New Cars, Mama Cass and “It’s Getting Better”

As visitors to this place know, I am often earworm afflicted and that usually comes about from having listened to something on the radio on the way home from work. Recently Mr WIAA’s car died on us and re-joined his friends from the conveyor belt, in that giant scrapyard in the sky. It had served us well for 15 years however, first as a family car and then as a means of transporting his large, messy, work-related items and sporting apparel.flat,550x550,075,f The replacement car, being a lot newer, has come with a much more cutting edge sound system and after a bit of “discussion” about how this car would have to be kept immaculately clean at all times, we made a swap. He now dots around town in a little red city car whereas I have now taken custody of the new family car with the cutting edge digital radio and sound system. Bonus.

This week, despite the political shenanigans going on all around us, there have been a lot of beautiful sunny days and the drive home from work has been a joy. I usually choose to skirt around the edge of town, rather than drive through the centre, which means you get to see the Firth, the Ben and the Bridge.

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The journey is quite a short one so there is usually only time to listen to about five songs on the radio, tops. Earlier this week the 1969 song It’s Getting Better by Mama Cass Elliot came on and it being an uplifting, joyful one I decided to test the volume control and am pleased to say it passed muster, although not wise to drive with the sound that loud for long periods probably. The song, needless to say, did become an earworm (a calque from the German ohrwurm I discovered last year) for the next few days as often happens when I hear something sung by that big lady, with the big voice.

It’s Getting Better by Cass Elliot:

I have written about Cass Elliot (as she preferred to be called) on these pages before (here and here) so no point going over old ground but she is the only artist I think other than George Michael, to have cropped up three times now. Considering her time in the sun was when I was still under the age of ten, she, and her sunshine pop style of music, obviously made a big impact on me and I still feel real joy whenever I hear her songs today.

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So, “What’s It All About?” – This song is obviously about a down-to-earth but very satisfactory relationship rather than one that is extravagantly romantic. I was nearly 30 when I met Mr WIAA and after a bit of a slow start precipitated by my carefully planned turning of the correct corner (documented recently), it has indeed just kept getting better the longer we’ve been together. Who needs fireworks when you have someone who will quite happily swap cars with you, squeeze himself into a quite frankly very girly mode of transport, just so that you can enjoy the new sound system!

Until next time…….

It’s Getting Better Lyrics
(Song by Barry Mann/Cynthia Weil)

Once I believed that when love came to me
It would come with rockets, bells and poetry
But with me and you it just started quietly and grew
And believe it or not
Now there’s something groovy and good
Bout whatever we got

And it’s getting better
Growing stronger warm and wilder
Getting better everyday, better everyday

I don’t feel all turned on and starry eyed
I just feel a sweet contentment deep inside
Holding you at night just seems kind of natural and right
And it’s not hard to see
That it isn’t half of what it’s going to turn out to be

Cause it’s getting better
Growing stronger, warm and wilder
Getting better everyday, better everyday

And just like a flower that takes time to bloom
This love of ours is taking time to grow
Ba da da da da da da da da da da da
And I don’t mind waitin’, don’t mind waitin’
Cause no matter how long it takes
The two of us know

That it’s getting better
Growing stronger, warm and wilder
Getting better everyday, better everyday

The Vernal Equinox, Nina Simone and “Feeling Good”

Today is one of my favourite days of the year. At 10.28pm tonight we reach the Vernal Equinox, one of only two points in the year when the number of hours of night and day are equal. Because it’s March, and I’m in the Northern Hemisphere, that means it’s just going to get lighter and brighter every day now for the next three months. Unlike when we reach the Autumnal Equinox, when the thought of all those extra hours of darkness makes me sad, this equinox makes me very perky – The montbretia flowers in my garden today definitely add to this perkiness!

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Any regulars to this place will know that over the last six months I have been celebrating these markers in the calendar, and following some of the traditions from those days when nature dictated all that was important in life. In the pagan calendar today is Ostara, derived from the Old English goddess Eostre, later borrowed by Christians for Easter. This festival is therefore all about fertility, where seeds are blessed for planting soon after. It is traditionally the day of equilibrium, neither harsh winter or merciless summer (although never that merciless here in Scotland to be fair). Painted eggs and baskets of flowers are generally used to decorate the house so yet again I have created a little tableau of my own with eggs, spring flowers, a hare (not a real one) and a yellow candle.

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Yesterday, as it was Sunday, I went for a walk. I couldn’t seem to muster up the enthusiasm for blogging at all and thought I might find my lost mojo, which seems to have gone a-wanderin’ of late. Taking inspiration from C at Sun Dried Sparrows who took us on a walk with her recently, how about if I take you on my walk, which was up to the local duck pond. Also, will we find the missing mojo?

Right here we go, anti-clockwise or clockwise round the pond? Yesterday I chose anti-clockwise and didn’t even realise how much birdsong was in the air until I played this back. So far however, no sign of the missing mojo. Hmm… Where can it have gone?

Ok, so now we’ve got to the other side of the pond but thank goodness I went to the loo before I left or I’d be in trouble with the sound of all this running water! Loads of bikes been this way by the looks of things so a bit muddy but time perhaps for a wee sit down and another good look round for that pesky missing mojo.

No still nothing, but wait a minute, I see a few ducks out on the pond, maybe they’ve seen it.

“Hi guys, you haven’t happened to see my missing mojo have you? It was around until a couple of weeks ago but seems to have gone a-wanderin’.”

“Oh, hi Alyson, lovely day isn’t it. Yes we have seen it actually, it’s over by the Pet Cemetery.”

“Cheers guys, I’ll go and take a look.”

Got it!  It was hiding out amongst those tiny little gravestones marking the resting place of long gone, but much-loved pets.

What with the birdsong, the ducks, the blue skies and the forest, the perkiness brought on by the coming of today’s vernal equinox really hit me yesterday on the way back from my walk. What kind of song would suit a day like this I thought to myself and it turned out to be Feeling Good by Nina Simone.

