David Bowie, George Michael and “Star People”

Some of you who visit this place from time to time (thank you for that by the way) will know that Mr WIAA had recently entered a piece into a sculpture competition and that it had inspired me to write about a specific song (Alice, Jefferson Airplane and White Rabbit). The awards ceremony took place in London on Monday evening and I’m pleased to say that not only did he win a Bronze Award for the sculpture (up against stiff competition) but he also won a Gold Award for his entry in the 2D category. I also think I mentioned in my last post that there was no monetary award, it was just for the prestige of being the best in your field – Turns out I was wrong and the gold award winners do indeed get a cash prize! We left the venue with a spring in our step and headed back to the hotel for some nice food and wine.

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So, we’d spent the whole of day one of our London Trip simply traveling down from the far North of Scotland, navigating our way to the hotel and attending the awards ceremony. On day two we would hopefully have time for a few of the things tourists do in London before it was time to head back home. Because the theme of the competition entry was the marrying up of sculpture with literature, a trip to the British Library was on the cards, mainly because they have the original manuscript of Alice in Wonderland housed there. After dropping off our cases at left luggage and acquiring our blue Oyster Cards (always think of the band Blue Oyster Cult whenever I get one of those but you probably have to be of a certain age to get that joke), we were free to navigate London via its venerable Underground.

I did spot however that we were starting off on the Victoria Line and which station was only four stops away? It was Brixton, south of the river, and birthplace of Mr David Bowie. I knew there was a mural there of David in his Ziggy Stardust guise which people went to visit and treated as a place to leave tributes. We had the time so why not? It turned out to be incredibly easy to find as the mural is right on the street opposite the exit to the station. It wasn’t very big and has now been covered with a perspex sheet to protect both it, and the messages left by fans, but considering my very first blog post was about the death of David Bowie I thought it was important to have seen it. (Excuse the glare from the perspex but unavoidable and a short film added right at the bottom of this post.)

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Reading the messages that surround the David Bowie mural in Brixton

Starman by David Bowie:

It isn’t big and overwhelming but I did enjoy visiting the Starman’s mural in Brixton – People like to have a shrine, a focal point, so that they can leave messages, floral tributes and gifts and this is just one of those places. It got me thinking however, here we were in Brixton but if we travelled back up the line to Highgate we could see all the messages and floral tributes left for George Michael. In view of the fact I have spent a lot of time recently writing about the sadness I have felt over the loss of George, this seemed the right thing to do. And so, at around lunchtime on Tuesday we found his very house and outside there is a little park which has become a bit of a shrine to him.

Again, just so many messages left by fans and here I was doing something I had never contemplated doing before, stalking a big star from the world of music but sadly just a couple of months too late. There was a really great looking little pub across the street from his house so we went in and had a lovely lunch. It wasn’t lost on me that he was bound to have popped in for a pint at some point but I was too cool to ask the staff if that was actually the case. I just sat there and imagined the scene of myself, George and Mr WIAA having a drink, some food and a chat, trying to put the world to rights.

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George Michael’s local

So, “What’s It All About?” – It seems as humans that we like to be able to visit a specific place to remember our sadly departed. Don’t want to be morbid but I do actually want a headstone when the time comes as I do want my family to have a place they can visit. From what I saw this week the fans of David Bowie and George Michael also wanted a place to visit and I am glad that I was able to persuade my gold award-winning husband (its ok he won’t be allowed to get big-headed) to come along with me on my pilgrimage. For the record we did also manage to visit the British Library and along with Alice, the diaries of Sir Walter Raleigh and the Magna Carta, we also saw some scribbles by John Lennon and the rest of the Beatles, so again very relevant for the blog.

All back to normal now however and as we missed Pancake Day/Shrove Tuesday because of our trip, darling daughter treated us to some tonight. I have already shared David Bowie’s Starman from 1972 but I will leave you with a live version of George singing Star People ’97, funnily enough from 1997 – Enough now, time to move on.

Star People ’97 by George Michael:

Star People Lyrics
(Song by George Michael)

Star people
Counting your money till you soul turns green
Star people
Counting the cost of your desire to be seen

I do not count myself among you
I may be living in a dream
It’s just seem to many of you
Can’t help but hope
There’s a difference between, you and me

You’re a star
(I’m talking to you)
You’re a star

Maybe your mama gave you up boy
(It’s the same old same old)

Maybe your daddy didn’t love you enough girl

Star people
Never forget your secret safe with me
Just look at all wonderful people
Trying to forget they had to pay for what you see

It’s a dream
With a nightmare stuck in the middle
But where would you be
Without all of that attention
You’d die
I’d die
We’d die wouldn’t we
(Well wouldn’t we)

Big, big star
Should go far

Talk about your mother
Talk about your father
Talk about the people
Who have made you what you are
Talk about your teacher
The bully boy who beat you
Talk about the people who have paid
For that new sports car

Did you get off on a bad foot, baby
Do you have a little tale to tell
Is that why you’re a star?
Is that what makes a star?

Nothing comes for nothing, baby
That fame and fortune’s heaven sent
And who gives a fuck about your problems, darling
When you can pay the rent
How much is enough?

Postscript:

Just in case anyone from outside the UK unlikely to ever see the mural in Brixton wants a closer look, here is a short film –  a bit wobbly but a few good close-ups!

An Open Letter to George Michael RIP, Part 3 – The Tributes

Dear George

It’s now been two months since we woke up to the news that you had been found dead on Christmas Day – Of all the shock departures from the world of entertainment last year, yours was the one that affected me most and I still can’t quite believe that you will never again pop up on our screens chatting, singing, campaigning or joining forces with some of our finest comedic talents in one of their fund-raising sketches – Kind of cornered the market with those of late and raised an awful lot of money into the bargain so good on you.

But of course we are now well into Awards Season – Last week we had The Grammys and this week it was our own Brit Awards. Every year there is a short interlude where they give remembrance to those of you who have passed away since the last awards ceremony – 2016 will go down in history I think for being a freakish year in terms of loss. So many of you who were still so young and had so much more to give, left this mortal coil. I did think at the start of the year that this would just be something natural that we would have to get used to, but no, it was indeed a mathematically freakish year and one I don’t want to see repeated for some time.

