An American Odyssey in Song: New York – Boroughs, Bridges and “Feelin’ Groovy”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

It’s quite some time since I continued on my American Odyssey in Song and that would be because I developed a severe case of Odyssey block! After struggling somewhat to identify any songs at all for the New England states, once I hit New York there were just too many. I have started this post on numerous occasions but always gave up half way through. This time however I’m going to buckle down and get on with it.

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No time for lengthy paragraphs about the state itself this time though as loads of songs to get through. Suffice to say it must be one of the most diverse states in the whole of the US as not only does it have Long Island, whose “Hamptons” are where rich New Yorkers go to spend their summers, but it also has the wilderness areas to the north where hunting and fishing are the pastimes of choice. The state borders Canada and two of the Great Lakes but at the foot of the triangle there is one of the most iconic and culturally rich cities in the world, New York.

Time to get this party started then and it’s not going to be pretty – Via “a stream of consciousness” is how I’m going to tackle this one. Everyone will have different songs that they associate with New York but these are the ones that have come to mind over the last few weeks. Ready, steady, go….

There can’t be many people who are not familiar with the sights of New York City but just in case, here’s a whistle stop tour courtesy of MGM and those three sailors who had a whirlwind 24-hour leave back in 1949. Ok, ok guys, we’ve got it – “The Bronx is up and the Battery’s down, the people ride in a hole in the ground”.

You can’t have failed to notice that Mr Francis Albert Sinatra plays one of the sailors in that clip and I’m sure it’s expected that his version of the song New York, New York will feature here, but that would just be too obvious, so unusually for me I’ll enter the 21st century and share Empire State of Mind by Mr Shawn Corey Carter (otherwise known as Jay-Z). 

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Jay-Z, Rapper and Businessman

Empire State of Mind by Jay-Z featuring Alicia Keys:

Lord knows I’m not usually a fan of rap but I was truly blown away by this “song” (if that’s what it’s called) when it came out in 2009. Some fantastic lines in there referencing Sinatra’s New York, New York but also Afrika Bambaataa, the Bronx DJ who became known as the Godfather of hip-hop. The rap part on it’s own I probably wouldn’t have warmed to that much (although I don’t know), but with the inclusion of Alicia Keys vocals it became something really special. The pair are both from NYC and the song’s main writer, Angela Hunte, grew up in the same building as Jay-Z – 560 State Street, Brooklyn, an address mentioned in the song.

Something that comes across loud and clear from the lyrics of Empire State of Mind is that NYC is not just the island Manhattan as I had often thought as youngster. Oh no, NYC is made up of five boroughs – Brooklyn and Queens on the western end of Long Island, Staten Island which nestles up against New Jersey and The Bronx, north of Manhattan. Manhattan itself only becomes an island because of that tiny sliver of water linking up the East River with the Hudson.

5 boroughs

New York City, despite being made up of these five boroughs is very much centred on Manhattan, so how is it all linked up? Why by ferries and bridges of course. I am reminded of the scene in Saturday Night Fever where John Travolta’s character tries to impress his potential love interest with his knowledge of the Verrazano-Narrows Bridge, that double-decked suspension bridge that connects Staten Island and Brooklyn.

Another iconic bridge is the one that featured in the opening sequence to one of my favourite TV shows from the early ’80s – Taxi starring Danny DeVito and Judd Hirsch. Whenever I hear this theme song I am right back in my student room, my little white portable telly perched precariously on the edge of my desk, just in the right place for the aerial (coat hanger?) to pick up a signal. It would have been mid-week and I was probably having a break from all those laborious hours spent writing everything out in longhand (no computers in those days). A flatmate might have popped in for a coffee whilst we watched the show. Sometimes those memories are the best, ones where nothing in particular was happening, just normal everyday life but hearing that theme reminds me of the scene. A beautiful piece of music called Angela by Bob James.