Birds flying high you know how I feel
Sun in the sky you know how I feel
Breeze driftin’ on by you know how I feel

It’s a new dawn
It’s a new day
It’s a new life for me yeah

Feeling Good by Nina Simone:

Feeling/Feelin’ Good (take your pick) was written back in 1964 by Anthony Newley and Leslie Bricusse for the Broadway musical The Roar of the Greasepaint – The Smell of the Crowd. Nina Simone recorded the song for her 1965 album “I Put a Spell on You” and it has kind of become a standard and been covered by many other artists including George Michael, Muse, Michael Bublé and American jazz musician John Coltrane. I would of course be lying if I said I remembered it from back then – Oh no, as often happens Nina’s version was used by a car company for a 1994 television advert, which in turn led to it re-entering the UK Singles Chart in the July of that year. Thankfully I couldn’t have been over-exposed to it at that time, as sometimes happens when song is used in that way, as I still enjoy listening to it and it is of course my very aptly chosen featured song for today, the day of the Vernal Equinox

It is not often that I revisit anything from the 21st century in this blog but I do also have a soft spot for the version by Muse which was originally recorded for their 2001 album “Origin of Symmetry” but was again used for an advert (must be good for sales), this time for an airline company. Until next time, I give you Muse with Feeling GoodHappy Ostara!

Feeling Good Lyrics
(Song by Leslie Bricusse/Anthony Newley)

Birds flying high you know how I feel
Sun in the sky you know how I feel
Breeze driftin’ on by you know how I feel

It’s a new dawn
It’s a new day
It’s a new life for me yeah

It’s a new dawn, it’s a new day, it’s a new life for me
Oh
And I’m feeling good

Fish in the sea, you know how I feel
River running free, you know how I feel
Blossom on the tree, you know how I feel

It’s a new dawn
It’s a new day
It’s a new life
For me
And I’m feeling good

Dragonfly out in the sun you know what I mean, don’t you know
Butterflies all havin’ fun, you know what I mean
Sleep in peace when day is done, that’s what I mean
And this old world, is a new world
And a bold world for me

Stars when you shine, you know how I feel
Scent of the pine, you know how I feel
Oh freedom is mine
And I know how I feel

It’s a new dawn
It’s a new day
It’s a new life
For me

And I’m feeling good

Peter Sarstedt, A Trio of Brothers and “Where Do You Go To My Lovely?”

Well, it’s over a week since I’ve posted anything new but what shall I write about today? Time to refer to my trusty blogging notebook (it’s a thing) in order to check out the long list of “ideas for future posts” that seems to have developed. Now this list is growing faster than I can keep up with the writing, but I am drawn to a post idea that I had last June, around the time of my birthday, when I wrote about those artists who were really big around the time I was born. I always think it’s a bit silly to receive a gift with songs from the year of your birth as you will have no memory of them, or affinity to them at all, as it is not until you around six or seven that you really start to take heed of such things and remember them in later life.

Back then my chosen featured artist (from 1960) was Adam Faith but included in the long list of his contemporaries was Eden Kane. I had no idea until that point that Eden Kane was in fact Richard Sarstedt who was the older brother of Peter and Robin, both of whom I did remember from the “tracks of my years”.

The Sarstedt brothers, like Cliff Richard and many other shiny stars from the world of entertainment (is there a connection I wonder?), were born in India in the 1940s. Sadly their father died quite young after which they came back, with their mother, to live in the UK. Richard was first off the mark and formed a skiffle group. Like that other group of three brothers, the Bee Gees, he included his younger siblings but after winning a talent contest changed his name to Eden Kane and went onto solo success. His 1960 song Well I Ask You even reached the No. 1 spot in the UK Singles Chart.

Eden/Richard’s career was on the wane by 1964 as groups such as the Beatles and the Rolling Stones started to take over the airwaves. On a stopover in Los Angeles later that year however he met journalist Charlene Groman, the sister of American actress Stefanie Powers, whom he went on to marry. He has lived and worked in LA ever since, and they are still happily married today.

Peter Sarstedt was the next brother to pick up the mantle of singing stardom. Although another pop artist, his music was more derived from traditional folk music. He is best known for writing and performing Where Do You Go To (My Lovely) which again was a No. 1 hit in the UK Singles Chart, this time in 1969, and even won an Ivor Novello Award. It is very much a “story song” about a fictional girl called Marie-Claire who grows up on the poverty-stricken backstreets of Naples, but soon becomes a member of the international jet set and goes on to live in Paris. The lyrics are from the perspective of a childhood friend but the rhetorical question of the title suggests that her glamorous lifestyle may not have brought Marie-Claire happiness or contentment. The lyrics of the song reflect the fact that we seemed to be having a bit of a love affair with all things European that year, what with Jane, Serge and Jacques Brel also making a massive impact. Oh dear, how things change.

Here is a great clip that not only showcases Peter, his lovely song, and stupendous moustache, but also Simon Dee whom some of us of a certain age will remember well from late ’60s Saturday night telly. Sadly Peter Sarstedt died in January this year at the age of 75 and as happened last year, I am only now getting round to writing about him, after his death. The artists who have formed the “tracks of my years” are leaving us faster than I can get round to writing about them – Will have to pick up the pace.

Where Do You Go To (My Lovely) by Peter Sarstedt:

The third brother, Robin Sarstedt (whose actual name was Clive) had a bit of a hit in 1976 with the Hoagy Carmichael-penned My Resistance Is Low. I remember this song well as it was from the era when I probably listened to more chart music than at any other point in my life. In the mid ’70s we seemed to be having a love affair with these old classics, possibly because there were quite a few films around at that time set in earlier decades and I know that girl’s clothes and hairstyles also had a distinct retro feel to them. I should know because I had a couple of dresses which were very much in the style of the ’30s and ’40s. ‘Twas the times.

So, “What’s It All About?” – I really will have to pick up the pace. If I am getting older, so are my musical heroes, and it’s much nicer writing about them when they are still alive as opposed to after they have died. I see that Joni from Sister Sledge died yesterday and last month it was Al Jarreau – Both are linked to “posts pending” in my blogging notebook so again it will have to be a “posthumous post” (so much alliteration).

And, although I don’t really do politics here, this of course is the month when the Triggering of Article 50 happens. Back in 1969 we weren’t even in Europe yet and here was Peter Sarstedt writing songs about girls called Marie-Claire from Naples, Sasha Distel, Marlene Dietrich, Zizi Jeanmaire, Balmain and Picasso. Somewhere along the line something has gone horribly wrong.

Until next time….