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At both The Grammys and The Brits, there was a very moving tribute paid to you George, but by golly, for me it just doubly-emphasised what a fantastic singer you were. I never heard you sing out-of-tune ever, which is not something that the people who were given the job of singing your songs seemed to be able to do. First of all we had Adele at The Grammys who is generally very good at the old “live singing”, but even she had to stop and restart her rendition of your 1996 No. 1 Fastlove, because she had messed up. As a means of explaining she said, “I can’t do that to him, I just can’t” which was quite magnanimous of her I suppose. I have a feeling that you and her were probably friends and shared a similar sense of humour but I can’t be sure – Hopefully though you were looking down at her and appreciated what she was trying to do albeit in a bit of a, dare I say it, botched fashion. As for the really slowed down version of Fastlove (oh the irony), I can understand how an up-tempo number would have been inappropriate but somehow it just didn’t work for me. I am therefore going to remind myself of how it should be performed by none other than your good self. I am noticing however that in this video you were going through one of your crisis of confidence phases in terms of how you looked – Yes, it was your “I don’t want to show the right side of my face anymore because it doesn’t look so good” period which was just ridiculous as you were a fantastically attractive man from any angle. Just goes to show how these things can really get into the psyche however and although totally unreasonable, are difficult to shake off. I have a terrible feeling that at the time of your death you were not at all happy with how you looked which is just so sad – Could have been easily resolved if you’d had the right people around you to help.

Fastlove by George Michael:

So, we’ve had Adele with Fastlove complete with a brilliant set of images of you on the big screen – Yes George we even saw the right side of your face and it was lovely. Next up we have The Brit Awards and this time we had none other than Chris Martin of Coldplay doing the tribute song. Hmm… Not my first choice but he does seem to sell an awful lot of records so got the gig – Again not really appropriate for him to have performed one of your more up-tempo numbers (can’t really imagine Chris Martin in a pair of little white shorts and a Choose Life T-shirt singing Wake Me Up Before You Go Go) so what did he go for? – A Different Corner from 1986. But hey, this wasn’t just any old version of A Different Corner – Oh no, it was a really, really bad one! Thankfully at one point they did that really clever thing where a duet is possible with you on the big screen and him on stage (singing out-of-tune) so again your brilliance, from beyond the grave, saved the day.

I have always loved the song A Different Corner and here is a bit of a funny story George. Many years ago before I met Mr WIAA I had a great friend called Anne. We lived in flats only a few doors away from each other and were practically joined at the hip for a few years – We both loved going out socialising at the weekend but often bemoaned the fact that we just hadn’t found “The One” yet, the person we would perhaps marry. We decided that we must always have been turning the metaphorical “wrong corner” – If it had been a different corner, as per your song, we might have bumped into “The One”. Oh how we laughed! Anyway, Anne eventually got a new job in another town and she, and the different corner jokes, were sorely missed for a while – I had to shop solo on a Saturday afternoon which was a bit of a lonely business. One day I was heading up the high street when I saw Mr WIAA walking just ahead of me – I knew him from our social circle but despite getting on really well we always went our separate ways at the end of the evening. I decided it was time for action. The day had come for me to turn the correct corner. It was a race against time but I managed to head into the shopping mall, quickly run past all the shops and emerged at the exit right at the top of the high street just as Mr WIAA was arriving at that point. I was breathless but managed one of those convincing, “Gosh fancy bumping into you” greetings as I met him. After a bit of a chat we organised a date for later on that evening and that my dear George was 28 years ago now, so thank you for inspiring me to take the initiative that day and make sure I didn’t indeed turn a different corner.

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I am most definitely not going to share the Chris Martin version of the song here but a version you sang live on television some years ago, perfectly as ever. I think the time has come for me now to let go, and this will probably be my last letter to you. I hope that wherever you are, you have found peace. Despite the less than perfect singing at The Brits it was lovely to see your old pals Andrew Ridgeley, and Pepsi & Shirley read out their own tributes to you – It was a shock however to see Andrew looking like a bit of an old man. If he is looking older then so must we but there is nothing to complain about as at least we will have the luxury of growing older, whereas now you never will.

A Different Corner:

Farewell then my old friend – As these tributes show, you are sorely missed by so many and we thank you for all the wonderful songs you have given us. Because of them (and your amazing acts of generosity) you will never, ever be forgotten.

A Different Corner Lyrics
(Song by George Michael)

I’d say love was a magical thing
I’d say love would keep us from pain
Had I been there, had I been there

I would promise you all of my life
But to lose you would cut like a knife
So I don’t dare, no I don’t dare

‘Cause I’ve never come close in all of these years
You are the only one to stop my tears
And I’m so scared, I’m so scared

Take me back in time maybe I can forget
Turn a different corner and we never would have met
Would you care

I don’t understand it, for you it’s a breeze
Little by little you’ve brought me to my knees
Don’t you care

No I’ve never come close in all of these years
You are the only one to stop my tears
I’m so scared of this love

And if all that there is is this fear of being used
I should go back to being lonely and confused
If I could, I would, I swear

Carrie Bradshaw, Barbra Streisand and “Guilty”

Although my posts often follow on from each other and are somewhat related, the two I wrote last week (from my sickbed) were very different indeed with no obvious link at all. Yet again however a strange synchronicity has come about, and this is the post that links them.

WARNING: It’s all about to get very girly!

In my last post I featured the song Single Girl by The Primitives/Sandy Posey (take your pick). It was all about a girl feeling a bit sad and lonely in a “great big town”. One of the best-known groups of “Single Girls” were those Manhattan-based stars of Sex and the City, Carrie Bradshaw and her pals, also at times known to feel a bit sad and lonely in a great big town (although not that often to be fair).

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This reminded me that one of my favourite scenes from a SATC episode was the one where Carrie realises that her failed relationship with Mr Big (the nickname her ex-boyfriend is given – he was supposed to be The Big One, the one she married) was down to the same reason that it didn’t work out for Robert Redford and Barbra Streisand in the 1973 film The Way We Were. The world is made up of “complicated girls” with wild curly hair (Carrie and Barbra) and “simple girls”, the ones with tame straight hair – Big and Redford chose the simple girls!

As mentioned above, the female star of TWWW was Barbra Streisand. Who then appeared on the cover of the magazine that pops through my letterbox on a Saturday? – Yes, it was Barbra Streisand. I don’t know what it is about Streisand but she has always just looked so beautiful and timeless to me – Gorgeous hair, skin and that kinky nose. She is one of a very small group of artists who have won Grammys, Emmys, Tonys and Oscars, such is the breadth of her talent – The Queen of the Divas indeed.

