the month. Unlike the rest it won’t have a name given to it by the Native Americans because it will be a “blue moon” – Something that doesn’t happen very often. Just to complicate things further it won’t actually look blue but red (called a “blood moon”) as the earth will line up with the sun creating a lunar eclipse. Last but not least, it will again be a supermoon where it comes as close to the earth as is possible making it look 14% bigger and 30% brighter (although perhaps the lunar eclipse will override the brightness somewhat this time). Whatever, definitely something to look out for on Wednesday the 31st January, this Super Blue Blood Moon.

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The Blood Moon

I have already worked out which songs about moons I am planning to use for this series, and of course it was a no-brainer that Rodgers and Hart’s Blue Moon would feature whenever that phenomenon appeared in our skies. Now that I’ve discovered this next full moon is going to be shadowed by the earth however, there are definitely more appropriate picks. The one I’m going to choose is Moonshadow by Cat Stevens.

Moonshadow by Cat Stevens:

Ok, so technically Wednesday night’s phenomenon is a case of the earth shadowing the moon as opposed to the other way round, but a great excuse to feature something by Mr Stevens. Most people know that Cat Stevens changed his name to Yusuf Islam in the late ’70s and gave up music altogether for a while. Fortunately for us he returned to it in 2006 and now simply goes by the stage name Yusuf. This song, Moonshadow, was a hit for him in 1971 when he was at the height of his popularity. Of all his old songs, he considers it his favourite.

I hadn’t realised until recently that Cat/Yusuf was actually from London, and more precisely the West End as his parents were the owners of a restaurant in the theatre district. Possibly because he had a Greek father and Swedish mother, and also because of his global success then conversion to Islam, I have always just thought of him as a citizen of the world and find it hard to conjure up images of the young Steven Demetre Georgiou waiting tables in the Shaftsbury Avenue of the “Swinging Sixties”.

Cat Stevens circa 1971
A Moon Shadow

The lyrics of the song were once explained by Yusuf in an interview – He had been on holiday in Spain and when standing at the edge of the water on a beautiful night with the moon glowing, he looked down and saw his shadow. As a kid from the West End of London, what with the bright lights and streetlamps, he had never seen the moon on its own in the dark before. He thought that was so cool and it inspired him to write about finding hope in any situation – To be present and joyful, to see life as it is right now, and not to compare it to others’ lives, or to other times in your life. If we are always wrapped up in whirlpools of worry and concern about what could be, or what has been, we are missing the richness of life as it is.

So, “What’s It All About?” – As someone who is prone to getting caught up in a whirlpool of worry and concern about the future, it seems I need to take heed of these lyrics and try to be much more “present and joyful”. Apologies for my rant last time (that post now heavily edited) as no doubt everything will sort itself out in due course – Just sometimes therapeutic to use our blogs as a place to vent. In the meantime, lets hope there will be no cloud cover on the 31st January so that we can all witness the phenomenon that will be, the Super Blue Blood Moon.

Until next time….

Moonshadow Lyrics
(Song by Cat Stevens)

Oh, I’m bein’ followed by a moonshadow, moonshadow, moonshadow,
Leapin and hoppin’ on a moonshadow, moonshadow, moonshadow.

And if I ever lose my hands, lose my plough, lose my land,
Oh if I ever lose my hands, Oh if I won’t have to work no more.

And if I ever lose my eyes, if my colours all run dry,
Yes if I ever lose my eyes, Oh if I won’t have to cry no more.

Oh, I’m bein’ followed by a moonshadow, moonshadow, moonshadow,
Leapin and hoppin’ on a moonshadow, moonshadow, moonshadow.

And if I ever lose my legs, I won’t moan, and I won’t beg,
Yes if I ever lose my legs, Oh if I won’t have to walk no more.

And if I ever lose my mouth, all my teeth, north and south,
Yes if I ever lose my mouth, Oh if I won’t have to talk…

Did it take long to find me? I asked the faithful light.
Did it take long to find me? And are you gonna stay the night?

Moonshadow, moonshadow, moonshadow, moonshadow.