Where Do You Go To My Lovely Lyrics
(Song by Peter Sarstedt)

You talk like Marlene Dietrich
And you dance like Zizi Jeanmaire
Your clothes are all made by Balmain
And there`s diamonds and pearls in your hair
You live in a fancy apartment
Of the Boulevard of St. Michel
Where you keep your Rolling Stones records
And a friend of Sacha Distel

But where do you go to my lovely
When you’re alone in your bed
Tell me the thoughts that surround you
I want to look inside your head

I’ve seen all your qualifications
You got from the Sorbonne
And the painting you stole from Picasso
Your loveliness goes on and on, yes it does
When you go on your summer vacation
You go to Juan-les-Pins
With your carefully designed topless swimsuit
You get an even suntan, on your back and on your legs
When the snow falls you’re found in St. Moritz
With the others of the jet-set
And you sip your Napoleon Brandy
But you never get your lips wet

But where do you go to my lovely
When you’re alone in your bed
Tell me the thoughts that surround you
I want to look inside your head, yes I do

Your name is heard in high places
You know the Aga Khan
He sent you a racehorse for Christmas
And you keep it just for fun, for a laugh haha
They say that when you get married
It’ll be to a millionaire
But they don’t realize where you came from
And I wonder if they really care, they give a damn

But where do you go to my lovely
When you’re alone in your bed
Tell me the thoughts that surround you
I want to look inside your head

I remember the back streets of Naples
Two children begging in rags
Both touched with a burning ambition
To shake off their lowly brown tags, yes they try
So look into my face Marie-Claire
And remember just who you are
Then go and forget me forever
`Cause I know you still bear
the scar, deep inside, yes you do

I know where you go to my lovely
When you’re alone in your bed
I know the thoughts that surround you
`Cause I can look inside your head

Sandy Posey, The Primitives and “Single Girl”

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Well the stinky cold I mentioned in my last post has got worse and I am bedridden – Can’t be helped though as it seems the whole town has come down with this horrid virus. We will all emerge from our sickbeds in due course but just goes to show, even in 2017 the “common cold” (doesn’t feel that common from where I am at the moment) is something we are still a long way off from conquering. Oh and of course this was the week that I was due to start my new job but what with going home early on Monday, braving it out on Tuesday and Wednesday but then missing Thursday and Friday altogether, not a great start. We have collectively decided that I will now start the new job next week instead so cross fingers I’ll be back to firing on all cylinders by then. But don’t worry – Last time I checked you can’t catch a cold via an internet browser!

How have I passed my time then over the last couple of days? I have actually finished a novel which I started only recently. Since starting the blog I have noticed a serious decline in the time I spend reading fiction although I have of course spent an awful lot of time reading other people’s blogs and carrying out research for my own, so not low on word count, just not as much from the new Best Sellers lists as used to happen.

I also had another look, as I have been wont to do quite often this year, at the UK Singles Chart from 1967 – Now a full 50 years ago but always something “lesser-known” in there that jumps out at me. This time it was Single Girl by Alabama-born countrypolitan (it’s a thing) artist Sandy Posey. I really don’t think I am remembering this song from back then however but rather from 1975 when it was re-issued. We seemed to be having a bit of a love affair in the mid ’70s with the music of the ’60s when all of a sudden back in the charts were songs by The Shangri-LasThe Chiffons and so it seems Sandy Posey.

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I’m not sure what Sandy looked like in 1975 but first time around she looked like the
average ’60s housewife but that was the style of choice back then for women singers who hadn’t really adapted yet to the brave new world that was emerging. Also this song can be seen as being a bit anti-feminist but I don’t really see it that way. It tells the simple, yet timeless tale, of a woman who just looks forward to the day when she will find someone to love and settle down with. Considering how popular online dating sites are nowadays, have things really changed all that much? I know that some of the best times in my life were when I flat-shared with other single girls but what did we spend every weekend doing? – Going out on the town in the hope we would find the man of our dreams which ironically would ultimately put an end to the “fun-times” we were all having flat-sharing. We are it seems, pre-programmed to pair up and create families but again, ironic, as in 2017 the divorce rate is as high as 50 percent so we’re not doing a very good job of it. I have my own theories about that one but perhaps for another today.

Single Girl by Sandy Posey:

As it turns out, indie band The Primitives from Coventry, who are probably best known for their 1988 hit Crash, must also have been a bit smitten by Single Girl as they included it on their 2012 comeback album “Echoes and Rhymes”. I really don’t think they would have included an anti-feminist track on any of their albums so like me they must just be reading into the lyrics that there are indeed two sides to this independence we have fought so hard to achieve.

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Being ill today reminds me of the time when I first came to live in the Highlands – I had this great new job, a nice flat and car but no close friends yet. Down to very bad timing (and trust me I’m not ill very often) I picked up a nasty virus in the first few weeks and was all alone in my new flat with no-one to go out and get bread, milk or flu-remedies for me. In the end I sent out an SOS to my new workplace asking if someone could drop a few things off which they kindly did – Like Sandy Posey I was that single girl, all alone in a (medium-sized) town and feeling very sorry for myself!

Until next time, I leave you with The Primitives and their version of Single Girl.

Single Girl Lyrics
(Song by Martha Sharp)

The single girl all alone in a great big town
The single girl gets so tired of love letting her down
The life’s unreal and the people are phoney
And the nights can get so lonely
The single girl needs a sweet loving man to lean on
I’m a single girl wondering if love could be passing her by
I’m a single girl and I know all about men and their lies
Nobody loves me cause nobody knows me
Nobody takes the time to go slowly

The single girl needs a sweet loving man to lean on
I gotta make my own way
There’s rent I gotta pay
I need a night-time love to get me through the day
I’m a single girl all alone in a great big town
I’m a single girl and I get so tired of love letting me down
But there’s a man I’ve yet to know
Waiting somewhere I’ve yet to go
Someday I’ll have a sweet loving man to lean on

The (Very) Eclectic Mix of Honor Blackman, Andy Stewart and Eric Idle

Reminiscing in my last post about those shiny white boots worn by Nancy Sinatra, reminded me that in December 1990, the novelty song Kinky Boots by those intrepid Avengers Patrick Macnee and Honor Blackman had made it to the top of the UK Singles Chart. Nancy had recorded the theme song to the Bond movie You Only Live Twice and Honor of course played infamous Bond girl Pussy Galore (wouldn’t get away with that name nowadays thankfully), so both ladies had a bit more in common than just a habit of wearing, and singing about, boots!

