Dionne, Aretha and “I Say A Little Prayer”

Now that I no longer have to commute to work every day, I seem to be missing out on those wonderful moments when a great song comes on the car radio, and you just have to turn up the volume to full blast.

I did however experience such a thing earlier this week on my way to the supermarket and needless to say it stuck with me for a good few days. The song was this one, I Say a Little Prayer, written by my favourite songwriting team of Burt Bacharach and Hal David. Inevitably the first person to record it back in 1967 was Dionne Warwick, as she was very much Burt’s “go-to” girl when he needed a chanteuse for his great material. What I hadn’t realised until now was that Hal David’s lyrics were meant to convey a woman’s concern for her man, who was serving in the Vietnam War (makes total sense now considering the timing). I have always loved those first few lines where the words wake up and makeup are used to such great effect. The rhyme just works so perfectly and for us girls, anything that happens before the morning ritual of putting on the makeup is early indeed, so doubly emphasizes the urgency of the prayer.

The moment I wake up
Before I put on my makeup
I say a little prayer for you

Although Burt’s recordings with Dionne usually took no more than three takes, I Say a Little Prayer took ten takes and he still disliked the completed track, feeling it rushed. He was nothing if not a perfectionist that Burt Bacharach.

But the version I heard in the car the other day wasn’t by Dionne but instead by the person who had a big hit with it in the UK. Aretha Franklin was in the process of recording her 1968 album entitled “Aretha Now” when her backing vocalists, The Sweet Inspirations, started singing the song just for fun. It suddenly became apparent that I Say a Little Prayer could be a worthy inclusion on the new album which is exactly what happened. The song ended up being released in July 1968 as the B-side to the single The House that Jack Built, but after accruing its own airplay reached No. 10 on the Billboard Chart and No. 4 on the UK Singles Chart.

And here is where the music producers seem to get it horribly wrong at times – It had taken much persuasion for Burt to release the original recording by Dionne Warwick, but with Theme from Valley of the Dolls on the B-side, it became one of the most successful double-sided releases of all time. Aretha’s version was never expected to make any sort of mark in its own right, but in subsequent decades it has been ranked right at the top of lists relating to the “Greatest 150 Singles of All Time”. How bizarre and makes you wonder what other delights have slipped through the net and never been given the air time they indubitably deserved. Then again, is that not the case for every art form? How many great writers and artists (and I include Mr WIAA and some of my blogging buddies in those categories) slip through the net, not seeming to catch that lucky break needed to get to the important next level, where actual money changes hands for exceptional work done.

But before I go, it should also be mentioned that I Say a Little Prayer is one of several Bacharach and David songs to feature prominently in the 1997 rom-com/chick-flick My Best Friend’s Wedding. There was a reggae-style cover by Diana King and a version sung by the film’s cast. Diana’s cover was released as a single which brought the song back to the Top 40 almost thirty years after Dionne Warwick’s original.

51x2Tcd8z8L

I Say A Little Prayer by Diana King:

So, “What’s It All About?” – Having included all three very different versions in this post, they are ripe for a compare and contrast. Dionne’s does indeed sound a bit too rushed and not typical of Burt Bacharach’s usual orchestral pop style. Diana’s reggae version certainly creates a very different sound where the lyrics are sung Jamaican-style (before mi put on mi makeup). Aretha however, being the Queen of Soul an’ all that, nails it for me and it’s probably why the car radio had to be turned up to such a volume earlier in the week. Some songs, despite having a very low key start in life, end up becoming the most memorable and that’s why I live in hope that some of my wonderful artsy friends also eventually catch that lucky break which leads to their work being reclassified from being ordinary, to being extra-ordinary.

Until next time….

I Say A Little Prayer Lyrics

(Song by Burt Bacharach/Hal David)

The moment I wake up
Before I put on my makeup
I say a little prayer for you
While combing my hair, now
And wondering what dress to wear, now
I say a little prayer for you

Forever, forever, you’ll stay in my heart
And I will love you
Forever, and ever we never will part
Oh, how I’ll love you
Together, together, that’s how it must be
To live without you
Would only be heartbreak for me

I run for the bus, dear
While riding I think of us, dear
I say a little prayer for you
At work I just take time
And all through my coffee break-time
I say a little prayer for you

Forever, forever, you’ll stay in my heart
And I will love you
Forever, and ever we never will part
Oh, how I’ll love you
Together, together, that’s how it must be
To live without you
Would only mean heartbreak for me

I say a little prayer for you
I say a little prayer for you

Forever, forever, you’ll stay in my heart
And I will love you
Forever, and ever we never will part
Oh, how I’ll love you
Together, together, that’s how it must be
To live without you
Would only mean heartbreak for me

My darling, believe me
For me there is no one, but you
Please love me, too
I’m in love with you
Answer my prayer
Say you love me, too
Why don’t you answer my prayer?
You know, every day I say a little prayer
I said, I say, I say a little prayer

An American Odyssey in Song: Pennsylvania – The Delfonics and “Didn’t I (Blow Your Mind This Time)”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

Looking back at the “history” for this post (we get that here at WordPress), I started writing it back in November! I really need to pick up the pace with this series otherwise it looks as if I’m going to be in my dotage before I make it all the way round to my final destination, Florida. Anyway, as it’s now been over three months since I entered New Jersey (must have lost track of time in those vast gambling emporiums in Atlantic City), the great state of Pennsylvania now beckons. Yet again however we are entering a state that cannot be neatly summed up as having a single character. Pennsylvania has wide stretches of farmland, forests and mountains but it also has Philadelphia, the sixth largest city in the US.

pennsylvaniaA few random facts about Pennsylvania. It was one of the 13 original founding states and came into being as a result of a royal land grant given to William Penn, an English Quaker and son of the state’s namesake. Philadelphia played an important role in the American Revolution as a meeting place for the Founding Fathers of the United States – The Declaration of Independence was signed there on the 4th of July, 1776. It is also home to the cracked Liberty Bell, an iconic symbol of American independence.

During the American Civil War, the Battle of Gettysburg was fought in the south central region of the state and is the place where Abraham Lincoln delivered his landmark address. The Pennsylvania Dutch (who were actually German/Deutsch) settled in the south-east of the state and there are still Christian groups living there today who separate themselves from the world favouring simple living and plain dressing.

But what do I associate with Pennsylvania when it comes to music. Last time a few suggestions were offered up for which I am always grateful. Rol over at My Top Ten suspected I might choose Pennsylvania 6-5000 by The Glenn Miller Orchestra which was most definitely going to be a contender until I discovered it was actually the telephone number for the Hotel Pennsylvania in New York City! C, from Sun Dried Sparrows suggested I’m in Pittsburgh (and It’s Raining) by the Outcasts, a sort of “sub-Stones US ’60s garage classic” she tells us. Last but not least Lynchie, a frequent and very knowledgeable visitor to the music blogosphere, came up with two songs by Loudon Wainwright III. “I don’t think you’ll find the first one on YouTube” he said, and he was right, but fortunately he gave us some of the lyrics for Have You Ever Been To Pittsburgh.

Have you ever been to Pittsburgh
Do you think you’d wanna go?
Have you ever been to Pittsburgh
(It’s in Pennsylvania)
Do you think you’d wanna go?
Well – if you wanna go to Pittsburgh
Get on the bus and go!

“Loudon however”, he added, “also wrote the more affectionate Ode To Pittsburgh” and this time it could be found YouTube. A nice little film to accompany the song that gives us a bit of a flavour of what it might be like to live there. Not heard it myself before, but I find myself strangely smitten.