Elvis Costello, Ian Dury and “Reasons to be Cheerful, Part 3”

I have returned to this post to do a bit of drastic editing – It had ended up being the vehicle for a bit of a rant but it did get a tad too personal, so time to right that wrong. My rant was basically about how, for reasons outwith my control, my life has changed so much since this time last year when my blog was celebrating its first birthday – It has now just celebrated its second birthday, and has become a labour of love, but it does seem to have become one of the few constants in my life at the moment which is a bit worrying.

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A Birthday Badge from the WordPress people

Any regulars to this place know that last year, after a drastic reorganisation at my workplace, I decided to leave for pastures new. That has turned out to be a bit more challenging than anticipated as I now also have an elderly parent to look after and certain age-related illnesses are fraught with logistical and financial challenges. It prompted me to search for songs about such situations and it turns out there are several – Here is a beautiful one with really touching lyrics written by Elvis Costello about his grandmother, Veronica.

After pontificating about all sorts of other issues which covered the muddled state of Social Care for older people, the soulless environment of the modern day office, student debt, the housing crisis and a dearth of youngsters taking up trades, it occurred to me that I should instead think of things to be cheerful and upbeat about. Life could be so much worse, it’s just that I’m feeling a bit aggrieved at how things have changed so much since this time last year – All part of life’s rich tapestry I suppose. One 1979 song that is chock-full of reasons to be cheerful is, obviously, Reasons to be Cheerful, Part 3 by Ian Dury and The Blockheads.

Reasons to be Cheerful, Part 3 by Ian Dury and The Blockheads:

Some great lines in this song and listening to it again just now, they have all come flooding back. Here are a few that I think scan the best.

Health service glasses, gigolos and brasses.

Elvis and Scotty, the days when I ain’t spotty.

Take your mum to Paris, lighting up a chalice,
Wee Willie Harris….

I have always had a soft spot for the cartoonish character that was Ian Dury. He had a tough start in life having contracted polio at the age of seven but his wonderful lyrics combining lyrical poetry, word play, observation of everyday life and character sketches have produced some quintessentially British songs. The Blockheads‘ sound came from its members’ diverse musical influences, which included jazz, rock ‘n’ roll, funk, reggae, and Ian Dury’s love of music hall. I remember well being blown away by Hit Me With Your Rhythm Stick when it came along just before Christmas 1978, during my first year at University. Back in school, it was only the boys who knew about Ian Dury, now there was no escaping him. Sadly Ian died when he was only 57, but he has left us with a colourful back catalogue of songs and his many film roles mean that you just never know when he might pop up on telly next.

So, “What’s It All About?” – Life can be a bit sh*t sometimes but we just have to weather the storm and make plans for when things get better. My favourite pastime at the moment is to go to the cinema as for a couple of hours you are offered up a slice of escapism, with no phone to disturb you. My second favourite thing is my blog, another place to escape, and a labour of love. I read a lot of the comments left yesterday on Rol’s site by JC, The Vinyl Villain – In one of them he mentioned that blogging is a vocation and I get that now. There is no money in it but I couldn’t stop now if I wanted to. I had thought I should go on hiatus for a while but I see now that blogging is indeed therapy and I need that right now. Time to conjure up a few more of those reasons to be cheerful perhaps – Any suggestions for Part 4?

Reasons to be Cheerful, Part 3 Lyrics
(Song by Ian Dury/Charles Jankel/David Payne)

Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?
Why don’t you get back into bed?

Reasons to be cheerful, part three
1, 2, 3

Summer, Buddy Holly, the working folly
Good golly, Miss Molly and boats
Hammersmith Palais, the Bolshoi Ballet
Jump back in the alley and nanny goats
Eighteen wheeler Scammells, Dominica camels
All other mammals plus equal votes
Seeing Piccadilly, Fanny Smith and Willie
Being rather silly and porridge oats
A bit of grin and bear it, a bit of come and share it
You’re welcome we can spare it, yellow socks
Too short to be haughty, too nutty to be naughty
Going on forty no electric shocks
The juice of a carrot, the smile of a parrot
A little drop of claret, anything that rocks
Elvis and Scotty, the days when I ain’t spotty
Sitting on a potty, curing smallpox

Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, one, two, three

Reasons to be cheerful, part three, verse two

Health service glasses, gigolos and brasses
Round or skinny bottoms
Take your mum to Paris, lighting up a chalice
Wee Willie Harris
Bantu Steven Biko, listening to Rico
Harpo Groucho Chico
Cheddar cheese and pickle, a Vincent motorsickle
Slap and tickle
Woody Allen, Dali, Domitrie and Pascale
Balla, balla, balla and Volare
Something nice to study, phoning up a buddy
Being in my nuddy
Saying okey-dokey, sing-a-long a Smokie
Coming out of chokie
John Coltrane’s soprano, Adie Celentano
Beuno Colino

Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, one, two, three

What about a, what about a, what about a, what about a,
What about a, what about a, what about a, what about a,
What about a, what about a, what about a, what about a,
What about a, what about a what?