The reason that I know it was a hit in Dec 1990 is because I still have a copy of the 7-inch single in my collection! At that time BBC Radio 1 was aimed at a more mainstream audience and the Breakfast Show DJ was Simon Mayo. Every year prior to Christmas he championed an old ’60s novelty song and gave it copious amounts of airplay. Needless to say it always sold well and made it to the higher reaches of the singles chart, No. 5 in this case. I’m pretty sure my boyfriend of the time (now husband) bought it for my “hypothetical” Christmas stocking (trying to fit a record of any kind into a real stocking tended to be a physical impossibility).

Kinky Boots had been commissioned to accompany a short film about these fashionable items of footwear for the very popular early ’60s satirical TV Programme, That Was The Week That Was. The most obvious candidates to sing the song were the stars of the new spy-fi drama that was entertaining Britain at that time – The main characters in The Avengers were Steed with his bowler hat and umbrella, and Cathy Gale in her long thigh-length boots. This was a very new kind of role for a woman in television and Honor Blackman played her perfectly. The role must have led to her becoming the leader of the all-female Flying Circus in Goldfinger but there followed in her wake a string of other “Avenging” women namely Emma Peel, Tara King and in the ’70s, the iconic Purdey, who inspired a generation of girls to have their beautiful long hair cut into a bowl shape!

But back to Simon Mayo’s Breakfast Show on the radio – Unbelievably, the previous year the song he had championed was actually by our very own local hero, Andy Stewart. Andy had been a bit of an institution in Scotland in the world of light entertainment and presided over the excruciatingly embarrassing White Heather Club which ran for 10 years between 1958 and 1968. It portrayed a very tartanised version of Scotland, what with the kilts, the dancing, the accordions and all the other stereotypical falderals and although very popular with television audiences, if you were a kid like me, lapping up all the great music that was emerging from America and “Swinging London”, it was seen as very uncool.

But in his wisdom Simon Mayo must have discovered Andy’s novelty song Donald Where’s Your Troosers from 1960 and helped it reach No.4 in the December 1989 singles chart. This could be a difficult listen I grant you, but bear with it, as Andy was a great impressionist as well as a singer/comedian and his impression of Elvis (at 1:45) is still a really funny one.

Out of interest, the third of Simon’s attempts to influence the outcome of who might top the Christmas singles chart, was when he championed Always Look on the Bright Side of Life sung and written by Eric Idle. It had first appeared in the Monty Python film The Life of Brian and here it was back in the charts in December 1991, this time reaching the No. 3 spot. This song still resonates with us today and it has popped up quite frequently in the various blogs I follow of late – ‘Tis the times we obviously live in.

Always Look on the Bright Side of Life by Monty Python:

So, “What’s It All About?” – I really miss that sense of community we used to get from all watching or listening to the same thing at the same time. If like me, you worked in an office back in the ’80s and ’90s, the topic of conversation first thing in the morning was whatever had been on television the night before (very memorable Wogan interviewees for example, and I think we all know who I’m talking about) and what the breakfast DJ had been playing as we got ready for work. Now all you get is, “Don’t tell me what happened, I’ve recorded it” or “I only watch Netflix and boxsets” or “I don’t listen to that radio station”.

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In an era with so much choice and so many ways to consume visual and aural entertainment we have lost what it was that used to bring us all together. The days of getting together for a sing-song around the piano have long-gone and now it seems we hardly ever watch or listen to the same things, at the same time. Maybe, just maybe, that is why I am enjoying the blogosphere so much – Once you are part of a little group, you end up all reading (watching and listening to) the same post at the same time and have a wee chat about it. It’s not the community of my parents generation and not even the community of 20 years ago, but perhaps it’s a new kind of community that works for the modern day world. I may not know much about any of you, but it’s nice that you take the time to drop by and leave some feedback – Whether I’m likely to get much feedback on a post featuring Andy Stewart remains to be seen, but here’s hoping!

Until next time….

Always Look on the Bright Side of Life Lyrics
(Song by Eric Idle)

Cheer up, Brian. You know what they say.
Some things in life are bad,
They can really make you mad.
Other things just make you swear and curse.
When you’re chewing on life’s gristle,
Don’t grumble, give a whistle!
And this’ll help things turn out for the best
And

Always look on the bright side of life!

Always look on the bright side of life
If life seems jolly rotten,
There’s something you’ve forgotten!
And that’s to laugh and smile and dance and sing,

When you’re feeling in the dumps,
Don’t be silly chumps,
Just purse your lips and whistle — that’s the thing!
And always look on the bright side of life

Come on!

Always look on the bright side of life

For life is quite absurd,
And death’s the final word.
You must always face the curtain with a bow!
Forget about your sin — give the audience a grin,
Enjoy it, it’s the last chance anyhow!

So always look on the bright side of death!
Just before you draw your terminal breath.
Life’s a piece of shit,
When you look at it.

Life’s a laugh and death’s a joke, it’s true,
You’ll see it’s all a show,
Keep ’em laughing as you go.
Just remember that the last laugh is on you!

And always look on the bright side of life

Always look on the bright side of life

Come on guys, cheer up

Always look on the bright side of life

Always look on the bright side of life

Worse things happen at sea you know

Always look on the bright side of life

I mean, what have you got to lose?
you know, you come from nothing
you’re going back to nothing
what have you lost? Nothing!

Always look on the bright side of life

Shiny Boots, Nancy Sinatra and “Sugar Town”

Well, I’ve wanted to feature this song in the blog for a while, and today seems to be the day for a variety of reasons – Yes it’s a shoo-shoo-shoo, shoo-shoo-shoo, shoo-shoo, shoo-shoo, shoo-in (all will become clear).

Last month, as we had moved into 2017, I decided to look back at the first chart listing from 50 years ago which seems to have become, in the course of writing this blog, my favourite year to revisit. Back then the song that jumped out at me was Sitting In The Park by Georgie Fame, so I decided to write about it. Looking at the same 1967 chart a month on, the song that jumped out at me this time was indeed Sugar Town by Nancy Sinatra. I have written about Nancy before as she still tops my personally ranked list of “Favourite Ever Bond Themes”, with You Only Live Twice but I wasn’t really familiar with Sugar Town until recently. As sometimes happens with the music of 1967, I am smitten.