But as ever, music and film go hand in hand for me, and three movies immediately came to mind for this Pennsylvania post. The tunes from them are by no means all favourites, but they do for me, sum up the state. As tends to happen at award ceremonies, I will announce the results in reverse order:

First of all, when I saw that the next state we would be entering was Pennsylvania, I was immediately reminded of the film The Deer Hunter as the main characters in that epic Vietnam war drama were steelworkers from Clairton, Pennsylvania, a small working class town south of Pittsburgh. The images of that grim steel town have obviously stayed with me but also the scenes in the mountains where that trio of friends, played by Robert De Niro, Christopher Walken and John Savage, spend much of their time deer hunting. I didn’t see the film when it first came out in 1979, but I do remember that the piece of music called Cavatina (popularly known as “Theme from The Deer Hunter”) received much radio airplay at the time and reached No. 13 in the UK Singles Chart. It was performed by classical guitarist John Williams whom I have just discovered is not the same John Williams responsible for writing the film scores for ET and Jurassic Park. Obvious now, but the same name and from a long time ago.

poster_thedeerhunter

Cavatina by John Williams:

The second film I was reminded of was of course Rocky where the main character, played by new kid on the block Sylvester Stallone, is to be seen pounding the streets of Philadelphia in his grey sweats, whilst carrying out his gruelling training regime. These scenes were of course very memorably played out to the sounds of Gonna Fly Now (popularly known as the “Theme from Rocky”) which was composed by Bill Conti. The lyrics (all 30 words of them), were performed by DeEtta Little and Nelson Pigford. Released in February 1977, the song has become part of American popular culture after Rocky Balboa runs up the 72 stone steps leading to the Philadelphia Museum of Art and then raises his arms in a victory pose.

Whenever I watch 1970s footage of American cities (like in this clip), I think of “the three B’s”, boxes, braziers and back alleys, as just about everything I watched on telly back then seemed to feature these three elements. Maybe it was just because there was a plethora of gritty cop shows and crime dramas, but also our inner cities were in real need of gentrification. I am sure however that the Philadelphia of today looks quite different, and I’m also sure that Neil from Yeah, Another Blogger, who is a resident, will keep us right on that score?

Gonna Fly Now by DeEtta Little and Nelson Pigford:

But of course I can’t write a post about PA, without mentioning all the great music that came to be known as the Philadelphia Sound, or Philly Soul. Any regular visitors to this place might remember that I wrote about how it all came to pass recently (The O’Jays, The Three Degrees and a “Year Of Decision”). It does seem that there were three pivotal players without whom it might never have happened – Philadelphia International Records was founded in 1971 by the very talented writer-producer duo Kenny Gamble and Leon Huff, along with collaborator Thom Bell. It very much showcased a new genre of music based on the gospel, doo-wop and soul music of the time. Throughout the 1970s the label released a string of worldwide hits which featured lavish orchestral instrumentation, heavy bass and driving percussion. Some of their most popular and best selling acts included The O’Jays, The Three Degrees, Harold Melvin & the Blue Notes, Teddy Pendergrass, Billy Paul, Patti LaBelle and Lou Rawls.

0000219089

But I have written about some of those artists before so this time I’m going to go a little further back in time to 1969 when Didn’t I (Blow Your Mind This Time) was written by producer Thom Bell and William Hart, lead singer of the Philadelphia R&B/Soul vocal group The Delfonics. It was released by the group on the Philly Groove record label and is regarded as a classic, winning a Grammy Award for Best R&B Performance by a Duo or Group.

And this is where my third film choice comes in, as for many of us, it is simply that great song from the Tarantino film Jackie Brown. It very much plays a pivotal role in the film as it underscores the relationship between main characters Jackie, and Max Cherry. Like many others I was probably a bit too young for a song like this when it first came along in 1969 but after re-discovering it in 1997, when the film came out, I found a new appreciation for Philadelphia based groups like The Delfonics.

Didn’t I (Blow Your Mind This Time) by The Delfonics:

So that’s your lot as far as Pennsylvania goes. When I started this series it was with a view to featuring one song per state but of course once you start to do the research it becomes impossible to limit it to just that. Next time however we will be entering Delaware, a very small state indeed which at the moment is not offering up any inspiration (bar the obvious candidate). If you have any suggestions feel free to leave them in the comments boxes, as left to my own devices it’s going to be a very short post.

It has just occurred to me, as I returned to the top of the page to insert a title, that I may have inadvertently been a tad insensitive having included both the Theme from The Deer Hunter and Didn’t I (Blow Your Mind This Time) in the same post – To anyone who has “experienced” the film The Deer Hunter, they will probably know what I mean. Enough said.

See you in Delaware….

Didn’t I (Blow Your Mind This Time) Lyrics
(Song by Thom Bell/William Hart)

I gave my heart and soul to you, girl
Now didn’t I do it, baby didn’t I do it baby
Gave you the love you never knew, girl, oh
Didn’t I do it, baby didn’t I do it baby

I’ve cried so many times and that’s no lie
It seems to make you laugh each time I cry

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I
Yes sir

I thought that heart of yours was true, girl
Now, didn’t I think it baby didn’t I think it baby
But this time I’m really leavin’ you girl oh
Hope you know it baby hope you know it baby

Ten times or more, yes, I’ve walked out that door
Get this into your head, there’ll be no more

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I
Yes sir

(Didn’t I do it baby didn’t I do it baby)
(Didn’t I do it baby didn’t I do it baby)

Ten times or more, yes, I’ve walked out that door
Get this into your head, there’ll be no more

Didn’t I blow your mind this time, didn’t I (oh)
Didn’t I blow your mind this time, didn’t I (Hoo
Didn’t I blow your mind this time, didn’t I (Did I blow your mind, baby)
Didn’t I blow your mind this time, didn’t I (Can’t you see)
Didn’t I blow your mind this time, didn’t I (Did I blow your mind)
Didn’t I blow your mind this time, didn’t I (Ooh baby, ooh)

Girl, can we talk for a second
I know it’s been a long time
Since some someone’s blown your mind, like I did
There’ll be other times, for me and you
And I can see the tears fallin’ from your eyes

Tell me girl, did I blow your mind

Didn’t I blow your mind this time, didn’t I (Did I blow your mind baby)
Didn’t I blow your mind this time, didn’t I (Ooh, ooh, ooh, ooh, ooh, ooh, ooh)

Blood, Sweat & Tears, Petite Fleur and “You’ve Made Me So Very Happy”

Well, I hope everyone who celebrates it has enjoyed their Christmas Day. We were just four for lunch this year which is a really easy number to cater for so not too stressful at all. I don’t even feel as if I’ve eaten too much as instead of the usual breakfast, lunch and dinner with a few snacks thrown in, on Christmas Day you just have breakfast, a whopping big festive lunch and then not much else, so it all evens itself out nicely. I realise not everyone is quite so restrained, but it works for me. As for the presents, lots of lovely things as ever and my daughter, who knows me just too well it seems, came up with this very appropriate gift. It is sitting beside me as I type so lets hope I will be inspired by the contents which sadly aren’t of the alcoholic variety as I am on driving duty, but I don’t mind, which is just as well.

fullsizeoutput_68a

It has become my routine of late to post on a Monday so didn’t want to veer away from that pattern just because it’s Christmas Day. Also, the great thing is that we no longer have to share anything Christmassy as a song choice – I don’t know about you but if I ever hear Andy Williams singing It’s The Most Wonderful Time Of The Year again whilst shopping, I will start a petition to have it banned. Unless your life really is on the up, and absolutely nothing bad has happened in the course of the year, it’s tough being constantly bombarded with Mr Williams’ chirpy lyrics. I always feel for those who may indeed not be having the MOST wonderful time. At one point I thought we ourselves might be having a bit of a Blue Christmas (Elvis version) this year as darling daughter is a bit lost spending it without her special someone, my mum is a bit lost without her memories and as regulars to this place know, I myself seem to have temporarily lost my “purpose”. As it turns out however it has been a really lovely day with no “blue-ness” making an appearance at all, for which I am really grateful.