Yes, yes, dear, dear perhaps next year
Or maybe even never
In which case…

Woody Allan, Dali, Domitrie and Pascale
Balla, balla, balla and Volare
Something nice to study, phoning up a buddy
Being in my nuddy
Saying okey-dokey, sing-a-long a Smokie
Coming out a chokie
John Coltrane’s soprano, Adie Celentano
Beuno Colino

Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, part three
Reasons to be cheerful, one, two, three

Martika, Jona Lewie and “You’ll Always Find Me In The Kitchen At Parties”

As regular visitors to this place know, the soap opera that is my life seems to get played out on these pages and this post is very much in that vein. Until this week I was a “new kitchen virgin” as somehow I have always been able to make do and mend with whatever kitchen was in place when we moved house. A few things happened towards the end of last year however that meant time was definitely up on our much-loved, brightly painted cabinets and obsolete appliances. (I used to be a great fan of the telly show Changing Rooms and threw myself into “upcycling”.)

The decision made, we proceeded to do the rounds of the many outlets who offer up fancy pants new kitchens. Anyone who replaces their kitchen often will be an old hand at all this but as newbies we were first of all aghast at just how much choice there is out there in terms of the various components (so many decisions to be made), and also of course shocked at how a set of cabinets costing around £4k leads to a grand total of about £12k after installation, but hey ho, god willing we won’t be doing it again for a very long time. With any luck, in another week or two we will end up with something as shown in this fine aerial plan done in minutes on the company’s wizard computer system. In the meantime a makeshift kitchen has been set up in the living room and the temperature, having plummeted of late, means that the garden is like one giant fridge/freezer so no problem keeping the milk fresh at all.

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I read earlier this week that Donald Trump’s diet consists mainly of takeaways from McDonalds as he is wary of being poisoned from eating food prepared elsewhere (as if!) – Having given in to hunger the other night and gone out to pick up such fare, I am not convinced he’ll last the distance. Morgan Spurlock made the excellent film Super Size Me back in 2004 and all the doctors were shocked at just how much his health deteriorated in the 30 days he consumed nothing but McDonalds’ food. Fortunately for us this was a one-off that won’t be repeated for some time, but for people like Donald who appear to be frequent consumers, they need to watch this film. Might be better to stick to that original fast food pre-packed by Mother Nature – The humble banana.

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Something I’ve been trying to shoehorn in for some time.

Anyway, no-one wants to hear any more about my renovation project but of course it has got me thinking about songs that refer to kitchens in their titles. The first that came to mind was Martika’s Kitchen sung by none other than the lady herself, Martika. Although this song came along in the early ’90s, long after I had lost interest in what was happening in the current singles chart, I do remember her popping up several times on those Saturday morning TV shows made primarily for kids, but also watched by those of us who might have been slowly recovering from the night before. Looking back, the show I must have spotted her on could only have been Going Live which ran from 1987 to 1993 and was presented by Phillip (after The Broom Cupboard but before This Morning) Schofield and Blue Peter’s Sarah Greene.

Having just listened to this song again for the first time in decades, it turns out that it’s probably not the kind of ditty that should have been anywhere near a kid’s telly show and not even really the kind of fodder I usually feature here at WIAA. It was written by Prince (that explains a lot) as Martika was one of his many dark-haired female protégés who were around at that time. Somehow, unlike my good self, I don’t think Martika ever got an aerial plan of the kitchen she’s singing about in this song.