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The second reason for today’s pick is that I have been curious of late as to how my blogging buddies got started so I’ve gone back to have a look at their very first posts, some from quite a few years ago. Lo and behold, over at Charity Chic Music, one of CC’s first picks in 2012 was Sugar Town by Nancy Sinatra whilst C (no relation) at Sun-Dried Sparrows also wrote about Nancy in her second ever post (as an accompaniment to showcasing a very shiny new pair of boots!). A lot of synchronicity going on at the moment in our little corner of the blogosphere, first with posts about songs from the world of psychedelic rock and now it seems with Nancy Sinatra!

Sugar Town by Nancy Sinatra:

Of course most people will remember Nancy for her 1966 hit record These Boots Are Made For Walkin’ and although I could only have been about five at the time, one of my very first memories is of watching Nancy and her troop of “go-go dancers” perform this song on television. It was catchy indeed and was definitely one of the songs even my mum and dad could be caught singing along to whilst doing the housework or a bit of DIY.

You rarely saw Nancy without her boots and they kind of became her signature item of clothing. Like Kylie, she was very petite and doll-like, but with the help of Lee Hazelwood did well to carve out a successful career for herself despite being the daughter of the icon that was Frank. As for me, all through Junior School I coveted those white shiny boots but of course I never did get a pair – It was always a pair of sensible, fur-lined (it was Scotland after all), leather boots carefully fitted by those expert foot-measurers at the Clarks or Start-rite shop.

As I mentioned above, there have been quite a few posts regarding the world of psychedelic rock of late and I myself wrote about White Rabbit by Jefferson Airplane last week. It was one of the first songs to get past the radio censors with its “Alice In Wonderland-esque” lyrics. Sugar Town also was an LSD song if ever there was one and Lee Hazelwood, the songwriter, freely admitted it. The song was directed at a young audience but was outwardly innocent enough to receive radio play.

So, “What’s It All About?” – I never did get a pair of white shiny boots and somehow I don’t think now that I ever will. I did buy a pair of very bright red ones recently however and people at work, who have never spoken to me before, have stopped to admire them – A great conversation starter and now that I think of it, perhaps how to get ahead in the modern day workplace.

Nancy it seems knew exactly what she was doing!

Sugar Town Lyrics
(Song by Lee Hazelwood)

I got some troubles, but they won’t last
I’m gonna lay right down here in the grass
And pretty soon all my troubles will pass
‘Cause I’m in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

I never had a dog that liked me some
Never had a friend or wanted one
So I just lay back and laugh at the sun
‘Cause I’m in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

Yesterday it rained in Tennessee
I heard it also rained in Tallahassee
But not a drop fell on little old me
‘Cause I was in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

If I had a million dollars or ten
I’d give to ya, world, and then
You’d go away and let me spend
My life in shoo-shoo-shoo, shoo-shoo-shoo
Shoo-shoo, shoo-shoo, shoo-shoo Sugar Town

Postscript:

Anyone who visited this post earlier today may have noticed that the music clip I first included was not indeed by Nancy Sinatra but one that I found in my library by another artist. It turns out that darling daughter once got a CD from the Lush soap people which included Sugar Town by the Fresh Handmade Collective, a group of singers and musicians put together to create promotional CDs for the company. Quite different lyrics and Southend-on-Sea substituted for Tennessee. Still a sweet version though and well worth a listen.

Sugar Town by the Fresh Handmade Collective:

Alice, Jefferson Airplane and “White Rabbit”

After getting into the routine of writing very long posts which need a fair bit of research, I really enjoyed putting together a much shorter one last week where the featured song was married up with a set of pictures. This week I’m going to try and do the same, albeit using a very different subject matter:

The tickets are now booked and towards the end of next month we’re off to the Big Smoke, or That London as I’ve heard it called recently, to attend an awards ceremony for those who work in Mr WIAA’s industry. We went for the first time last year and it all worked out so well we have replicated our travel plans exactly. He has apparently won an award, but they very cunningly don’t tell you what it is until the actual ceremony, to leave an element of surprise they say, but img_0319more likely to ensure that as many of us attend as possible. As it turns out you pretty much know what you have or haven’t won the minute you arrive, as last time those of us seated in the “body of the kirk” were the runners up, whereas those who got aisle seats had won the top prizes, the gold awards, and had to go up on stage to receive them. There is no monetary value to the award, just the prestige of being the best in the country at what you do (or perhaps the best of those who have entered but much the same thing), but all very swish and a chance for us country bumpkins from the North of Scotland to experience such a thing. Last time I was happy just to have the chance to put on my posh frock and admire the amazing venue where the ceremony took place. Once the schmoozing started there was even wine and nibbles and being one who very rarely drinks nowadays due to designated driving duties, I got quite tipsy, quite quickly (oops), and therefore made lots of new friends! Wonder if they’ll remember me this year?

The subject matter for his entry this time was the marrying up of sculpture with literature and after a few false starts due to copyright issues it was discovered that Lewis Carroll’s Alice In Wonderland was fair game for inspiration. Now I think this book was one of the very first hardback novels I ever owned, and I still have it as it was a present from my grandmother. Back then I read it as a children’s story but of course being from the fantasy genre it has had a lasting popularity with adults as well. I give you, Mr WIAA’s 2017 entry:

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And if you go chasing rabbits

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And the Red Queen’s off with her head

Today’s featured song could therefore be none other than White Rabbit by Jefferson Airplane, that ’60s band from San Francisco who pioneered psychedelic rock. They headlined at all three of the very memorable (but perhaps not for those who were there) rock festivals of that era, Monterey, Woodstock and Altamont and when I think of 1967’s Summer of Love, I think of them.

White Rabbit by Jefferson Airplane:

The very beautiful Grace Slick wrote White Rabbit and brought it with her when she joined the band. It uses the imagery from 1865’s Alice’s Adventures in Wonderland and its 1871 sequel Through the Looking-Glass and her references include Alice, the hookah-smoking caterpillar, the White Knight, the Red Queen and the Dormouse. For Grace Slick, “The White Rabbit” was your curiosity and of course at that time drugs were very much a part of mind-expanding and social experimentation. With its enigmatic lyrics, in 1967 (that year again) White Rabbit became one of the first songs to sneak drug references past censors on the radio.