Angela (Theme from Taxi) by Bob James:

Of course I had to do some research after rewatching that clip to find out which bridge it actually was that came up every week in the titles – Joy, oh joy, it was none other than the Queensboro Bridge – So what I hear you ask? The alternative name for that bridge is The 59th Street Bridge and considering this whole series was inspired by the Paul Simon song America, it is fitting that his song about the bridge be included in this post.

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The 59th Street Bridge Song (Feelin’ Groovy) by Simon and Garfunkel:

Paul Simon said that he’d spent most of 1965 in England but after coming back to the US, and having success with The Sound of Silence, life became really hectic for a while and he found it difficult to adjust. One day, going home to Queens over the 59th Street Bridge, he kind of started to snap out of it as the day had been a really good one, a “groovy one” – Once home he started to write the song subtitled Feelin’ Groovy that went on to appear on the 1966 album “Parsley, Sage, Rosemary and Thyme” recorded with musical partner Art Garfunkel.

But enough about bridges, in the New York of 1977 the phenomenon that was disco had started to really make its mark. Manhattan had Studio 54 where Liza, Michael, Mick and Bianca were regulars but across the Brooklyn Bridge (oops, more bridges), they had a local disco called 2001 Odyssey and every Saturday night, aforementioned John Travolta (playing the character Tony Manero), temporarily left his monotonous life behind and became “king of the dance floor”. Watching him now, the dancing doesn’t look quite as impressive as it did when we first experienced Saturday Night “Fever” and the parodies have been ruthless, but I still have fond memories of going to see that movie when it first came out in the UK in 1978. As someone who has been known to “do a John” over the years and clear the dancefloor, it can be an exhilarating feeling (and not showy-off at all of course!).

You Should Be Dancing by the Bee Gees:

The Saturday Night Fever soundtrack album, featuring disco songs by the Bee Gees, is one of the best-selling soundtracks of all time. How Deep Is Your Love is the song that appears in the closing scenes of the movie as we watch a desolate Tony ride the New York subway late at night. It is one of my all-time favourite love songs (which is probably why it became the choice for my Valentine’s Day post).

So far we’ve checked out the geography of New York and talked about the bridges and the nightlife. What about the people? I read an article recently about the flamboyant octogenarian fashionistas, who cut a dash on 5th Avenue – Way to go ladies!

Of course New York has long been known for its flamboyant characters and Sting sang about one of them, eccentric gay icon Quentin Crisp, in his 1988 song Englishman In New York. Another “character” committed to song was when Rod Stewart wrote and recorded  The Killing of Georgie (Part I and II) in 1976. This story song tells the tale of a young gay man who became successful and popular amongst Manhattan’s upper class – He was “the toast of the Great White Way”, which is the nickname given to the Theatre District of Midtown Manhattan. Georgie attends the opening night of a Broadway musical, but leaves “before the final curtain call” and heads across town. He is attacked near East 53rd Street by a gang of thieves and one inadvertently kills him. The song was apparently based on a true story about a friend of Rod’s old band The Faces.

I have waited a fair amount of time to feature Rod Stewart in this blog as it seems to be universally accepted that by the late ’70s he had sold out and his albums just weren’t up to the calibre of his earlier ones but hey, I was a mere 16-year-old schoolgirl at this time and was a big fan. This song especially, combining the melancholy and sombre Part II with the more popular Part I has long been a favourite of mine.

The Killing Of Georgie (Part I and II) by Rod Stewart:

We’ve spent an awful lot of time in New York City so far in this post but what about the rest of the state? Back in the early sixties before kids started heading off to Europe on holiday they used to go with their parents to resorts such as Kellermans in the Catskill Mountains. This is where “Baby” Houseman spent the summer of 1963, and fell for dashing dance instructor Johnny Castle. Dirty Dancing was a low-budget film that had no major stars but became a massive box office hit and was the first film to sell more than a million copies on home video. It has some great dance scenes and the soundtrack is full of classic songs from that early ’60s era such as Be My Baby, Big Girls Don’t Cry, Will You Love Me Tomorrow, Love Is Strange and this one, Stay by Maurice Williams & The Zodiacs.