But what other songs have been written about honest to goodness kitchens and not ones that were euphemisms like the one Martika sang about. Well back in 1980, ahead of the release of his perennial Christmas hit Stop The Cavalry, Jona Lewie gave us You’ll Always Find Me In The Kitchen At Parties. Unlike in the early ’90s when I seemed to be busy watching telly whilst nursing hangovers, at the start of the ’80s I was still keeping a close eye on what was in the charts and I remember this song well. Jona Lewie, I have just discovered, used to go by the name Terry Dactyl (as in pterodactyl, hmm…) and along with his backing band the Dinosaurs (what came first, the dinosaur or the terry dactyl?) had a hit in 1972 with the song Seaside Shuffle. Don’t know if it’s just me, but it has a definite Mungo Jerry sound to it.

You’ll Always Find Me In The Kitchen At Parties by Jona Lewis:

An interesting snippet about this song is that it was the first time Kirsty MacColl sang as a backing singer for Stiff Records. The daughter of folk singer Ewan MacColl, Kirsty went on to record several pop hits from the early ’80s to the mid ’90s but is of course best remembered for the Pogues song Fairytale of New York on which she dueted with Shane MacGowan. Kirsty sadly died in 2000 as a result of a tragic accident whilst on holiday in Mexico.

So, “What’s It All About?” – Like Jona Lewie I have done my fair share of spending time in the kitchen at parties. It can be a tough gig breezing it out with people you barely know in the main venue, so to retreat with a few others to the more relaxed environment of the kitchen can be just the ticket. I hope my new kitchen (once we manage to source a table that fits in properly) becomes a relaxed hub where people can hang out during parties should they wish. Whether I will actually have the time or energy to host any parties in the near future is another topic, for another day, but in the meantime I’m just glad for once that the temperatures are very low indeed as I’m about to pop out to the giant fridge that is our garden, for a cold beer and a pint of milk!

Until next time….

You’ll Always Find Me In The Kitchen At Parties Lyrics
(Song by Jona Lewie/Keith Trussell)

I’m no good at chatting up and always get rebuffed
Enough to drive a man to drink, I don’t do no washing up
I always reached the stuff piled up, piled up in the sink

But you will always find him in the kitchen at parties

Me and my girlfriend we argued and she ran away from home
She must have found somebody new and now I’m all alone
Living on my own, what am I supposed to do?

That’s why you’ll always find him in the kitchen at parties
You will always find him in the kitchen at parties
You will always find him in the kitchen at parties

Then I met this debutante, I said that I like new wave rock
She was into French cuisine but I ain’t no Cordon Bleu
This was at some do in Palmer’s Green, I had no luck with her

You will still find him in the kitchen at parties
You will still find him in the kitchen at parties

At last I met a pretty girl, she laughed and talked with me
We both walked out of the kitchen and danced in a new way

And now I’ve done my time in the kitchen at parties
I’ve done my time in the kitchen at parties

He’s done his time in the kitchen at parties
He’s done his time in the kitchen at parties
He’s done his time in the kitchen at parties
He’s done his time in the kitchen at parties

The Waterboys, “The Whole Of The Moon” and Hello 2018!

A Happy New Year to everyone who visits here.

Since I’ve taken to posting on a Monday, I will make this offering the next in my “full moon” series, as the first lunar spectacle of 2018 should appear in our night skies tomorrow, the 2nd January. Since starting this series we’ve had the Beaver Moon in November and the Cold Moon in December. January is the month of the Wolf Moon, again taken from the Native Americans as it used to appear in the sky when wolves were howling in hunger, outside their villages.

And here is where I get to share the song I have most looked forward to revisiting since starting this series – The Whole Of The Moon by The Waterboys. No need to wait until tomorrow to attempt an amateurish shot of the Wolf Moon then, as the picture in this clip is pretty special in itself.

The Whole Of The Moon by The Waterboys:

Appropriate that this song should feature at the time of year often associated with the Scots and Hogmanay as it was written by a native of Edinburgh, head Waterboy Mike Scott. The Whole Of The Moon was first released in 1985 but only achieved moderate success in the charts. By the time The Waterboys had released their greatest hits album in 1991, Celtic Rock was in the ascendance so when re-released the song reached the No. 3 position in the UK Singles Chart. The early Waterboys sound was often referred to as “The Big Music” after a song on their second album. That sound either influenced or was used to very aptly describe a number of other Scottish or Irish bands who specialised in anthemic music at that time – U2, Simple Minds, Big Country and the Hothouse Flowers.

brigadoon
Gene and Cyd in Brigadoon

Some great lines in this song, my favourite being this one, “I saw the rain dirty valley, you saw Brigadoon” – It sums up how we’d all like to be in life, but not always easy to get into that mindset. I really wish I could always see Brigadoon rather than the rain dirty valley and I also wish that I could always see the whole of the moon rather than just the crescent but hey, I’m only human, and we humans can get bogged down in the detail sometimes losing the ability to see the big picture.