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Got me thinking and joy of joys I discovered that TWWW resides on Netflix so (again from my sickbed) I decided to give it another viewing as I have shockingly never watched it all the way through from beginning to end in one sitting. Of course I had to have a little weep once we got to that scene at the end where Katie (Barbra) tells Hubbell (Robert) that “his girl is lovely” (although she is no doubt crying inside).

Barbra Streisand doesn’t sing in that one but she did record the lovely theme song which contains the following lines:

Can it be that it was all so simple then
Or has time rewritten every line
If we had the chance to do it all again, tell me, would we, could we……?

Ironically, last year, after failing miserably to co-ordinate a date for a reunion weekend with my old “Single Girl” friends, I jokingly sent them an email quoting those very lines with the addendum – Well, apparently not! I thought it was quite funny….but they didn’t. We are all just about talking again now (perhaps that cultural reference was lost on them).

But back to Barbra, it has also of course been known for her to record great duets with some of the biggest artists of the day. Back in 1980 she recorded Guilty with Barry Gibb, on his own, without the rest of The Bee Gees. And this is where the reference to my second post of last week comes in – On St Valentine’s Day I featured a Bee Gees‘ love song and wrote about how sad I felt watching Barry, the lone surviving brother, all on his own at this year’s Grammys, watching a tribute being performed for the 40th anniversary of the album Saturday Night Fever.

Guilty by Barbra Streisand and Barry Gibb:

I am quite frankly amazed that the song Guilty only made it to No. 34 in the UK Singles Chart but looking again at the video clip, Barry and Barbra (nice ring to it) did look oh so very white in it, and this was very much the era of new wave, post-punk and ska where the artists wore very little white indeed and were much, much edgier in terms of their output. Still a great duet however where each of them gets their own boy/girl lines and “nothing to be guilty of” in terms of liking it, as we don’t do that around here any more. The Bee Gees were great songwriters and as mentioned last week I am very proud to have come out and admitted to being a fan.

So, “What’s It All About?” – Who knew that the simple girls always get their man whereas the complicated girls don’t? Well, maybe they didn’t in TWWW, but thirty years later in SATC, Carrie Bradshaw did end up marrying Big. Yes, it turned out he’d made a massive mistake and he did want a complicated girl after all!

As someone with very tame, straight hair but who is not necessarily always simple this is good to know. Sadly back in 1973 it just didn’t seem to be the case but perhaps relationships have evolved and even complicated girls now can have it all!

Until next time….

Guilty Lyrics
(Song by Barry, Robin and Maurice Gibb)

Shadows falling baby, we stand alone
Out on the street anybody you meet got a heartache of their own
(It oughta be illegal)
Make it a crime to be lonely or sad
(It oughta be illegal)
You got a reason for livin’
You battle on with the love you’re livin’ on
You gotta be mine
We take it away
It’s gotta be night and day
Just a matter of time
And we got nothing to be guilty of
Our love will climb any mountain near or far, we are
And we never let it end
We are devotion
And we got nothing to be sorry for
Our love is one in a million
Eyes can see that we got a highway to the sky
I don’t wanna hear your goodbye

Pulse’s racing, darling
How grand we are
Little by little we meet in the middle
There’s danger in the dark
(It oughta be illegal)
Make it a crime to be out in the cold
(It oughta be illegal)
You got a reason for livin’
You battle on with the love you’re buildin’ on
You gotta be mine
We take it away
It’s gotta be night and day
Just a matter of time
And we got nothing to be guilty of
Our love will climb any mountain near or far, we are
And we never let it end
We are devotion
And we got nothing to be sorry for
Our love is one in a million
Eyes can see that we got a highway to the sky

I don’t wanna hear your goodbye

Don’t wanna hear your goodbye

I don’t wanna hear your
And we got nothing, and we got nothing to be guilty of
Our love will climb any mountain near or far, we are
And we never let it end
We are devotion
And we got nothing to be sorry for
Our love is one in a million
Eyes can see that we got a highway to the sky
Don’t wanna hear your goodbye
Don’t wanna hear your
And we got nothing, and we got nothing to be guilty of
Our love will climb any mountain near or far, we are

Sandy Posey, The Primitives and “Single Girl”

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Well the stinky cold I mentioned in my last post has got worse and I am bedridden – Can’t be helped though as it seems the whole town has come down with this horrid virus. We will all emerge from our sickbeds in due course but just goes to show, even in 2017 the “common cold” (doesn’t feel that common from where I am at the moment) is something we are still a long way off from conquering. Oh and of course this was the week that I was due to start my new job but what with going home early on Monday, braving it out on Tuesday and Wednesday but then missing Thursday and Friday altogether, not a great start. We have collectively decided that I will now start the new job next week instead so cross fingers I’ll be back to firing on all cylinders by then. But don’t worry – Last time I checked you can’t catch a cold via an internet browser!

How have I passed my time then over the last couple of days? I have actually finished a novel which I started only recently. Since starting the blog I have noticed a serious decline in the time I spend reading fiction although I have of course spent an awful lot of time reading other people’s blogs and carrying out research for my own, so not low on word count, just not as much from the new Best Sellers lists as used to happen.

I also had another look, as I have been wont to do quite often this year, at the UK Singles Chart from 1967 – Now a full 50 years ago but always something “lesser-known” in there that jumps out at me. This time it was Single Girl by Alabama-born countrypolitan (it’s a thing) artist Sandy Posey. I really don’t think I am remembering this song from back then however but rather from 1975 when it was re-issued. We seemed to be having a bit of a love affair in the mid ’70s with the music of the ’60s when all of a sudden back in the charts were songs by The Shangri-LasThe Chiffons and so it seems Sandy Posey.

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I’m not sure what Sandy looked like in 1975 but first time around she looked like the
average ’60s housewife but that was the style of choice back then for women singers who hadn’t really adapted yet to the brave new world that was emerging. Also this song can be seen as being a bit anti-feminist but I don’t really see it that way. It tells the simple, yet timeless tale, of a woman who just looks forward to the day when she will find someone to love and settle down with. Considering how popular online dating sites are nowadays, have things really changed all that much? I know that some of the best times in my life were when I flat-shared with other single girls but what did we spend every weekend doing? – Going out on the town in the hope we would find the man of our dreams which ironically would ultimately put an end to the “fun-times” we were all having flat-sharing. We are it seems, pre-programmed to pair up and create families but again, ironic, as in 2017 the divorce rate is as high as 50 percent so we’re not doing a very good job of it. I have my own theories about that one but perhaps for another today.