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Kellermans in the Catskills, the setting for Dirty Dancing

Stay by Maurice Williams & The Zodiacs:

There are some great scenes in the movie where the landscape of the Catskills is kind of the star. I must admit to having become a bit of a fan of this movie in my later years although didn’t really take much heed of it when it first came out – I think it’s down to the nostalgia element, the music choices and the sadness that comes from the realisation that my days of dalliances with a young Johnny Castle are well behind me. Whatever, I’ve ended up writing about songs from it three times now (Be My Baby, Doomed Romances and Summer’s End) and they take the prize for being my least viewed posts – Sacre bleu!

Another song that makes me think of Upstate New York is Woodstock, written by Joni Mitchell but made famous in 1970 by Matthews Southern Comfort. The irony of course is that Joni Mitchell hadn’t even made it to the infamous festival which took place on Max Yasgur’s dairy farm, but wrote about it after having watched it from her hotel room in New York. The lyrics tell the story of a spiritual journey and make prominent use of sacred imagery, comparing the festival site with the Garden of Eden. The saga commences with the narrator’s encounter of a fellow traveller, a “child of God”,  and concludes at their ultimate destination where “we were half a million strong”.

Iain Matthews of Matthews Southern Comfort was actually from Scunthorpe in Lincolnshire but he had previously been with the band Fairport Convention who were at the time heavily influenced by American folk rock.

Well I don’t know about you but I’m exhausted – This post has been a long time coming and I’m sorry it’s so wordy, but I for one am now just pleased that it’s “in the can” so that the journey can continue. Next time we’ll be passing through the Lincoln Tunnel into New Jersey so as ever, suggestions for that state are more than welcome. Unlike with the New England states I have a feeling that it’s now going to get a whole lot easier.

A final clip before I go however – One of my favourite movies used to be Manhattan directed by Woody Allen (it now sadly troubles me). I was given the soundtrack album by the boyfriend of the day after going to see it, as I was just so bowled over by George Gershwin’s compositions. They were all performed by the New York Philharmonic Orchestra and somehow I now always think of Rhapsody In Blue when I see the New York skyline.

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Rhapsody In Blue by George Gershwin:

The 59th Street Bridge Song (Feelin’ Groovy) Lyrics
(Song by Paul Simon)

Slow down, you move too fast
You got to make the morning last
Just kicking down the cobblestones
Looking for fun and feelin’ groovy
Ba da da da da da da, feelin’ groovy

Hello, lamppost, what’cha knowin’?
I’ve come to watch your flowers growin’
Ain’t’cha got no rhymes for me?
Doot-in doo-doo, feelin’ groovy
Ba da da da da da da, feelin’ groovy

I got no deeds to do
No promises to keep
I’m dappled and drowsy and ready to sleep
Let the morning time drop all its petals on me
Life, I love you
All is groovy

40 Years Ago, Elvis “Left the Building” for the Last Time – Part 2

Last time I told the story of how it came about that my very first vinyl album was an Elvis one. Believe it or not my first CD was an Elvis one too (and I didn’t even have a CD player yet!). We had been slow to move from vinyl and cassette tape to digital mediums as I just couldn’t get my head round the concept of having to replace nearly 30 years’ worth of music, but the writing was on the wall, so when I decided to buy the new Elvis compilation album “Always On My Mind” in 1997, it had to be in CD format. As new parents money was tight, so the cutting-edge CD player had to wait until later in the year to be purchased. In the meantime however, I played it liberally on our home computer until the ridiculously large VDU (remember those) decided to blow up after over-heating one sunny afternoon. Hard to believe in Scotland I know, but we had stupidly placed it right in front of a single-glazed window.