Cross fingers then that we’ll get to see tomorrow night’s Wolf Moon. An unusual month this in that there will be another full moon at the end of it, as the lunar cycle takes 29 and a half days to complete. I shall therefore return on the 31st with another song, this time about Blue Moons which is what that phenomenon is called and why it is also used for “something that doesn’t come along very often”. As I often say around here – Every day’s a school day.

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Until next time….

The Whole Of The Moon Lyrics
(Song by Mike Scott)

I pictured a rainbow
You held it in your hands
I had flashes
You saw the plan
I wandered out in the world for years
While you just stayed in your room
I saw the crescent
You saw the whole of the moon
The whole of the moon

You were there in the turnstiles
With the wind at your heels
You stretched for the stars
And you know how it feels
To reach too high
Too far
Too soon
You saw the whole of the moon

I was grounded
While you filled the skies
I was dumbfounded by truth
You cut through lies
I saw the rain dirty valley
You saw, “Brigadoon”
I saw the crescent
You saw the whole of the moon

I spoke about wings
You just flew
I wondered, I guessed and I tried
You just knew
I sighed
But you swooned
I saw the crescent
You saw the whole of the moon
The whole of the moon
The whole of the moon

The torch in your pocket
And the wind on your heels
You climbed on a ladder
And you know how it feels
To reach too high
Too far
Too soon
You saw the whole of the moon
The whole of the moon

Unicorns and cannonballs
Palaces and Piers
Trumpets, towers, and tenements
Wide oceans full of tears

Flags, rags, ferryboats
Scimitars and scarves
Every precious dream and vision
Underneath the stars

Yes, you climbed on the ladder
With the wind in your sails
You came like a comet
Blazing your trail

Too high (too high)
Too far (too far)
Too soon (too soon)
You saw the whole of the moon
The whole of the moon
Yeah, you saw the whole of the moon

Blood, Sweat & Tears, Petite Fleur and “You’ve Made Me So Very Happy”

Well, I hope everyone who celebrates it has enjoyed their Christmas Day. We were just four for lunch this year which is a really easy number to cater for so not too stressful at all. I don’t even feel as if I’ve eaten too much as instead of the usual breakfast, lunch and dinner with a few snacks thrown in, on Christmas Day you just have breakfast, a whopping big festive lunch and then not much else, so it all evens itself out nicely. I realise not everyone is quite so restrained, but it works for me. As for the presents, lots of lovely things as ever and my daughter, who knows me just too well it seems, came up with this very appropriate gift. It is sitting beside me as I type so lets hope I will be inspired by the contents which sadly aren’t of the alcoholic variety as I am on driving duty, but I don’t mind, which is just as well.

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It has become my routine of late to post on a Monday so didn’t want to veer away from that pattern just because it’s Christmas Day. Also, the great thing is that we no longer have to share anything Christmassy as a song choice – I don’t know about you but if I ever hear Andy Williams singing It’s The Most Wonderful Time Of The Year again whilst shopping, I will start a petition to have it banned. Unless your life really is on the up, and absolutely nothing bad has happened in the course of the year, it’s tough being constantly bombarded with Mr Williams’ chirpy lyrics. I always feel for those who may indeed not be having the MOST wonderful time. At one point I thought we ourselves might be having a bit of a Blue Christmas (Elvis version) this year as darling daughter is a bit lost spending it without her special someone, my mum is a bit lost without her memories and as regulars to this place know, I myself seem to have temporarily lost my “purpose”. As it turns out however it has been a really lovely day with no “blue-ness” making an appearance at all, for which I am really grateful.