Single Girl by Sandy Posey:

As it turns out, indie band The Primitives from Coventry, who are probably best known for their 1988 hit Crash, must also have been a bit smitten by Single Girl as they included it on their 2012 comeback album “Echoes and Rhymes”. I really don’t think they would have included an anti-feminist track on any of their albums so like me they must just be reading into the lyrics that there are indeed two sides to this independence we have fought so hard to achieve.

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Being ill today reminds me of the time when I first came to live in the Highlands – I had this great new job, a nice flat and car but no close friends yet. Down to very bad timing (and trust me I’m not ill very often) I picked up a nasty virus in the first few weeks and was all alone in my new flat with no-one to go out and get bread, milk or flu-remedies for me. In the end I sent out an SOS to my new workplace asking if someone could drop a few things off which they kindly did – Like Sandy Posey I was that single girl, all alone in a (medium-sized) town and feeling very sorry for myself!

Until next time, I leave you with The Primitives and their version of Single Girl.

Single Girl Lyrics
(Song by Martha Sharp)

The single girl all alone in a great big town
The single girl gets so tired of love letting her down
The life’s unreal and the people are phoney
And the nights can get so lonely
The single girl needs a sweet loving man to lean on
I’m a single girl wondering if love could be passing her by
I’m a single girl and I know all about men and their lies
Nobody loves me cause nobody knows me
Nobody takes the time to go slowly

The single girl needs a sweet loving man to lean on
I gotta make my own way
There’s rent I gotta pay
I need a night-time love to get me through the day
I’m a single girl all alone in a great big town
I’m a single girl and I get so tired of love letting me down
But there’s a man I’ve yet to know
Waiting somewhere I’ve yet to go
Someday I’ll have a sweet loving man to lean on

St Valentine’s Day, The Bee Gees and “How Deep Is Your Love”

By rights I shouldn’t have time for blogging today as it is indeed St Valentine’s Day and I should be spending it being all loved up with Mr WIAA. After being together for 28 years however, it is a bit hard to muster up the enthusiasm for a day of romance but I have just popped in past our local M&S to pick up one of their very delicious special occasion “Dine In For Two” meal deals (no expense spared here at WIAA HQ). I’m sure if we didn’t both have stinky colds it would all taste lovely, but what with the two cards sitting on the mantelpiece and the planned dinner, at least we’re making a bit of an effort.

st-vs-dayThe main reason I wanted to post something today however is that I have been feeling a tad guilty of late for the following reason: of the 120 original posts that I’ve published since starting the blog 13 months ago, the only one I’ve “trashed” permanently is the one I wrote this day last year, featuring a song by The Bee Gees. Yes, despite the fact that I’ve written about some ropey acts since starting this blog, once I’d accumulated a few followers, the only one I was really embarrassed about having covered was The Bee Gees. I blame the sheer number of comedy sketches that were made about them during their heyday (that would be Kenny Everett then), as how else can it be that a group who has sold 100 million-plus records; penned the world’s biggest-selling soundtrack album; had 10 UK No. 1s; wrote 4 consecutive US No. 1s and were the first group to have UK Top 20s in 5 decades, be embarrassing? No indeed, today is the day to come right out and say it – I’m a Bee Gees fan and am proud to admit it!

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The Bee Gees circa 1978

For the record, this was last year’s trashed post (fortunately still in a Word doc as I do worry about the day WordPress crashes and we lose all our stuff):

“No long-winded post today as it’s St Valentine’s Day and I’m going to spend it with my lovely husband. (It was a Sunday last year.)

Last time I wrote about the “break-up song” but How Deep Is Your Love by The Bee Gees is from the other end of the spectrum (I think – although retrospectively I’m starting to doubt some of my interpretations of the lyrics). It is still however, my all-time favourite love-song. It was from the soundtrack to the film Saturday Night Fever (starring a young John Travolta) which was released in the summer of 1978. That turned out to be the best summer of my young life to date. School had finished in the June, and the four month period before University was due to start was filled with happy memories that have stayed with me forever. To use the parlance of American teen movies, for my friends and I, that was our coming-of-age summer.

Unusually for me I’m going to leave it there for today – Enjoy that wonderful intro and Barry’s amazing falsetto. Happy Valentine’s day!”

How Deep Is Your Love by The Bee Gees:

But I did say that the main reason for wanting to post something today was to right the wrong of “trashing” a post about this much-loved group of brothers but the second reason is that last night darling daughter and I watched the highlights of the 59th Annual Grammy Awards. Last year I wrote a post about the 58th Grammys where our own Ed Sheerin came away with a couple of awards and I would probably have been writing a post again this year but they have coincided with St Valentine’s Day and anyway, the big awards, yet again, went to Adele. It was pretty much a re-run of our own Brit Awards last year and my thoughts about that ceremony still ring true (The Brits, The “Suits” and Adele), so no point in covering the same old ground.

What was of interest however was finding there had been a Bee Gees tribute on the big night performed by an array of contemporary acts. It is now 40 years since the making of the “Saturday Night Fever” album and 60 years since the brothers first formed a band singing harmonies together. It did make me sad however to see Barry, the only brother still alive, sitting on his own in the front row watching the performance intently, but sometimes also quizzically. Not the way they used to perform these songs back in the day but here is what the 59th Grammys served up.

Until next time…

How Deep Is Your Love Lyrics
(Song by Barry Gibb/Robin Gibb/Maurice Gibb)

I know your eyes in the morning sun
I feel you touch me in the pouring rain
And the moment that you wander far from me
I wanna feel you in my arms again
And you come to me on a summer breeze
Keep me warm in your love and then softly leave
And it’s me you need to show
How Deep Is Your Love

How deep is your love, How deep is your love
I really need to learn
‘Cause we’re living in a world of fools
Breaking us down
When they all should let us be
We belong to you and me

I believe in you
You know the door to my very soul
You’re the light in my deepest darkest hour
You’re my saviour when I fall
And you may not think I care for you
When you know down inside that I really do
And it’s me you need to show
How Deep Is Your Love

The (Very) Eclectic Mix of Honor Blackman, Andy Stewart and Eric Idle

Reminiscing in my last post about those shiny white boots worn by Nancy Sinatra, reminded me that in December 1990, the novelty song Kinky Boots by those intrepid Avengers Patrick Macnee and Honor Blackman had made it to the top of the UK Singles Chart. Nancy had recorded the theme song to the Bond movie You Only Live Twice and Honor of course played infamous Bond girl Pussy Galore (wouldn’t get away with that name nowadays thankfully), so both ladies had a bit more in common than just a habit of wearing, and singing about, boots!