The anniversary of Elvis’ death sort of crept up on me this week and the post that I published on the actual day itself was a very hastily put together affair. Since then however I have had a chance to read the many other posts written by my fellow bloggers, and after having watched some great video clips, listened to many of his wonderful songs and generally had a good wallow through the memorabilia in my “Elvis Box” (it’s a thing), my love for the man and his music has returned with a vengeance.

Talking of love, the CD “Always On My Mind” was subtitled The Ultimate Love Songs Collection, so not surprisingly it contains an awful lot of songs with that word in the title. Looking at it right now we have: Can’t Help Falling In Love, Love Me Tender, Love Me, Loving You, Love Letters, You Don’t Have To Say You Love Me and It’s Only Love. The word mind also crops up a couple of times as Suspicious Minds (this is a blistering live version) was included as well as the title track, Always On My Mind.

Always On My Mind by Elvis Presley:

Elvis Presley recorded his version of Always On My Mind a few weeks after his final separation from Priscilla. Although Elvis didn’t actually write any of his songs, he might as well have done, for they always seemed to be just so darned personal. Elvis was not the best of letter-writers and Priscilla used to say that they communicated through music instead, as he regularly sent her “meaningful” records after returning home from Germany. Always On My Mind was most definitely for Priscilla which makes it all the more heart-breaking. I don’t really think Elvis ever thought she would leave, but one little lady (albeit with sometimes very big hair) versus the might of the Memphis Mafia, was never going to work out in the long run.

And this is where I’m reminded of the film Blue Hawaii which has become a bit of a tradition in our house as a Boxing Day pick-me-up. Living in Scotland is a cold, damp and dreich affair over the winter months so what could be better than to curl up on the sofa with some slices of fresh pineapple (yes really) and watch Elvis rock-a-hula his way across the sands of Waikiki Beach. I am reminded of the film because of this song, Almost Always True. No, I think it’s a given that Elvis was not “always true” but he was a family man at heart so when Priscilla left, that marked the beginning of the end for him.

Funnily enough, well actually not funny at all as it turns out, my Boxing Day tradition of watching Blue Hawaii did not take place last year as that was the day we found out that George Michael had passed away. I spent most of the day surfing the net and writing the first of my tribute posts. A couple of days later however, the film Viva Las Vegas popped up on the television schedules and whilst watching the antics of Elvis and Ann-Margret (again, their on-screen chemistry suggested he was almost always true), it occurred to me that both men had similarly long careers but both came to a similarly premature, and undignified end.

So, no little paragraph this time with my musings on the “meaning of life”, as just a bit too sad. Instead a photomontage of two of my musical heroes, both taken from us far too soon. I rest my case. RIP Elvis, RIP George.

Always On My Mind Lyrics
(Song by Johnny Christopher/Mark James/Wayne Carson)

Maybe I didn’t love you
Quite as often as I could have
Maybe I didn’t treat you
Quite as good as I should have
If I made you feel second best
Girl I’m sorry I was blind
But you were always on my mind
You were always on my mind

Maybe I didn’t hold you
All those lonely, lonely times
I guess I never told you
That I am so happy that you’re mine
If I made you feel second best
Girl I’m sorry I was blind
But you were always on my mind
You were always on my mind

Tell me, tell me that your sweet love hasn’t died
Give me, give me one more chance
To keep you satisfied
I’ll keep you satisfied
Little things I should have said and done
I just never took the time
But you were always on my mind
You were always on my mind
You were always on my mind
You were always on my mind

40 Years Ago Today, Elvis “Left the Building” for the Last Time – Part 1

Scottish kids went back to school yesterday after the long summer holidays, but 40 years ago we went back to school on today’s date, the 16th August. I still remember it well, as it was my senior year, and we took a picture of me in my new Prefect’s uniform. I also remember it, because it was the day Elvis died.

I have written about Elvis a fair bit since starting this blog, as I used to be a massive fan of both him, and those films he starred in during the late ’50s and early ’60s. I had a friend who felt the same way and as teenagers, whilst our peers were heading off out at night with their boyfriends, we could often be found at the local fleapit, watching oft-repeated showings of old Elvis movies.