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As for Mr WIAA’s interpretation of the works of Lewis Carroll, it is a lot more literal, physical and 3-dimensional so I’m pretty sure he’ll sneak his way past the award body’s board of censors. At his age his drugs of choice tend to be for indigestion or hayfever and sadly there haven’t been too many Summers of Love for him lately, so I think he’ll be ok and hopefully will do well with it in this year’s completion.

So, “What’s It All About?” – Sadly most of the craftspeople who will enter the competition are now of a certain age, and no-one is coming up behind, so these skills are being lost in our country forever. There has been a lot of talk about globalisation recently and we have seen it first hand in our industry as one by one the centuries-old casting companies of Sheffield and Birmingham shut up shop for good, unable to compete with the new technology and prices offered by the Far East. This will be Mr WIAA’s last vanity project as they are expensive to make and he has now been replaced by 3D photocopiers. It is sad, but a fact of modern day life in the Western world. I do wonder about what would happen if one day the machines rebel and refuse to work for us any more – Would anyone even be able to write in longhand any more, one of the most basic of life skills?

But hey, I don’t want to end this very pictorial post on a downbeat note so here is a montage of some of the other beautiful things that were presented at last year’s awards. As for us, we’ll be down at the end of the garden with our hookahs, looking for a rabbit hole, the voice of Grace Slick ringing in our ears!

White Rabbit Lyrics
(Song by Grace Slick)


One pill makes you larger, and one pill makes you small

And the ones that mother gives you, don’t do anything at all

Go ask Alice, when she’s ten feet tall

And if you go chasing rabbits, and you know you’re going to fall
Tell ’em a hookah-smoking caterpillar has given you the call

And call Alice, when she was just small

When the men on the chessboard get up and tell you where to go
And you’ve just had some kind of mushroom, and your mind is moving low

Go ask Alice, I think she’ll know

When logic and proportion have fallen sloppy dead
And the white knight is talking backwards
And the red queen’s off with her head
Remember what the dormouse said
Feed your head, feed your head

Kris Kristofferson, Johnny Cash and “Sunday Morning Coming Down”

Last time I wrote about the song Fog on the Tyne which was actually a suggestion from one of my blogging buddies as it followed on nicely, in meteorological terms anyway, from my previous post which was about the song Misty by Ray Stevens. Lo and behold, just when I needed some inspiration, down from the “cloud” (I am restoring all my files onto a new computer) came a series of old pictures of my late father-in-law who was a Geordie by birth and who had worked as a young man, right in the centre of Newcastle, in an office overlooking the River Tyne.

The other suggestion I had received as to what song could follow on nicely from Misty was from Lynchie, a regular visitor to this place, who informed me that Ray Stevens had been the first person to record the Kris Kristofferson-penned song Sunday Morning Coming Down in 1969. I was a bit nervous about stepping on toes however as our Chain host over at Dubious Towers produces an excellent weekly country music thread with that same title – An homage to the song and its writer. As he just seems to have just found his blogging mojo again however after a surprisingly common bout of January blues, I rather hoped he’ll let me off. Lo and behold, what suddenly descended from the “cloud” yesterday afternoon but an mp3 of the Johnny Cash version of Sunday Morning Coming Down that I didn’t even remember I had – This post was meant to be!

Mr Kristofferson is someone I have long admired – Back in the ’70s he appeared in many films (Pat Garrett and Billy the Kid, Convoy, Alice Doesn’t Live Here Anymore, A Star Is Born) and for some reason he was one of the actors I took a real shine to. I have always had a penchant for a man with a beard (although not necessarily today’s hipster style), and he did sport a very rugged look back then. What I have now discovered is that not only did he write some of the most iconic songs from that era but he was probably one of those guys who would have succeeded in whichever path in life he chose. A top scholar, an accomplished athlete, a US Army captain, a helicopter pilot, a novelist, an actor and a singer/song-writer.

Having just checked, I find it incredible that he never once appeared in the British music charts in his own right, despite the fact that so many of his songs did make an appearance when sung by other people – For the Good Times by Perry Como and Help Me Make It Through the Night by Gladys Knight and the Pips amongst others. He definitely did make an appearance for several weeks in a row however on 1977’s TOTP as he was Barbra Streisand‘s love interest in the film A Star Is Born – Much smooching was done during the filmed recording of the song Evergreen which was a massive hit for her that year. (Yes, my 16-year-old self was definitely smitten with Mr K in that one.)

But this was supposed to be a post about the song Sunday Morning Coming Down and as we have now ascertained Kris Kristofferson wrote it and Ray Stevens was the first person to record it, but when Johnny Cash did a version in 1970 it reached No. 1 on the country chart and won the Country Music Association Award for Song of the Year. The story is that Kris, who was working as a janitor at the time for Columbia Records in Nashville mainly to get a foothold in the industry, flew his National Guard helicopter right onto Johnny’s front lawn in order to deliver the demo tape in person. That was the turning point for him however as once Johnny took the song on, and made it his own, Kris was quoted as saying that he never again “had to work for a living”.

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As for how I came to have a copy of the song in my digital library – That would be because a few years ago I had not so much a mid-life crisis but all of a sudden I became besotted with country music. It started off with acquiring Glen Campbell CDs but I then progressed to compilations of Greatest Country Hits and just about anything else I could lay my hands on, which of course included a Johnny Cash CD containing the song Sunday Morning Coming Down. Before then I had mainly known Johnny from his more light-hearted songs such as One Piece at a Time and A Boy Named Sue but also from the film I Walk The Line and the documentaries about his concerts held in the various state penitentiaries across America. Perhaps you have to be of a certain age to truly appreciate country music, and likewise, in order to really emote the lyrics in the songs you need to have a modicum of life experience, which by the time I came to appreciate Johnny he truly would have had.

The clip here is a great one as not only do we have Johnny but also Kris singing the song, making it a duet. The preamble is something they used to do quite a lot of on these sort of shows, and can be a bit cringifying, but it does lead in to an excellent performance.

Sunday Morning Coming Down by Johnny Cash:

So, “What’s It All About?” – It seems you should never be dismissive of any genre of music as one day you might just suddenly “get it” and you have a great new world to explore. As for Mr Cash’s voice, it was a deep calm bass-baritone which you just don’t often hear in music nowadays. I find it ironic that I always knew him best for his humorous songs, considering he built a whole persona around being “The Man in Black” – Sombre, serious and frankly quite scary.