But here I am linking to festive songs whereas the song that has formed an earworm over the last week is something quite different. I have mentioned recently that over the last few weeks I’ve been working my way through all seven series of the television show Mad Men on Netflix. Well here’s a bit of irony – The final season hasn’t fully made it on to Netflix yet so I had to buy back the same DVD I donated to a charity shop earlier in the year after embarking on a bit of decluttering. No matter, all for a good cause, but didn’t realise I would get quite so into it second time around. First time around I hadn’t starting blogging yet whereas this time the carefully chosen songs that feature in each episode are doubly interesting for me as the late 1960s seems to have become my favourite era to revisit. [Spoiler alert: If you haven’t yet reached it, Season 6 is about to be mentioned!]

Megan

By the end of season 6, the main character’s wife had moved west to LA in order to further pursue her acting career. Megan Draper, the French Canadian secretary turned copy-writer turned actress, had always been captivating on screen ever since first appearing in season 4 but having set up home amongst the musicians and acting fraternity of Laurel Canyon, she seemed to have found her spiritual home. Her New York based, “Ad-Man” husband Don was suddenly an anachronism and it made for uncomfortable viewing watching the end of a marriage being played out on screen. Right at the end of episode 6 Megan hosts a party at her house in the hills – One of the songs played at the party was this one and although I had heard of the band Blood, Sweat & Tears and even seen pictures of them, they’ve never featured amongst the tracks of my years so I hadn’t realised they were responsible for this gem of a song – You’ve Made Me So Very Happy.

You’ve Made Me So Very Happy by Blood Sweat and Tears:

This beautiful song was written by Brenda Holloway amongst others and was first recorded by her in 1967 on the Tamla label. The song later became a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, reaching No. 2 on the Billboard Hot 100 and No. 35 in the UK Singles Chart. But the musical surprises didn’t end there in this particular episode as to husband Don’s discomfort, Megan proceeds to entertain her guests with an impromptu dance to Petite Fleur, a jazz instrumental played by some of her musician friends. This piece of music was originally written and recorded by Sidney Bechet in 1952 but became an international hit in 1959 for Chris Barber’s Jazz Band. It was this version with the clarinet solo that provided the inspiration for Megan’s “performance” – Very apt for the petite fleur that was French-speaking Megan Draper (née Calvet).

Petite Fleur by Chris Barber’s Jazz Band:

So, “What’s It All About” – Sometimes we don’t even realise how much time and effort has gone into choosing just the right music for a television show as it just feels incidental, but once you start to take note, as I have done re-watching this award winning drama, it adds a whole new dimension to the experience. The Blood, Sweat & Tears song was the perfect choice for this party in the Hollywood Hills of 1969 but also bittersweet as that evening perhaps marked the beginning of the end for the two main protagonists. Megan had made Don “so very happy” and vice versa, but those days were soon to be in the past. The petite fleur would soon be out of his life for good.

But here I am blogging with my new mug by my side at nearly 10pm on Christmas Day – DD has invited some friends round and by the sound of the laughter from the other room, they seem to be making her “so very happy”. Time to seek out Mr WIAA, as it’s probably time to make him “so very ….. ” – No that all sounds a bit wrong. Time to sign off for today before I get myself into trouble!

Merry Christmas from all of us here at WIAA – Hope you’ve had a good one.

Until next time….

You’ve Made Me So Very Happy Lyrics
(Song by Berry Gordy Jr/Brenda Holloway/Frank Wilson/Patrice Holloway)

I lost at love before
Got mad and closed the door
But you said try just once more
I chose you for the one
Now I’m having so much fun
You treated me so kind,
I’m about to lose my mind
You made me so very happy
I’m so glad you came into my life

The others were untrue,
But when it came to lovin’ you
I’d spend my whole life with you
‘Cause you came and you took control
You touched my very soul
You always showed me that
Loving you was where it’s at
You made me so very happy
I’m so glad you came into my life

Thank you baby, yeah yeah

I love you so much, it seems
That you’re even in my dreams I can hear
Baby, I hear you calling me
I’m so in love with you
All I ever want to do is
Thank you, baby
Thank you, baby

You made me so very happy
I’m so glad you came into my life
You made me so very happy
You made me so, so very happy baby
I’m so glad you
Came into my life
Mmmm, I want to thank you, girl
Every day of my life
I wanna thank you
You made me so very happy
Oh, I wanna spend my life thanking you
(Thank you baby, thank you baby)

The Sandwich Generation at Christmas: Gentleman Jim Reeves, S Club 7 and Wham!

Like many others my of my generation, I seem to have found myself in the position of becoming the squeezed filling in a sandwich. The family sandwich that is, with elderly parents who need a considerable amount of assistance (in essence, your time) and offspring who also need a considerable amount of assistance (in essence, your cash). At no point in the year is this more apparent than at Christmastime.

christmas_sandwich-600x390.jpg
The Christmas Sandwich

For the ladies in my mum’s retirement complex, their normal routine is thrown out of kilter which causes much confusion and distress. Combine that with trying to preserve the traditions of Christmas like writing cards to old friends, and the distress is compounded. We all pride ourselves around here on our knowledge of music and can hark back to what we were listening to up to 50 years ago. Imagine pouring over your Christmas card list only to find that you can’t remember the last name of life-long friends, and in many cases, can’t even remember who they are. I’m not sure what the year ahead will bring but I do know that like many other ladies of her age, my mum loved listening to a bit of Gentleman Jim Reeves, so this one’s for her – The highly sentimental (but unapologetically so) An Old Christmas Card.

James Travis Reeves hasn’t appeared on these pages before but his “Twelve Songs of Christmas” album was a staple in my parent’s house at this time of year. The Texan country and popular music singer became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music) and his songs continued to chart for years after his death. Like so many others of his generation, poor Jim died in a plane crash back in 1964 at the very young age of 40.

But before things get too maudlin around here, I will move onto the other half of the sandwich, darling daughter. She moved home in the summer of 2016 for “around two months” but through no fault of her own is still with us. Having gone down the “artsy” route after school (I blame Mr WIAA’s side of the family), finding herself in a well-paid job by the age of 22 was always going to be hard and despite working full-time in a sometimes very stressful work environment, being able to cover the rent and bills for a flat is tricky at best. The ignominy therefore of living with your parents is still better than poverty it seems thus the outpouring of cash for a new laptop which will of course only be used for the purposes of further study and the completion of application forms.

It has been mentioned before (link here) that DD’s first single was one also much appreciated by the childlike Kayleigh Kitson from Peter Kay’s Car Share – Yes it was that wonderful pop song included in the “Now 48” album called Never Had A Dream Come True. It was used for one of the dream sequences featuring Peter’s character John, Kayleigh, and a monster truck! On the B-side of that millennium single however was this song, Perfect Christmas, which always takes me right back to those days when the grandparents were all still hale and hearty and the only item required for Santa’s sack was a large shiny toy, with no electronics of any kind putting in an appearance. Happy days indeed so this one’s for her.

Perfect Christmas by S Club 7:

S Club 7 were of course a manufactured pop act put together by ex-Spice Girls manager Simon Fuller and they starred in four really successful kids’ sitcoms. They recorded some very pleasant pop records and I’m not even very sure why (maybe Kayleigh Kitson could help me with that one), but this “B-side” still ranks up there amongst my favourite Christmas songs ever.

So, “What’s It All About?” – For the second year in a row all this looking back nostalgically at the tracks of my years is making me maudlin. I did snap out of it last year before the big day however and I anticipate the same thing will happen this year. In any case, although I am listening to these songs with fond memories, as often happens they are probably selective ones – No doubt I was very unhappy listening to Jim Reeves as a 17-year-old in the year of punk, 1977. Also, although I had S Club 7 to serenade me back in the year 2000, having 10 people descend for Christmas dinner was no doubt a tad stressful.