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Crowds at the gates of Graceland following the death of Elvis

Elvis is also special to me however because “Elvis Sings Flaming Star” was the very first album I purchased with my own money. I wrote about it last year (link here), and some of you may have read that post already, but an appropriate day to re-share it I feel.

It wasn’t until after I finished that “first album” post however that I did a little more digging and the story of how I came to acquire it, all started to make a bit more sense. We didn’t actually get to see the now legendary ’68 Comeback Special on television in the UK until about a year and a half later. I could only have been about 9 or 10 when it aired but I still remember that evening clearly. I had been asked to go down to our local village shop, which stayed open late on a Friday – All the ladies at the counters were really excited about going home to watch Elvis later on that evening and were asking all the customers if they would be tuning in. I must have mentioned this to my family when I got home and thankfully we did watch this piece of television history. Elvis was clad in black leather, was looking good, singing well and turned in an amazing performance as only he could. He resurrected his career after years of being holed up in Hollywood, churning out what were often thought of as lacklustre movies and dubious soundtrack albums.

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Elvis clad in black leather for the ’68 Comeback Special

The sponsor of the NBC television special was the Singer Sewing Machine Company (yes really) and the company had put together an album called “Singer Presents Elvis Singing Flaming Star and Others” (all very confusing) as a promotional tie-in for retail outlets that sold their machines. In March 1969, after the success of the special, it was re-issued internationally for normal retail outlets as “Elvis Sings Flaming Star”, which is when I must have come across it. Wouldn’t have known any of this back story at the time but just goes to show how fascinating rock and pop trivia can be.

So, nearly fifty years on from the infamous Comeback Special and exactly forty years on from his death, which song should I feature from his vast back catalogue? It occurred to me that only last week I had mentioned the song An American Trilogy as part of my Glen Campbell tribute post. Elvis Presley recorded the song in 1972 and it became a bit of a showstopper for him when performed during the massive event that was “Elvis—Aloha from Hawaii” broadcast in 1973. Three 19th century folk songs had been melded together and given the full jumpsuited-Elvis treatment and even today I can’t think of anyone better suited (no pun intended) for the song. His poverty-stricken southern roots, his close affinity with black music and his subsequent elevation to all-American global superstar.

An American Trilogy by Elvis Presley:

This was a more mature Elvis, now in his late thirties, but sadly this would be one of the last times we would see him turn in a performance like this. Later on that year his divorce from Priscilla would become final and he started to become increasingly unwell, his addiction to prescription drugs really starting to take their toll. 

In some ways I am glad Elvis didn’t make it to old age – He would have been exactly the same age as my mum and although the life she leads in her retirement complex suits her well, I cannot contemplate an octogenarian Elvis being suited to a similar life (with all the issues it can throw up). Best to remember the man as he was, the “star” of Flaming Star, the leather clad Comeback King and the jumpsuited maestro of those Global Event concerts broadcast around the world.

RIP Elvis, RIP The King.

An American Trilogy Lyrics
(Song by Mickey Newbury)

Oh, I wish, I was in the land of cotton
Old times there are not forgotten
Look away, look away, look away Dixieland

Oh, I wish, I was in Dixie, away, away
In Dixieland I take my stand to live and die in Dixie
For Dixieland, that’s where I was born
Early Lord one frosty morn
Look away, look away, look away Dixieland

Glory, glory, Hallelujah
Glory, glory, Hallelujah
Glory, glory, Hallelujah
His truth is marching on

So hush little baby, don’t you cry
You know your daddy’s bound to die
But all my trials, Lord will soon be over

Glory, glory, Hallelujah
His truth is marching on
His truth is marching on

Alyson’s Archive #1 – Eddie and the Hot Rods, Radio Stars and Squeeze

Welcome to this occasional series where I will very embarrassingly, share the contents of my archive box of teenage memorabilia. I always knew these random bits and pieces would come in handy some day, but little did I think back in the 1970s that they would find their way onto such a thing as a “blog” thanks to Sir Tim Berners-Lee and his little invention, the world wide web! 