As for Kris, unlike Johnny he is still with us, and rumours are afoot that he may even appear at Glastonbury this year which would be truly amazing. I am partly amazed by this because I know he is exactly the same age as my little mum and somehow I just can’t imagine her gracing the stage at Glastonbury. What she can do however is read this blog and it has become a feature of our Friday evenings together, when I go to visit. I really don’t think she quite understands the whole concept of “blogging” and why should she?Sharing your innermost thoughts, with complete strangers, across every corner of the globe is indeed a bizarre concept but one that can bring great enjoyment, so I for one intend to keep going!

Until next time….

Sunday Morning Coming Down Lyrics
(Song by Kris Kristofferson)

Well, I woke up Sunday morning
With no way to hold my head that didn’t hurt.
And the beer I had for breakfast wasn’t bad,
So I had one more for dessert.
Then I fumbled in my closet through my clothes
And found my cleanest dirty shirt.
Then I washed my face and combed my hair
And stumbled down the stairs to meet the day.

I’d smoked my mind the night before
With cigarettes and songs I’d been picking.
But I lit my first and watched a small kid
Playing with a can that he was kicking.
Then I walked across the street
And caught the Sunday smell of someone frying chicken.
And Lord, it took me back to something that I’d lost
Somewhere, somehow along the way.

On a Sunday morning sidewalk,
I’m wishing, Lord, that I was stoned.
‘Cause there’s something in a Sunday
That makes a body feel alone.
And there’s nothing short a’ dying
That’s half as lonesome as the sound
Of the sleeping city sidewalk
And Sunday morning coming down.

In the park I saw a daddy
With a laughing little girl that he was swinging.
And I stopped beside a Sunday school
And listened to the songs they were singing.
Then I headed down the street,
And somewhere far away a lonely bell was ringing,
And it echoed through the canyon
Like the disappearing dreams of yesterday.

Georgie Fame, “Sitting In The Park” and Years That End With A Seven!

Something I do love about a brand new year is that the calendar (for 2017 this time), is as yet full of blank pages. We don’t know yet what the year will bring (although considering what last year brought maybe that’s a good thing) – 30 years ago it brought a new job, a new town and a new life. But this is supposed to be a music blog so what would I have been listening to back in 1987? Looking at the UK Singles Chart for this week, 30 years ago, the record still at No. 1 was Reet Petite by Jackie Wilson. I am constantly amazed at how rarely the top-selling record at any time really reflects the musical zeitgeist of the times, and this is a perfect example. Reet Petite was written for Jackie by Motown founder Berry Gordy back in 1957 but here it was giving much joy, 30 years later.

I didn’t really know which direction this post was going to take before I started but it does seem to heading in the general direction of revisiting years that end with the number 7! Those of you who follow these pages will know that over the last twelve months my favourite year for revisitation has been in fact 1967 as somehow the music from that era is the most pleasing to my now middle-aged ears. Why is that I wondered? It turned out to be down to a combination of factors but one of the main ones was simply that I was a very happy child and songs from that era only conjure up only good memories. Also my awareness of the world of popular music was still at its nathpc7qncicscent state, so songs from that year are still lesser-known and I have not tired of them in the same way that I have tired of some of the material from my own, very well-known era, the ’70s and ’80s.

Looking back at the UK Singles Chart for week commencing 5th January 1967, it contains many rare gems I have not yet tired of. One that quickly became an earworm (of the very pleasant variety) was Sitting In The Park by Georgie Fame. Back in my childhood days I always used to mix up Georgie Fame and Alan Price (ex of The Animals), but looking into it a bit more, both of them did usually sit at keyboards of some sort and did work together quite a bit over the years, so explains a lot

Sitting In The Park by Georgie Fame:

Georgie’s real name was Clive Powell but once he became managed by Larry Parnes, who had given new stage names to Marty Wilde and Billy Fury (there’s a pattern forming here) the new name was pretty much forced upon him. Georgie Fame was essentially an R&B and jazz singer who had many hits in the ’60s, Sitting In The Park being one of his less successful actually. He had played piano for Billy Fury as part of his backing band The Blue Flames, and this record was indeed attributed to “Georgie Fame and the Blue Flames”. He is still the only British pop star to have achieved three number one hits with his only Top 10 chart entries. There was Yeh, Yeh in 1964, Get Away in 1966 and The Ballad of Bonnie and Clyde in 1967 (inspired by the film from the same year).

bonnie.jpgLike many others from this era, Georgie had been heavily influenced from early on by the great jazz and blues musicians and was one of the first white artists to be influenced by the ska music he heard in Jamaican cafes. The Blue Flames had a three-year residency at the Flamingo Club in Soho which was usually full of American GIs who came in from their bases for the weekend. They brought records with them and after one GI gave Georgie a copy of Green Onions by Booker T & the MG’s, he apparently went out and bought a Hammond organ the very next day.

The song Sitting In The Park (which I find both beautiful but also desperately sad – commonplace when revisiting this era) was actually written by American R&B/soul artist Billy Stewart. He had a string of hits in the ’60s although was more popular in his native USA. Billy sadly died in a car accident shortly before his 33rd birthday. Here is his version of this song from 50 years ago which I have just discovered, and find strangely enchanting.

So, “What’s It All About?” – It’s a new dawn, it’s a new day…  Oh no, that’s another song altogether by Nina Simone! It is however a new year and one that does indeed end with a 7 – A number with all sorts of significance. There are 7 days in the week, 7 notes on the musical scale, 7 wonders of the world and 7 deadly sins. There is also the fictional MI6 agent 007, and of course it was the number on the back of a certain well-known footballer’s shirt.

As for me, I think I’ve just had another touch of “blogger’s block” in this, the first week of a new year, which might well account for this very odd post. Whatever, I hope to return to form soon but in the meantime it has been a joy reacquainting myself with the sounds of Georgie Fame and Billy Stewart, who were both, just sittin’ in the park.