The reason that I know it was a hit in Dec 1990 is because I still have a copy of the 7-inch single in my collection! At that time BBC Radio 1 was aimed at a more mainstream audience and the Breakfast Show DJ was Simon Mayo. Every year prior to Christmas he championed an old ’60s novelty song and gave it copious amounts of airplay. Needless to say it always sold well and made it to the higher reaches of the singles chart, No. 5 in this case. I’m pretty sure my boyfriend of the time (now husband) bought it for my “hypothetical” Christmas stocking (trying to fit a record of any kind into a real stocking tended to be a physical impossibility).

Kinky Boots had been commissioned to accompany a short film about these fashionable items of footwear for the very popular early ’60s satirical TV Programme, That Was The Week That Was. The most obvious candidates to sing the song were the stars of the new spy-fi drama that was entertaining Britain at that time – The main characters in The Avengers were Steed with his bowler hat and umbrella, and Cathy Gale in her long thigh-length boots. This was a very new kind of role for a woman in television and Honor Blackman played her perfectly. The role must have led to her becoming the leader of the all-female Flying Circus in Goldfinger but there followed in her wake a string of other “Avenging” women namely Emma Peel, Tara King and in the ’70s, the iconic Purdey, who inspired a generation of girls to have their beautiful long hair cut into a bowl shape!

But back to Simon Mayo’s Breakfast Show on the radio – Unbelievably, the previous year the song he had championed was actually by our very own local hero, Andy Stewart. Andy had been a bit of an institution in Scotland in the world of light entertainment and presided over the excruciatingly embarrassing White Heather Club which ran for 10 years between 1958 and 1968. It portrayed a very tartanised version of Scotland, what with the kilts, the dancing, the accordions and all the other stereotypical falderals and although very popular with television audiences, if you were a kid like me, lapping up all the great music that was emerging from America and “Swinging London”, it was seen as very uncool.

But in his wisdom Simon Mayo must have discovered Andy’s novelty song Donald Where’s Your Troosers from 1960 and helped it reach No.4 in the December 1989 singles chart. This could be a difficult listen I grant you, but bear with it, as Andy was a great impressionist as well as a singer/comedian and his impression of Elvis (at 1:45) is still a really funny one.

Out of interest, the third of Simon’s attempts to influence the outcome of who might top the Christmas singles chart, was when he championed Always Look on the Bright Side of Life sung and written by Eric Idle. It had first appeared in the Monty Python film The Life of Brian and here it was back in the charts in December 1991, this time reaching the No. 3 spot. This song still resonates with us today and it has popped up quite frequently in the various blogs I follow of late – ‘Tis the times we obviously live in.

Always Look on the Bright Side of Life by Monty Python:

So, “What’s It All About?” – I really miss that sense of community we used to get from all watching or listening to the same thing at the same time. If like me, you worked in an office back in the ’80s and ’90s, the topic of conversation first thing in the morning was whatever had been on television the night before (very memorable Wogan interviewees for example, and I think we all know who I’m talking about) and what the breakfast DJ had been playing as we got ready for work. Now all you get is, “Don’t tell me what happened, I’ve recorded it” or “I only watch Netflix and boxsets” or “I don’t listen to that radio station”.

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In an era with so much choice and so many ways to consume visual and aural entertainment we have lost what it was that used to bring us all together. The days of getting together for a sing-song around the piano have long-gone and now it seems we hardly ever watch or listen to the same things, at the same time. Maybe, just maybe, that is why I am enjoying the blogosphere so much – Once you are part of a little group, you end up all reading (watching and listening to) the same post at the same time and have a wee chat about it. It’s not the community of my parents generation and not even the community of 20 years ago, but perhaps it’s a new kind of community that works for the modern day world. I may not know much about any of you, but it’s nice that you take the time to drop by and leave some feedback – Whether I’m likely to get much feedback on a post featuring Andy Stewart remains to be seen, but here’s hoping!

Until next time….

Always Look on the Bright Side of Life Lyrics
(Song by Eric Idle)

Cheer up, Brian. You know what they say.
Some things in life are bad,
They can really make you mad.
Other things just make you swear and curse.
When you’re chewing on life’s gristle,
Don’t grumble, give a whistle!
And this’ll help things turn out for the best
And

Always look on the bright side of life!

Always look on the bright side of life
If life seems jolly rotten,
There’s something you’ve forgotten!
And that’s to laugh and smile and dance and sing,

When you’re feeling in the dumps,
Don’t be silly chumps,
Just purse your lips and whistle — that’s the thing!
And always look on the bright side of life

Come on!

Always look on the bright side of life

For life is quite absurd,
And death’s the final word.
You must always face the curtain with a bow!
Forget about your sin — give the audience a grin,
Enjoy it, it’s the last chance anyhow!

So always look on the bright side of death!
Just before you draw your terminal breath.
Life’s a piece of shit,
When you look at it.

Life’s a laugh and death’s a joke, it’s true,
You’ll see it’s all a show,
Keep ’em laughing as you go.
Just remember that the last laugh is on you!

And always look on the bright side of life

Always look on the bright side of life

Come on guys, cheer up

Always look on the bright side of life

Always look on the bright side of life

Worse things happen at sea you know

Always look on the bright side of life

I mean, what have you got to lose?
you know, you come from nothing
you’re going back to nothing
what have you lost? Nothing!

Always look on the bright side of life

Shiny Boots, Nancy Sinatra and “Sugar Town”

Well, I’ve wanted to feature this song in the blog for a while, and today seems to be the day for a variety of reasons – Yes it’s a shoo-shoo-shoo, shoo-shoo-shoo, shoo-shoo, shoo-shoo, shoo-in (all will become clear).