Back in 1978 I used to keep a journal. Here is the extract from Friday, March the 3rd, the day I’d gone in to Aberdeen with the school boyfriend (sbf) to watch Eddie and the Hot Rods at the Capitol Theatre. The Capitol was used as a cinema most of the time but between the mid ’70s and mid ’80s I went to see an awful lot of acts perform there. Eddie and the Hot Rods were the only band on the bill that night who’d had much chart success to date, having got to No. 9 in the UK Singles Chart with Do Anything You Wanna Do in August, 1977. The two support acts were Radio Stars and an unheard of, fledgling band called Squeeze.

If you can read the extract below you will see that I was a very “proper” and not very “cool” teenager (who also didn’t have brilliant writing skills it seems) but hey, I was wearing my new-fangled straight-legged trousers and was still flushed with the success of having won the prize for “Best Pogoing” at our local Community Centre (documented here) so despite my misgivings about punk concerts, it turned out to be a good night. Interesting also to note that the ticket cost only £2.50 but looking back that was what I earned from my Saturday job, working a whole day in a shop – It’s all relative.

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The strange thing is that in later life we seem to develop a selective memory based on subsequent events and I had always thought that the standout act that night was Squeeze – Looking back at my journal entry, the verdict was that “they weren’t bad”. How bizarre as down the line they became one of my favourite bands and Up The Junction is still one of my all-time favourite songs.

Eddie and the Hot Rods were apparently “very good” and we had “no qualms about jumping up and down pogoing”, although it was “an exhausting occupation” (it’s all just so embarrassing). I don’t really think that in the annals of punk, Eddie and the Hot Rods will be remembered as one of that movement’s biggest movers and shakers – They were more of a pub rock band from Canvey Island but I suppose back in 1977, they did fit that whole “new wavey” mould quite well.

It seems that the band I most enjoyed that night were the Radio Stars and looking at the picture of them now, I still remember the showmanship of their lead singer, Andy Ellison. He had bleached blond hair and certainly knew how to work the crowd – I remember how he effortlessly meandered through the audience, niftily navigating his way across the back of the seats in the stalls. Their minor hit record Nervous Wreck also went down well that night and funny how my memories of that night are so at odds with how the respective careers of each of these bands evolved. I don’t know if it’s just me but looking at him now, does he have a hint of the Joe Brown about him?

But I can’t leave it there, for although it seems I didn’t think that much of Squeeze that particular night, they went on to become one of the UK’s best-loved bands. The vast majority of their songs were written by Chris Difford and Glenn Tilbrook, but of course the band Squeeze also spawned one Jools Holland, who seems to have become a bit of a National Treasure and whose annual New Year’s Eve Hootenanny is watched by millions. During the height of their popularity in the late ’70s/early ’80s they had hits with such classics as Cool for Cats, Slap and Tickle, Another Nail in My Heart, Pulling Mussels (from the Shell), Tempted, Labelled with Love, Black Coffee in Bed and Hourglass, as well as the aforementioned Up The Junction.

It was with great joy therefore, whilst watching live footage from Glastonbury this year, that I managed to catch Chris and Glenn pop up as guests in the outdoorsy green room area where Mark Radcliffe and (my other girl crush) Jo Whiley usually reside. They performed a very alternative version of Up The Junction complete with a band of kazoo players – This clip has appeared in my little corner of the blogosphere before but well worth another outing I feel.