4acbe7353fa3b49c0c178378ffebdf198c84aacc
George Michael RIP, in his 1984 Christmas jumper

But before I finish, unlike last year when I tried to be “cool” with my festive music choices, I am now obviously secure enough to share all manner of “uncool” material. Most of us will know that we lost George Michael on Christmas day last year which for me was a massive shock and many posts have been written about him here since. To my eternal shame I chose not to feature his Wham! triumph Last Christmas back then for fear of it being uncool to do so. As the clip epitomises my ever so slightly hedonistic mid-eighties lifestyle however I have no compunction about doing so this year. I give you George, Andrew, Pepsi and Shirley having what seems to be a fantastic time in their winter hideaway. If that pesky heart just hadn’t been “given away the very next day”, all would have been perfect!

Last Christmas by Wham!

For those who celebrate it, Have a Very Merry Christmas from all of us who feature here at WIAA Towers (myself, Mr WIAA, DD and my little mum). See you on the other side, once it’s all over for another year. xxx

untitled

Last Christmas Lyrics
(Song by George Michael)

Last Christmas
I gave you my heart
But the very next day you gave it away.
This year
To save me from tears
I’ll give it to someone special.

Once bitten and twice shy
I keep my distance
But you still catch my eye.
Tell me, baby,
Do you recognize me?
Well,
It’s been a year,
It doesn’t surprise me
(Merry Christmas)

I wrapped it up and sent it
With a note saying, “I love you,”
I meant it
Now I know what a fool I’ve been.
But if you kissed me now
I know you’d fool me again.

Oh, oh, baby.

A crowded room,
Friends with tired eyes.
I’m hiding from you
And your soul of ice.
My god I thought you were someone to rely on.
Me? I guess I was a shoulder to cry on.

A face on a lover with a fire in his heart.
A man under cover but you tore me apart, ooh-hoo.
Now I’ve found a real love, you’ll never fool me again.

A face on a lover with a fire in his heart (I gave you my heart)
A man under cover but you tore him apart
Maybe next year I’ll give it to someone
I’ll give it to someone special.

Love, Forever Changes and “Alone Again Or”

Well, my last post was a very long one so you’ll be glad to know that this is going to be a shorter, mid-week mini-post. I recently had a comment from a new visitor to this place who knew me from another blog we both frequent (that would be Rich’s KamerTunesBlog). It had come to his attention that I’d written a post called LOVE, Young People and “Don’t Look Back In Anger” and had assumed it was about the band Love. Sadly for him it wasn’t, it was about the One Love Manchester benefit concert that took place back in May, a couple of weeks after the city’s terrorist attack. In reply to his comment I mentioned that I didn’t really know the band Love but said I would definitely seek them out, which is exactly what I did next.

Wow, I am now in love with Love!

Love_Album_Cover

Ever since starting this blog, the year I keep returning to time and time again is 1967, and here we go again. There are many reasons why I am so fond of this particular year and I have cited them many times already but now that I recognise the sheer number of musical genres out there, the ones I warm to most were all at their peak in 1967, orchestral pop, baroque pop, folk rock and psychedelic rock. Love definitely fell into the last camp and despite having poor sales back in the late sixties, their album “Forever Changes” received great critical acclaim and is now ranked 40th on Rolling Stone magazine’s list of The 500 Greatest Albums of All Time. It is also recognised as one of the finest albums to have come out of the Summer of Love.

Alone Again Or by Love:

The first track on “Forever Changes” is the song Alone Again Or which was written by bassist Brian MacLean although most of the other songs on the album were written by the band’s founder, Arthur Lee. I am pretty sure I know it from a soundtrack to a film or television show but can’t quite work out which one. Maybe someone could help me out? The song was apparently inspired by the memory of waiting for a girlfriend. The essence of it is the contrast between the upbeat tune and the sad lyrics, “And I will be alone again tonight, my dear”. Love‘s influences included folk rock, hard rock, blues, jazz, flamenco and orchestral pop so the addition of a string section and a horn part for a mariachi band seemed perfectly sensible. The song has become a true classic and has now been recorded by many other artists including The Damned.

So, “What’s It All About?” – Some bands just seem to be in the wrong place at the wrong time so despite their obvious brilliance never really get the commercial success they deserve. Love were the hippest band in LA in 1967 but because they had two black front men playing music unlikely to appeal to a black audience, they were ill-equipped to take the place of bands such as The Byrds. They became overshadowed by The Doors and Jimi Hendrix in 1967 and their drug usage started to spiral out of control. As the year ended, Love splintered apart, never to regain the same momentum. Despite a period of incarceration for gun crimes, Arthur Lee continued to work with other musicians using the band’s name until his death in 2006.

But here we are 50 years on from the now infamous Summer of Love and I am discovering Love for the first time. That all sounds a bit odd actually, but it just goes to show that you are never too old, and I am going to enjoy every little bit of it!

Alone Again Or Lyrics
(Song by Brian MacLean)

Yeah, I said it’s all right
I won’t forget
All the times I waited patiently for you
I think you’ll do (just what) you choose to do
And I will be alone again tonight my dear

Yeah, I heard a funny thing
Somebody said to me
You know that I could be in love, with almost everyone
I think that people are the greatest fun
And I will be alone again tonight, my dear

Yeah, I heard a funny thing
Somebody said to me
You know that I could be in love with almost everyone
I think that people are the greatest fun
And I will be alone again tonight, my dear

“Wives and Lovers”, Mad Men and Julie London

Since giving up work a few weeks ago, my life has taken a serious turn for the better – Suddenly there is enough time for everything I need to do in my life and joy of joys there is also enough time for some things that I don’t really need to do, but am enjoying immensely. One of the frivolous things I don’t really need to do, has been to binge watch one of my favourite television shows, Mad Men, set in the 1960s at the fictional Sterling Cooper advertising agency on New York’s Madison Avenue. Season One begins in March 1960, just before I was born, and it’s almost worth watching it for the clothes alone. Totally impractical but incredibly beautiful.

The show won many awards over the years and has been lauded for its historical accuracy. For fans of music, the song choices for each episode were spot on in terms of evoking the era and how they related to a particular scene or storyline. This song, Fly Me To The Moon by Julie London, featured in the first season of Mad Men. I have always loved her languid voice, especially when singing her signature song Cry Me A River, and Julie’s look and sound were totally appropriate for this glamorous show.

Towards the end of the first season, the upcoming presidential elections feature highly as the agency was to work with Nixon’s team to help him secure that win. They think it’s a foregone conclusion but of course we all now know it turned out very differently back in 1960 and Nixon ended up being pipped at the post by a young Jack Kennedy. Mad Men depicts the American society and culture of the 1960s, highlighting cigarette smoking, drinking, sexism, adultery, homophobia and racism. It kind of reminds us that although we have a nostalgia for the past, we also sometimes have a selective memory.

A song I have in my digital database by Julie London is this one, but not easy to listen to nowadays. Despite the fact I love the songs of Burt Bacharach and Hal David, the lyrics to Wives and Lovers are just so at odds with how a 21st century woman would think, or more importantly how a man would expect her to think, that they become quite laughable. However if you watched only the first episode of Mad Men, set in 1960, they suddenly seem frighteningly accurate:

Hey! Little Girl
Comb your hair, fix your makeup
Soon he will open the door.
Don’t think because there’s a ring on your finger
You needn’t try anymore   (?!)

Day after day
There are girls at the office
And men will always be men.
Don’t send him off with your hair still in curlers
You may not see him again   (?!)

Wives and Lovers by Julie London:

There is a lot of talk in the media at the moment about certain “unsolicited actions” and “inappropriate behaviour” having been carried out by people in power. Our blogging buddy Jez has written a very good piece about it this weekend (link here) which I would thoroughly recommend. As he says, time and time again we hear the defence that the accused is “a dinosaur”, that their behaviour was acceptable “back in the day” – No, it really wasn’t.

Until next time….