Last month, as we had moved into 2017, I decided to look back at the first chart listing from 50 years ago which seems to have become, in the course of writing this blog, my favourite year to revisit. Back then the song that jumped out at me was Sitting In The Park by Georgie Fame, so I decided to write about it. Looking at the same 1967 chart a month on, the song that jumped out at me this time was indeed Sugar Town by Nancy Sinatra. I have written about Nancy before as she still tops my personally ranked list of “Favourite Ever Bond Themes”, with You Only Live Twice but I wasn’t really familiar with Sugar Town until recently. As sometimes happens with the music of 1967, I am smitten.

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The second reason for today’s pick is that I have been curious of late as to how my blogging buddies got started so I’ve gone back to have a look at their very first posts, some from quite a few years ago. Lo and behold, over at Charity Chic Music, one of CC’s first picks in 2012 was Sugar Town by Nancy Sinatra whilst C (no relation) at Sun-Dried Sparrows also wrote about Nancy in her second ever post (as an accompaniment to showcasing a very shiny new pair of boots!). A lot of synchronicity going on at the moment in our little corner of the blogosphere, first with posts about songs from the world of psychedelic rock and now it seems with Nancy Sinatra!

Sugar Town by Nancy Sinatra:

Of course most people will remember Nancy for her 1966 hit record These Boots Are Made For Walkin’ and although I could only have been about five at the time, one of my very first memories is of watching Nancy and her troop of “go-go dancers” perform this song on television. It was catchy indeed and was definitely one of the songs even my mum and dad could be caught singing along to whilst doing the housework or a bit of DIY.

You rarely saw Nancy without her boots and they kind of became her signature item of clothing. Like Kylie, she was very petite and doll-like, but with the help of Lee Hazelwood did well to carve out a successful career for herself despite being the daughter of the icon that was Frank. As for me, all through Junior School I coveted those white shiny boots but of course I never did get a pair – It was always a pair of sensible, fur-lined (it was Scotland after all), leather boots carefully fitted by those expert foot-measurers at the Clarks or Start-rite shop.

As I mentioned above, there have been quite a few posts regarding the world of psychedelic rock of late and I myself wrote about White Rabbit by Jefferson Airplane last week. It was one of the first songs to get past the radio censors with its “Alice In Wonderland-esque” lyrics. Sugar Town also was an LSD song if ever there was one and Lee Hazelwood, the songwriter, freely admitted it. The song was directed at a young audience but was outwardly innocent enough to receive radio play.

So, “What’s It All About?” – I never did get a pair of white shiny boots and somehow I don’t think now that I ever will. I did buy a pair of very bright red ones recently however and people at work, who have never spoken to me before, have stopped to admire them – A great conversation starter and now that I think of it, perhaps how to get ahead in the modern day workplace.

Nancy it seems knew exactly what she was doing!

Sugar Town Lyrics
(Song by Lee Hazelwood)

I got some troubles, but they won’t last
I’m gonna lay right down here in the grass
And pretty soon all my troubles will pass
‘Cause I’m in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

I never had a dog that liked me some
Never had a friend or wanted one
So I just lay back and laugh at the sun
‘Cause I’m in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

Yesterday it rained in Tennessee
I heard it also rained in Tallahassee
But not a drop fell on little old me
‘Cause I was in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

If I had a million dollars or ten
I’d give to ya, world, and then
You’d go away and let me spend
My life in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

Postscript:

Anyone who visited this post earlier today may have noticed that the music clip I first included was not indeed by Nancy Sinatra but one that I found in my library by another artist. It turns out that darling daughter once got a CD from the Lush soap people which included Sugar Town by the Fresh Handmade Collective, a group of singers and musicians put together to create promotional CDs for the company. Quite different lyrics and Southend-on-Sea substituted for Tennessee. Still a sweet version though and well worth a listen.

Sugar Town by the Fresh Handmade Collective:

Imbolc, Love Unlimited and “It May Be Winter Outside (But in My Heart It’s Spring)”

Well, all winter I’ve been trying to work out how to fit this song into the blog as although there are loads (and loads) of Christmassy songs, there aren’t that many about winter per se. But today seems to be the day as it’s the 1st of February and on nature’s “wheel of the year”, it is Imbolc. Ever since last year’s autumnal equinox, or Mabon as it is also called on the pagan calendar, I have been taking a key interest in these landmark dates, creating a little display, and hopefully finding an appropriate song to post that day.

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Imbolc was one of the cornerstones of the Celtic calendar as for them, the success of the new farming season was of great importance. As winter stores of food were getting low, rituals were performed to ensure a steady supply of food until the harvest six months later. As darling daughter pointed out last September however, we don’t really have to perform such rituals nowadays as we go to the supermarket where you can acquire raspberries in December and Brussels sprouts in June, but I would like to at least acknowledge the old ways before we get just too out of touch with nature in our busy 21st century lives.

So today is the day that we celebrate the passing of Winter, and make way for Spring. The featured song may not really be about the world of nature but I have always loved Barry White and his Love Unlimited Orchestra and so far in the blog, no Barry. As it turns out still no Barry, but this song It May Be Winter Outside (But in My Heart It’s Spring) was written by him and then released in the UK in 1975 by the group Love Unlimited who provided backing vocals for him on his albums and concert tours but who then went on to find success in their own right. (Takes around a full minute to get going, but bear with it.)

It May Be Winter Outside by Love Unlimited:

The symbol of Imbolc is the snowdrop but having had a good recce of the area at the weekend, so far no snowdrops. In the garden today however I was pleasantly surprised to see a little clump popping through in the rockery but just a bit too early for us here in the North of Scotland it seems. I looked back at my folder of pictures taken in 2010 when I manfully tried to take a shot of the natural world every day for a year – Back then this snowdrop shot was taken on the 11th of February so in about 10 days they will no doubt be plentiful.

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The first snowdrops of the year

Coincidentally last weekend I wrote about Johnny Cash and how his deep bass baritone voice was something you don’t often hear in music nowadays. Of course another person who had a very deep bass baritone voice was aforementioned, three-time Grammy Award winner Barry White, also known for his romantic image (but I’ll not mention his nickname here as not very becoming). Barry’s music was of a soul/funk/disco/R&B persuasion and his greatest success came in the ’70s both as a solo singer and with his Love Unlimited Orchestra. Looking at his discography, he was barely out of the UK Singles Chart between 1973 and 1979, his biggest hit being You’re The First, The Last, My Everything.