Up The Junction (original version) by Squeeze:

So, “What’s It All About?” – Funny how we have a selective memory when it comes to reminiscing about the music of our youth. Just as Fred Astaire’s first audition went badly and notes were made to the effect, “Can’t act, can’t sing, slightly bald, can dance a little”, my diary entry from March ’78 was less than complimentary about Squeeze. Fortunately I soon saw the light and became a big fan down the line – I must have just been far too dazzled on the night by the energetic antics of Joe Brown lookalike Andy Ellison, to really concentrate on the talents of Messrs Difford and Tilbrook. That of course and all the pogoing – “An exhausting occupation”!

Up The Junction Lyrics
(Song by Chris Difford/Glenn Tilbrook)

I never thought it would happen
With me and the girl from Clapham
Out on the windy common
That night I ain’t forgotten
When she dealt out the rations
With some or other passions
I said “you are a lady”
“Perhaps” she said. “I may be”

We moved in to a basement
With thoughts of our engagement
We stayed in by the telly
Although the room was smelly
We spent our time just kissing
The Railway Arms we’re missing
But love had got us hooked up
And all our time it took up

I got a job with Stanley
He said I’d come in handy
And started me on Monday
So I had a bath on Sunday
I worked eleven hours
And bought the girl some flowers
She said she’d seen a doctor
And nothing now could stop her

I worked all through the winter
The weather brass and bitter
I put away a tenner
Each week to make her better
And when the time was ready
We had to sell the telly
Late evenings by the fire
With little kicks inside her

This morning at four fifty
I took her rather nifty
Down to an incubator
Where thirty minutes later
She gave birth to a daughter
Within a year a walker
She looked just like her mother
If there could be another

And now she’s two years older
Her mother’s with a soldier
She left me when my drinking
Became a proper stinging
The devil came and took me
From bar to street to bookie
No more nights by the telly
No more nights nappies smelling

Alone here in the kitchen
I feel there’s something missing
I’d beg for some forgiveness
But begging’s not my business
And she won’t write a letter
Although I always tell her
And so it’s my assumption
I’m really up the junction

Glen Campbell, Jimmy Webb and RIP Wichita Lineman

Like many others, I was saddened to hear last night’s news of the death of Glen Campbell. It was not one of those shock deaths we had got so used to hearing about last year as most of us who were fans knew he had been suffering from Alzheimer’s Disease for some time, but it still marked the end of an era. Here is the post I wrote last year when I was still relatively new to blogging and still called my appreciation of the music of Glen Campbell a “guilty pleasure”. I have since discovered that he was one of the most respected and accomplished artists of the 20th century, and the Jimmy Webb songs he recorded in the late 1960s are some of the finest pieces of popular music ever produced. RIP Glen – Despite your sad demise we will continue to hear you “singin’ in the wire” for a long time to come, for which I am very, very grateful.

Alyson's avatarWhat's It All About?

I hope I haven’t caused confusion – Yes Elvis Presley recorded the song An American Trilogy in 1972 and it became a bit of a showstopper for him when performed during the massive event that was “Elvis—Aloha from Hawaii” broadcast in 1973. Three 19th century folk songs had been melded together and given the full jumpsuited-Elvis treatment and even today, I can’t think of anyone better suited (no pun intended) for the song. His poverty-stricken southern roots, his close affinity with black music and his subsequent elevation to all-American global superstar.

But no, the songs I want to visit today are the three Jimmy Webb compositions recorded by Glen Campbell in the late ’60s. In the UK at that time London was “Swinging” and we were listening to Sandie Shaw, Cliff Richard and Lulu but in the USA, the average “Easy-Listening” aficionado would have been enjoying Glen Campbell. He was now in…

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Nancy & Lee, “Summer Wine” and First Harvests

Well, I had really promised myself that I would no longer get tied down to a schedule of time-sensitive posts but I can’t ignore the fact that today is Lammas, one of the four Celtic fire festivals held to celebrate significant dates in the agricultural calendar. It was only last year at the time of the autumnal equinox that I discovered The Wheel Of The Year and I’ve made a point of writing a post on each of the dates as they occur – Today, the 1st of August, completes the annual cycle.