Wives and Lovers Lyrics
(Song by Burt Bacharach/Hal David)

Hey! Little Girl
Comb your hair, fix your makeup
Soon he will open the door
Don’t think because there’s a ring on your finger
You needn’t try anymore

For wives should always be lovers too
Run to his arms the moment he comes home to you
I’m warning you…

Day after day
There are girls at the office
And men will always be men
Don’t send him off with your hair still in curlers
You may not see him again

For wives should always be lovers too
Run to his arms the moment he comes home to you
He’s almost here…

Hey! Little girl
Better wear something pretty
Something you’d wear to go to the city and
Dim all the lights, pour the wine, start the music
Time to get ready for love
Time to get ready
Time to get ready for love

Postscript:

Just in case anyone hadn’t heard of her before, Julie London was an American singer and actress, whose career spanned over forty years. She released 32 albums of pop and jazz standards during the 1950s and 1960s, her signature song being the classic Cry Me a River. Julie’s 35-year acting career began in 1944 and included roles co-starring with Rock Hudson, Gary Cooper and Robert Mitchum. She achieved continuing success in television in the 1970s, appearing in the show Emergency! with her husband, Bobby Troup.

An American Odyssey in Song: New Jersey – Frank, The Sopranos and “It Was A Very Good Year”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

Well, I seem to have been tettering on the edge of the George Washington bridge for two months now, as my New York post ended up being rather a long one, and New Jersey doesn’t look as if it will be much shorter, or easier to put together. After this state I will really try and get back to the original premise of one state, one song, but in the meantime it will have to be another “stream of consciousness” kind of affair. Here goes….

new-jersey

New Jersey is tantalisingly close to wealthy and sophisticated Manhattan, but here, a mere 10 minutes across the bridge (or through the tunnel), we have a much more workaday state. To use another British analogy, New Jersey is probably the Essex of America where “Joisey” girls and boys tend to be the butt of many a joke. It is called the Garden State but the area bordering the Hudson is heavily industrialised and provides a home to many a chemical plant. The beautiful Ivy League University Princeton however is in New Jersey and further south we have the many fine beaches. Atlantic City, with it’s seven miles of boardwalk, was a highly successful and popular resort in the 19th and early 20th centuries. Post WWII it fell into decline but in 1976 came the legalisation of gambling after which massive casino hotels were built such as the Trump Taj Mahal. The original was one of the seven wonders of the world, but inside this one day and night merge into one, as high and low rollers from all over the world are sucked in leaving the old boardwalks neglected and empty.

But this is a music blog so what, and who, comes to mind when I think of New Jersey? First of all here is a clip showing the opening sequence to the television show The Sopranos – It shows the journey made by its lead character Tony Soprano (played by James Gandolfini), all the way from the New Jersey Turnpike to his comfortable suburban home. The theme music for this show (Woke Up This Morning) was ironically provided by British band Alabama 3 and I have written about that song here before as I’ve always really liked it. The short film also gives a pretty good whistle stop tour of that part of the state, just across the Hudson from NYC.

Woke Up This Morning by Alabama 3:

Like many other successful television dramas it wasn’t long before a CD was released featuring the songs included in the show, and being a big fan of course I bought it. Being a drama very much focused on Italian-Americans, it was inevitable that one of New Jersey’s most famous sons, born to Italian immigrants living in Hoboken, would pop up quite early on in the series. Not in person of course, as he died the year before the show first aired, but by providing It Was A Very Good Year, the soundtrack to the opening sequence for Season 2.

Frank Sinatra was possibly the very first teen idol, the hero of the “bobby-soxers” who sang with the Tommy Dorsey band in the ’40s and appeared in many lavish MGM musicals. After his career started to slump in the early ’50s he turned to Las Vegas, becoming one of the infamous Rat Pack. A second successful film and recording career followed in the later half of that decade and then a long period of recording and performing live in concert, right up until 1995. In terms of retirement, it never really worked out for him.

ItalianAmericans_Sinatra_Hoboken_Photofest_t600
A young Frank in Hoboken, New Jersey

Although Frank didn’t ever learn how to read music, he had a fine, natural understanding of it and was known to be a perfectionist. It is often mentioned that he had wonderful “phrasing”, which is how a musician shapes a sequence of notes in a passage of music in order to express an emotion or impression – I do believe that with It Was A Very Good Year, he does that with bells on.

It Was A Very Good Year by Frank Sinatra:

Another reason I wanted to include this song in my New Jersey post is because its whole sentiment is very appropriate for what I am doing with this blog – I am probably now in the autumn of my years myself but it is enjoyable to look back nostalgically over my life, telling the stories and sharing the music of my youth.

When I was seventeen, it was a very good year:

Right at the start of my teenage years a new Community Centre was built next to the Academy I attended, and so for the next five years, until I reached the age of 17, it became the focus of our social life. Unlike today when very few parents/community leaders are willing (or allowed) to supervise a few hundred teenagers with raging hormones, back in the ’70s they were plentiful. Nearly every weekend we headed along to the Saturday night “disco” held in one of the big halls. The records, played by some of our classmates who had been insightful enough to buy the equipment, were all the current chart hits and of course it was there that we experienced first kisses, fumbles and romance.

Funnily enough one of my most vivid memories of those years is dancing to songs by a band that really should be more closely associated with the ’60s. Those original Jersey Boys, Frankie Valli and the Four Seasons had a bit of a resurgence in popularity in the ’70s and I am pretty sure my first kiss took place whilst the song December, 1963 (Oh, What A Night) was playing in the background.

When I was twenty-one, it was a very good year:

By the age of 21 I had done the unthinkable, I had dropped all my female friends because I wanted to spend most of my day with my student boyfriend. He was never alone however so it was usually a group of about five lads and myself, in the library, in the bar, in the dining hall…., you get the picture. (“Yes, we see, he was the Leader of the Pack” – sorry couldn’t resist).

Anyway, they were all great fans of that other famous son of New Jersey Bruce Springsteen, so when a rumour went round that he was coming to play the NEC in Birmingham, tickets were acquired. The boyfriend’s parents’ Volvo was commandeered and on the day of my 21st birthday we headed off, driving through the night to the West Midlands. I will have to admit that at age 21 I was more of a fan of Ultravox, Spandau, Visage and Adam Ant so my knowledge of Bruce’s back catalogue was scant indeed. In the weeks before the concert I therefore immersed myself in his album “The River”. By the time the concert came along I was sufficiently au fait with his material to really enjoy the whole experience, especially the saxophone playing of Clarence Clemons. As for the song The River, Bruce cited his inspiration as being his sister and brother-in-law who are still married today. Unlike my New Romantic bands from the early ’80s, Bruce has kept on writing and touring to this day. Never having been a follower of fashion in any way (his stage outfit remains almost unchanged) he has never gone out of fashion – He is the bard of New Jersey but a campaign to get Bruce’s Born To Run named as official state song did flounder, as in reality the song was all about getting the hell out of New Jersey!

When I was thirty-five, it was a very good year:

By 35 I was a working mum and a very busy bee indeed so music didn’t feature quite as highly in my life but it would have been hard to miss the fact that Ms Whitney Houston, one of New Jersey’s most famous daughters, had really achieved success of the stratospheric nature. Pop royalty, she was the cousin of Dionne Warwick, the daughter of Cissy Houston, Darlene Love was her godmother and Aretha Franklin an honorary aunt. She had been around since the mid ’80s but after appearing in films such as The Bodyguard the awards just kept on coming. The lead single from the film’s original soundtrack, I Will Always Love You, received the Grammy Award for Record of the Year in 1994 and became the best-selling single by a female in music history. I think I now prefer the original version, by the writer of the song Dolly Parton, but no-one can deny that Whitney had a stupendous set of pipes back then.