I am constantly amazed when blogging how everything suddenly comes together by the end of the post and when I started to write about today’s special date in the Celtic calendar I didn’t think I would end up with Barry White, but the symbolism around Imbolc is all of the colour white – snowdrops, ewe’s milk (oi-melc) and St Bride – so very apt in an odd kind of way. Perhaps my subconscious was being cleverer than I was.

Just the Way You Are by Barry White:

I will finish with Barry’s version of the Billy Joel song Just the Way You Are. Again there is a bit of a preamble so bear with it but if anyone knows of a performer with a deeper voice, I’d like to know who? Poor Barry died in 2003 after a few years of health problems but again he has left a massive body of work, much of which is in my music library and I have sadly not been brave enough to admit to that yet. Perhaps appropriate then, on this the first day of Spring (in certain calendars), to come clean – As for me I’m off to light my white candle set amidst the little pot of white crocuses I had to buy as a substitute for snowdrops, and listen to a bit more Barry White!

It May Be Winter Outside (But in My Heart It’s Spring) Lyrics
(Song by Barry White/Paul Politi)

When the temperature dips
I miss my baby’s arms
His tender finger tips
Knows just how to keep me warm

It may be zero degrees
With the snow falling down
But I’ve got warm and tender love
Just as long as he’s around

It may be winter outside
But in my heart it’s spring
How much joy and pleasure, baby
Can one guy bring me

Winter nights can be awful cold
Without someone to hold
But when I have him next to me
Baby, I’m in ecstasy

Throughout my life
I’ve had my share of guys
But he’s been the only one
Who can make my temperature rise

Things are just not the same
When he’s not by my side
But yet, I shouldn’t complain
But be waiting with my arms open wide

Alice, Jefferson Airplane and “White Rabbit”

After getting into the routine of writing very long posts which need a fair bit of research, I really enjoyed putting together a much shorter one last week where the featured song was married up with a set of pictures. This week I’m going to try and do the same, albeit using a very different subject matter:

The tickets are now booked and towards the end of next month we’re off to the Big Smoke, or That London as I’ve heard it called recently, to attend an awards ceremony for those who work in Mr WIAA’s industry. We went for the first time last year and it all worked out so well we have replicated our travel plans exactly. He has apparently won an award, but they very cunningly don’t tell you what it is until the actual ceremony, to leave an element of surprise they say, but img_0319more likely to ensure that as many of us attend as possible. As it turns out you pretty much know what you have or haven’t won the minute you arrive, as last time those of us seated in the “body of the kirk” were the runners up, whereas those who got aisle seats had won the top prizes, the gold awards, and had to go up on stage to receive them. There is no monetary value to the award, just the prestige of being the best in the country at what you do (or perhaps the best of those who have entered but much the same thing), but all very swish and a chance for us country bumpkins from the North of Scotland to experience such a thing. Last time I was happy just to have the chance to put on my posh frock and admire the amazing venue where the ceremony took place. Once the schmoozing started there was even wine and nibbles and being one who very rarely drinks nowadays due to designated driving duties, I got quite tipsy, quite quickly (oops), and therefore made lots of new friends! Wonder if they’ll remember me this year?

The subject matter for his entry this time was the marrying up of sculpture with literature and after a few false starts due to copyright issues it was discovered that Lewis Carroll’s Alice In Wonderland was fair game for inspiration. Now I think this book was one of the very first hardback novels I ever owned, and I still have it as it was a present from my grandmother. Back then I read it as a children’s story but of course being from the fantasy genre it has had a lasting popularity with adults as well. I give you, Mr WIAA’s 2017 entry:

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And if you go chasing rabbits

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And the Red Queen’s off with her head

Today’s featured song could therefore be none other than White Rabbit by Jefferson Airplane, that ’60s band from San Francisco who pioneered psychedelic rock. They headlined at all three of the very memorable (but perhaps not for those who were there) rock festivals of that era, Monterey, Woodstock and Altamont and when I think of 1967’s Summer of Love, I think of them.

White Rabbit by Jefferson Airplane:

The very beautiful Grace Slick wrote White Rabbit and brought it with her when she joined the band. It uses the imagery from 1865’s Alice’s Adventures in Wonderland and its 1871 sequel Through the Looking-Glass and her references include Alice, the hookah-smoking caterpillar, the White Knight, the Red Queen and the Dormouse. For Grace Slick, “The White Rabbit” was your curiosity and of course at that time drugs were very much a part of mind-expanding and social experimentation. With its enigmatic lyrics, in 1967 (that year again) White Rabbit became one of the first songs to sneak drug references past censors on the radio.

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As for Mr WIAA’s interpretation of the works of Lewis Carroll, it is a lot more literal, physical and 3-dimensional so I’m pretty sure he’ll sneak his way past the award body’s board of censors. At his age his drugs of choice tend to be for indigestion or hayfever and sadly there haven’t been too many Summers of Love for him lately, so I think he’ll be ok and hopefully will do well with it in this year’s completion.

So, “What’s It All About?” – Sadly most of the craftspeople who will enter the competition are now of a certain age, and no-one is coming up behind, so these skills are being lost in our country forever. There has been a lot of talk about globalisation recently and we have seen it first hand in our industry as one by one the centuries-old casting companies of Sheffield and Birmingham shut up shop for good, unable to compete with the new technology and prices offered by the Far East. This will be Mr WIAA’s last vanity project as they are expensive to make and he has now been replaced by 3D photocopiers. It is sad, but a fact of modern day life in the Western world. I do wonder about what would happen if one day the machines rebel and refuse to work for us any more – Would anyone even be able to write in longhand any more, one of the most basic of life skills?

But hey, I don’t want to end this very pictorial post on a downbeat note so here is a montage of some of the other beautiful things that were presented at last year’s awards. As for us, we’ll be down at the end of the garden with our hookahs, looking for a rabbit hole, the voice of Grace Slick ringing in our ears!