Until next time…

Sitting In The Park Lyrics
(Song by Billy Stewart)

Sittin’ in the park,
Waitin’ for hooo-hoo-hoo-hoo sha-la

Yes I’m sitting right here
Waiting for you my dear
Wondering if you ever
want to show up

I don’t know you’re gonna show
My darlin’ I got to go
But nevertheless I staying
You got to be waiting

Sittin’ in the park,
Waitin’ for hooo-hoo-hoo-hoo sha-la-la

Sitting here on the bench
With my back against the fence
Wonderin’-a-if I
Have any sense

Something tells me I’m a fool
Let you treat me so cruel
But nevertheless I say again
you gotta be waiting

Sittin’ in the park,
Waitin’ for hoooo-hoo-hoo-hoo

Why oh, why oh, why oh,
Why oh, why oh, why oh, why

Won’t you tell me why
Oh my darlin I’m sittin’ right now
Oh, girl, I want to know why?
Why? sha-la-la-la

Sittin’ in the park,
Waiting for hooo-hoo-hoo-hoo sha-la-la

Sittin’ here on the bench
With my back against the fence
Wonderin-a-if I
Have any sense

Something tells me I’m a fool
Let you treat me so cruel
Nevertheless I say it
You gotta be waiting

Sittin’ in the park,
Waiting for hooo-hoo-hoo-hoo

No I’m not gonna wait
I am tired of waiting
No longer gonna wait, girl
Any longer
I’m tired of waiting
No longer gonna wait, girl

The Ronettes, “Sleigh Ride” and a Very Merry Christmas

Well, after a bit of a slow start this year (I blame too much time spent in this very absorbing virtual world of late, and not enough time in the real world), I have now totally embraced Christmas. This, therefore, will have to be a very short post as unbelievably I still have to buy and deliver a few presents, and source the rest of the food to add to the embarrassment of calories that is the traditional Christmas lunch.

So far so good, however, and despite being up until 4am checking out darling daughter’s whereabouts (it was “Mad Friday” after all, so a bit of a worry), I am up and at it. Our lovely postman, who does go beyond the call in attempting to deliver some of the odd items that arrive in the mail (Mr WIAA being a sculptor an’ all), has already been tracked down and given his Christmas tip. Today I was in “weekend wear” but already this week he has seen me in “straight-out-of-the-shower wear”, “serious-business-woman wear” and “Christmas-jumper-themed wear”. He sees me in more guises than my husband but has become a bit of a friend, so was pleased to see he had his Santa hat on today – all the better to keep his ears warm on this cold morning.

Interestingly, the reason that robins are such a symbol of Christmas is because Victorian postmen wore a bright red uniform. The postmen in their red-breasted coats resembled the much-loved bird, the robin red-breast, earning them the nickname, Robins.

But I digress as this is supposed to be a music blog despite the fact I often stray into other territory. I think my favourite Christmas album still has to be the one produced by Phil Spector in 1963, called A Christmas Gift for You from Phil Spector (originally released as A Christmas Gift for You from Philles Records). Spector treated a series of Christmas standards to his trademark wall of sound treatment, and the selections feature the vocal performances of Spector’s regular artists during this period, Darlene Love, The Crystals and The Ronettes among others.

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Although I now have a copy of the digitally remastered version in CD format, the version I played to death in the early ’80s was the double album vinyl release, where the pink album was Phil’s Christmas one and the blue album was his Greatest Hits one (bit like the Beatles’ Red and Blue albums). When my flatmates were playing synth-pop and new wave, here I was listening to the fab sounds of Phil Spector and his wall of sound, but then I’ve always been a bit out of kilter timeline-wise, which is why perhaps I have been smitten by the music of 1967 this year.

The Christmas album has grown in popularity over the years and is full of tracks that have became iconic seasonal songs. My favourite track is Sleigh Ride by The Ronettes where they feature their well-known “ring-a-ling-a-ling ding-dong-ding” background vocals. Their version also made use of the clip-clopping of the horses as well as the sound of horse whinnying, heard at the beginning and end of the song. It doesn’t get any more Christmassy than that.

Sleigh Ride by The Ronettes:

So, “What’s It All About?” – Christmas starts too early nowadays I feel, but now that Christmas Eve is here I am ready to embrace the excess that will follow over the next couple of days. My plan to help the homeless has been somewhat scuppered as I am reliably informed by those in the know, that they will be well-catered for locally this year, by the professionals who specialise in this kind of thing. It turns out, however, that the biggest social issue of the day, is loneliness amongst the elderly, so the best thing to do is make sure my 81-year-old mum and her little band of buddies at their very swish “retirement” complex, are kept entertained.

Merry Christmas to all my blogging buddies. I didn’t even know this place existed this time last year and in less than twelve months I’ve made a good few like-minded friends of the virtual nature. I have long nagged my daughter and her friends to get out into the real world, and not spend all their time on their devices, but have now discovered myself that it does indeed have its place. Have a good one!

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The Ronettes at Christmas-time!

Sleigh Ride Lyrics
(Song by Leroy Anderson)

Just hear those sleigh bells jingling,
ring ting tingling too
Come on, it’s lovely weather
for a sleigh ride together with you,
Outside the snow is falling
and friends are calling “Yoo hoo,”
Come on, it’s lovely weather
for a sleigh ride together with you.

Giddy yap, giddy yap, giddy yap,
let’s go, Let’s look at the show,
We’re riding in a wonderland of snow.
Giddy yap, giddy yap, giddy yap,
it’s grand, Just holding your hand,
We’re gliding along with a song
of a wintry fairy land.

Our cheeks are nice and rosy
and comfy cosy are we
We’re snuggled up together
like two birds of a feather would be
Let’s take that road before us
and sing a chorus or two
Come on, it’s lovely weather
for a sleigh ride together with you.

There’s a birthday party
at the home of Farmer Gray
It’ll be the perfect ending a perfect day
We’ll be singing the songs
we love to sing without a single stop,
At the fireplace while we watch
the chestnuts pop. Pop! pop! pop!

There’s a happy feeling
nothing in the world can buy,
When they pass around the chocolate
and the pumpkin pie
It’ll nearly be like a picture print
by Currier and Ives
These wonderful things are the things
we remember all through our lives!
of a wintry fairy land

Our cheeks are nice and rosy
and comfy cosy are we
We’re snuggled up together
like two birds of a feather would be
Let’s take that road before us
and sing a chorus or two
Come on, it’s lovely weather
for a sleigh ride together with you.