Sadly, Whitney died in 2012 at the very young age of 48, but she certainly has left us with a wonderful back catalogue of songs. She was one of the first singers to make use of that vocal technique called melisma, where by packing in a series of different notes, a single syllable can take nearly six seconds to sing. The technique inspired a host of imitators in the ’90s but what Whitney perhaps nailed best was moderation. Earlier this year I went to the cinema to see the new Kevin Macdonald documentary film Whitney: Can I Be Me – The upshot seemed to be that no, she couldn’t.

thK1Y43GYN
Whitney Houston, RIP

I Will Always Love You by Whitney Houston:

So there we have it, by using Frank’s song I have been able to link three other musical legends from New Jersey into this post. Incidentally there is another link you might not have noticed. Frankie Valli actually made several appearances in The Sopranos, playing the mobster Rusty Millio. Also, the Four Seasons’ music is heard in many episodes, especially Big Girls Don’t Cry. Steven Van Zandt, a long term member of Bruce Springsteen’s E Street Band, played the character Silvio Dante in all six seasons of The Sopranos and finally, Whitney Houston, was a mezzo-soprano (tenuous that one, but you can’t win them all).

Big Girls Don’t Cry by The Four Seasons:

Next time we head across the border into Pennsylvania – As ever, ideas for song choices gratefully received.

Until next time….

It Was a Very Good Year Lyrics
(Song by Ervin Drake)

When I was seventeen, it was a very good year
It was a very good year for small town girls
And soft summer nights
We’d hide from the lights
On the village green
When I was seventeen

When I was twenty-one, it was a very good year
It was a very good year for city girls
Who lived up the stairs
With all that perfumed hair
That came undone
When I was twenty-one

When I was thirty-five, it was a very good year
It was a very good year for blue-blooded girls
Of independent means
We’d ride in limousines
Their chauffeurs would drive
When I was thirty-five

But now the days are short, I’m in the autumn of the years
And now I think of my life as vintage wine
From fine old kegs
From the brim to the dregs
It poured sweet and clear
It was a very good year

Beach Boys, Phil Collins and “There’s a Ghost in My House”

Well, it’s been a bit of a week, with no time for heavily researched blog posts. When that happens I usually resort to a web-diary type affair and a few songs have come to mind. First of all, after reading a post written by Jez over at Dubious Towers last weekend, where he recommended watching the film Love & Mercy about the life of Beach Boy Brian Wilson, I did just that. In doing so I fell in love with the album “Pet Sounds” all over again. I think I knew a bit about the troubled life that Brian had post Beach Boys, but this film really highlighted the nightmare he went through in the 1980s under the supervision of highly controlling psychotherapist Dr Eugene Landy – Fortunately the love of a good woman saved him and joy of joys they are still married today, so a happy ending to a sorry tale.

ps

What was great about this film however was that we got to witness the creative genius that went into producing “Pet Sounds” back in 1966. The sounds on this album were just that, Brian’s favourite, or pet sounds, and the infamous Wrecking Crew that worked with him on that album acknowledged his genius above all others they collaborated with. Brian at this point was still aged only 24. I have featured the wonderful song God Only Knows before in this blog (link here) so here is another from that album, Wouldn’t It Be Nice. Something interesting that came out of this biopic was that contrary to popular belief, The Beach Boys didn’t actually surf!

Wouldn’t It Be Nice by The Beach Boys:

So, what else has been happening this week? – Turns out that giving up the job you were very generously slotted into post re-structuring and leaving the organisation you’ve been part of for 30 years isn’t easy. I made the terrible mistake of wanting to leave in a good way, leave in a way that caused the least disruption, but it’s making me miserable. Having discussed it with friends who have retired recently, leaving work is a kind of bereavement and there are “stages” you go through. If I’d given the standard four weeks notice, after taking annual leave I would have been gone two weeks ago and all would have been well. Instead, I have hit the wobble zone that comes about a month after resigning when you start to question the rash decision-making that led you to forego your livelihood for a life of speculative self-employment. Fortunately for those who choose to retire there are many courses you can go on to pave the way, but of course I am not retiring, so I’ll just have to wobble on for another three weeks.

Phil_Collins_-_Face_Value

Over at Rich Kamerman’s excellent blog, where in his Forty Year Friday series he reviews  the albums of 1977, the band Genesis were featured last week. This in turn made me look into the whole Phil Collins negativity issue a bit more. Personally I quite liked his albums from the 1980s but somehow down to his sheer omnipresence and success during that decade, and perhaps his not-so-great actions and opinions, he became quite unpopular. Whatever, I did mention in Rich’s comments boxes that when a good wallow is called for this is one of the songs I turn to – Somehow it seems very apt for someone who has all of a sudden decided that the paperless office is not quite so bad after all (there is still a lot of paper) and that having everyone you’ve ever worked with over a thirty year period in the same building is now a good thing. Oh well, I give you If Leaving Me Is Easy which was one of the singles released from Phil Collins’ 1981 album “Face Value”. The answer by the way is…. No Phil, it’s blinking not.

If Leaving Me Is Easy by Phil Collins:

The final song that comes to mind this week is There’s a Ghost in My House by R. Dean Taylor. Why would that be I hear you ask? Well, whilst at our local art-house cinema with my girlfriends last night (two of whom are the aforementioned 55-year-old retirees), we somehow managed to display the most ridiculous display of giggling fits ever to have taken place in a non-comedy venue. The film we choose to watch is purely down to whatever is showing on the last Thursday of the month – Some we win, some we lose but it’s easy to organise and a great excuse for a get-together.

Last night’s film was called A Ghost Story and despite expecting it to be all scary and full of the supernatural, it turned out to be (inadvertently) the best comedy we have ever witnessed. The main character was a ghost draped in a sheet and all we could think of whenever he appeared was this character from John Carpenter’s Halloween, a film we had also seen recently and again had a slight fit of the giggles.

mm2
Michael Myers in Halloween

I am very sorry that our fellow cinema-goers had to suffer our childish guffaws but once a giggling fit starts it’s hard to stop and we all fed off each other. At one point I had to rush out of the cinema into the little foyer area for fear that holding my nose and breath for so long would induce a fainting fit. Needless to say I was joined by one of my buddies very soon after and we all threw in the towel after an hour and retired to the bar for a large glass of calming red wine. Just to be clear, this was a very “inventive and artful film about love and loss” but what can I say, even at the combined age of 220, once the giggles start, we four ladies just couldn’t control them!

And so as an homage to our embarrassment here is that song from 1967, There’s A Ghost in My House by R. Dean Taylor. This was a Holland-Dozier-Holland composition from the Motown stable that was not a hit when originally released but then became so in 1974 after finding favour on the Northern Soul circuit. That’s when I remembered it from but only really came to understand the whole Northern Soul phenomenon when I wrote a post about it a few months ago (link here).

So, “What’s it all about?” – Sometimes it’s all about control. Brian Wilson was totally in control of the recording studio in 1966 but by 1986 had lost control of his life to Dr Landy.

Sometimes, our plans go awry because we let a stupid piece of paperwork control them – Had the notice period not been unusually long I wouldn’t be having to endure the current wobble. Had I not lost control of my emotions a month ago, it wouldn’t even be an issue (although I’m sticking to my guns that it’s still the right decision).

ghost

But best of all, although everyone else around us was in control, sometimes a fit of the giggles just can’t be controlled – The rest of the audience might not have approved but it’s been the best therapy I’ve had in years and the plethora of ghost emojis on our phones today, and the visit to my friend’s back garden draped in a sheet goes to prove it!

Until next time….

Wouldn’t It Be Nice Lyrics
(Song by Brian Wilson/Michael Love/Tony Asher)

Wouldn’t it be nice if we were older?
Then we wouldn’t have to wait so long
And wouldn’t it be nice to live together
In the kind of world where we belong

You know it’s gonna make it that much better
When we can say goodnight and stay together

Wouldn’t it be nice if we could wake up
In the morning when the day is new?
And after having spent the day together
Hold each other close the whole night through

Happy times together we’ve been spending
I wish that every kiss was never ending
Wouldn’t it be nice?