White Rabbit Lyrics
(Song by Grace Slick)


One pill makes you larger, and one pill makes you small

And the ones that mother gives you, don’t do anything at all

Go ask Alice, when she’s ten feet tall

And if you go chasing rabbits, and you know you’re going to fall
Tell ’em a hookah-smoking caterpillar has given you the call

And call Alice, when she was just small

When the men on the chessboard get up and tell you where to go
And you’ve just had some kind of mushroom, and your mind is moving low

Go ask Alice, I think she’ll know

When logic and proportion have fallen sloppy dead
And the white knight is talking backwards
And the red queen’s off with her head
Remember what the dormouse said
Feed your head, feed your head

Kris Kristofferson, Johnny Cash and “Sunday Morning Coming Down”

Last time I wrote about the song Fog on the Tyne which was actually a suggestion from one of my blogging buddies as it followed on nicely, in meteorological terms anyway, from my previous post which was about the song Misty by Ray Stevens. Lo and behold, just when I needed some inspiration, down from the “cloud” (I am restoring all my files onto a new computer) came a series of old pictures of my late father-in-law who was a Geordie by birth and who had worked as a young man, right in the centre of Newcastle, in an office overlooking the River Tyne.

The other suggestion I had received as to what song could follow on nicely from Misty was from Lynchie, a regular visitor to this place, who informed me that Ray Stevens had been the first person to record the Kris Kristofferson-penned song Sunday Morning Coming Down in 1969. I was a bit nervous about stepping on toes however as our Chain host over at Dubious Towers produces an excellent weekly country music thread with that same title – An homage to the song and its writer. As he just seems to have just found his blogging mojo again however after a surprisingly common bout of January blues, I rather hoped he’ll let me off. Lo and behold, what suddenly descended from the “cloud” yesterday afternoon but an mp3 of the Johnny Cash version of Sunday Morning Coming Down that I didn’t even remember I had – This post was meant to be!

Mr Kristofferson is someone I have long admired – Back in the ’70s he appeared in many films (Pat Garrett and Billy the Kid, Convoy, Alice Doesn’t Live Here Anymore, A Star Is Born) and for some reason he was one of the actors I took a real shine to. I have always had a penchant for a man with a beard (although not necessarily today’s hipster style), and he did sport a very rugged look back then. What I have now discovered is that not only did he write some of the most iconic songs from that era but he was probably one of those guys who would have succeeded in whichever path in life he chose. A top scholar, an accomplished athlete, a US Army captain, a helicopter pilot, a novelist, an actor and a singer/song-writer.

Having just checked, I find it incredible that he never once appeared in the British music charts in his own right, despite the fact that so many of his songs did make an appearance when sung by other people – For the Good Times by Perry Como and Help Me Make It Through the Night by Gladys Knight and the Pips amongst others. He definitely did make an appearance for several weeks in a row however on 1977’s TOTP as he was Barbra Streisand‘s love interest in the film A Star Is Born – Much smooching was done during the filmed recording of the song Evergreen which was a massive hit for her that year. (Yes, my 16-year-old self was definitely smitten with Mr K in that one.)

But this was supposed to be a post about the song Sunday Morning Coming Down and as we have now ascertained Kris Kristofferson wrote it and Ray Stevens was the first person to record it, but when Johnny Cash did a version in 1970 it reached No. 1 on the country chart and won the Country Music Association Award for Song of the Year. The story is that Kris, who was working as a janitor at the time for Columbia Records in Nashville mainly to get a foothold in the industry, flew his National Guard helicopter right onto Johnny’s front lawn in order to deliver the demo tape in person. That was the turning point for him however as once Johnny took the song on, and made it his own, Kris was quoted as saying that he never again “had to work for a living”.

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As for how I came to have a copy of the song in my digital library – That would be because a few years ago I had not so much a mid-life crisis but all of a sudden I became besotted with country music. It started off with acquiring Glen Campbell CDs but I then progressed to compilations of Greatest Country Hits and just about anything else I could lay my hands on, which of course included a Johnny Cash CD containing the song Sunday Morning Coming Down. Before then I had mainly known Johnny from his more light-hearted songs such as One Piece at a Time and A Boy Named Sue but also from the film I Walk The Line and the documentaries about his concerts held in the various state penitentiaries across America. Perhaps you have to be of a certain age to truly appreciate country music, and likewise, in order to really emote the lyrics in the songs you need to have a modicum of life experience, which by the time I came to appreciate Johnny he truly would have had.

The clip here is a great one as not only do we have Johnny but also Kris singing the song, making it a duet. The preamble is something they used to do quite a lot of on these sort of shows, and can be a bit cringifying, but it does lead in to an excellent performance.

Sunday Morning Coming Down by Johnny Cash:

So, “What’s It All About?” – It seems you should never be dismissive of any genre of music as one day you might just suddenly “get it” and you have a great new world to explore. As for Mr Cash’s voice, it was a deep calm bass-baritone which you just don’t often hear in music nowadays. I find it ironic that I always knew him best for his humorous songs, considering he built a whole persona around being “The Man in Black” – Sombre, serious and frankly quite scary.

As for Kris, unlike Johnny he is still with us, and rumours are afoot that he may even appear at Glastonbury this year which would be truly amazing. I am partly amazed by this because I know he is exactly the same age as my little mum and somehow I just can’t imagine her gracing the stage at Glastonbury. What she can do however is read this blog and it has become a feature of our Friday evenings together, when I go to visit. I really don’t think she quite understands the whole concept of “blogging” and why should she?Sharing your innermost thoughts, with complete strangers, across every corner of the globe is indeed a bizarre concept but one that can bring great enjoyment, so I for one intend to keep going!

Until next time….

Sunday Morning Coming Down Lyrics
(Song by Kris Kristofferson)

Well, I woke up Sunday morning
With no way to hold my head that didn’t hurt.
And the beer I had for breakfast wasn’t bad,
So I had one more for dessert.
Then I fumbled in my closet through my clothes
And found my cleanest dirty shirt.
Then I washed my face and combed my hair
And stumbled down the stairs to meet the day.

I’d smoked my mind the night before
With cigarettes and songs I’d been picking.
But I lit my first and watched a small kid
Playing with a can that he was kicking.
Then I walked across the street
And caught the Sunday smell of someone frying chicken.
And Lord, it took me back to something that I’d lost
Somewhere, somehow along the way.

On a Sunday morning sidewalk,
I’m wishing, Lord, that I was stoned.
‘Cause there’s something in a Sunday
That makes a body feel alone.
And there’s nothing short a’ dying
That’s half as lonesome as the sound
Of the sleeping city sidewalk
And Sunday morning coming down.

In the park I saw a daddy
With a laughing little girl that he was swinging.
And I stopped beside a Sunday school
And listened to the songs they were singing.
Then I headed down the street,
And somewhere far away a lonely bell was ringing,
And it echoed through the canyon
Like the disappearing dreams of yesterday.