But here I am linking to festive songs whereas the song that has formed an earworm over the last week is something quite different. I have mentioned recently that over the last few weeks I’ve been working my way through all seven series of the television show Mad Men on Netflix. Well here’s a bit of irony – The final season hasn’t fully made it on to Netflix yet so I had to buy back the same DVD I donated to a charity shop earlier in the year after embarking on a bit of decluttering. No matter, all for a good cause, but didn’t realise I would get quite so into it second time around. First time around I hadn’t starting blogging yet whereas this time the carefully chosen songs that feature in each episode are doubly interesting for me as the late 1960s seems to have become my favourite era to revisit. [Spoiler alert: If you haven’t yet reached it, Season 6 is about to be mentioned!]

Megan

By the end of season 6, the main character’s wife had moved west to LA in order to further pursue her acting career. Megan Draper, the French Canadian secretary turned copy-writer turned actress, had always been captivating on screen ever since first appearing in season 4 but having set up home amongst the musicians and acting fraternity of Laurel Canyon, she seemed to have found her spiritual home. Her New York based, “Ad-Man” husband Don was suddenly an anachronism and it made for uncomfortable viewing watching the end of a marriage being played out on screen. Right at the end of episode 6 Megan hosts a party at her house in the hills – One of the songs played at the party was this one and although I had heard of the band Blood, Sweat & Tears and even seen pictures of them, they’ve never featured amongst the tracks of my years so I hadn’t realised they were responsible for this gem of a song – You’ve Made Me So Very Happy.

You’ve Made Me So Very Happy by Blood Sweat and Tears:

This beautiful song was written by Brenda Holloway amongst others and was first recorded by her in 1967 on the Tamla label. The song later became a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, reaching No. 2 on the Billboard Hot 100 and No. 35 in the UK Singles Chart. But the musical surprises didn’t end there in this particular episode as to husband Don’s discomfort, Megan proceeds to entertain her guests with an impromptu dance to Petite Fleur, a jazz instrumental played by some of her musician friends. This piece of music was originally written and recorded by Sidney Bechet in 1952 but became an international hit in 1959 for Chris Barber’s Jazz Band. It was this version with the clarinet solo that provided the inspiration for Megan’s “performance” – Very apt for the petite fleur that was French-speaking Megan Draper (née Calvet).

Petite Fleur by Chris Barber’s Jazz Band:

So, “What’s It All About” – Sometimes we don’t even realise how much time and effort has gone into choosing just the right music for a television show as it just feels incidental, but once you start to take note, as I have done re-watching this award winning drama, it adds a whole new dimension to the experience. The Blood, Sweat & Tears song was the perfect choice for this party in the Hollywood Hills of 1969 but also bittersweet as that evening perhaps marked the beginning of the end for the two main protagonists. Megan had made Don “so very happy” and vice versa, but those days were soon to be in the past. The petite fleur would soon be out of his life for good.

But here I am blogging with my new mug by my side at nearly 10pm on Christmas Day – DD has invited some friends round and by the sound of the laughter from the other room, they seem to be making her “so very happy”. Time to seek out Mr WIAA, as it’s probably time to make him “so very ….. ” – No that all sounds a bit wrong. Time to sign off for today before I get myself into trouble!

Merry Christmas from all of us here at WIAA – Hope you’ve had a good one.

Until next time….

You’ve Made Me So Very Happy Lyrics
(Song by Berry Gordy Jr/Brenda Holloway/Frank Wilson/Patrice Holloway)

I lost at love before
Got mad and closed the door
But you said try just once more
I chose you for the one
Now I’m having so much fun
You treated me so kind,
I’m about to lose my mind
You made me so very happy
I’m so glad you came into my life

The others were untrue,
But when it came to lovin’ you
I’d spend my whole life with you
‘Cause you came and you took control
You touched my very soul
You always showed me that
Loving you was where it’s at
You made me so very happy
I’m so glad you came into my life

Thank you baby, yeah yeah

I love you so much, it seems
That you’re even in my dreams I can hear
Baby, I hear you calling me
I’m so in love with you
All I ever want to do is
Thank you, baby
Thank you, baby

You made me so very happy
I’m so glad you came into my life
You made me so very happy
You made me so, so very happy baby
I’m so glad you
Came into my life
Mmmm, I want to thank you, girl
Every day of my life
I wanna thank you
You made me so very happy
Oh, I wanna spend my life thanking you
(Thank you baby, thank you baby)