Maybe if we think, and wish, and hope, and pray, it might come true
Baby, then there wouldn’t be a single thing we couldn’t do
We could be married
And then we’d be happy

Wouldn’t it be nice?
You know it seems the more we talk about it
It only makes it worse to live without it
But let’s talk about it
Wouldn’t it be nice?

Postscript:

Having just delved into the background to A Ghost Story a little more, I found this quote from the film’s creator David Lowery. He had apparently wanted to make a film for quite some time featuring a man in a simple rudimentary ghost costume – “I just loved that image. I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity“. Oh dear David, I’m afraid we just found it funny!

An American Odyssey in Song: New York – Boroughs, Bridges and “Feelin’ Groovy”

Welcome to this occasional series where I am attempting a virtual journey around the 50 States of America in song. For anyone new to this place, I have a continuous route map where I enter and leave each state only once. Suggestions for the next leg always welcome!

It’s quite some time since I continued on my American Odyssey in Song and that would be because I developed a severe case of Odyssey block! After struggling somewhat to identify any songs at all for the New England states, once I hit New York there were just too many. I have started this post on numerous occasions but always gave up half way through. This time however I’m going to buckle down and get on with it.

New York.jpg

No time for lengthy paragraphs about the state itself this time though as loads of songs to get through. Suffice to say it must be one of the most diverse states in the whole of the US as not only does it have Long Island, whose “Hamptons” are where rich New Yorkers go to spend their summers, but it also has the wilderness areas to the north where hunting and fishing are the pastimes of choice. The state borders Canada and two of the Great Lakes but at the foot of the triangle there is one of the most iconic and culturally rich cities in the world, New York.

Time to get this party started then and it’s not going to be pretty – via “a stream of consciousness” is how I’m going to tackle this one. Everyone will have different songs that they associate with New York but these are the ones that have come to mind over the last few weeks. Ready, steady, go…

There can’t be many people who are not familiar with the sights of New York City but just in case, here’s a whistle stop tour courtesy of MGM and those three sailors who had a whirlwind 24-hour leave back in 1949. Ok, ok guys, we’ve got it, “The Bronx is up and the Battery’s down, the people ride in a hole in the ground”.

You can’t have failed to notice that Mr Francis Albert Sinatra plays one of the sailors in that clip and I’m sure it’s expected that his version of the song New York, New York will feature here, but that would just be too obvious, so unusually for me I’ll enter the 21st century and share Empire State of Mind by Mr Shawn Corey Carter (otherwise known as Jay-Z). 

JAYZ
Jay-Z, Rapper and Businessman

Empire State of Mind by Jay-Z featuring Alicia Keys:

Lord knows I’m not usually a fan of rap but I was truly blown away by this “song” (if that’s what it’s called) when it came out in 2009. Some fantastic lines in there referencing Sinatra’s New York, New York but also Afrika Bambaataa, the Bronx DJ who became known as the Godfather of hip-hop. The rap part on it’s own I probably wouldn’t have warmed to that much (although I don’t know), but with the inclusion of Alicia Keys vocals it became something really special. The pair are both from NYC and the song’s main writer, Angela Hunte, grew up in the same building as Jay-Z – 560 State Street, Brooklyn, an address mentioned in the song.

Something that comes across loud and clear from the lyrics of Empire State of Mind is that NYC is not just the island Manhattan as I had often thought as youngster. Oh no, NYC is made up of five boroughs, Brooklyn and Queens on the western end of Long Island, Staten Island which nestles up against New Jersey and The Bronx, north of Manhattan. Manhattan itself only becomes an island because of that tiny sliver of water linking up the East River with the Hudson.

5 boroughs

New York City, despite being made up of these five boroughs is very much centred on Manhattan, so how is it all linked up? Why by ferries and bridges of course. I am reminded of the scene in Saturday Night Fever where John Travolta’s character tries to impress his potential love interest with his knowledge of the Verrazano-Narrows Bridge, that double-decked suspension bridge that connects Staten Island and Brooklyn.

Another iconic bridge is the one that featured in the opening sequence to one of my favourite TV shows from the early ’80s – Taxi starring Danny DeVito and Judd Hirsch. Whenever I hear this theme song I am right back in my student room, my little white portable telly perched precariously on the edge of my desk, just in the right place for the aerial (coat hanger?) to pick up a signal. It would have been mid-week and I was probably having a break from all those laborious hours spent writing everything out in longhand (no computers in those days). A flatmate might have popped in for a coffee whilst we watched the show. Sometimes those memories are the best, ones where nothing in particular was happening, just normal everyday life but hearing that theme reminds me of the scene. A beautiful piece of music called Angela by Bob James.

Angela (Theme from Taxi) by Bob James:

Of course I had to do some research after rewatching that clip to find out which bridge it actually was that came up every week in the titles. Joy, oh joy, it was none other than the Queensboro Bridge. So what I hear you ask? The alternative name for that bridge is The 59th Street Bridge and considering this whole series was inspired by the Paul Simon song America, it is fitting that his song about the bridge is included in this post.

feelin groovy

The 59th Street Bridge Song (Feelin’ Groovy) by Simon and Garfunkel:

Paul Simon said that he’d spent most of 1965 in England but after coming back to the US, and having success with The Sound of Silence, life became really hectic for a while and he found it difficult to adjust. One day, going home to Queens over the 59th Street Bridge, he kind of started to snap out of it as the day had been a really good one, a “groovy one”. Once home he started to write the song subtitled Feelin’ Groovy that went on to appear on the 1966 album “Parsley, Sage, Rosemary and Thyme” recorded with musical partner Art Garfunkel.

But enough about bridges, in the New York of 1977 the phenomenon that was disco had started to really make its mark. Manhattan had Studio 54 where Liza, Michael, Mick and Bianca were regulars but across the Brooklyn Bridge (oops, more bridges), they had a local disco called 2001 Odyssey and every Saturday night, aforementioned John Travolta (playing the character Tony Manero), temporarily left his monotonous life behind and became “king of the dance floor”. Watching him now, the dancing doesn’t look quite as impressive as it did when we first experienced Saturday Night “Fever” and the parodies have been ruthless, but I still have fond memories of going to see that movie when it first came out in the UK in 1978. As someone who has been known to “do a John” over the years and clear the dancefloor, it can be an exhilarating feeling (and not showy-off at all of course!).

You Should Be Dancing by the Bee Gees:

The Saturday Night Fever soundtrack album, featuring disco songs by the Bee Gees, is one of the best-selling soundtracks of all time. How Deep Is Your Love is the song that appears in the closing scenes of the movie as we watch a desolate Tony ride the New York subway late at night. It is one of my all-time favourite love songs (which is probably why it became the choice for my Valentine’s Day post).

So far we’ve checked out the geography of New York and talked about the bridges and the nightlife. What about the people? I read an article recently about the flamboyant octogenarian fashionistas, who cut a dash on 5th Avenue – way to go ladies!

Of course New York has long been known for its flamboyant characters and Sting sang about one of them, eccentric gay icon Quentin Crisp, in his 1988 song Englishman In New York. Another “character” committed to song was when Rod Stewart wrote and recorded  The Killing of Georgie (Part I and II) in 1976. This story song tells the tale of a young gay man who became successful and popular amongst Manhattan’s upper class. He was “the toast of the Great White Way”, which is the nickname given to the Theatre District of Midtown Manhattan. Georgie attends the opening night of a Broadway musical, but leaves “before the final curtain call” and heads across town. He is attacked near East 53rd Street by a gang of thieves and one inadvertently kills him. The song was apparently based on a true story about a friend of Rod’s old band The Faces.

I have waited a fair amount of time to feature Rod Stewart in this blog as it seems to be universally accepted that by the late ’70s he had sold out and his albums just weren’t up to the calibre of his earlier ones, but hey, I was a mere 16-year-old schoolgirl at this time and was a big fan. This song especially, combining the melancholy and sombre Part II with the more popular Part I has long been a favourite of mine.