Lammas, meaning “loaf mass” is a festival celebrating the first harvests and is represented by those first loaves baked from the new year’s crops. Mr WIAA did pick up a nice crusty loaf from the supermarket this morning, but better than that, he also picked up a few punnets of strawberries and cherries which are ripe for being harvested at this time of year. The featured song to accompany this post therefore has to be this one:

Summer Wine by Nancy Sinatra and Lee Hazlewood:

I don’t know how it’s happened, but it was not until I wrote about Nancy Sinatra earlier on this year (link here) that I discovered all the wonderful duets she recorded with Lee Hazlewood. It was Lee who wrote Summer Wine in 1966 but it was not a hit until he recorded it with Nancy the following year. I have always had a bit of a girl crush on Nancy, perhaps because that was the era of those highly unrealistic looking dolls we all “had to have” in the sixties, and Nancy certainly was doll-like.

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My girl crush!

As for Lee Hazlewood, he had a really distinctive baritone voice which I absolutely adore and his collaborations with Nancy Sinatra, as well as his solo output in the late ’60s and early ’70s, contributed to a sound often described as cowboy psychedelia. Check out that line, “Take off your silver spurs and help me pass the time“.

It has been a feature of these landmark dates in nature’s calendar for me to say that we are going to have a little soirée for friends and neighbours – Sadly today has been really wet so not suitable for doing anything outdoorsy, and to be honest, this date kind of crept up on me as it wasn’t one I was previously familiar with at all. There is apparently a bank holiday next Monday but today is a boring old work day so other than enjoying some of the bread and strawberries purchased earlier on today, it’ll be a quiet night in for us.

Highly relevant however is the symbolism of today’s date as only yesterday I handed in my notice at work and will no longer be bread-winner. Mr WIAA’s quota of summer wine will be curtailed, but he is ok with that (he says!). Yes, I discovered the wonderful world of blogging and like Chandler Bing, can no longer get my head round the relentless processing of sometimes meaningless numbers, in order to produce the WENUS reports (but you probably need to be a Friends fan to get that one!).

So, “What’s it all about?” – Sometimes we have to do something a little bit scary just to find the impetus to explore new avenues. Actually it’s more than “a little bit scary” and on the hour, every hour, I want to tell them I’ve changed my mind BUT I will then hurtle toward retirement without ever having put myself in the position of trying new things. It’s now or never (as Elvis sang).

As for Summer Wine – Sounds like a bit of a euphemism to me but when I offer some to Mr WIAA tonight it will most definitely be the kind that comes in a bottle. He can leave his silver spurs at the door thank you very much, as I’m going to be far too busy planning for the future.

Happy Lammas!

Summer Wine Lyrics
(Song by Lee Hazlewood) 

Strawberries cherries and an angel’s kiss in spring
My summer wine is really made from all these things

I walked in town on silver spurs that jingled to
A song that I had only sang to just a few
She saw my silver spurs and said lets pass some time
And I will give to you summer wine
Ohh-oh-oh summer wine

Strawberries cherries and an angel’s kiss in spring
My summer wine is really made from all these things
Take off your silver spurs and help me pass the time
And I will give to you summer wine
Ohhh-oh summer wine

My eyes grew heavy and my lips they could not speak
I tried to get up but I couldn’t find my feet
She reassured me with an unfamiliar line
And then she gave to me more summer wine
Mmm-mm summer wine

Strawberries cherries and an angel’s kiss in spring
My summer wine is really made from all these things
Take off your silver spurs and help me pass the time
And I will give to you summer wine
Mmm-mm summer wine

When I woke up the sun was shining in my eyes
My silver spurs were gone my head felt twice its size
She took my silver spurs a dollar and a dime
And left me cravin’ for more summer wine
Ohh-oh-oh summer wine

Strawberries cherries and an angel’s kiss in spring
My summer wine is really made from all these things
Take off your silver spurs and help me pass the time
And I will give to you summer wine
Mmm-mm summer wine