The Killing Of Georgie (Part I and II) by Rod Stewart:

We’ve spent an awful lot of time in New York City so far in this post but what about the rest of the state? Back in the early sixties before kids started heading off to Europe on holiday they used to go with their parents to resorts such as Kellermans in the Catskill Mountains. This is where “Baby” Houseman spent the summer of 1963, and fell for dashing dance instructor Johnny Castle. Dirty Dancing was a low-budget film that had no major stars but became a massive box office hit and was the first film to sell more than a million copies on home video. It has some great dance scenes and the soundtrack is full of classic songs from that early ’60s era such as Be My Baby, Big Girls Don’t Cry, Will You Love Me Tomorrow, Love Is Strange and this one, Stay by Maurice Williams & The Zodiacs.

kell
Kellermans in the Catskills, the setting for Dirty Dancing

Stay by Maurice Williams & The Zodiacs:

There are some great scenes in the movie where the landscape of the Catskills is kind of the star. I must admit to having become a bit of a fan of this movie in my later years although didn’t really take much heed of it when it first came out. I think it’s down to the nostalgia element, the music choices and the sadness that comes from the realisation that my days of dalliances with a young Johnny Castle are well behind me. Whatever, I’ve ended up writing about songs from it three times now (Be My Baby, Doomed Romances and Summer’s End) and they take the prize for being my least viewed posts – sacre bleu!

Another song that makes me think of Upstate New York is Woodstock, written by Joni Mitchell but made famous in 1970 by Matthews Southern Comfort. The irony of course is that Joni Mitchell hadn’t even made it to the infamous festival which took place on Max Yasgur’s dairy farm, but wrote about it after having watched it from her hotel room in New York. The lyrics tell the story of a spiritual journey and make prominent use of sacred imagery, comparing the festival site with the Garden of Eden. The saga commences with the narrator’s encounter of a fellow traveller, a “child of God”,  and concludes at their ultimate destination where “we were half a million strong”.

Iain Matthews of Matthews Southern Comfort was actually from Scunthorpe in Lincolnshire but he had previously been with the band Fairport Convention who were at the time heavily influenced by American folk rock.

Well I don’t know about you but I’m exhausted. This post has been a long time coming and I’m sorry it’s so wordy, but I for one am now just pleased that it’s “in the can” so that the journey can continue. Next time we’ll be passing through the Lincoln Tunnel into New Jersey so as ever, suggestions for that state are more than welcome. Unlike with the New England states I have a feeling that it’s now going to get a whole lot easier.

A final clip before I go however – One of my favourite movies used to be Manhattan directed by Woody Allen (it now sadly troubles me). I was given the soundtrack album by the boyfriend of the day after going to see it, as I was just so bowled over by George Gershwin’s compositions. They were all performed by the New York Philharmonic Orchestra and somehow I now always think of Rhapsody In Blue when I see the New York skyline.

manhattan

Rhapsody In Blue by George Gershwin:

The 59th Street Bridge Song (Feelin’ Groovy) Lyrics
(Song by Paul Simon)

Slow down, you move too fast
You got to make the morning last
Just kicking down the cobblestones
Looking for fun and feelin’ groovy
Ba da da da da da da, feelin’ groovy

Hello, lamppost, what’cha knowin’?
I’ve come to watch your flowers growin’
Ain’t’cha got no rhymes for me?
Doot-in doo-doo, feelin’ groovy
Ba da da da da da da, feelin’ groovy

I got no deeds to do
No promises to keep
I’m dappled and drowsy and ready to sleep
Let the morning time drop all its petals on me
Life, I love you
All is groovy

40 Years Ago, Elvis “Left the Building” for the Last Time – Part 2

Last time I told the story of how it came about that my very first vinyl album was an Elvis one. Believe it or not my first CD was an Elvis one too (and I didn’t even have a CD player yet!). We had been slow to move from vinyl and cassette tape to digital mediums as I just couldn’t get my head round the concept of having to replace nearly 30 years’ worth of music, but the writing was on the wall, so when I decided to buy the new Elvis compilation album “Always On My Mind” in 1997, it had to be in CD format. As new parents money was tight, so the cutting-edge CD player had to wait until later in the year to be purchased. In the meantime however, I played it liberally on our home computer until the ridiculously large VDU (remember those) decided to blow up after over-heating one sunny afternoon. Hard to believe in Scotland I know, but we had stupidly placed it right in front of a single-glazed window.

The anniversary of Elvis’ death sort of crept up on me this week and the post that I published on the actual day itself was a very hastily put together affair. Since then however I have had a chance to read the many other posts written by my fellow bloggers, and after having watched some great video clips, listened to many of his wonderful songs and generally had a good wallow through the memorabilia in my “Elvis Box” (it’s a thing), my love for the man and his music has returned with a vengeance.

Talking of love, the CD “Always On My Mind” was subtitled The Ultimate Love Songs Collection, so not surprisingly it contains an awful lot of songs with that word in the title. Looking at it right now we have: Can’t Help Falling In Love, Love Me Tender, Love Me, Loving You, Love Letters, You Don’t Have To Say You Love Me and It’s Only Love. The word mind also crops up a couple of times as Suspicious Minds (this is a blistering live version) was included as well as the title track, Always On My Mind.

Always On My Mind by Elvis Presley:

Elvis Presley recorded his version of Always On My Mind a few weeks after his final separation from Priscilla. Although Elvis didn’t actually write any of his songs, he might as well have done, for they always seemed to be just so darned personal. Elvis was not the best of letter-writers and Priscilla used to say that they communicated through music instead, as he regularly sent her “meaningful” records after returning home from Germany. Always On My Mind was most definitely for Priscilla which makes it all the more heart-breaking. I don’t really think Elvis ever thought she would leave, but one little lady (albeit with sometimes very big hair) versus the might of the Memphis Mafia, was never going to work out in the long run.

And this is where I’m reminded of the film Blue Hawaii which has become a bit of a tradition in our house as a Boxing Day pick-me-up. Living in Scotland is a cold, damp and dreich affair over the winter months so what could be better than to curl up on the sofa with some slices of fresh pineapple (yes really) and watch Elvis rock-a-hula his way across the sands of Waikiki Beach. I am reminded of the film because of this song, Almost Always True. No, I think it’s a given that Elvis was not “always true” but he was a family man at heart so when Priscilla left, that marked the beginning of the end for him.

Funnily enough, well actually not funny at all as it turns out, my Boxing Day tradition of watching Blue Hawaii did not take place last year as that was the day we found out that George Michael had passed away. I spent most of the day surfing the net and writing the first of my tribute posts. A couple of days later however, the film Viva Las Vegas popped up on the television schedules and whilst watching the antics of Elvis and Ann-Margret (again, their on-screen chemistry suggested he was almost always true), it occurred to me that both men had similarly long careers but both came to a similarly premature, and undignified end.

So, no little paragraph this time with my musings on the “meaning of life”, as just a bit too sad. Instead a photomontage of two of my musical heroes, both taken from us far too soon. I rest my case. RIP Elvis, RIP George.

Always On My Mind Lyrics
(Song by Johnny Christopher/Mark James/Wayne Carson)

Maybe I didn’t love you
Quite as often as I could have
Maybe I didn’t treat you
Quite as good as I should have
If I made you feel second best
Girl I’m sorry I was blind
But you were always on my mind
You were always on my mind

Maybe I didn’t hold you
All those lonely, lonely times
I guess I never told you
That I am so happy that you’re mine
If I made you feel second best
Girl I’m sorry I was blind
But you were always on my mind
You were always on my mind

Tell me, tell me that your sweet love hasn’t died
Give me, give me one more chance
To keep you satisfied
I’ll keep you satisfied
Little things I should have said and done
I just never took the time
But you were always on my mind
You were always on my mind
You were always on my mind
You were always on my mind